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Leanne Crabtree (480 KP) rated Boyfriend Material in Books
Jan 6, 2021
4.5 stars.
I'd seen this all over Goodreads and added it to my wish list on Amazon and a few weeks later, it went down to under £2 so I bought it.
It starts with Luc going to a fancy dress party and his inner musings over how he got to be wearing his bunny ears for the (mad hatters tea) party. He's the son of two has-been rock stars and is wary of some people as they may just be after some story to sell. When bad press leads to the charity he works for losing income, he decides to get himself a fake boyfriend with a good image so that he can then show his boss and their investors that he is reliable. His friend recommends Oliver, the guy he met about two years ago and who he tried to sleep with but Oliver turned him down. Oliver is also in need of a fake boyfriend so they work out a few details and run with it. Only things change between them the more time they spend together.
I really enjoyed this book. It wasn't only the romance either. Just the way it was written was brilliant. Luc didn't take himself too seriously and his thoughts and the situations he sometimes found himself in...? *snorts with laughter* He wasn't perfect in any way really. He was messy and forgetful but so likeable.
Oliver on the other hand, well, he was a little serious at times but he was also good in any situation. Put him in the middle of posh people, he could find something to talk about with everyone. Put him in the middle of a party and he fits in. He grew on me a lot with how he treated Luc and I really loved them as a couple.
I loved Luc's jokes to his colleague, Alex, at the start of some chapters. They weren't the greatest jokes in the world but...geez, Alex's reactions to them was priceless. He's not the sharpest tool in the shed, so his reactions through most of the book had me chuckling to myself. And then let's not forget his girlfriend/fiancée Miffy and that weird bar scene.
I also feel like Luc's mum, Odile, needs a mention. She's a riot. She's very forthcoming with her opinions on everything and doesn't care what people think about her and said opinions. Her curry and that scene was hilarious.
This was right up my street. I love me a good MM Romance and this one was more about the feelings that grew between our characters as there were no explicit sex scenes included in this. It was cute and very British with it's situations and humour. Recommend it to anyone who likes any of the above.
I'd seen this all over Goodreads and added it to my wish list on Amazon and a few weeks later, it went down to under £2 so I bought it.
It starts with Luc going to a fancy dress party and his inner musings over how he got to be wearing his bunny ears for the (mad hatters tea) party. He's the son of two has-been rock stars and is wary of some people as they may just be after some story to sell. When bad press leads to the charity he works for losing income, he decides to get himself a fake boyfriend with a good image so that he can then show his boss and their investors that he is reliable. His friend recommends Oliver, the guy he met about two years ago and who he tried to sleep with but Oliver turned him down. Oliver is also in need of a fake boyfriend so they work out a few details and run with it. Only things change between them the more time they spend together.
I really enjoyed this book. It wasn't only the romance either. Just the way it was written was brilliant. Luc didn't take himself too seriously and his thoughts and the situations he sometimes found himself in...? *snorts with laughter* He wasn't perfect in any way really. He was messy and forgetful but so likeable.
Oliver on the other hand, well, he was a little serious at times but he was also good in any situation. Put him in the middle of posh people, he could find something to talk about with everyone. Put him in the middle of a party and he fits in. He grew on me a lot with how he treated Luc and I really loved them as a couple.
I loved Luc's jokes to his colleague, Alex, at the start of some chapters. They weren't the greatest jokes in the world but...geez, Alex's reactions to them was priceless. He's not the sharpest tool in the shed, so his reactions through most of the book had me chuckling to myself. And then let's not forget his girlfriend/fiancée Miffy and that weird bar scene.
I also feel like Luc's mum, Odile, needs a mention. She's a riot. She's very forthcoming with her opinions on everything and doesn't care what people think about her and said opinions. Her curry and that scene was hilarious.
This was right up my street. I love me a good MM Romance and this one was more about the feelings that grew between our characters as there were no explicit sex scenes included in this. It was cute and very British with it's situations and humour. Recommend it to anyone who likes any of the above.
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Drop the gloves and test your skills in this unique 3D hockey fighting game! Do you have what it...
