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Sassy Brit (97 KP) rated Timeless: Recreate the Most Iconic Looks from 100 Years of Beauty in Books
Jun 5, 2019
The hardcover version of Timeless: A Century of Iconic Looks by Louise Young, Loulia Sheppard is a stunning and informative book for recreating the most striking make-up and hair styles of the 20th century with step-by-step guides. If you love fashion, different hairstyles and the make-up that goes with these different years, I can see you loving this.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Bong Mines Entertainment (15 KP) rated Starting Over by Niykee Heaton in Music
Jun 7, 2019
Niykee Heaton is a Chicago-born and South Florida-based singer-songwriter/producer. Not too long ago, she released a lovely 3-song EP, entitled, “Starting Over”.
NiyKee Heaton – “Mascara”
‘Mascara’ tells the tale of a woman who’s in a new relationship with a guy she’s feeling. She’s been hurt before and takes pride in wearing make-up because it makes her feel good about herself. Also, when they are being romantic, he’s allowed to ruin her lipstick, bed, hair, her body, but not her life and mascara.
‘Mascara’ contains a unique storyline, soft vocals, and a guitar-driven instrumentation perfumed with sentimental elements.
NiyKee Heaton – “Bad Guy”
‘Bad Guy’ tells a bitter tale of a woman who’s being blamed for something she ‘allegedly’ did. Apparently, her relationship with her significant other is on the rocks and he’s blaming her for the ugly breakup and hates her because of that. But she wears the ‘bad guy’ tag well and tells a different story of why their relationship didn’t work.
“Bad Guy” contains a relatable storyline, soft vocals, and a slow-bouncing instrumentation embedded with dark undertones.
NiyKee Heaton – “Starting Over”
‘Starting Over’ tells the tale of a woman who wants to exit her current relationship. Apparently, it’s problematic, and every time she puts some space between her and her ex, he shows up when she’s almost over him. Eventually, he convinces her for them to start all over again, which is something she doesn’t want to do anymore.
‘Starting Over’ contains a relatable storyline, melodic vocals, and a charming instrumentation oozing with sonic passion.
In conclusion, Niykee Heaton’s “Starting Over” EP is a short and sweet relationship-themed project with replay value. Also, listeners can experience different stages of a relationship, plus gain strength to start all over anew if things turn sour.
https://www.bongminesentertainment.com/niykee-heaton-starting-ep/
NiyKee Heaton – “Mascara”
‘Mascara’ tells the tale of a woman who’s in a new relationship with a guy she’s feeling. She’s been hurt before and takes pride in wearing make-up because it makes her feel good about herself. Also, when they are being romantic, he’s allowed to ruin her lipstick, bed, hair, her body, but not her life and mascara.
‘Mascara’ contains a unique storyline, soft vocals, and a guitar-driven instrumentation perfumed with sentimental elements.
NiyKee Heaton – “Bad Guy”
‘Bad Guy’ tells a bitter tale of a woman who’s being blamed for something she ‘allegedly’ did. Apparently, her relationship with her significant other is on the rocks and he’s blaming her for the ugly breakup and hates her because of that. But she wears the ‘bad guy’ tag well and tells a different story of why their relationship didn’t work.
“Bad Guy” contains a relatable storyline, soft vocals, and a slow-bouncing instrumentation embedded with dark undertones.
NiyKee Heaton – “Starting Over”
‘Starting Over’ tells the tale of a woman who wants to exit her current relationship. Apparently, it’s problematic, and every time she puts some space between her and her ex, he shows up when she’s almost over him. Eventually, he convinces her for them to start all over again, which is something she doesn’t want to do anymore.
‘Starting Over’ contains a relatable storyline, melodic vocals, and a charming instrumentation oozing with sonic passion.
