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David McK (3251 KP) rated Hearts of Stone in Books
Feb 9, 2022
Not quite what the blurb makes out
Whilst I do associate Simon Scarrow with the genre of historical fiction, these tend to be set further back in history: mainly around the time of the Roman Empire; there or thereabouts.
Until recently, I've tended to avoid his few works that are more contemporary in nature, only recently (towards the end of last year) reading Blackout as I felt they were 'too close' (if that makes sense) for comfort for me in that there are still people alive who lived through the setting.
I must admit, I did quite enjoy Blackout so thought I would also give this a go, due to the roughly the same (WW2) setting.
This novel flits back and forth between then and 'now' (of 2013), as the descendants of the main 1940s settings character start to discover more about their ancestors - in particular, as history teacher Anna uncovers the story of her maternal grandmother Eleni, who participated in the Greek resistance on the island of Lefkas during 1943.
The whole had-a-German-friend in 1939 thing almost seems incidental to the story (he's not), until roughly about the final third.
And yes, I did pick up on the arguments in favour of teaching history (a subject I did, mostly, enjoy in school) passages.
Until recently, I've tended to avoid his few works that are more contemporary in nature, only recently (towards the end of last year) reading Blackout as I felt they were 'too close' (if that makes sense) for comfort for me in that there are still people alive who lived through the setting.
I must admit, I did quite enjoy Blackout so thought I would also give this a go, due to the roughly the same (WW2) setting.
This novel flits back and forth between then and 'now' (of 2013), as the descendants of the main 1940s settings character start to discover more about their ancestors - in particular, as history teacher Anna uncovers the story of her maternal grandmother Eleni, who participated in the Greek resistance on the island of Lefkas during 1943.
The whole had-a-German-friend in 1939 thing almost seems incidental to the story (he's not), until roughly about the final third.
And yes, I did pick up on the arguments in favour of teaching history (a subject I did, mostly, enjoy in school) passages.
ClareR (5603 KP) rated The Dictator’s Muse in Books
Jan 10, 2023
This sounded like it was going to be solely about Leni Riefenstahl, but it’s not. This is a really enjoyable mystery set in Germany and England in the pre-war years, and the Berlin Olympics in particular.
Hitler is in power, and one of his most respected film makers, Leni Riefenstahl, has been tasked with filming the Berlin Olympics. She has to tread a fine line between the film-making she wants to create and that of the Nazi propaganda machine.
Meanwhile, back in England, Kit is training for the olympics whilst holding down a full time job and trying to impress his upper class girlfriend. He discovers he can get sponsorship through Oswald Mosley’s British Union of Fascists, even though he isn’t by any means a fascist.
Alun is a Welsh Communist, who has been tasked with infiltrating the Blackshirts.
Leni seems to be in a state of permanent dread, because even those who are staunch Nazis aren’t safe from being taken down by the SS.
There’s a lot going on in this book, and it sounds like it should be confusing. But it’s really not. It wasn’t fact, unputdownable.
There’s a great mystery threaded through this, introduced by a modern day character, an academic called Sigrun Meier.
Historical fiction AND a mystery - what’s not to like?!
Hitler is in power, and one of his most respected film makers, Leni Riefenstahl, has been tasked with filming the Berlin Olympics. She has to tread a fine line between the film-making she wants to create and that of the Nazi propaganda machine.
Meanwhile, back in England, Kit is training for the olympics whilst holding down a full time job and trying to impress his upper class girlfriend. He discovers he can get sponsorship through Oswald Mosley’s British Union of Fascists, even though he isn’t by any means a fascist.
Alun is a Welsh Communist, who has been tasked with infiltrating the Blackshirts.
Leni seems to be in a state of permanent dread, because even those who are staunch Nazis aren’t safe from being taken down by the SS.
There’s a lot going on in this book, and it sounds like it should be confusing. But it’s really not. It wasn’t fact, unputdownable.
There’s a great mystery threaded through this, introduced by a modern day character, an academic called Sigrun Meier.
Historical fiction AND a mystery - what’s not to like?!
ClareR (5603 KP) rated She Who Became The Sun in Books
Jun 13, 2023
She Who Became the Sun is a book that I could really immerse myself in. It took its time over laying the foundations of what will continue to be, I’m sure, an epic story. This is a re-imagining of the life and rise of Zhu Yuanzhang - the peasant rebel who expelled the Mongols, unified China and became the founding Emperor of the Ming dynasty. So, no small story then!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Deborah (162 KP) rated The Queen's Confidante in Books
Dec 21, 2018
The book has three mysteries at the heart - was Arthur Tudor really murdered (I confess this is a new theory to me and not sure how credible this is), what happened to the so-called Princes in the Tower and what became of Lord Lovell after the Battle of Stoke. Personally, I think the latter is done a great disservice here, based on the historical knowns of his character. Even so, what happens and with the hero and heroine's consent is pretty horrific - yes, I know the historical basis for this, but it doesn't do much good for liking the supposed protagonists! Also the rather melodramatic language as the book nears it's conclusion - monster, beast, devil - it just goes a bit over the top.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
David McK (3251 KP) rated Death to the Emperor (Macro and Cato #21) in Books
Apr 10, 2023
The Year 2001.