BankofMarquis (1832 KP) rated The Adam Project (2022) in Movies
Mar 23, 2022
Family Friendly, fun, action/comedy
Ryan Reynolds is making a nice living, not only is he on the “A” list for such films as DEADPOOL and FREE GUY (a wonderful film that you have to check out if you haven’t seen it), He is also popping up in charming action/comedy films that go straight to Streaming on Netflix. Following the fun romp that was RED NOTICE (with Gal Gadot and Dwayne “The Rock” Johnson), he is back in the Shawn Levy helmed THE ADAM PROJECT.
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
And while this film is not doing anything special, nor will it be nominated for any kind of awards, it is a fun, entertaining way to spend a couple of hours.
Family friendly, THE ADAM PROJECT, stars Reynolds as…you got it…Adam. A time traveling pilot who goes back in time to find his father - the inventor of time travel - and stop him. Along the way, her runs into his younger self, his mother and a very important person from Adam’s past…or rather…future…or…
You get the idea, it’s a time travel movie, so I wouldn’t get too caught up in “the rules” or dig too deeply into the plot.
Reynolds, of course, is charming as pilot Adam, ready with a laser gun and a quip. His quick wit and snappy banter is reminiscent of many, many other roles that Reynolds has played…and that is okay. He is joined by his younger self (dubbed Small Adam) who is played as a young Ryan Reynolds mimic very well by newcomer Walker Scobell. To be honest, Scobell is annoying early on in this film - and that is on purpose - for what is charming in the adult Reynolds is really annoying in a 12 year old.
Jennifer Garner (Mom), Mark Ruffalo (Dad) and Zoe Saldana (mysterious person from Adam’s past…I mean…future) are “professional” in their respective roles, bringing the right amount of whatever their character needs at the moment. Finally, surprisingly, indie film icon Catherine Keener is very good as the “bad buy” in this piece.
All of this is handled deftly by Shawn Levy (NIGHT AT THE MUSEUM). His track record shows that he knows how to do these family friendly, action/comedy/adventure films and he does not disappoint here. He moves things along at a brisk enough pace to keep all interested while throwing in comedy and snappy banter along the way.
All-in-All, a very fun way to spend a couple of hours - certainly a good way to spend a crisp Spring evening whilst waiting for the warmer weather to arrive.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Acanthea Grimscythe (300 KP) rated Everything You Want Me to Be in Books
May 16, 2018
It's not very often that I add a title to my list of favorite books, and I've never felt the burning desire to create a shelf for my favorite reads on Goodreads - that is, until this moment. After finishing up with Mindy Mejia's Everything You Want Me to Be, I am nearly speechless. What Mejia has pulled off in her book is nothing short of a impressive.
One of the things that caught my interest when I was browsing through titles to request on NetGalley was the synopsis for this novel, which I found to be unique. Most books give you a loose summary of the plot, sans spoilers. It's the information that you usually find on the back of a book, really. That little tidbit of information for Everything You Want Me to Be came defied the norm in that regard by blatantly telling potential readers that they would be following the life of a girl up until her death which, if you ask me, is a pretty big spoiler: one that leaves a challenge at that. If you tell your readers that the main character is dead, the question that remains is this: how are you going to keep them hooked? Mejia's reply to that query comes in the form of a plot full of nerve-wracking twists and turns that, no matter how certain a reader might be, is likely to still leave them searching for answers. (I was actually guessing until the very end how this book would play out, and I did not figure it out until the very last moment, when there were only lines left until the major reveal.)
Everything You Want Me to Be is a whodunnit novel - of that, I have no doubt. Eighteen-year-old Henrietta Hoffman, full of talent and with her whole life ahead of her, is murdered. It was someone close to her, according to evidence, and its left to the sheriff, who happens to be the girl's father's best friend, to find out who's behind it. It is also a psychological thriller. Reading this book, I felt things I did not want to feel. Where I felt I should be directing anger and disgust, I could not; in fact, my least favorite character is actually the victim, rather than the various suspects I encountered as I read.
Henrietta, or Hattie as she prefers to be called, is a typical teen-aged girl, facing the usual obstacles of small town life. Having been in her shoes, I was able to connect with her and, in some ways, relive my own past as I read through her dialogue. Born and raised in rural south Minnesota, Hattie has dreams of the Big Apple. Every moment of her free time is spent focusing on those dreams, and while she's browsing through a forum, she meets a guy that she ends up falling in love with. Through private messages, a relationship blooms, and she and this guy embark upon a journey with an unknown destination. It's a pretty easy web to get caught up in, especially when one spends most of their time pleasing other people, which Hattie obviously does.
