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Lewis John Hatchett (23 KP) rated Aladdin (2019) in Movies
May 23, 2019 (Updated May 23, 2019)
Unexpectedly Fun
As a fan of the original 1992 animated film, I came into this film with not much hype but enough that I'd come out enjoying the film. I came our of the film loving it.
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
The story is pretty much the same as the original but director Guy Ritchie has fleshed out the story extending it with a couple of songs (I'm hoping written by Tim Rice) that are slotted in perfectly.
Guy Ritchie does what he does best and mixes a perfect blend of action, comedic humor and family fun, as he's done in his previous films.
Now the pressing question of Will Smith's portrayal of the Genie. I was sceptical about it at first but the more I watched the trailer for the film the more I adjusted to him. I'm a full fledged fan of the late and great Robin Williams' version of the Genie and Will Smith's version is a perfect interpretation of that character (with some nods to William's animated classic) so I say well done to Mr Smith.
Overall I certainly recommend the film for all fans, old and new, and definitely say go see it and (pardon the pun) experience a whole new world. 9/10
The Bletchley Circle - Season 1
9.0
Rate It
TV Season
Set in 1952, "The Bletchley Circle" tells of four women who have returned to normal lives after...
BankofMarquis (1832 KP) rated Venom (2018) in Movies
Oct 13, 2018
Hardy, Williams elevate mediocre material
I had lowered my expectations when entering the new Sony film VENOM for I had heard that this non-MCU Marvel film wasn't really a Marvel - or a Spiderman - film, even though it features one of the more famous characters from the Spiderman Universe, which is, of course, a Marvel property.
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Confused, yet?
Well, don't be. Because this knowledge is not needed, nor (quite frankly) is it wanted as the filmmakers of Venom made a film that centers on the titular anti-hero with no real regard to his place in the Marvel Universe.
And this works well...enough. True, the plot, dialogue, situations, special effects and gadgets of this film are middle-of-the-road at best, but with the two folks at the center of this film, I started to forgive this film it's many flaws and enjoyed two Oscar-caliber Actors having a good ol' time in a Supehero movie.
Venom, of course, tells the story of...Eddie Brock..who becomes - through a merging of his body with an Alien symbiotic creature (don't worry about it, just roll with it) - becomes the titular VENOM. A being that wants to eat live creatures (most notably human heads) while the good part of Eddie tries to keep him in check and help him fight bad guys.
In lesser performance hands, this character could become silly and stupid, but in the more than capable performance by the great Tom Hardy (Bane in THE DARK KNIGHT RISES), Eddie Brock/Venom is an intriguing figure to watch on-screen. His simultaneous ability to look unnerved and hunger for live flesh while looking for a nice cool bath caused me to smirk on more than one occasion and I ended up rooting for him throughout the film.
Matching him is the great Michelle Williams (she of the 4 Oscar nominations, most recently in MANCHESTER BY THE SEA) as Eddie Brock's ex-Fiance Anne Weying. Like Hardy, Williams is elevating mediocre material to something better than the mediocrity it was destined to be. The chemistry between Williams and Hardy is evident in their bi-play with each other and I couldn't help but think "get these two into an Oscar-caliber film together and watch the sparks - and the awards - fly."
Unfortunately, Riz Ahmed as bad guy Carlton Drake is not able to rise above the material and when he is playing opposite Hardy and/or Williams, he pales in comparison and I began to realize just how weak the script by the trio of Jeff Pinkner, Scott Rosenberg and Kelly Marcel is. Clearly, two of them were brought in to re-write the original (I have no idea who did what) but none of them were able to elevate the proceedings.
Nor could Director Ruben Fleischer (ZOMBIELAND) elevate things. His Direction is pedestrian at best. There is nothing really interesting going on and when the going got tough he just started to rely on the quick cut/edits that is so "en vogue" these days - and it grew tiresome.
But when I started to grow weary of the events on the screen, Hardy and Williams would show up and I began to forgive things again, even thinking during the credits scene (where they introduce the Villain for VENOM 2), I want to see Hardy and Williams play against (name deleted so as not to spoil) as the new Villain - that might be cool!
So, I'm "in" for Venom. It was "good enough" and I will come back for the next installment - and based on the Box Office of the opening weekend, there WILL BE a next installment.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Dean (6921 KP) rated Aladdin (2019) in Movies
May 22, 2019 (Updated May 22, 2019)
Very entertaining family film
Well I have to say I was a bit surprised when I saw Guy Ritchie come up as the director at the start, especially after the King Arthur film. Gladly none of his usual editing techniques are on show here. I can only just remember the cartoon version when I was younger. The humour of the genie voiced by Robin Williams made the film for me.
