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Emma @ The Movies (1786 KP) rated Primal (2019) in Movies
Aug 22, 2020
When will I learn? Do not watch big star films you've never heard of before I see them on DVD.
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
A big game hunter ends up transporting his catch on a ship with a team of military personnel that are transporting an assassin back to the US under the radar. All it takes is one wrong step for the ship to be filled with danger as everyone is being stalked by killers, both animal and human.
I nearly lobbed this DVD out my window after the first scene with the CGI kitty cat, it was truly abysmal. Thankfully at some point I stopped noticing fairly quickly.
Kevin Durand plays our assassin-in-transit and he's always a pretty good bet for a bad guy. Even in this he has a great presence. Next we have Famke Janssen, I couldn't honestly tell you how long it's been since I saw her in something. This wasn't a great character though, and apart from one or two scenes I had forgotten she was even in this film when I scrolled through the cast list. It's not entirely to do with the acting, which did feel a little lacklustre, the character didn't have a lot of punch and wasn't what you know she's capable of.
There's no denying that this is below my usual Cage favourites. It's pretty low on the Cage Rage ranking, but it's still a Nicolas Cage film and as with shark films that means there's an automatic pass. It would have to do something horrendous for me to outright hate it.
There's logic of some description in Primal but it's still a distinctly average film. I can forgive the bad CGI, but a poor script and average production quality across the board mean I'm regretting paying actual money for it. The idea for the story feels like someone used a story generator to get different plot points, even so, there was potential in it but I was rather sad it wasn't a better experience.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/primal-movie-review.html
Merissa (12019 KP) rated Wilde Moon (Wildeward Academy #5) in Books
Dec 6, 2021 (Updated Jul 9, 2023)
WILDE MOON is the fifth and final book in the Wildeward Academy series (so far; I'm holding out hope for more) and we start where we finished -- with Victoria and her Coterie in London, plenty to prove and so many opportunities to do so, whether they want to or not.
My word! Hold onto your hats, folks, because you're in for a bumpy ride. And please take a deep breath as you're going to need it! This book doesn't stop! You know how in some books, you have moments of action, followed by moments of rest? Yeah, well, that doesn't happen here. It's all-go from the very beginning. And although I felt worn out afterwards, I wouldn't change a single moment.
Achoris is the 'main guy' in this book but, don't worry, you'll get plenty of the others too, plus some action with all of them. Phew! It's hot in here. There is no chance of confusing these guys either. They are so individual and make their voices heard amongst the tumult of Victoria's crazy life.
There are plenty of loose ends to tie up in this novel, and Ms Blythe does so admirably. And she kept me waiting until near the end but then... MY PLEAS HAVE BEEN HEARD!!!! The Lodge returns! I'm so happy with the way things turned out. The Coterie gets larger but the inner circle remains as is, although the bonds are tighter once Achoris accepts he may not know everything after all.
What a finale! I loved every word and really didn't want it to finish, but I'm glad it has, in the way it has, if that makes sense?! This was an outstanding series with quirks and individuality in a genre that can become almost boring.
This author is definitely on my go-to list, and I highly recommend this book and this series but, please, start from the beginning and lose yourself in a world of blood, sex, and magic.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 6, 2021
My word! Hold onto your hats, folks, because you're in for a bumpy ride. And please take a deep breath as you're going to need it! This book doesn't stop! You know how in some books, you have moments of action, followed by moments of rest? Yeah, well, that doesn't happen here. It's all-go from the very beginning. And although I felt worn out afterwards, I wouldn't change a single moment.
Achoris is the 'main guy' in this book but, don't worry, you'll get plenty of the others too, plus some action with all of them. Phew! It's hot in here. There is no chance of confusing these guys either. They are so individual and make their voices heard amongst the tumult of Victoria's crazy life.
There are plenty of loose ends to tie up in this novel, and Ms Blythe does so admirably. And she kept me waiting until near the end but then... MY PLEAS HAVE BEEN HEARD!!!! The Lodge returns! I'm so happy with the way things turned out. The Coterie gets larger but the inner circle remains as is, although the bonds are tighter once Achoris accepts he may not know everything after all.
What a finale! I loved every word and really didn't want it to finish, but I'm glad it has, in the way it has, if that makes sense?! This was an outstanding series with quirks and individuality in a genre that can become almost boring.
This author is definitely on my go-to list, and I highly recommend this book and this series but, please, start from the beginning and lose yourself in a world of blood, sex, and magic.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 6, 2021
TerraBlizzard (18 KP) rated Aladdin (2019) in Movies
May 24, 2019
The heritage to the orignal (5 more)
Sublime acting from a majority of unknowns in the industry.
