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"The door slid open and Clarke knew it was time to die." What a way to start the book. Kass Morgan dives right into her storyline with an in-your-face opener. It took a bit of time before I, as the reader realized what this book was about. She began by setting up a number of characters, switching between perspectives, to quickly introduce you to the players. Those people who will have the biggest impact upon the storyline.
Each character is thrown into the mix, destined to be sent to Earth. The first in a long, long time. While not all make it, we are still treated with back stories and past relationships. Had the author not included those scenes, her characters would have been much more difficult to relate to. You come to briefly understand what the person goes through, exactly why he/she is so angry and hurt, and what they each did to become subjected to the fate of the 100. Personally, I would have preferred that greater attention had been given to character development rather than relationship development.
The Earth was unlivable for so long, and yet they send these 100 "children" as guinea pigs, rather than trained professionals. People who could colonize, build shelters, feed the colony, study the land and environment, or even tend to the ill. Instead, these youths are forced to come together with a common goal - survival.
One gets to a certain point in the novel and then realizes they don't entirely know what these different living situations/names mean. Of course, the Walden and Arcadian people seem to be of a lower class, economic, and social standing than the Phoenix. Walden also had an outbreak at one point that had to be quarantined. But beyond that? I'm not entirely sure what the distinctions are. Clearly the Phoenix people are "posh", with foreign accents, prone to extravagances and taking what they have for granted. But how did they come to be in that, dare I say, caste to begins with? Were people settled based upon their original locations on Earth? Or perhaps based upon the money/knowledge they could provide? Unfortunately, that aspect of the story is not very clearly explained. It seems that the author took more time to focus on the intricacies of the relationships than the world building.
Sometimes the author was redundant, choosing to repeat the same fears/desire over and over again. Yes, we understand that the medicine is missing. Was it flung from the ship before the crash or during? Can they survive without it? We don't know yet, but if we didn't realize the medicine was important the first time it was mentioned... We certainly realized it after the tenth.
This book has a very unique concept in that it combines the post-apocalyptic Hunger Games or Divergent-type Earth with space. While it may exist in other novels, I've not yet read something similar. Where it does seem to follow typical YA novels is the fact that it has a love triangle. Those seem like they are a requirement, as they are in most popular young adult novels. (HG, Divergent, TMI, Vampire Diaries, etc.)
There is a bit of mystery in the book as well. It seems that the reason one of the characters is arrested must be kept a secret, even from the reader. The author continuously has the girl think to herself, 'Why isn't he asking me about my confinement?', 'He's happy, this is for the best [that he doesn't know.]', and even has her love interest say "I heard a rumor about a girl on Phoenix who was arrested for..." Yes, there was a dramatic pause. And no, he does not finish his sentence. After the third or fourth time, the author finally reveals the girl's situation during a flashback.
Throughout the novel, the author develops the relationship between two main characters. Unfortunately, it's a bit jarring and sporadic. It quickly jumps from bitter hatred from the moment they step foot on Earth to reconciliation after one act, then back to hatred. Again, after one act. While relationships can be a roller coaster, this is a bit too authentic to the carnival ride.
The relationship is not perfect, especially when she has a second possible love interest. A guy who after only a short while, thinks of only her before he falls asleep. That girl must be something. The first time they really spend any time together, he decides that making out is the best course of action. Much to the dismay of her other love interest, though it does not dissuade him. Sound familiar?
It doesn't take long before he snaps at her and their brief... Whatever it was is over. Or is it?
They must be masochists, because it seems they're just gluttons for punishment and emotional, gut wrenching hurt... Or just those that don't learn from history. (Doomed to repeat it and all that.) Who would continuously subject themselves to that kind of torment? Move on and let yourself heal. It's not a post-apocalyptic world that only the two of you can repopulate... There are other individuals in camp with you. (Like the second guy you may or may not like, but that you certainly make out with in the woods.) But that's just my perspective.
While I found myself bemused and skeptical at times about certain aspects of the book, none of those times corresponded to the purposefully exaggerated environment that they must adapt to on Earth. Rather it is the progression of relationships, situations characters find themselves in, and utterly disastrous karmic intervention. Seriously, they must have really messed with the world for it to so perfectly separate two lovers as it does.
I suspected there would be a particular plot twist and unsurprisingly it came to fruition approximately 98% of the way through the book. I'm intrigued to see where the author takes it and how it will develop in the sequel - The 100: Day
21 (which is next on my review list!)
I find myself enjoying the read, dispute the obvious flaws one notices whilst reading it. If you take it as an easy, enjoyable read - then that is what you will come away with. If you expect it to be a fantastic piece that delves into the human psyche to truly draw you into a character's life and relationships - then you will be quite disappointed. Overall, I would recommend this novel to those who enjoy dystopian, teen romance series.