In conclusion, Niykee Heaton’s “Starting Over” EP is a short and sweet relationship-themed project with replay value. Also, listeners can experience different stages of a relationship, plus gain strength to start all over anew if things turn sour.
https://www.bongminesentertainment.com/niykee-heaton-starting-ep/
Debbiereadsbook (1478 KP) rated Hawk's Spell (The Swamp Witch #3) in Books
Feb 6, 2018
so frustrated!
ARGH!!!! Did you ever want to pull your hair out?? Scream and shout so bad at an author??
I was ENJOYING this one far more than the other two. I WAS enjoying it. I thought, okay, this is just going to be Hawk in the first and everyone else in the third.
And then!! We get Hawk's children having a say, in the first, with no warning who was speaking, we get the vampire having a say, in the first with no warning, and even the dead wife has a say, in the first WITH NO BLOODY WARNING!!
This book was shaping up to be the best of the three, but really, it's going to bear the brunt of my frustration! I fail to see how this issue wasn't picked up by other reviewers.
I've read some reviews, AFTER I finished, and it has some amazing 5 star ratings. But when an author drives me NUTS because they can't type a single name at the head of a chapter to let us know who is speaking?? I can't rate a book so highly. I actually read a couple of chapters, without realizing WHO was speaking, til the very end!
The children, The Balance fulfill their destiny here, going their separate ways and one becoming good, and the other evil. I fail to see how the all seeing Swamp Witch didn't know about Lynne cavern under her house. Because, you know, she is ALL SEEING, ALL KNOWING, it says so in the book!
I'm sorry, I really am, I just could not enjoy this as much as I wanted to. BUT I did finish it, and for THAT reason, and that reason ALONE....
3 stars
**same worded review will appear elsewhere**
I was ENJOYING this one far more than the other two. I WAS enjoying it. I thought, okay, this is just going to be Hawk in the first and everyone else in the third.
And then!! We get Hawk's children having a say, in the first, with no warning who was speaking, we get the vampire having a say, in the first with no warning, and even the dead wife has a say, in the first WITH NO BLOODY WARNING!!
This book was shaping up to be the best of the three, but really, it's going to bear the brunt of my frustration! I fail to see how this issue wasn't picked up by other reviewers.
I've read some reviews, AFTER I finished, and it has some amazing 5 star ratings. But when an author drives me NUTS because they can't type a single name at the head of a chapter to let us know who is speaking?? I can't rate a book so highly. I actually read a couple of chapters, without realizing WHO was speaking, til the very end!
The children, The Balance fulfill their destiny here, going their separate ways and one becoming good, and the other evil. I fail to see how the all seeing Swamp Witch didn't know about Lynne cavern under her house. Because, you know, she is ALL SEEING, ALL KNOWING, it says so in the book!
I'm sorry, I really am, I just could not enjoy this as much as I wanted to. BUT I did finish it, and for THAT reason, and that reason ALONE....
3 stars
**same worded review will appear elsewhere**
Cyn Armistead (14 KP) rated Heart of Venom (Elemental Assassin, #9) in Books
Mar 1, 2018
Sophia, the goth dwarf who is the head cook at the Pork Pit, has been a bit of a puzzle throughout the Elemental Assassin series. How did she come to have the body disposal skills she uses to help Gin? Has she always been so diametrically opposed to her oh-so-feminine sister, JoJo? And what is the full story behind the trauma that ruined her voice? This book answers those questions.
We also get a little movement in the will-they-or-won't-they-reunite story of Gin and Owen, as well as a tiny bit of movement in the bigger story arc concerning Mab Monroe's heir. Thankfully, Finn is largely absent this time around. I find his whining about his clothes, cars, hair, etc. to be insufferable and cannot imagine what Bria sees in him, but there you go.
I feel like I should mention that this book gets brutal. I mean, if you've followed Gin Blanco this far, you aren't expecting flowers and rainbows, but I had to out this one down a couple of times. The details got to me. The descriptions were just too much, and the depravity of the villains was just too far out there. There haven't exactly been any shades of gray with previous bad guys, but I fully expected these to be roasting babies for dinner or some such.