"Spices" up and make it's own mark in the Disney world.
The addition and alterations.
One liners.
Disney parks hidden in the film.
True to the orignal but a stand alone.
A must watch for all ages and with that comes a range of open doors and closed comments.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
If you have seen the orignal and loved it you might find it hard to get on with. But please if you do anything before watching this addition to the live action roster Disney are working hard on, go in with no expectations as if you thought this was the original.
If you haven't seen this before then prepare for bright colour, songs that make you tap your feet and a story driven hard by characters that develope through the film.
Guy Ritchie has done a great job with keeping the roots of this film in true disney essence with putting modern twist to make it a more enjoyable watch for adults who grew up with disney. Guy has a way of bringing darkness and edge to a film, like his work on Sherlock Holmes (Another must wacth) and with this edge comes gripping depth to the story. So much so I was desperate for a toilet break but could not leave my seat as I was worried I'd miss a key part.
With the addition of 2 relative unknown leads in a well loved story was a marvellous move on the casting department. Mena Mossuod and Naomi Scott play brilliant parts and fit right into characters with the addittion of Will Smith a strong and dependable actor who you know always does a good job makes the trio stand out.
With the addition of songs and changes of genre to songs. Everything works and works well. "Speechless" a welcomed addition to the set list that empowers girls and boys to stand up and speek out agiasnt those that push them down and genre swap of "Friend like me".
For instance my favourite Disney song is "Friend like me" sung by the genie or genie's if you "wish" the hard hitting jazz number that breaks the bollywood theme. In the orignal and west end the song is similar in both. Robbin Williams and Trevor Dion Nicholas make this song their own keeping to what the disney song writter wanted and to what their good at. HOWEVER this song I don't think could ever work for Will Smith as a jazz number but by god he pulled it off as a R&B. Agiasnt popular oppion Nicholas version Is the one I love follower by both Robbins and Smith versions.
If you have ever been to a disney park you know that they believe in the story's their telling, the work and detail of everything from sets, Background details, outfits and even the god dam smells of the sweets they sell or the rides they have and even the streets you walk on. They work hard and they do it well (their not perfect but they give it a heck of a running start to get close) The same goes for their movies.
This movie wasn't a disappointment or better film for me as I don't compare it to the original.
It is a film that is done well and played well and makes you believe in it. As what all good story telling needs to do to those who watch and listen.
Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
The fantastic ensemble cast (1 more)
Great directing and editing
Effortlessly stylish and entertaining
The Personal History of David Copperfield starts with the young man (Dev Patel) regaling a theatre audience with a reading of his autobiography. This immediately pitches him into witnessing his own birth to widowed single mother Clara (the wonderful Morfydd Clark, or "Saint Maud" fame). From there, Copperfield goes helter-skelter into a rollercoaster life encompassing workhouse-bottling poverty, fish-gutting and rich gentlemanly pursuits.
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
Haley Mathiot (9 KP) rated Symbiont (Parasitology, #2) in Books
Apr 27, 2018
Here’s the rundown: I am in love with this series. I am all over this series. I love Sal, I love the characters (I even kind of love Sherman, a little), the plot is brilliant, it’s exciting, brilliant, fast-paced, and original.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
LilyLovesIndie (123 KP) rated More (The MORE Trilogy, #1) in Books
Nov 5, 2018
Well yes, you know I am very open with my star ratings and IÕm quite liberal with them at times, but before we go any further, I really want you all to know that this book deserves every damn star a hundred times over. It was, quite frankly, PHENOMENAL and an amazing way to start a series (capitals are totally necessary).
To start, there is a brilliant mythos to the story and the development is this is excellent. I believe this is, in part, due to the fact Franklin builds the story very slowly to begin with, without losing pace. What IÕm trying to say, thereÕs that feeling that you never truly know the full story, but thatÕs a total plus because the characters and the plot keep you truly hooked from the very first page.
Ava, as a lead character is absolutely brilliant. SheÕs a very strong lead, charismatic yet still slightly vulnerable, a different and unique kind of female lead. This all adds up to one truly amazing character to read. Caleb, well, he has starred in many a dream since first reading himÉ.. HeÕs a very brooding kind of guy, with many inner secrets that he tries so desperately to hold close but Ava just chips away. The dynamic between them both is brilliant and makes for very interesting reading, with a great foundation for the rest of the series.