Each character is thrown into the mix, destined to be sent to Earth. The first in a long, long time. While not all make it, we are still treated with back stories and past relationships. Had the author not included those scenes, her characters would have been much more difficult to relate to. You come to briefly understand what the person goes through, exactly why he/she is so angry and hurt, and what they each did to become subjected to the fate of the 100. Personally, I would have preferred that greater attention had been given to character development rather than relationship development.
The Earth was unlivable for so long, and yet they send these 100 "children" as guinea pigs, rather than trained professionals. People who could colonize, build shelters, feed the colony, study the land and environment, or even tend to the ill. Instead, these youths are forced to come together with a common goal - survival.
One gets to a certain point in the novel and then realizes they don't entirely know what these different living situations/names mean. Of course, the Walden and Arcadian people seem to be of a lower class, economic, and social standing than the Phoenix. Walden also had an outbreak at one point that had to be quarantined. But beyond that? I'm not entirely sure what the distinctions are. Clearly the Phoenix people are "posh", with foreign accents, prone to extravagances and taking what they have for granted. But how did they come to be in that, dare I say, caste to begins with? Were people settled based upon their original locations on Earth? Or perhaps based upon the money/knowledge they could provide? Unfortunately, that aspect of the story is not very clearly explained. It seems that the author took more time to focus on the intricacies of the relationships than the world building.
Sometimes the author was redundant, choosing to repeat the same fears/desire over and over again. Yes, we understand that the medicine is missing. Was it flung from the ship before the crash or during? Can they survive without it? We don't know yet, but if we didn't realize the medicine was important the first time it was mentioned... We certainly realized it after the tenth.
This book has a very unique concept in that it combines the post-apocalyptic Hunger Games or Divergent-type Earth with space. While it may exist in other novels, I've not yet read something similar. Where it does seem to follow typical YA novels is the fact that it has a love triangle. Those seem like they are a requirement, as they are in most popular young adult novels. (HG, Divergent, TMI, Vampire Diaries, etc.)
There is a bit of mystery in the book as well. It seems that the reason one of the characters is arrested must be kept a secret, even from the reader. The author continuously has the girl think to herself, 'Why isn't he asking me about my confinement?', 'He's happy, this is for the best [that he doesn't know.]', and even has her love interest say "I heard a rumor about a girl on Phoenix who was arrested for..." Yes, there was a dramatic pause. And no, he does not finish his sentence. After the third or fourth time, the author finally reveals the girl's situation during a flashback.
Throughout the novel, the author develops the relationship between two main characters. Unfortunately, it's a bit jarring and sporadic. It quickly jumps from bitter hatred from the moment they step foot on Earth to reconciliation after one act, then back to hatred. Again, after one act. While relationships can be a roller coaster, this is a bit too authentic to the carnival ride.
The relationship is not perfect, especially when she has a second possible love interest. A guy who after only a short while, thinks of only her before he falls asleep. That girl must be something. The first time they really spend any time together, he decides that making out is the best course of action. Much to the dismay of her other love interest, though it does not dissuade him. Sound familiar?
It doesn't take long before he snaps at her and their brief... Whatever it was is over. Or is it?
They must be masochists, because it seems they're just gluttons for punishment and emotional, gut wrenching hurt... Or just those that don't learn from history. (Doomed to repeat it and all that.) Who would continuously subject themselves to that kind of torment? Move on and let yourself heal. It's not a post-apocalyptic world that only the two of you can repopulate... There are other individuals in camp with you. (Like the second guy you may or may not like, but that you certainly make out with in the woods.) But that's just my perspective.
While I found myself bemused and skeptical at times about certain aspects of the book, none of those times corresponded to the purposefully exaggerated environment that they must adapt to on Earth. Rather it is the progression of relationships, situations characters find themselves in, and utterly disastrous karmic intervention. Seriously, they must have really messed with the world for it to so perfectly separate two lovers as it does.
I suspected there would be a particular plot twist and unsurprisingly it came to fruition approximately 98% of the way through the book. I'm intrigued to see where the author takes it and how it will develop in the sequel - The 100: Day
21 (which is next on my review list!)
I find myself enjoying the read, dispute the obvious flaws one notices whilst reading it. If you take it as an easy, enjoyable read - then that is what you will come away with. If you expect it to be a fantastic piece that delves into the human psyche to truly draw you into a character's life and relationships - then you will be quite disappointed. Overall, I would recommend this novel to those who enjoy dystopian, teen romance series.
Fred (860 KP) rated the PlayStation 4 version of Red Dead Redemption 2 in Video Games
Dec 4, 2018
Beautiful humongous world (5 more)
Tons to do. Hours & hours of stuff.
Great acting and characters
Lots of Easter eggs
Wonderful music
Great story
That feckin robin (2 more)
Big world means lots of riding
New Austin is kind of dead
Rockstar let my mama's baby grow up to be a cowboy
Yes, I'm a little late to this party, but I wanted to play until I completed the game & today, I finally did. I've also played a few hours of the online beta, but I'll get to that later.
