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Purple Phoenix Games (2266 KP) rated Rumpelstiltskin in Tabletop Games
Jun 12, 2019
You know the story: the imp (gnome?) that tricked that one lady into promising him her firstborn child in return for spinning hair into gold? You remember? And then she can get her child back if she can guess his true name? Well this game has nothing to do with most of the story. But, it does center around the name guessing part, so there IS a tie back to the original fable. Guessing names is what it’s all about. But do we like it?
During a game of Rumpelstiltskin the players will be attempting to guess the true name of their opponent. The first one to guess correctly will receive a victory cube. The first player to win three of the five victory cubes is the winner! Each player begins the game with the exact same deck of cards to be shuffled. Place the deck face down in front of you, secretly peek at the card on the bottom of the deck and that is your true name to be guessed. On your turn you will play a card and hopefully be able to guess your opponent’s name. Some cards let you guess when played and some cards let you switch up the cards in your deck or your opponent’s. That’s the game.
Components. So it’s like 20 cards and 5 wooden cubes in a small box. The components are all great, as AEG usually has great components. Nothing super amazing (but that art is pretty pretty pretty good).
Ok so here’s the rub. It’s a game that’s just more of an activity than a game. I see what it’s trying to do, but it’s just not much fun. You can win the game with one card. Or it can drag on for like 3 or even 7 cards… It’s just not any fun for me. I only gave it a 2 rating because the art is great and I chuckle when I hear some people try to pronounce the names on the cards. Other than that I don’t think I will want to play this any more. Let me know if you want to take it off my hands.
Purple Phoenix Games gives this one a woeful 5 / 12.
https://purplephoenixgames.wordpress.com/2019/05/02/rumpelstiltskin-review/
During a game of Rumpelstiltskin the players will be attempting to guess the true name of their opponent. The first one to guess correctly will receive a victory cube. The first player to win three of the five victory cubes is the winner! Each player begins the game with the exact same deck of cards to be shuffled. Place the deck face down in front of you, secretly peek at the card on the bottom of the deck and that is your true name to be guessed. On your turn you will play a card and hopefully be able to guess your opponent’s name. Some cards let you guess when played and some cards let you switch up the cards in your deck or your opponent’s. That’s the game.
Components. So it’s like 20 cards and 5 wooden cubes in a small box. The components are all great, as AEG usually has great components. Nothing super amazing (but that art is pretty pretty pretty good).
Ok so here’s the rub. It’s a game that’s just more of an activity than a game. I see what it’s trying to do, but it’s just not much fun. You can win the game with one card. Or it can drag on for like 3 or even 7 cards… It’s just not any fun for me. I only gave it a 2 rating because the art is great and I chuckle when I hear some people try to pronounce the names on the cards. Other than that I don’t think I will want to play this any more. Let me know if you want to take it off my hands.
Purple Phoenix Games gives this one a woeful 5 / 12.
https://purplephoenixgames.wordpress.com/2019/05/02/rumpelstiltskin-review/
Hannah May (3 KP) rated Eleanor & Park in Books
Mar 8, 2018
Contains spoilers, click to show
It was a strange kind of wonderful, reading this book. It is a romance in its purest form and has been written with so much care and tenderness. Eleanor & Park is unlike any book I have ever read - so far at least. The romantic build is slow, dramatic and captiviting, and it defies the stereotypes of everyday life. Eleanor is not your average teenage girl. She's not popular. She's not blonde. She's not stick thin. Her family is not rich. She is different and Rainbow Rowell reaffirms that idea again and again. She has a big mess of red hair. She's a social outcast. She's bullied. She comes from a broken family. She's anxious and self-conscious. She is so different and so far off the spectrum, that it was a never ending thrill hearing her side of the story, hearing of her struggles and passions. Reading from Eleanor's point of view really brought the whole world into perspective, and made me think in ways I have never done so before. Now. What can I say about Park without repeating myself? What I like most about him is his characterisation. Why? Because it sets him apart from the typical male protagonist you find in most Teen Fiction novels. He's quirky. He's sarcastic. He's a closet romantic. He's Asian. He wears make up. He too is an outcast. This alone makes him different, but no less intriguing or entertaining to read. I truly admire his devotion to Eleanor. Even when she tries to push him away, he's always there for her and he always loves her, despite her taciturn moods and snappy comments. He loves her so deeply and without shame. Needless to say, I wish there were more boys like him. Now, the ending was ambiguous and rather bittersweet. I'd be lying if I said I wasn't disappointed, but somehow I found it quite fitting; considering what happened and how far both Eleanor and Park had come, since their first meeting on the school bus. It's not the perfect happily-ever-after, but it was full of potential and hope that it was, in its own little way. It left a smile on my face, at least. Needless to say, I would recommend Eleanor and Park to anyone. From the setting to the characters to the little hidden messages, it is a real story. It is a real romance and it will move you; body and soul.