The drama, tension and mystery throughout all build at the perfect pace, pulling you unwittingly towards a truly stunning ending that leaves you needing (IÕm serious, the need was so intense I actually abandoned sleep to carry on reading) the next book ready loaded on your kindle to move straight on. This is a completely fantastic book from start to finish.
Gripping, exciting, amazing, phenomenal, something more than the others of itÕs kind on the market. This is a wonderful start to a series which has firmly wedged itself in my list of favourites. All I can say is that if this is my hangover after finishing book one, with the next one ready to move on to, I dread to think how debilitating it will be when I finish the third installment!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
To start, there is a brilliant mythos to the story and the development is this is excellent. I believe this is, in part, due to the fact Franklin builds the story very slowly to begin with, without losing pace. What IÕm trying to say, thereÕs that feeling that you never truly know the full story, but thatÕs a total plus because the characters and the plot keep you truly hooked from the very first page.
Ava, as a lead character is absolutely brilliant. SheÕs a very strong lead, charismatic yet still slightly vulnerable, a different and unique kind of female lead. This all adds up to one truly amazing character to read. Caleb, well, he has starred in many a dream since first reading himÉ.. HeÕs a very brooding kind of guy, with many inner secrets that he tries so desperately to hold close but Ava just chips away. The dynamic between them both is brilliant and makes for very interesting reading, with a great foundation for the rest of the series.
The drama, tension and mystery throughout all build at the perfect pace, pulling you unwittingly towards a truly stunning ending that leaves you needing (IÕm serious, the need was so intense I actually abandoned sleep to carry on reading) the next book ready loaded on your kindle to move straight on. This is a completely fantastic book from start to finish.
Gripping, exciting, amazing, phenomenal, something more than the others of itÕs kind on the market. This is a wonderful start to a series which has firmly wedged itself in my list of favourites. All I can say is that if this is my hangover after finishing book one, with the next one ready to move on to, I dread to think how debilitating it will be when I finish the third installment!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Fred (860 KP) rated Close Encounters of the Third Kind (1977) in Movies
Jan 22, 2019
Spielberg's best
When people think of Spielberg's best, they'll either jump straight to Jaws or Schindler's List. While both are fantastic movies, there is one movie in my opinion, that is often forgotten & is truly his best. Close Encounters of the Third Kind. I first saw this as a kid, when I forced my parents to take me to see it on their movie night, while my 5 brothers were stuck at home being babysat by my Grandma.
Anyway, let's talk about the movie. From the beginning scene with the planes in the desert, you know you're in for something special. At the time I saw the movie, I was big into UFOs. I knew all the stories, all the alien types, all the photos. I even knew who Dr. Allen Hynek, who ran Project Blue Book, was & recognized him at the end of the film, where he makes a cameo. My dad, who was not into sci-fi & didn't believe in the supernatural, told me many times that this was one of his favorite films because "It could happen".
And that's part of the movie's appeal. It could happen. But it's Spielberg's direction of the actors that makes it seem even more real. The way Roy's family acts when all together is all too real & much like real people would act. Everyone in the film is great. If I had only one complaint about the movie, it would be that Roy's wife leaves him too quickly. It's almost like she doesn't even like him & is so quick to give up on him. In any case, she is played very well by Teri Garr. We meet a lot of strange people on the way too, who also have seen these UFOs, like the whistling guy, who saw Bigfoot once too. And he's believable. Again, it all seems like it could happen.
Then there are the special effects. Done by ILM, who had no peers at the time. The UFOs look like they're there & the Mothership at the end still drops my jaw. Throw in John Williams memorable score & you got movie magic. Whenever I think of this film, I get in the mood to watch it right away. And I usually do. I probably have seen this movie over 50 times & will watch it again & again. Close Encounters is Spielberg's best & my third favorite of all time
Anyway, let's talk about the movie. From the beginning scene with the planes in the desert, you know you're in for something special. At the time I saw the movie, I was big into UFOs. I knew all the stories, all the alien types, all the photos. I even knew who Dr. Allen Hynek, who ran Project Blue Book, was & recognized him at the end of the film, where he makes a cameo. My dad, who was not into sci-fi & didn't believe in the supernatural, told me many times that this was one of his favorite films because "It could happen".
And that's part of the movie's appeal. It could happen. But it's Spielberg's direction of the actors that makes it seem even more real. The way Roy's family acts when all together is all too real & much like real people would act. Everyone in the film is great. If I had only one complaint about the movie, it would be that Roy's wife leaves him too quickly. It's almost like she doesn't even like him & is so quick to give up on him. In any case, she is played very well by Teri Garr. We meet a lot of strange people on the way too, who also have seen these UFOs, like the whistling guy, who saw Bigfoot once too. And he's believable. Again, it all seems like it could happen.