The book is told from three perspectives in total: Henrietta's, Peter's, and Del's. Peter is a teacher at her school and Del is the town's sheriff. In addition to these three vastly different points-of-view, there is a plethora of minor characters and, surprisingly enough, they all have their own quirks and flaws. I have to admit I'm actually impressed by how much depth there is to Mejia's characters and that she's written them in such a way that it's easy to remember their traits. More often than not, when there's so many characters to flesh out, it is way too easy to lose track of individual character traits.
I can't say a whole lot about the plot's flow really. To be honest, it is a bit all over the place. Considering that Everything You Want Me to Be is written in a loose journal-style and one of the speakers is the sheriff, that is to be expected. Obviously there isn't much of a need to include him prior to the discovery of Hattie's body. Also, the story starts at the end, then hooks back to a year prior to the murder. Fortunately, each shift in voice is dated, so it's not too much of a challenge to keep up with.
Thanks to NetGalley and the publisher for providing me with an advance copy for the purpose of an unbiased review. I can't wait for a chance to purchase a physical copy of this book for my shelf!
One of the things that caught my interest when I was browsing through titles to request on NetGalley was the synopsis for this novel, which I found to be unique. Most books give you a loose summary of the plot, sans spoilers. It's the information that you usually find on the back of a book, really. That little tidbit of information for Everything You Want Me to Be came defied the norm in that regard by blatantly telling potential readers that they would be following the life of a girl up until her death which, if you ask me, is a pretty big spoiler: one that leaves a challenge at that. If you tell your readers that the main character is dead, the question that remains is this: how are you going to keep them hooked? Mejia's reply to that query comes in the form of a plot full of nerve-wracking twists and turns that, no matter how certain a reader might be, is likely to still leave them searching for answers. (I was actually guessing until the very end how this book would play out, and I did not figure it out until the very last moment, when there were only lines left until the major reveal.)
Everything You Want Me to Be is a whodunnit novel - of that, I have no doubt. Eighteen-year-old Henrietta Hoffman, full of talent and with her whole life ahead of her, is murdered. It was someone close to her, according to evidence, and its left to the sheriff, who happens to be the girl's father's best friend, to find out who's behind it. It is also a psychological thriller. Reading this book, I felt things I did not want to feel. Where I felt I should be directing anger and disgust, I could not; in fact, my least favorite character is actually the victim, rather than the various suspects I encountered as I read.
Henrietta, or Hattie as she prefers to be called, is a typical teen-aged girl, facing the usual obstacles of small town life. Having been in her shoes, I was able to connect with her and, in some ways, relive my own past as I read through her dialogue. Born and raised in rural south Minnesota, Hattie has dreams of the Big Apple. Every moment of her free time is spent focusing on those dreams, and while she's browsing through a forum, she meets a guy that she ends up falling in love with. Through private messages, a relationship blooms, and she and this guy embark upon a journey with an unknown destination. It's a pretty easy web to get caught up in, especially when one spends most of their time pleasing other people, which Hattie obviously does.
The book is told from three perspectives in total: Henrietta's, Peter's, and Del's. Peter is a teacher at her school and Del is the town's sheriff. In addition to these three vastly different points-of-view, there is a plethora of minor characters and, surprisingly enough, they all have their own quirks and flaws. I have to admit I'm actually impressed by how much depth there is to Mejia's characters and that she's written them in such a way that it's easy to remember their traits. More often than not, when there's so many characters to flesh out, it is way too easy to lose track of individual character traits.
I can't say a whole lot about the plot's flow really. To be honest, it is a bit all over the place. Considering that Everything You Want Me to Be is written in a loose journal-style and one of the speakers is the sheriff, that is to be expected. Obviously there isn't much of a need to include him prior to the discovery of Hattie's body. Also, the story starts at the end, then hooks back to a year prior to the murder. Fortunately, each shift in voice is dated, so it's not too much of a challenge to keep up with.