Let's start with what this game is about. It's an open world game, set in the old west. It's set before the events of Red Dead Redemption. In that game, you played as John Marston. In that game, John was a man trying to change his life. He was a criminal, a thief, a murderer, but he's gone straight In this game, you play as Arthur Morgan. A criminal in the same gang with John. He is a bad guy, no doubt. But throughout the game, he has many opportunities to do good. Of course, you can play him that way, or you can play him as a heartless bastard. This will effect some of the story, the dialogue & the ending of the game. I played the game as if Arthur was a good guy inside & the ending I got was very satisfying, very emotional.
For most of the story, you're on the run with your gang, setting up different camps throughout the map, evading rival gangs & the law. This is a great way to get to know the world, however, you're free to explore most of the map freely. It is enormous & gorgeous. Some of the best scenery I've seen in a game. Sometimes you will really feel you're living in a real world. And that's the greatest thing about this game. The immersion. You really feel like you're living the life of your character. And Rockstar did that by making you take care of your character. You shave, bathe, eat & take care of your horse. Yes, you name your horse, feed it, brush it, pet it. You get very attached to it, as it is your main way of getting around. If your horse dies, it's gone. And believe me, it hurts to lose your horse.
Rockstar fills the game with so many missions, side activities, random encounters & hidden Easter eggs that it will take you weeks to do them all. I've been playing since day one, an average of 6 to 7 hours a day, & today, 5 & a half weeks later, I finally got 100% in the game. To be honest, when I first started, I spent lots of time just riding around, finding activities & hidden goodies & enjoying the scenery. Like most of their games, there's a supernatural element to some things as well as supernatural encounters. Steampunk, monsters, etc... a little bit of everything. Some encounters are funny, some terrifying, all of them cool.
I think what makes this game different & better than it's predecessor is the characters themselves. I'm not talking about the main characters alone, I'm talking about the people who litter the world. In RDR, some of the characters were silly, off-the-wall & unnatural. They were cartoonish. In RDR2, the people are real. Some may be weird and a bit crazy, but they never feel fake. They never feel like a character. Because of this, the world lives. They breathe life into it with every interaction. From the
Civil War veterans to the blind beggar, to the racist jackass standing on the corner in Saint Denis handing out pro-white pamphlets. They really make you feel like you're there. Again, immersion.
Some of the things you can do besides the missions are rob people, trains, coaches, banks. Another thing is hunting. Hunting can be a great way to make money. During the game, there are many challenges that you can undertake as well. There's are 9 categories with 10 challenges to each that can be done at your leisure. I left a lot of these to do last. I honestly didn't think I'd be able to do some of them. They just seemed ridiculous. But funny enough, I did about 50 of the last challenges within 2 days. And when I finished, I expected my 100% trophy to pop up. But it didn't. I was at 99%. What the? Looking at my completion list, there was something under the collections section that said unknown collection. Searching the internet, I found that most sites didn't have it listed. But I finally found a site that did. The last collection was the hunting challenge. And this brings us to that feckin robin.
Okay, let me explain. The hunting challenge you are given is to kill 5 different lists of animals. Each animal must be a perfect carcass. Which means, they have to be of perfect quality before you kill them & you must not damage them while killing them. Well, all of these animals are small animals. And most of them are small birds. It was fairly easy to get most of these animals. But there was one that was a huge pain in the ass. Can you guess what it was? Yes, a robin. A small, fast bird that is so rare, there are pages & videos galore on finding one. Most of which as total bollocks. How do I know? I spent over 7 hours trying to find one. Going to all these spots, seeing 3 of them total, shooting one & ruining it's carcass, & missing the other 2 based on their disappearance through the trees. I was really going to give up. So close, but so far. Luckily, using some people's hints & coming up with my own, I finally figured out how to get him. And it then took me 15 minutes. Yes, 15 minutes with 7 hours of wasted time. I am putting this as a negative, because it was really ridiculous to try to hunt this thing. So aggrivating. I understand if they want to make something rare, but it's just not nice. I felt like Rockstar was pulling a joke on it's players.
But anyway, this still doesn't bring down my score of the game. It's one of the greatest games I've ever played. But Rockstar has many perfect 10 games under it's belt in my opinion, including RDR. Is this game better. Yes, I think so. But it's oh so close.
A quick word on RDR online. It's only in beta, so I can't give a true review yet. However, I'm finding it so much fun doing missions with other people. Of course, there are jackasses going around shooting people for no reason. It gives no benefit to do so. Not all of the features are in there yet, but I will be playing when it goes to full online & will giv an update.