Then there are the special effects. Done by ILM, who had no peers at the time. The UFOs look like they're there & the Mothership at the end still drops my jaw. Throw in John Williams memorable score & you got movie magic. Whenever I think of this film, I get in the mood to watch it right away. And I usually do. I probably have seen this movie over 50 times & will watch it again & again. Close Encounters is Spielberg's best & my third favorite of all time
Caribou recommended Spiritual Unity by Albert Ayler Trio in Music (curated)
I'm gonna say this first. I went through this book because I was trying hard to finish it, but it was difficult. I remember seeing this book when I was much younger, but I never picked it up then. This also was not on my school reading list when I was in high school, so I never got to read it for an assignment either. I'm sure I'm probably in the minority, but this wasn't my favorite book this month.
I feel for Melinda, but it took most of the book to get to that stage. It was difficult to read through her eyes because it's mostly about the teachers and kids shunning her because she called the police and broke up a party and wanting to just be isolated. Her parents are just something else entirely.
"I'm getting better at smiling when people expect it."
When it seems like she may have a new friend in a new student named Heather, she goes and ditches Melinda to be a part of a group called The Marthas. That actually kind of hit close to home for me, because I've had someone do that to me. The sad thing is, Heather comes CRAWLING back to Melinda because she's overwhelmed and hates being a part of the group and needs Melinda's help with decorating. And Melinda, rightfully, tells her she can't help her.
She doesn't tell her the truth - which would be because you totally ditched her, told her you couldn't be around her because of her 'reputation' and just left her there, yeah, no. She just makes up some excuse about a tree being taken out of her yard. Well, either way, I was kind of proud of her for not giving in to helping her. Go away, Heather!
Like I said, it took me nearly half of to almost the end of the book to really get a feel for Melinda. When she does realize (from shows like Oprah and Sally Jessy) that she was raped, she tells one girl who USED TO BE her friend. Rachel/Rachelle pines over the guy who was known as IT for most of the book, but real name Andy, and she's called a liar.
"IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding."
Of course she's called that. I kept thinking I wouldn't tell her. As sad as that sounds, I wouldn't have told her the truth. Because, she wouldn't believe her ex friend no matter if it is the truth or not.
While it took me nearly the whole book to feel for Melinda or want to finish the story, I'm glad I did. This still happens. I'm not saying it's only women who are raped, but those that suffer through this trauma can't seem to speak up. And when they do, it's not always well received. Why is it difficult when someone says they went through this kind of experience? Why is it judged so harshly? And why is it such a taboo subject?
"Censorship is the child of fear and the father of ignorance."
I would also like to point out the one time I think Rachel/Rachelle said it right when it came to looking for symbolism in classic books.
"How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it."
Sorry, I'm quoting the book a lot. I'm sorry but I do agree that I think most of the classical authors weren't thinking much about symbolism when they wrote their books. Just saying.
I do believe everybody should read this book once in their lives. Censorship is a crock. Books like this and To Kill A Mockingbird are important novels that kids should read. Banning books is about as redundant as baker's chocolate.
I feel for Melinda, but it took most of the book to get to that stage. It was difficult to read through her eyes because it's mostly about the teachers and kids shunning her because she called the police and broke up a party and wanting to just be isolated. Her parents are just something else entirely.
"I'm getting better at smiling when people expect it."
When it seems like she may have a new friend in a new student named Heather, she goes and ditches Melinda to be a part of a group called The Marthas. That actually kind of hit close to home for me, because I've had someone do that to me. The sad thing is, Heather comes CRAWLING back to Melinda because she's overwhelmed and hates being a part of the group and needs Melinda's help with decorating. And Melinda, rightfully, tells her she can't help her.
She doesn't tell her the truth - which would be because you totally ditched her, told her you couldn't be around her because of her 'reputation' and just left her there, yeah, no. She just makes up some excuse about a tree being taken out of her yard. Well, either way, I was kind of proud of her for not giving in to helping her. Go away, Heather!
Like I said, it took me nearly half of to almost the end of the book to really get a feel for Melinda. When she does realize (from shows like Oprah and Sally Jessy) that she was raped, she tells one girl who USED TO BE her friend. Rachel/Rachelle pines over the guy who was known as IT for most of the book, but real name Andy, and she's called a liar.
"IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding."