Thanks to NetGalley and the publisher for providing me with an advance copy for the purpose of an unbiased review. I can't wait for a chance to purchase a physical copy of this book for my shelf!
Ande Thomas (69 KP) rated The Time Traveler's Wife in Books
May 30, 2019
I've been thinking a lot about what I would write about <i>The Time Traveler's Wife,</i> partly because it seems one usually falls into one of two camps: Love it, hate it. It turns out, I belong to the latter. I won't bother with the sci-fi elements, the could he/couldn't he, the exploration of time travel as a plot device - I'm always willing to engage with a story as long as it follows it's own rules. My problems run deeper.
Spoilers abound.
<spoiler>
First, I'd be remiss not to at least acknowledge the creepy factor of a 40 year old naked man befriending a 6 year old girl. It's been discussed ad nauseum, but I've got to put my two cents in.
The whole experience reeks of grooming. Henry shows up, naked, in a young girl's life and (although true) casually explains that he's a <i>time traveler</i>. Her imagination is hooked. Her very own secret Magic Man. Over the following years, their friendship blossoms, and Henry refuses to tell her anything about the future. He is friendly, charming even, and always respectful. But he remains an enigma. Clare is pulled in by the mystery of the Magic Man. All she knows are the dates of his future arrivals. Until one day he begins to break his rule and tell her that they will be together. They'll get married and be in love and have a life. What changed? Why is he suddenly willing to tell her snippets of her future life? Puberty. She admits her desire to be with him and he basically says "keep waiting, it'll happen."
From that moment, her life has been decided - by Henry, and for Henry. Clare spends the entirety of her teenage existence (and beyond) waiting on Henry. The whole of her character arc is basically one big middle finger to the Bechdel test. Henry leads her by a leash with clues and vague promises of the future. We'll be together when you're older (we're destined). We'll have sex on your 18th birthday (wait for me). We'll meet in Chicago (move to Chicago). Even after his dying breath, he subtly slides direction her way. "I hope you move on, but by the way, I'll drop by when you're EIGHTY. But by all means...move on." Is it coincidence that Henry's time traveling mimics an emotionally abusive relationship? Clare tells us, "Henry is an artist of another sort, a disappearing artist. Our life together in this too-small apartment is punctuated by Henry’s small absences. Sometimes he disappears unobtrusively . . . Sometimes it’s frightening." Sure, you say, but he can't help it. He wants to be there for her. <i>It's just the way he is.</i> It's not even hinted at. Multiple people tell Clare <b>to her face</b> that Henry is bad news. But she won't hear it, because he spent her entire childhood molding her into his wife.
The author doesn't hide the allusion to Homer. Rather, she beats us over the head with it. And sure, it makes sense; Clare is the patiently waiting wife, Henry the distant traveler. Even Alba takes up her role as Telemachus, going on her own journeys in search of her father. But do we need both main characters referring to Henry by name, as Odysseus? We get it, girl. You want to write your own romantic Odyssey. Ease up.
Oh, and by the way - Clare's quote above? That's one of her first comments on married life. Her first thoughts after the wedding are "Why is my husband always gone? Why am I always afraid for him?" Henry's first thoughts? "How can Clare listen to Cheap Trick?" Let me remind you that this is the guy who's willing to rattle off a comprehensive list of early punk before jumping up to join in singing a Prince song, but he's upset that his wife listens to The Eagles instead of some obscure as hell French punk band. Also, this man who is thrilled to share musical tastes with a young teen with a mohawk then laments that the kid can't find his own music and has to take his? He preaches the meaning of punk before privately questioning why those kids want to be punk? Here's a guy who's entire life was shaped by music - both of his parents made livings playing music written before they were even born, yet he can't comprehend why two preteens could (or should) like The Clash, or why Clare would like The Beatles. <i>Stay in your own time,</i> he is essentially saying, <i>leave the time traveling to me.</i>
The guy doesn't even realize the pain he causes. Ingrid asks him "Why were you so mean to me?" "Was I," he says, "I didn't want to be." I know, I know. Everyone around her didn't want him to see her or speak to her. But need I remind you - dude time travels and frequently gives himself tips from the future. "Hey pal, take it easy on Ingrid," or "Bro, Ingrid is really shaken up, don't listen to her family or doctor, she needs some closure." But of course, nothing can really change, everything is the way it is.