Kristy H (1252 KP) rated The Clairvoyants in Books
Feb 13, 2018
Martha has had an interesting childhood and upbringing. As a young girl, she saw the ghost of her aunt, a nun, in her grandfather's barn. As a teen, the dead frequently appeared to Martha, though she rarely knew what to do with these apparitions. Also in her teen years, Martha's younger sister, Del, wound up sent to an institution. Incredibly close as children, Del's slow decent into some sort of madness also haunted Martha. So she decides to depart her family's farm and move inland to college. Once in Ithaca, Martha falls in love, is reunited with Del, and frequently sees the ghost of Mary Rae, a missing woman from a neighboring town, who stands beneath Martha's window for hours, wearing her coat and with her hair covered in ice. Martha had hoped to escape the dead in Ithaca, but it seems like somehow everything is going to converge on her nonetheless.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
Amy Christmas (171 KP) rated The Assassin's Blade: The Throne of Glass Novellas in Books
Nov 13, 2018
Seeing the roots of celaenas character (1 more)
Seeing the continent and lands in more depth
I didn't much like sam and celaenas relationship (1 more)
Celaenas an idiot
A rather enjoyable backstory
Contains spoilers, click to show
Overall I liked this prequel, I love the cover I love the characters (most of them anyway). Now I do profess I feel I may have read the prequel at the wrong time as it may have spoiled a few things for me but I don't think it will make too much of a difference.
Anyway,I loved the stories, the catalyst causing the dominoe effect beginning in the first story with the tensions being built beautifully through the next 3 stories until the climax in the last one. I loved each story's arc, Ansel and the mute master, Arobynns betrayal and her downfall.
The book is crafter well through the build of all this tension and dram without staying in the same place or there necessarily being constant drama,sometimes just reflection.
However, celaena, Sam and all the rest of them are bloody idiots. The way in which their characers had been built would lead you to believe they were smart individuals but apparently we were lead astray and it is infuriating to see them behave like such buffoons when even throughout he prequel it's clear they wouldn't behave in that manner. For example celaena not going after sam when he didn't return because of a possible breach of trust. Yeah no. I feel like towards the end celaenas character was dumbed down too mich to make ends meet etc, but if her character needed to be dumb to make it flows into the first book then atleast make it clear throughout that she makes these dumb mistakes. Off the top of my head I can't remember any point where she made any overly stupid mistakes.
Furthermore I'm not a fan of celaenas and Sam's relationship, I love and adore sam but him and celaena? It didn't work it was too artificial and built too quickly for it to feel like a natural progression for the two characters.
Despite all that the book is good,the stories are gripping and lovely to read, if you ignore the bits that make you want to rip out your hair.
Anyway,I loved the stories, the catalyst causing the dominoe effect beginning in the first story with the tensions being built beautifully through the next 3 stories until the climax in the last one. I loved each story's arc, Ansel and the mute master, Arobynns betrayal and her downfall.
The book is crafter well through the build of all this tension and dram without staying in the same place or there necessarily being constant drama,sometimes just reflection.
However, celaena, Sam and all the rest of them are bloody idiots. The way in which their characers had been built would lead you to believe they were smart individuals but apparently we were lead astray and it is infuriating to see them behave like such buffoons when even throughout he prequel it's clear they wouldn't behave in that manner. For example celaena not going after sam when he didn't return because of a possible breach of trust. Yeah no. I feel like towards the end celaenas character was dumbed down too mich to make ends meet etc, but if her character needed to be dumb to make it flows into the first book then atleast make it clear throughout that she makes these dumb mistakes. Off the top of my head I can't remember any point where she made any overly stupid mistakes.
Furthermore I'm not a fan of celaenas and Sam's relationship, I love and adore sam but him and celaena? It didn't work it was too artificial and built too quickly for it to feel like a natural progression for the two characters.
Despite all that the book is good,the stories are gripping and lovely to read, if you ignore the bits that make you want to rip out your hair.
JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
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