Let's start with what this game is about. It's an open world game, set in the old west. It's set before the events of Red Dead Redemption. In that game, you played as John Marston. In that game, John was a man trying to change his life. He was a criminal, a thief, a murderer, but he's gone straight In this game, you play as Arthur Morgan. A criminal in the same gang with John. He is a bad guy, no doubt. But throughout the game, he has many opportunities to do good. Of course, you can play him that way, or you can play him as a heartless bastard. This will effect some of the story, the dialogue & the ending of the game. I played the game as if Arthur was a good guy inside & the ending I got was very satisfying, very emotional.
For most of the story, you're on the run with your gang, setting up different camps throughout the map, evading rival gangs & the law. This is a great way to get to know the world, however, you're free to explore most of the map freely. It is enormous & gorgeous. Some of the best scenery I've seen in a game. Sometimes you will really feel you're living in a real world. And that's the greatest thing about this game. The immersion. You really feel like you're living the life of your character. And Rockstar did that by making you take care of your character. You shave, bathe, eat & take care of your horse. Yes, you name your horse, feed it, brush it, pet it. You get very attached to it, as it is your main way of getting around. If your horse dies, it's gone. And believe me, it hurts to lose your horse.
Rockstar fills the game with so many missions, side activities, random encounters & hidden Easter eggs that it will take you weeks to do them all. I've been playing since day one, an average of 6 to 7 hours a day, & today, 5 & a half weeks later, I finally got 100% in the game. To be honest, when I first started, I spent lots of time just riding around, finding activities & hidden goodies & enjoying the scenery. Like most of their games, there's a supernatural element to some things as well as supernatural encounters. Steampunk, monsters, etc... a little bit of everything. Some encounters are funny, some terrifying, all of them cool.
I think what makes this game different & better than it's predecessor is the characters themselves. I'm not talking about the main characters alone, I'm talking about the people who litter the world. In RDR, some of the characters were silly, off-the-wall & unnatural. They were cartoonish. In RDR2, the people are real. Some may be weird and a bit crazy, but they never feel fake. They never feel like a character. Because of this, the world lives. They breathe life into it with every interaction. From the
Civil War veterans to the blind beggar, to the racist jackass standing on the corner in Saint Denis handing out pro-white pamphlets. They really make you feel like you're there. Again, immersion.
Some of the things you can do besides the missions are rob people, trains, coaches, banks. Another thing is hunting. Hunting can be a great way to make money. During the game, there are many challenges that you can undertake as well. There's are 9 categories with 10 challenges to each that can be done at your leisure. I left a lot of these to do last. I honestly didn't think I'd be able to do some of them. They just seemed ridiculous. But funny enough, I did about 50 of the last challenges within 2 days. And when I finished, I expected my 100% trophy to pop up. But it didn't. I was at 99%. What the? Looking at my completion list, there was something under the collections section that said unknown collection. Searching the internet, I found that most sites didn't have it listed. But I finally found a site that did. The last collection was the hunting challenge. And this brings us to that feckin robin.
Okay, let me explain. The hunting challenge you are given is to kill 5 different lists of animals. Each animal must be a perfect carcass. Which means, they have to be of perfect quality before you kill them & you must not damage them while killing them. Well, all of these animals are small animals. And most of them are small birds. It was fairly easy to get most of these animals. But there was one that was a huge pain in the ass. Can you guess what it was? Yes, a robin. A small, fast bird that is so rare, there are pages & videos galore on finding one. Most of which as total bollocks. How do I know? I spent over 7 hours trying to find one. Going to all these spots, seeing 3 of them total, shooting one & ruining it's carcass, & missing the other 2 based on their disappearance through the trees. I was really going to give up. So close, but so far. Luckily, using some people's hints & coming up with my own, I finally figured out how to get him. And it then took me 15 minutes. Yes, 15 minutes with 7 hours of wasted time. I am putting this as a negative, because it was really ridiculous to try to hunt this thing. So aggrivating. I understand if they want to make something rare, but it's just not nice. I felt like Rockstar was pulling a joke on it's players.
But anyway, this still doesn't bring down my score of the game. It's one of the greatest games I've ever played. But Rockstar has many perfect 10 games under it's belt in my opinion, including RDR. Is this game better. Yes, I think so. But it's oh so close.
A quick word on RDR online. It's only in beta, so I can't give a true review yet. However, I'm finding it so much fun doing missions with other people. Of course, there are jackasses going around shooting people for no reason. It gives no benefit to do so. Not all of the features are in there yet, but I will be playing when it goes to full online & will giv an update.