This is all before I even begin to mention how much Niffenegger LOVES to name-drop. Of course there's the aforementioned punk band name-vomit, mentions of Henry's parents' work can't go by without naming a specific piece, despite adding nothing to the story or our understanding of the characters, there are two separate references to Claude Levi-Strauss (why?), and various other casual mentions of figures that seem to serve no purpose other than to prove that Henry is smart, and knows smart people things.
</spoiler>
I wanted to like this book more, I thought it had a fascinating premise and an interesting perspective. Obviously, I'm not a regular consumer of romance, and I realize that the problems I have with this book are problems shared by a large portion of the genre. But I am positive that we can have a love story that isn't mired by (at best) morally ambiguous relationships. I understand it was a different world when it was published, and that's not directly anyone's fault. Questions of consent and power and respect have been thrust into the spotlight in the short years since this book was published, but that's the lens with which I have to peer through. Stop glorifying these vapid, and frankly, abusive relationships as the paragon of romance. We're better than this. We need to be.
Spoilers abound.
<spoiler>
First, I'd be remiss not to at least acknowledge the creepy factor of a 40 year old naked man befriending a 6 year old girl. It's been discussed ad nauseum, but I've got to put my two cents in.
The whole experience reeks of grooming. Henry shows up, naked, in a young girl's life and (although true) casually explains that he's a <i>time traveler</i>. Her imagination is hooked. Her very own secret Magic Man. Over the following years, their friendship blossoms, and Henry refuses to tell her anything about the future. He is friendly, charming even, and always respectful. But he remains an enigma. Clare is pulled in by the mystery of the Magic Man. All she knows are the dates of his future arrivals. Until one day he begins to break his rule and tell her that they will be together. They'll get married and be in love and have a life. What changed? Why is he suddenly willing to tell her snippets of her future life? Puberty. She admits her desire to be with him and he basically says "keep waiting, it'll happen."
From that moment, her life has been decided - by Henry, and for Henry. Clare spends the entirety of her teenage existence (and beyond) waiting on Henry. The whole of her character arc is basically one big middle finger to the Bechdel test. Henry leads her by a leash with clues and vague promises of the future. We'll be together when you're older (we're destined). We'll have sex on your 18th birthday (wait for me). We'll meet in Chicago (move to Chicago). Even after his dying breath, he subtly slides direction her way. "I hope you move on, but by the way, I'll drop by when you're EIGHTY. But by all means...move on." Is it coincidence that Henry's time traveling mimics an emotionally abusive relationship? Clare tells us, "Henry is an artist of another sort, a disappearing artist. Our life together in this too-small apartment is punctuated by Henry’s small absences. Sometimes he disappears unobtrusively . . . Sometimes it’s frightening." Sure, you say, but he can't help it. He wants to be there for her. <i>It's just the way he is.</i> It's not even hinted at. Multiple people tell Clare <b>to her face</b> that Henry is bad news. But she won't hear it, because he spent her entire childhood molding her into his wife.
The author doesn't hide the allusion to Homer. Rather, she beats us over the head with it. And sure, it makes sense; Clare is the patiently waiting wife, Henry the distant traveler. Even Alba takes up her role as Telemachus, going on her own journeys in search of her father. But do we need both main characters referring to Henry by name, as Odysseus? We get it, girl. You want to write your own romantic Odyssey. Ease up.
Oh, and by the way - Clare's quote above? That's one of her first comments on married life. Her first thoughts after the wedding are "Why is my husband always gone? Why am I always afraid for him?" Henry's first thoughts? "How can Clare listen to Cheap Trick?" Let me remind you that this is the guy who's willing to rattle off a comprehensive list of early punk before jumping up to join in singing a Prince song, but he's upset that his wife listens to The Eagles instead of some obscure as hell French punk band. Also, this man who is thrilled to share musical tastes with a young teen with a mohawk then laments that the kid can't find his own music and has to take his? He preaches the meaning of punk before privately questioning why those kids want to be punk? Here's a guy who's entire life was shaped by music - both of his parents made livings playing music written before they were even born, yet he can't comprehend why two preteens could (or should) like The Clash, or why Clare would like The Beatles. <i>Stay in your own time,</i> he is essentially saying, <i>leave the time traveling to me.</i>
The guy doesn't even realize the pain he causes. Ingrid asks him "Why were you so mean to me?" "Was I," he says, "I didn't want to be." I know, I know. Everyone around her didn't want him to see her or speak to her. But need I remind you - dude time travels and frequently gives himself tips from the future. "Hey pal, take it easy on Ingrid," or "Bro, Ingrid is really shaken up, don't listen to her family or doctor, she needs some closure." But of course, nothing can really change, everything is the way it is.
