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My Own Private Idaho (1991)
My Own Private Idaho (1991)
1991 | International, Drama
7.0 (1 Ratings)
Movie Favorite

"Gus is the best. Idaho was one of the first movies with which I fell in love. I would watch it repeatedly when I was a teenager. River Phoenix gives the performance of a lifetime, original and inspiring. As a young actor, I needed nothing more than this performance for inspiration. The film is a collage of techniques, plots, and themes, expertly wound together as only Van Sant is able to do. When Criterion released this DVD with a film-length interview between Todd Haynes and Gus, it was a gold mine for an acolyte like me. There are also great old magazine articles, and an odd conversation with J. T. Leroy, before he was exposed. Mala Noche is Gus’s first film. He financed it with his own money. It’s a great early glimpse into many of the themes that continue to consume him."

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James Franco recommended Mala Noche (2007) in Movies (curated)

 
Mala Noche (2007)
Mala Noche (2007)
2007 | Drama
(0 Ratings)
Movie Favorite

"Gus is the best. Idaho was one of the first movies with which I fell in love. I would watch it repeatedly when I was a teenager. River Phoenix gives the performance of a lifetime, original and inspiring. As a young actor, I needed nothing more than this performance for inspiration. The film is a collage of techniques, plots, and themes, expertly wound together as only Van Sant is able to do. When Criterion released this DVD with a film-length interview between Todd Haynes and Gus, it was a gold mine for an acolyte like me. There are also great old magazine articles, and an odd conversation with J. T. Leroy, before he was exposed. Mala Noche is Gus’s first film. He financed it with his own money. It’s a great early glimpse into many of the themes that continue to consume him."

Source
  
40x40

Justin Long recommended Drugstore Cowboy (1989) in Movies (curated)

 
Drugstore Cowboy (1989)
Drugstore Cowboy (1989)
1989 | Drama
6.5 (2 Ratings)
Movie Favorite

"It’s hard for me to narrow it down to my favorite directors and favorite actors, too, but I love Matt Dillon. I love Beautiful Girls and I love Flamingo Kid — he’s responsible for a lot of my favorites, but I’m gonna have to pick Drugstore Cowboy. I saw it when I was a kid and I felt like it was such a different culture than any that I’d ever been exposed to, and I felt like instantly I was a part of it — even though I had no frame of reference. I mean, I wasn’t a “kid,” I was 14 or 15. I had started getting into, you know, that sort of pretentious high school literate phase where you start reading, like, Kerouac and Ginsberg and, I don’t know — I loved that world, that romanticized, thuggy, kind of petty crime world. I really romanticized it myself and just wanted to be a part of that world; there was something exciting about that for me. And I love the way it’s shot. I love the drugged out scenes; I love the way [Gus Van Sant] shoots with cut-outs, those kind of simple, free-floating cut-outs to convey the psychedelic scenes. It was one of my very first exposures to that style of filmmaking that was a lot more patient and took its time and allowed itself to breathe. And from there I got into, like Hal Hartley and the independent movies of the ’90s. But my love of that type of film all started with Drugstore Cowboy."

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Lou Grande (148 KP) rated Sarah in Books

Jun 29, 2018  
Sarah
Sarah
J.T. LeRoy | 2001 | Fiction & Poetry
5
6.5 (2 Ratings)
Book Rating
There is so much wrong with this book, and not just because it features a victim of child sex trafficking as the protagonist. The story of JT LeRoy is more interesting than Sarah. LeRoy doesn't exist. The person writing these books was a white woman in her forties. However, she claimed to be someone like the character in this book: a male or intersex child prostitute raised by a drug addicted mother. The media EXPLODED over this. Garbage wrote a song about these characters ("Cherry Lips" on Beautiful Garbage); Asia Argento adapted Sarah into an unsuccessful film, and Gus Van Sant designed the cover! When it came time to make a media appearance, she hired her sister-in-law, who was kind of masculine, to portray the "character" of JT LeRoy.

Thing is, this book is basically Hogg by Samuel Delaney. He's a gay man who wrote a similar book three months before the Stonewall Riots. It's full of anger and rage, and it's more depraved and weird than anything LeRoy could conjure up. The parallels are clear: both feature underage protagonists who are largely nameless and passive, used for sexual purposes, usually at the hands of truck drivers. And Hogg is better in every way. It punches you in the face, where Sarah pulls back at the last second.

Is the story fun to read? Sure, in a sick kind of way. But the fact that it was done before, and better, and by someone who lives in the LGBT community, makes it hard for me to stomach. As it is, this feels like LGBT fanfiction.
  
Good Will Hunting (1997)
Good Will Hunting (1997)
1997 | Drama
Well Deserved Oscars for Williams, Damon and Affleck
One of the benefits of “Secret Movie Night” is that it forces me to watch (or rewatch) a film that I would not seek out on my own. Such is the case with this month’s selection - GOOD WILL HUNTING - the film that made Matt Damon and Ben Affleck stars and earned the late, great Robin Williams his only Academy Award.

Leaning hard on the mantra “write what you know”, GOOD WILL HUNTING tells the tale of a generationally talented math prodigy, who grew up in South Boston and fights his demons to find his place in this world.

Famously, the screenplay of this film earned Damon and Affleck Oscars for Best Original Screenplay and it is well deserved. They paint a picture of life of these “Southies” that appears to me real and genuine. The “family” feel of the friendship of the main characters rings true and Damon and Affleck have real chemistry with each other - like old friends playing off each other.

However, the relationship between Affleck and Damon’s character in this film is only the 3rd best relationship in this film. The best, of course, is the relationship between Will Hunting (Damon) and the shrink that is assigned to him, played by Robin Williams. It is a haunting, raw, emotional and REAL performance by Williams - one very deserving of the Oscar - and I was more than a little sad to watch this performance knowing that this uniquely talented performer is no longer with us.

The surprise to me in this rewatch of the film is the performance of Minnie Driver as a young lady that becomes emotionally attached to Will. Driver’s performance as Harvard student Skylar is also real and the struggles of her character to get a connection with Will was heartbreaking to watch.

Good Will Hunting also features strong supporting work by Stellan Skarsgard as the MIT Math Professor who discovers - and then becomes jealous of - Will’s talents and Ben Affleck’s younger brother, a then unknown Casey Affleck, who steals almost every scene he is in.

All of this would not have worked without the magnificent, Oscar nominated, Direction of Gus Van Sant (DRUGSTORE COWBOY). He was the perfect choice to direct this intimate, personal drama and he has a way of drawing out the emotions and rawness of the characters on the screen without being cloying or overdramatic. He was a strong contender for Best Director that year (as was Good Will Hunting for Best Picture) but it ran into a roadblock that was James Cameron and TITANIC.

If you have never seen this film - or if you haven’t seen this in quite some time - check out GOOD WILL HUNTING, it is well worth your time.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)