So a tough act to follow. The film is visually dazzling, in the costumes, sets, CGI and SFX in general. It all looks very realistic. I'm not a big fan of the songs, some are better than others. Overall it's a bit unfair to compare it to the original. It's a fun and light hearted film that goes by at a good pace and doesn't feel like a long film. Naomi Scott does look like a Disney princess. Maybe not as funny as the original but it's still a film all ages should enjoy.
So a tough act to follow. The film is visually dazzling, in the costumes, sets, CGI and SFX in general. It all looks very realistic. I'm not a big fan of the songs, some are better than others. Overall it's a bit unfair to compare it to the original. It's a fun and light hearted film that goes by at a good pace and doesn't feel like a long film. Naomi Scott does look like a Disney princess. Maybe not as funny as the original but it's still a film all ages should enjoy.
Heather Cranmer (2721 KP) created a post
Oct 19, 2021
The New Counter-Measures: Series 1
John Dorney, Guy Adams, Ian Potter and Christopher Hatherall
Book
Four new investigations for Sir Toby Kinsella and his specialist team. 1. Nothing to See Here by Guy...
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
8.2
Rate It
Movie Watch
Blacksmith Will Turner (Orlando Bloom) teams up with eccentric pirate "Captain" Jack Sparrow (Johnny...
BankofMarquis (1832 KP) rated My Week with Marilyn (2011) in Movies
Dec 30, 2019
Strong performance by Williams in a terrific film
According to my Letterboxd profile, I view (on average) 4.5 films/week. Only 1 or 2 of them in a week are at the theater. The rest, I stream (or pop in the DVD). I spare you (for the most part) my review of mediocre or just plain bad films that I see (case in point the recent A CHRISTMAS CAROL on FX starring Guy Pearce - only watch it if you've ever wanted to see Marley drop the F-bomb multiple times). But...every once in a while I catch up with a gem that compels me to write a review to inform you folks of a wonderful film you might have missed (or have forgotten about).
Such is the case with the 2011 film MY WEEK WITH MARILYN. the adaptation of Colin Clark's memoirs of working as an Assistant Director on the 1957 film THE PRINCE AND THE SHOWGIRL (which starred the unlikely pair of Sir Laurence Olivier and Marilyn Monroe). As Directed by Simon Curtis (WOMAN IN GOLD) MWWM is a wonderful character study of a young man coming of age while watching the clash between the old school acting/working style of Olivier and "the method" of the new age of acting in the guise of Marilyn Monroe.
Eddie Redmayne (before he became the famous Oscar winning Actor for THE THEORY OF EVERYTHING) is perfectly cast as the young Colin Clark. He has a naivete and longing to him that is ideal in this part. You watch him fall in love through the course of this film and you, the filmgoer, fall in love as well.
Bringing the strength and charisma to the screen as Olivier - as expected - is Kenneth Brannagh (MURDER ON THE ORIENT EXPRESS). He was often described as he was ascending in the British Theater world as "the next Olivier" and Brannagh captures his idol well. Giving light to the brilliance, arrogance and impatience of a celebrated actor, Brannagh was (rightfully) nominated for a Best Supporting Actor for his work and he shone whenever he was on the screen.
Which brings me to Michelle Williams Oscar nominated work as Marilyn Monroe. All I can say is...wow. She took on the aura and personae of this icon and I felt as if I was watching a real, troubled person with great charisma on the screen. Williams embodies Monroe both in personality and in physicality (Monroe was a tremendously good physical comedic actress) showing there is much, much more to this actress than the beautiful package that meets the eye. How Williams lost the Oscar to Meryl Streep's portrayal of Margaret Thatcher in THE IRON LADY (a performance I really liked) is beyond me.
It is important that both Brannagh and Redmayne hold their own in this film (and they do) for this performance by Williams could have easily swallowed up all around her - it is that good and powerful a performance. But Director Curtis and Brannagh and Redmayne (as well as wonderful supporting work by such great actors as Judi Dench, Toby Jones, Julia Ormond, Derek Jacoby, Dougray Scott, Emma Watson, Zoe Wannamaker and Dominic Cooper) strongly balance her work to give us, the audience, a pretty balanced portrait of this troubled production and this troubled person.
This is not the fastest paced film you will ever see - but the deliberateness of the pace serves the story well. Colin falls in love with Marilyn (and Marilyn lets him fall in love with her) and we need the time and the space for those emotions to sink in.
If you are looking for a film that is a bit of an antidote to the usual CGI-Fest, SuperHero, Space films that are filling the multiplex, you will be well rewarded with MY WEEK WITH MARILYN. A loving, gentle film with strong performances - a type of film that is in short supply these days.