Daniel Boyd (1066 KP) rated Rick and Morty - Season 2 in TV
Jul 21, 2017
Absolute insanity (1 more)
Will leave you in stitches throughout
The Universe Is A Crazy and Chaotic Place…
Rick & Morty was one of those shows that totally flew under the radar for me while it was on the air for months, then all of a sudden almost every podcast and youtuber that I subscribe to were recommending it. Though by the time that I was recommended it, I was aware it was an Adult Swim show, so I assumed each episode would only be around six or seven minutes long and put it on the backburner. Then one day I had run out of things to watch, I was up to date on all of my youtube videos and decided to give it a shot. Whilst I didn’t fall in love with it immediately, it did hook me right away and I was pleased to learn each episode was 20 minutes long and because the episodes are so short, I decided to watch a few episodes in a row and by the time I had finished watching Anatomy Park, the third episode of the first season, I realised how great this show was. The writing is so off the wall and insane yet dry that it works and the characters and the dynamic that they have is honestly hilarious, the comedic timing is also spot on. If you haven’t seen the show, think a blend of Family Guy style animation, with a backdrop of a Back To The Future or Doctor Who kind of universe and sprinkled with Always Sunny In Philadelphia style comedy. There is so much about this show that makes it funny, the sheer insanity and traumatisation that Rick exposes his grandchildren to, only to then brush it off as if it is totally normal as it is them that are overreacting and then there is Gerry and Beth’s broken marriage that only exists because Gerry got Beth pregnant with Summer when they were teenagers. Rick and Gerry are probably my two favourite characters in the show, Rick because you know he has seen so many insane things all over the galaxy over the years that literally nothing bothers him anymore and everything is normal to him, no matter how insane it seems to us and the other characters in the show and Gerry because of his exceptional mediocrity and impressive amount of general naivety. Also it would be criminal not to mention the other vast array of fantastically hilarious characters that we meet throughout the show, from Mr Meeseeks, (look at me!) to Mr Poopybutthole, to Birdperson, the list goes on getting more and more crazy as it does. The show is two seasons in so far, with a total of 21 episodes and I can honestly say that there is not one episode that I don’t like. I do have my favourites however, like M Night Shamaliens, when Rick, Morty and Gerry are stuck in a simulation of the real world and Gerry thinks he is having the greatest day of his life, or Rick Potion No.9, where said potion makes everybody fall in love with Morty, then transform into grotesque monsters, so they simply leave that reality behind and move into a fresh one, or Raising Gazorpazorp, where Morty goes through fatherhood in the space of a day, or Mortynight Run where they leave Gerry in a nursing home full of other Gerrys, I don’t want to spoil too much for those who haven’t seen it, but if you haven’t then stop watching this review right now and go watch Rick & Morty. The animation uses an odd art style, which may be initially off-putting, but a few episodes in, it becomes clear that this animation is to a high standard, just done in an odd style. The voice acting also seems fairly amateur at first, but as the show goes on and you get to know the characters and the world, the voice acting actually works perfectly in unison with the way that the show is written.
There isn’t much more to say, this show has hardly any negative qualities, it is one of the best animated shows that I have seen in the last decade and it is totally my kind of humour.
There isn’t much more to say, this show has hardly any negative qualities, it is one of the best animated shows that I have seen in the last decade and it is totally my kind of humour.
Daniel Boyd (1066 KP) rated Bad Samaritan (2018) in Movies
Oct 3, 2018 (Updated Oct 3, 2018)
Tacky jump-scares (1 more)
Constantly asks you to accept huge leaps of logic
What A Waste
Bad Samaritan is a movie that I really should have liked. I am a huge fan of David Tennant, I love a decent thriller movie and the trailer for the movie teased an intriguing plot as well. Unfortunately, I didn't like much of it, in fact it really annoyed me how little I liked when watching this thing.
Let's start off with the cast. David Tennant is, - as he always is, - absolutely fantastic in this role. In any other better movie, he would be in with a shout for an award for this role, unfortunately he is surrounded by absolutely overwhelming amount of trash. Robert Sheehan does a serviceable job with what he has given, but some of the lines he delivers are just too forced and cheesy to be taken seriously. The actor playing his best friend is just playing a stereotypical nonchalant small time criminal. Kerry Condon plays the hostage that David Tennant is keeping in his house and she also does a decent enough job with the shoddy material she has been given to work with.
The only other positive that I can think of other than Tennant's performance, is the way that Tennant's character systematically ruins Sheehan's character's life. He makes him lose his job, he blackmails him via social media, he attacks his girlfriend and he wrecks his car. The way that this sequence played out reminded me of Frank Miller's Daredevil story Born Again, where Kingpin learns Daredevil's real identity and destroys his life piece by piece via the people he cares about. Don't get me wrong, it is done far better in Born Again and Born Again is a much better story overall than Bad Samaritan, but it was the only element of this movies plot that I liked other than what we already saw in the trailers.
Now that we have discussed the few positives that this movie has, let's go through everything else. First of all, I have never heard a more out-of-place, inappropriate score to go along with what is happening onscreen. It genuinely felt like a temp score that was put in preliminarily until the proper one was put in and then they just left it in and didn't bother going back to improve it.