Of course she's called that. I kept thinking I wouldn't tell her. As sad as that sounds, I wouldn't have told her the truth. Because, she wouldn't believe her ex friend no matter if it is the truth or not.
While it took me nearly the whole book to feel for Melinda or want to finish the story, I'm glad I did. This still happens. I'm not saying it's only women who are raped, but those that suffer through this trauma can't seem to speak up. And when they do, it's not always well received. Why is it difficult when someone says they went through this kind of experience? Why is it judged so harshly? And why is it such a taboo subject?
"Censorship is the child of fear and the father of ignorance."
I would also like to point out the one time I think Rachel/Rachelle said it right when it came to looking for symbolism in classic books.
"How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it."
Sorry, I'm quoting the book a lot. I'm sorry but I do agree that I think most of the classical authors weren't thinking much about symbolism when they wrote their books. Just saying.
I do believe everybody should read this book once in their lives. Censorship is a crock. Books like this and To Kill A Mockingbird are important novels that kids should read. Banning books is about as redundant as baker's chocolate.
Bob Mann (459 KP) rated Unhinged (2020) in Movies
Aug 8, 2020
A courtesy tap
If you were ever going to deliberately hack-off anyone in real life, Russell Crowe would probably be low on the list. A genuine bear of a man! He looks like he could kill you with a single swipe of his clawed furry hand!
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
In the movie it was a certain Rachel (Caren Pistorius) who randomly crosses the ursine-one's path. She encounters his unnamed character ("Man") at traffic light. Rachel is having a bad day herself. But the unstable and unhinged man makes it his mission to show her "what a bad day really feels like".
Having had over 40 years of driving experienced, I've experienced two incidents of genuine road rage against me. One of these was in similar circumstances to Rachel's experience. By me giving slightly more than a 'courtesy tap' on the horn to a driver who cut me up. Both though were 'white-knuckles-on-the-wheel' scary experiences. So although, as a viewer, I felt a degree of irritation at Rachel's stubborn actions in the movie, it didn't seem completely 'out there'. You only need the other guy to be a psycho, and....
What follows is a thriller having a vein of dark comedy running through it. Yes, it's relatively predictable and above-average on the gore rating but nonetheless enjoyable.
The movie, of course, blends some staples of the thriller genre. Firstly there is that favorite trope of Spielberg of a malevolent force, persistently lurking in the shadows to wreak havoc at any time. (Think of those classics "Duel" and "Jaws". Blended with that is a recurring plot-point of Hitchcock movies: the every-man (in this case every-woman), in the mode of James Stewart or Cary Grant, uprooted from their hum-drum normal lives to suddenly face peril they are unequipped to deal with.
Holding that role here extremely well is Caren Pistorius as the luckless Rachel. She's only had bit parts in previous movies I've seen - "Denial", "Mortal Engines" and "The Light Between Oceans". But here she gets a starring role, up front and central, and I thought she pulled it off really well. She also gets to deliver the best line in the film in the violent and bloody denouement! A leading actress I would like to see more of for sure.
The star-power evident here though is Crowe. His portrayal as the steely-eyed unhinged psychopath is beautifully and believably done. A scene in a diner is especially chilling, featuring Jimmi Simpson as the unfortunate Andy, Rachel's divorce lawyer. (If, like me, you were desperately trying to place the actor, Simpson played the young 'good-guy' tourist in the brilliant first season of "Westworld".)
Unhinged is nicely penned and, in the main, nicely directed. With the pen is Carl Ellsworth, who's sparse career has delivered chillers such as "Disturbia" and "The Last House on the Left". And although we've been in this sort of stalker territory numerous times before, the script of "Unhinged" delivers some nice twists. For example, the dangers inherent in "Find My Friends" style tracking apps. One negative though for me is the rising body-count of "innocents". It gave me the slightly icky feeling I felt when the jumbo jet is crashed in "Die Hard 2".
Keeping up the pace is German director Derrick Borte, someone new to me. The car chases incorporated into the action are tense (reminiscent sometimes of "Baby Driver") and well-shot (by Irish cinematographer Brendan Galvin). There are the occasional "oh, really!!" moments, that a more experienced director might have chosen to excise. But on the whole, this is a taut little thriller, wisely sticking to a 90 minute running time, and never losing my interest.
Although formulaic, and at times extremely violent for a '15' certificate, "Unhinged" made a welcome and entertaining return for me to the multiplex after the Covid break.
(For the full graphical review, please check it out here - https://bob-the-movie-man.com/2020/08/08/one-manns-movies-film-review-unhinged-2020/).