MY WEEK WITH MARILYN can be currently streamed on NETFLIX. You can also purchase/rent it on Amazon, Vudu, iTunes and YouTube.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the 2011 film MY WEEK WITH MARILYN. the adaptation of Colin Clark's memoirs of working as an Assistant Director on the 1957 film THE PRINCE AND THE SHOWGIRL (which starred the unlikely pair of Sir Laurence Olivier and Marilyn Monroe). As Directed by Simon Curtis (WOMAN IN GOLD) MWWM is a wonderful character study of a young man coming of age while watching the clash between the old school acting/working style of Olivier and "the method" of the new age of acting in the guise of Marilyn Monroe.
Eddie Redmayne (before he became the famous Oscar winning Actor for THE THEORY OF EVERYTHING) is perfectly cast as the young Colin Clark. He has a naivete and longing to him that is ideal in this part. You watch him fall in love through the course of this film and you, the filmgoer, fall in love as well.
Bringing the strength and charisma to the screen as Olivier - as expected - is Kenneth Brannagh (MURDER ON THE ORIENT EXPRESS). He was often described as he was ascending in the British Theater world as "the next Olivier" and Brannagh captures his idol well. Giving light to the brilliance, arrogance and impatience of a celebrated actor, Brannagh was (rightfully) nominated for a Best Supporting Actor for his work and he shone whenever he was on the screen.
Which brings me to Michelle Williams Oscar nominated work as Marilyn Monroe. All I can say is...wow. She took on the aura and personae of this icon and I felt as if I was watching a real, troubled person with great charisma on the screen. Williams embodies Monroe both in personality and in physicality (Monroe was a tremendously good physical comedic actress) showing there is much, much more to this actress than the beautiful package that meets the eye. How Williams lost the Oscar to Meryl Streep's portrayal of Margaret Thatcher in THE IRON LADY (a performance I really liked) is beyond me.
It is important that both Brannagh and Redmayne hold their own in this film (and they do) for this performance by Williams could have easily swallowed up all around her - it is that good and powerful a performance. But Director Curtis and Brannagh and Redmayne (as well as wonderful supporting work by such great actors as Judi Dench, Toby Jones, Julia Ormond, Derek Jacoby, Dougray Scott, Emma Watson, Zoe Wannamaker and Dominic Cooper) strongly balance her work to give us, the audience, a pretty balanced portrait of this troubled production and this troubled person.
This is not the fastest paced film you will ever see - but the deliberateness of the pace serves the story well. Colin falls in love with Marilyn (and Marilyn lets him fall in love with her) and we need the time and the space for those emotions to sink in.
If you are looking for a film that is a bit of an antidote to the usual CGI-Fest, SuperHero, Space films that are filling the multiplex, you will be well rewarded with MY WEEK WITH MARILYN. A loving, gentle film with strong performances - a type of film that is in short supply these days.
MY WEEK WITH MARILYN can be currently streamed on NETFLIX. You can also purchase/rent it on Amazon, Vudu, iTunes and YouTube.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
Gareth von Kallenbach (965 KP) rated Aladdin (2019) in Movies
Jul 2, 2019
Guy Ritchie’s live action remake really was a hit for me. Not much of the story has changed which is fine. I went into this film excited but with a few weary doubts. I was for sure that nothing could compare to the 1992 two dimensional Genie I grew to adore. I then however convinced myself to treat the film as its own entity and not as a comparison. I mean come on, nothing can compare to a cartoon version of anything. You can animate just about anything but trying to flip the story to live-action and expecting the same results can be risky. In the remake it worked out well for the most part. Anytime Genie was his big blue self that’s when the CG that was used was extremely noticeable. I just have never been a fan of CG use on actors, it used to freak me out as a kid. I know it sounds strange but I quickly got over it and was able to really enjoy the film.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.
When the film was being discussed and or planned the stipulation at least for the two leads (Mena Massaud and Naomi Scott) was, they of course had to be of Indian or Middle Eastern descent, they had to be able to sing and dance and they had to be newcomers. I thought they were perfectly cast and had great chemistry. They also were both able to stand their ground and their performances certainly didn’t get lost playing along side Will Smith. Though he is incomparable to Robin Williams he did do an outstanding job at Genie and I think Williams would be proud of his rendition.
One of my favorite things Disney films have always delivered in any of their films has been the atmosphere and sets. The colors of Agraba are vibrant and inviting. You can almost smell the spices and feel the warm breeze flowing through the city. I am also pleased that Alan Mankin has returned to compose the music for the film. All songs have been kept the same with the addition of a few new songs so be sure to at least sing along with them.
In my honest opinion this live-action remake of Disney’s Aladdin has been my favorite of the live-action Disney remade films so far. It is a two hour nostalgic film filled wth laughs, action, lots of parkour and good life lessons. Money or power can’t always buy happiness.