Then there was the cheap jump-scares, Although they are mostly consigned to the first act in the movie, they are still far too frequent and totally unnecessary. The last one that I remember happening was so egregious, (when David Tennant was standing behind the detective outside the house,) it actually bordered on parody. There was no story justification for it whatsoever, why would this guy who is trying to appear normal and as if nothing is wrong, creep up behind a detective who is investigating him and just stand there like a creep to give him a fright? It makes absolutely no sense. To be honest, the movie is abundant with things that don't make any sense and you are almost constantly asked to make huge leaps of logic when watching it.
There's also the fact that this movie has no idea what it wants to be. Dean Devlin who directed this, also directed last year's Geostorm. Now Geostorm was a steaming pile of shit, but at least it knew what it wanted to be. The tone in Bad Samaritan is totally all over the place and doesn't work in any way or flow well at all. This movie also plays like a check-list of thriller movie clichés. Everything from cheesy flashbacks showing the villains messed up past to the detectives not believing the protagonist's claims even when he has photo evidence on his phone.
Overall, this film is a huge waste. David Tennant's fantastic performance that he puts in here as an unhinged, genuinely scary villain is wasted in this trash movie. The trailers showed us a potentially thrilling plot that could have really been exciting and engaging only to totally waste it on a flick full of mediocre production elements and a half baked storyline. The only reason that this scored 4 was because of Tennant's brilliant performance, if not for that, this movie would have scored a 2 at best.
Let's start off with the cast. David Tennant is, - as he always is, - absolutely fantastic in this role. In any other better movie, he would be in with a shout for an award for this role, unfortunately he is surrounded by absolutely overwhelming amount of trash. Robert Sheehan does a serviceable job with what he has given, but some of the lines he delivers are just too forced and cheesy to be taken seriously. The actor playing his best friend is just playing a stereotypical nonchalant small time criminal. Kerry Condon plays the hostage that David Tennant is keeping in his house and she also does a decent enough job with the shoddy material she has been given to work with.
The only other positive that I can think of other than Tennant's performance, is the way that Tennant's character systematically ruins Sheehan's character's life. He makes him lose his job, he blackmails him via social media, he attacks his girlfriend and he wrecks his car. The way that this sequence played out reminded me of Frank Miller's Daredevil story Born Again, where Kingpin learns Daredevil's real identity and destroys his life piece by piece via the people he cares about. Don't get me wrong, it is done far better in Born Again and Born Again is a much better story overall than Bad Samaritan, but it was the only element of this movies plot that I liked other than what we already saw in the trailers.
Now that we have discussed the few positives that this movie has, let's go through everything else. First of all, I have never heard a more out-of-place, inappropriate score to go along with what is happening onscreen. It genuinely felt like a temp score that was put in preliminarily until the proper one was put in and then they just left it in and didn't bother going back to improve it.
Then there was the cheap jump-scares, Although they are mostly consigned to the first act in the movie, they are still far too frequent and totally unnecessary. The last one that I remember happening was so egregious, (when David Tennant was standing behind the detective outside the house,) it actually bordered on parody. There was no story justification for it whatsoever, why would this guy who is trying to appear normal and as if nothing is wrong, creep up behind a detective who is investigating him and just stand there like a creep to give him a fright? It makes absolutely no sense. To be honest, the movie is abundant with things that don't make any sense and you are almost constantly asked to make huge leaps of logic when watching it.
There's also the fact that this movie has no idea what it wants to be. Dean Devlin who directed this, also directed last year's Geostorm. Now Geostorm was a steaming pile of shit, but at least it knew what it wanted to be. The tone in Bad Samaritan is totally all over the place and doesn't work in any way or flow well at all. This movie also plays like a check-list of thriller movie clichés. Everything from cheesy flashbacks showing the villains messed up past to the detectives not believing the protagonist's claims even when he has photo evidence on his phone.
Overall, this film is a huge waste. David Tennant's fantastic performance that he puts in here as an unhinged, genuinely scary villain is wasted in this trash movie. The trailers showed us a potentially thrilling plot that could have really been exciting and engaging only to totally waste it on a flick full of mediocre production elements and a half baked storyline. The only reason that this scored 4 was because of Tennant's brilliant performance, if not for that, this movie would have scored a 2 at best.