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Haley Mathiot (9 KP) rated The Mechanical in Books
Apr 27, 2018
The Mechanical surprised me. The first few chapters were hard to get into. It was so different than anything I’ve read. I’m not a fan of historical fiction (even if it is supernatural or steampunk) but I gave this book a chance based on a recommendation from a friend. I’m so glad I did.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
Lindsay (1706 KP) rated The Fourth Courier in Books
Mar 5, 2019
Are you a Crime Fan or even a detective Fan? Well you may be missing out on another amazing book. This book is called “The Fourth Courier” by Timothy Jay Smith. I enjoyed this book once I got into it.
The setting is set in Poland. You will learn a bit of the lifestyle. I never been dropped into Poland in a book setting or any historical fiction book. This author does this and I can see myself walking along the sidewalks.
The author does wonderful for his crime and detective of this book. It even got a thriller to it. I just love the way this book grabs you and take you for a ride. I am now wanting to learn more about Poland and it effects on it people and landscape.
Amazing and riving is my way to describe this book in all. Though I suggest children be at least aware that there a murders and a murder and some sex scenes in it. Nothing to bad but I would suggest children be at least the age of 14 and up. It up the parents to decide for there own children though.
We got a adventure with and FBI agent and an agent that in the embassy in Poland. Will they find the missing bomb and it Courier? Will they be able to stop and save Poland from an Atomic bomb or will be the end of their new world?
The setting is set in Poland. You will learn a bit of the lifestyle. I never been dropped into Poland in a book setting or any historical fiction book. This author does this and I can see myself walking along the sidewalks.
The author does wonderful for his crime and detective of this book. It even got a thriller to it. I just love the way this book grabs you and take you for a ride. I am now wanting to learn more about Poland and it effects on it people and landscape.
Amazing and riving is my way to describe this book in all. Though I suggest children be at least aware that there a murders and a murder and some sex scenes in it. Nothing to bad but I would suggest children be at least the age of 14 and up. It up the parents to decide for there own children though.
We got a adventure with and FBI agent and an agent that in the embassy in Poland. Will they find the missing bomb and it Courier? Will they be able to stop and save Poland from an Atomic bomb or will be the end of their new world?
I have no explanation for why young adult story anthologies are SO. GOOD. But they are. This particular one revolves around queer teens in historical times. That's about the only commonality; the genres vary from normal fiction to fantasy to magical realism. There are gay, lesbian, transgender, and asexual teens represented. I am a little annoyed that there don't seem to be any bisexual teens in the anthology; it could be argued that at least one if not more are bi simply because they had opposite-sex relationships before the same-sex romance in the story, but that's also common before realizing your sexuality/coming out. No one is explicitly bisexual in this book. There were also two transmen but no transwomen.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Erika Kehlet (21 KP) rated The Hidden Child (Patrik Hedström, #5) in Books
Feb 21, 2018
Had I realized when I picked it up that this was the 4th book in a series, I would have looked for the first book to start at the beginning. I didnt feel like I was missing anything starting at this point in the story, however. The relationships between characters were either evident or explained well enough that you can easily read or listen to this book without having read the previous books, and not feel lost.
A lot of Swedish crime fiction has a particular melancholy feel to it, and The Hidden Child is no exception. The author did injected occasional brief moments of humor into the story that helped lighten the mood, however, and they kept it from feeling too dark.
The story is told in both in the present, and through flashbacks, in the time around WW2. It follows the police investigation into the murder of a local historian, as well as the family drama unfolding as Erica Faulk digs into her mothers past. The two series of events turn out to be more intertwined than anyone could have imagined, and even though I could see where it was going, the story didnt give everything away at once and I didnt really know what had happened until the end.
If you are a fan of police procedural and / or historical mysteries, give this one a try!
A lot of Swedish crime fiction has a particular melancholy feel to it, and The Hidden Child is no exception. The author did injected occasional brief moments of humor into the story that helped lighten the mood, however, and they kept it from feeling too dark.
The story is told in both in the present, and through flashbacks, in the time around WW2. It follows the police investigation into the murder of a local historian, as well as the family drama unfolding as Erica Faulk digs into her mothers past. The two series of events turn out to be more intertwined than anyone could have imagined, and even though I could see where it was going, the story didnt give everything away at once and I didnt really know what had happened until the end.
If you are a fan of police procedural and / or historical mysteries, give this one a try!