It just occurred to me that I don't recall encountering any queer characters in this series. Or in any of Estep's other work. I've read several Bigtime novels, one or two of the Mythos Academy books, and everything she's published in this series, and everybody seems to be straight. Am I forgetting Something? How can an entire universe be heterosexual? Anybody?
We also get a little movement in the will-they-or-won't-they-reunite story of Gin and Owen, as well as a tiny bit of movement in the bigger story arc concerning Mab Monroe's heir. Thankfully, Finn is largely absent this time around. I find his whining about his clothes, cars, hair, etc. to be insufferable and cannot imagine what Bria sees in him, but there you go.
I feel like I should mention that this book gets brutal. I mean, if you've followed Gin Blanco this far, you aren't expecting flowers and rainbows, but I had to out this one down a couple of times. The details got to me. The descriptions were just too much, and the depravity of the villains was just too far out there. There haven't exactly been any shades of gray with previous bad guys, but I fully expected these to be roasting babies for dinner or some such.
It just occurred to me that I don't recall encountering any queer characters in this series. Or in any of Estep's other work. I've read several Bigtime novels, one or two of the Mythos Academy books, and everything she's published in this series, and everybody seems to be straight. Am I forgetting Something? How can an entire universe be heterosexual? Anybody?
Ross (3284 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Nov 19, 2018
I didn't get it
I have to admit, I haven't seen the first film so it is possible my enjoyment of this suffered as a result. But my wife has and it sounds like I shouldn't have needed to see that to get this.
For me, the film was all over the place, plot-wise. It is cleat it was devised as a film rather than adapted from a book. It seems like the plot was simply used to justify the big effects set pieces they had planned. A number of times characters make odd choices for odder reasons and just happen to end up in the thick of the action and a number of revelations made are either so obvious, totally irrelevant (the necklace) or confusing (so were the babies switched or not?!).
I didn't really like Newt as a character, he reminds me too much of the public school boys with the foppish hair I see on the train every morning, doing their homework at the last possible moment and blocking the aisle with their massive kit bags. Ahem, anyway.
Jonny Depp as the baddie was a massive missed opportunity. He could have been so much darker and more mysterious, instead he was more a disapproving teacher, just looking down his nose at everyone and muttering. There was no real sense of evil. Now that I think of it, I couldn't actually say what his "crimes" were, other than escaping prison and murdering a family and living in their home. After that, he was more like a politician than anything else.
And Nicolas Flamel - what was that all about - why was he there at all?
All in all, I just did not enjoy it and thought it a mess of a film with no attempt at a valid plot and no ending.
For me, the film was all over the place, plot-wise. It is cleat it was devised as a film rather than adapted from a book. It seems like the plot was simply used to justify the big effects set pieces they had planned. A number of times characters make odd choices for odder reasons and just happen to end up in the thick of the action and a number of revelations made are either so obvious, totally irrelevant (the necklace) or confusing (so were the babies switched or not?!).
I didn't really like Newt as a character, he reminds me too much of the public school boys with the foppish hair I see on the train every morning, doing their homework at the last possible moment and blocking the aisle with their massive kit bags. Ahem, anyway.
Jonny Depp as the baddie was a massive missed opportunity. He could have been so much darker and more mysterious, instead he was more a disapproving teacher, just looking down his nose at everyone and muttering. There was no real sense of evil. Now that I think of it, I couldn't actually say what his "crimes" were, other than escaping prison and murdering a family and living in their home. After that, he was more like a politician than anything else.
And Nicolas Flamel - what was that all about - why was he there at all?
All in all, I just did not enjoy it and thought it a mess of a film with no attempt at a valid plot and no ending.
JT (287 KP) rated The Boy (2016) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
Gripping in parts but not a standout
d put off watching this for some time, but when I caught the trailer for Brahms: The Boy II which on the face of it looked quite good, I had to give the original one a go.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
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