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
Chris Sawin (602 KP) rated John Carpenter's Vampires (1998) in Movies
Jun 22, 2019
A group of eccentric vampire hunters lead by the rugged and cold-hearted Jack Crow (James Woods) never really stop working. Taking great pride in the fruits of their labor, they work hard and play even harder as their celebrations after a job well done consist of alcohol flowing freely and plenty of women to take their minds off of work. But this particular job didn't go exactly as planned and it's weighing heavily on the mind of Jack Crow. Even after killing what's referred to as a "nest" of nine vampires, the master was no where to be found. Hardly a reason to celebrate in Jack's eyes. Unfortunately, his gut instinct was right as things get a hell of a lot worse for Jack's team when the master shows up to their little shindig. But this master is different from the others; stronger, more powerful, and why does he know Jack's name? There's something more elaborate going on and Jack Crow is going to find out exactly what it is while eradicating as many vampires as he possibly can along the way.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Gareth von Kallenbach (971 KP) rated The Incredibles 2 (2018) in Movies
Jul 8, 2019
It’s hard to believe that the first Incredibles by Disney Pixar debuted all the way back in 2004, and for those of you counting that’s over 14 years ago. Featuring the vibrant animation and incredible voice acting that only Disney Pixar can offer, we find ourselves once again sharing a grand adventure with this lovable superhero family. This will be a spoiler free review so feel free to read on and prepare for a journey of epic proportions.
Not much has changed since we last left off with the original Incredibles. Superheroes are still outlawed, seemingly because the damage they cause when fighting crime is far more expensive than the actual crime itself. This is proven in the very first scene of the movie, where our crime fighting family attempts to stop a bank robbery and they end up causing more havoc and mayhem than would have occurred had they not been involved at all. It seems there isn’t a place anywhere left in the world for superheroes…or is there?
The family is then offered an opportunity to prove how important superheroes are to the world and the impact they can have on the good of humanity. This mission only needs the talents of Elastigirl (Holly Hunter) however, so Elastigirl goes off to fight crime while Mr. Incredible (Craig T. Nelson) stays back at the homestead to take care of the three kids.
As with all Pixar movies, Incredibles 2 is far more than simply a cute movie about a family of crime fighting heroes. It is about how Mr. Incredible must learn to be a hero by taking care of his family instead of fighting crime. It shows how even without a secret identity and super suit that a parent helping their kids with “new math” or reading them a bedtime story can makes them the greatest hero of all. I loved that the underlying message to this movie was that being there for your family is as equally as important as saving the town from the next evil menace.
In a similar reversal of roles, Elastigirl takes on the role of the family provider. While she excels with her superhero duties, she struggles with not always being there for her kids. For Elastigirl it’s about letting go and trusting that her husband and family can learn to manage on their own when she can’t be there. We also learn that sometimes being a hero means making sacrifices for the good of the family as a whole.
As you’d expect from any film with Pixar behind it, the animation is beautiful and colorful. I would warn those that might be sensitive to strobe lights to be a bit cautious during a few scenes. There weren’t any warnings for those who might be photosensitive, and the scenes don’t last long, but I feel it’s still important to note. As already mentioned, the voice acting is also excellent. Sarah Vowell does a great job as Violet and Huck Milner is adorable as the voice of Dash. As you might have already guessed, Samuel L. Jackson does an outstanding job at reprising his role of Frozone. Unfortunately, Frozone isn’t in the movie too much but he definitely steals any scene he is in. The story was fun, entertaining and at times downright hilarious. Even though baby Jack-Jack hasn’t been a big part of this review, he is a huge part of the movie. Jack-Jack’s emerging powers mean an even greater challenge for everyone and some of the most entertaining scenes revolve around Jack-Jack and his ever-growing list of powers.
Incredibles 2 is a heartwarming film that shows us all that heroes come in different shapes and sizes, and how important it is for everyone to come together as a family in order to succeed at life (and occasionally take down a bad guy). It’s a worthy successor to the original in every way and will certainly appeal to both young and old alike. So, gather up your own superhero family and run/fly/warp your way to see Incredibles 2 when it releases in theatres on June 15th!
Not much has changed since we last left off with the original Incredibles. Superheroes are still outlawed, seemingly because the damage they cause when fighting crime is far more expensive than the actual crime itself. This is proven in the very first scene of the movie, where our crime fighting family attempts to stop a bank robbery and they end up causing more havoc and mayhem than would have occurred had they not been involved at all. It seems there isn’t a place anywhere left in the world for superheroes…or is there?
The family is then offered an opportunity to prove how important superheroes are to the world and the impact they can have on the good of humanity. This mission only needs the talents of Elastigirl (Holly Hunter) however, so Elastigirl goes off to fight crime while Mr. Incredible (Craig T. Nelson) stays back at the homestead to take care of the three kids.
As with all Pixar movies, Incredibles 2 is far more than simply a cute movie about a family of crime fighting heroes. It is about how Mr. Incredible must learn to be a hero by taking care of his family instead of fighting crime. It shows how even without a secret identity and super suit that a parent helping their kids with “new math” or reading them a bedtime story can makes them the greatest hero of all. I loved that the underlying message to this movie was that being there for your family is as equally as important as saving the town from the next evil menace.