This is all before I even begin to mention how much Niffenegger LOVES to name-drop. Of course there's the aforementioned punk band name-vomit, mentions of Henry's parents' work can't go by without naming a specific piece, despite adding nothing to the story or our understanding of the characters, there are two separate references to Claude Levi-Strauss (why?), and various other casual mentions of figures that seem to serve no purpose other than to prove that Henry is smart, and knows smart people things.
</spoiler>
I wanted to like this book more, I thought it had a fascinating premise and an interesting perspective. Obviously, I'm not a regular consumer of romance, and I realize that the problems I have with this book are problems shared by a large portion of the genre. But I am positive that we can have a love story that isn't mired by (at best) morally ambiguous relationships. I understand it was a different world when it was published, and that's not directly anyone's fault. Questions of consent and power and respect have been thrust into the spotlight in the short years since this book was published, but that's the lens with which I have to peer through. Stop glorifying these vapid, and frankly, abusive relationships as the paragon of romance. We're better than this. We need to be.
Rachel King (13 KP) rated Burned (House of Night, #7) in Books
Feb 11, 2019
I liked this book a bit more than the previous book in the series simply because it looks like some of the characters are maturing passed some of their more annoying tweeny quirks and developing some depth. Stevie Rae always bugged me in previous books for her cliche hick-like speech and tastes in clothes, etc., but in this book, she starts to discover that the lines between good and evil are sometimes much harder to discern as she tries to juggle her relationship with Rephaim and still be what everyone else in her life wants her to be. She does this by lying, lying, lying, which is very bad, but at least she is taking risks to truly do the right thing, even if she is going about it the very wrong way. What did bug me was that the way she was caught between Dallas and Rephaim felt like the authors were attempting to make her be some kind of Zoey copycat, and the way Stevie Rae was handling the situation so poorly pretty much made it a forgone conclusion that whomever she hurt more would be the one going evil, making her the responsible party, even though the guy making the choice should be responsible for his own decisions.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
I also like the maturity that James Stark reaches in his quest to save Zoey. While it is cliche to say that love conquers all, his love for her forces him to grow up and be a man, instead of just a petty, jealous, hormonal teen. The lengths he goes to save her could put a few grown men to shame, and if she ever rejects him in future books for any reason at all, she does not deserve him.
On the flip side, Zoey's other friends, i. e. Damien, Jack, and the twins are barely even mentioned throughout the entire book, except to provide color for the background or some comic relief. I don't really miss them, either, as their antics are so formulaic as to make me cringe every time I read about them.
I am undecided as to whether I like Aphrodite's character. While she does not seem to be growing in maturity very much - as in losing her bitchiness - she does seem to be coming to terms with how she appears to others. At the same time, she is learning to wield her arrogance with purpose as she gains the title of Prophetess and show some true emotion for her friends.
I really hope that this series wraps up soon, as this plot feels like it is spiraling out of control with all of the loose ends, unexplained pieces, and growing cast list that simply can not be given enough attention to detail in every single book, even with the random deaths of several characters in a single book.
TacoDave (3553 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Feb 5, 2020 (Updated May 6, 2020)
Special Effects (1 more)
Music
The force is weak with this one...
You've either already seen "The Rise of Skywalker" or you probably don't care too much about it. I won't go into major spoilers, except to say this: this movie is swiss cheese. It has so many holes and unexplained plot points that it would be futile to try to list them all. But here are a few:
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
Rob Zombie recommended Dracula (1958) in Movies (curated)
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Amanda (96 KP) rated What To Say Next in Books
May 29, 2019
“It turns out cliches are cliches for a reason – they are true.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”