In a similar reversal of roles, Elastigirl takes on the role of the family provider. While she excels with her superhero duties, she struggles with not always being there for her kids. For Elastigirl it’s about letting go and trusting that her husband and family can learn to manage on their own when she can’t be there. We also learn that sometimes being a hero means making sacrifices for the good of the family as a whole.
As you’d expect from any film with Pixar behind it, the animation is beautiful and colorful. I would warn those that might be sensitive to strobe lights to be a bit cautious during a few scenes. There weren’t any warnings for those who might be photosensitive, and the scenes don’t last long, but I feel it’s still important to note. As already mentioned, the voice acting is also excellent. Sarah Vowell does a great job as Violet and Huck Milner is adorable as the voice of Dash. As you might have already guessed, Samuel L. Jackson does an outstanding job at reprising his role of Frozone. Unfortunately, Frozone isn’t in the movie too much but he definitely steals any scene he is in. The story was fun, entertaining and at times downright hilarious. Even though baby Jack-Jack hasn’t been a big part of this review, he is a huge part of the movie. Jack-Jack’s emerging powers mean an even greater challenge for everyone and some of the most entertaining scenes revolve around Jack-Jack and his ever-growing list of powers.
Incredibles 2 is a heartwarming film that shows us all that heroes come in different shapes and sizes, and how important it is for everyone to come together as a family in order to succeed at life (and occasionally take down a bad guy). It’s a worthy successor to the original in every way and will certainly appeal to both young and old alike. So, gather up your own superhero family and run/fly/warp your way to see Incredibles 2 when it releases in theatres on June 15th!
Gareth von Kallenbach (971 KP) rated Annabelle (2014) in Movies
Aug 6, 2019
Annabelle is the newest demon-based spooky fright film produced by James Wan (producer Saw II-IV & director Insidious 1&2). The trailers would have you believe that it is a prequel to the Conjuring. Well I suppose it is, although a very loose prequel.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Annabelle, the possessed doll, is mentioned a few times in “The Conjuring,” but it doesn’t contain any of the cast from the original . The film takes place in the 1970s and focuses on a married couple who have just moved in to a new house and the wife, Mia (Annabelle Wallis) is pregnant. Her husband (played extremely woodenly by actor Ward Horton) buys her a long sought after custom doll named Annabelle. Shortly after, the couple is attacked by their neighbors who we find are satanic cult members. Mia is stabbed in her belly (threatening the life of her child); the female Satanist neighbor dies clutching the Annabelle doll, her blood dripping and seemingly sucked into the eye socket of the doll, ushering in the demonic reign of Annabelle.
You’d assume that this is a standard “killer doll” horror flick, you’d also be a bit misled, and that’s a good thing in my opinion. This isn’t Chucky. You won’t see Annabelle speaking or running around the house brandishing a knife. That isn’t to say that the movie doesn’t have its share of genre tropes, it has plenty of those.
As so many other possession/haunting movies involving a couple, for the most part the lonely wife is preyed upon while the husband is away at work. Throughout the film the writers find multiple ways of keeping Mia at home alone with the demon. John is called away on a business trip on one of the more traumatic encounters Mia has with Annabelle, resulting in Mia being placed on bed rest, giving her a reason to stay at home in the demons clutches. Later John is placed on the night shift, once again placing him out of the way so the demon can terrorize Mia at night where things are scary. It is inevitable that a scene takes place where her husband doesn’t believe her and thinks she’s going crazy. I can think of so many films that go this same route. The prerequisite priest comes along to help the family figure out their demonic happenings and oh yes, let’s not forget the sagely African American that needs to help Mia find her way and lead her both in knowledge of the demon and its demise. The story manages to throw in some mysterious children to once scene just to make sure that the trope is checked off the list. The remainder of the movie after the introductory attack by the satanic neighbors has Mia and later her child being threatened by the demon possessing Annabelle, the search for what it is, and what it wants and then its climax and disposal. Nothing new to this genre found here.
Annabelle does come with its share of scares (most of these can be seen in the previews), however the pacing is bad. I found myself bored out of my mind by the plot between the scares. So bored and disinterested that once the scary scenes occurred which seemed to be paced almost on a timer there wasn’t enough scare to raise the adrenaline needed to make it to the next fright. I will say that having a child endangered and threatened by the demonic spirit does bump up the tension and nerves and was a necessary inclusion to raise the stakes and pull out some reason to care about the victims by the audience.
Mia and John are so one-imensional that one would be hard-pressed to care about what happens to either of them. The demon effects are about as scary as a guy in a rubber suit lurking around a two-bit horror house, I mean pretty bad. I’ve seen a scarier demon on a TV episode of “Unsolved Mysteries” from 1988. Annabelle is good for a fright or two, and a reason to grab some popcorn and pig-out, but just be prepared to take a siesta three or four times in-between bouts of popcorn binge.
Mick Hucknall recommended Kind of Blue by Miles Davis in Music (curated)
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
