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Lilyn G - Sci-Fi & Scary (91 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Feb 2, 2018
It was okay. Nothing more, nothing less.
So, when I saw the trailer for Winchester, I was a little intrigued. Not a lot, but a little. A bit more so when I realized that Helen Mirren was in it. Though I can’t say I could name anything else she’s been in off-hand, I did recognize that she had a bit of weight behind her name. Her presence, combined with Jason Clarke (who I recognize more as a “Hey, it’s that guy” than actually recognize) gave me some hope for the movie. Hence stealing away on a Friday afternoon, paying entirely too much money for a ticket and popcorn to get the big-screen experience.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Heather Cranmer (2721 KP) rated Creepy and Maud in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.
The title did catch my attention especially since it had the word Creepy in it.
I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.
The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.
The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.
I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.
I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.
Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.
Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.
Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.
(I won this book from a competition. I was not required to write a review).
I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.
The title did catch my attention especially since it had the word Creepy in it.
I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.
The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.
The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.
I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.
I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.
Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.
Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.
Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.
(I won this book from a competition. I was not required to write a review).
Sensitivemuse (246 KP) rated Timeless in Books
Oct 18, 2018
I missed out on a lot!
Contains spoilers, click to show
***Spoilers ahead, you’ve been warned***
It’s greatly recommended you read previous novels leading up to this one. Mind you, it would help immensely if you read the entire Drizzt timeline (which is a lot!) but since that is a lot of books to catch up on, the last few trilogies leading up to this one would likely help. My mistake was not doing so and I was left with lots of gaps and holes that I didn't quite understand. A lot of references were made about past adventures. Admittedly, I was lost for some parts of the book but, since I love Drizzt and his buddies I definitely will go back and reread this one and read the past novels to catch up on what I have missed.
The best part of about this book is Zaknafein and how he meets up with Jarlaxle - which is always an adventure in itself. The chapters are divided evenly into both past and present. I preferred the chapters featuring Zaknafein and Jalaxle. You had past characters appear again and that old nostalgic feeling comes back when you’re reading about them. Their adventures and intrigue were fun to read, the fighting scenes excellent, and there’s even a slight comedic section of Jalaxle and the subject of his hair.
The chapters set in the present are all right. Zaknafein is resurrected to reasons unknown and it’s encountered with suspicion. You’ll have all your characters coming back and naturally you’ll be happy to see them. I noticed some things have definitely changed with them. So it really felt like I was missing something (I probably did, hence why I have to go back and read the past novels for this) I like the exchanges between Zaknafein and Drizzt. Ah but the fighting scenes that included them both were enjoyable to read. They were in sync and it felt like watching a dance. It was beautifully descriptive.
The plot was good and it obviously leaves room for more to come. That being said, I can’t wait to hear further and read more about Zaknafein. He’s got a long way ahead of him and lots to catch up on. I look forward to it. In the meantime, I think it’s time to play catch up on Drizzt and company.
As mentioned earlier, really don’t recommend if you haven’t read Drizzt before. You’ll be lost and the read won’t be as enjoyable. I suspect if read in the particular order, it will be a great read and can’t be missed.
It’s greatly recommended you read previous novels leading up to this one. Mind you, it would help immensely if you read the entire Drizzt timeline (which is a lot!) but since that is a lot of books to catch up on, the last few trilogies leading up to this one would likely help. My mistake was not doing so and I was left with lots of gaps and holes that I didn't quite understand. A lot of references were made about past adventures. Admittedly, I was lost for some parts of the book but, since I love Drizzt and his buddies I definitely will go back and reread this one and read the past novels to catch up on what I have missed.
The best part of about this book is Zaknafein and how he meets up with Jarlaxle - which is always an adventure in itself. The chapters are divided evenly into both past and present. I preferred the chapters featuring Zaknafein and Jalaxle. You had past characters appear again and that old nostalgic feeling comes back when you’re reading about them. Their adventures and intrigue were fun to read, the fighting scenes excellent, and there’s even a slight comedic section of Jalaxle and the subject of his hair.
The chapters set in the present are all right. Zaknafein is resurrected to reasons unknown and it’s encountered with suspicion. You’ll have all your characters coming back and naturally you’ll be happy to see them. I noticed some things have definitely changed with them. So it really felt like I was missing something (I probably did, hence why I have to go back and read the past novels for this) I like the exchanges between Zaknafein and Drizzt. Ah but the fighting scenes that included them both were enjoyable to read. They were in sync and it felt like watching a dance. It was beautifully descriptive.
The plot was good and it obviously leaves room for more to come. That being said, I can’t wait to hear further and read more about Zaknafein. He’s got a long way ahead of him and lots to catch up on. I look forward to it. In the meantime, I think it’s time to play catch up on Drizzt and company.
As mentioned earlier, really don’t recommend if you haven’t read Drizzt before. You’ll be lost and the read won’t be as enjoyable. I suspect if read in the particular order, it will be a great read and can’t be missed.
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Kristy H (1252 KP) rated Little Wonders in Books
Mar 19, 2020
Quinn Barrett's mantra is about being perfect. But that all crumbles when she's caught on camera at the Little Wonders Preschool Halloween parade screaming at her young son, Hamilton, and destroying his (you guessed it) perfectly-created spaceship costume. As president of the Little Wonders board, a perfect mom, and a designer, Quinn supposedly has it all together. But when fellow Little Wonders mom Daisy McGulch captures her meltdown on her phone and it goes viral, Quinn's perfect life is over. As for Daisy, she's terrified that Quinn (and the other Little Wonders parents) will find out she's responsible for the video. She's having a hard enough time fitting in the posh New England town and Little Wonders world. Daisy, with her tattoos, blue hair, and love of cosplay, isn't exactly like the other moms. But then Daisy and Quinn find themselves thrust together--and soon--maybe even friends. What will happen if Quinn finds out what Daisy did?
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
"In dark moments, when Quinn Barrett looked back and analyzed what caused the destruction of her entire life, she should have known it would happen at the Little Wonders Preschool Happy Halloween Costume Parade (and Dance Party)"
This book started off incredibly slow for me. Though, in its defense, I was reading it while sick with the flu and not exactly in the reading mood (or in the mood for anything, really). It took me a long time to warm to Quinn and Daisy--they just weren't the type of characters you (well, me) immediately take to. And, really, I'm a tough sell on these "mom" type books. I know these horrible type of parents exist--and these snotty schools--but some of these people and their actions just seemed so over-the-top.
I'm glad I kept reading, though, because eventually Daisy and Quinn grew into full-fledged characters, even if some of the other parents remained crazy caricatures and stereotypes. Daisy is sweet and funny, with her love of pop culture, and Quinn is relatable, with her flaws and desire for perfection. The book captures a lot of the difficult elements of parenting; what parent hasn't felt alone and out of their depth at points?
There are some really humorous moments, and I liked Daisy and Quinn's friendship a lot. Some of the events seemed a bit transparent, but Daisy and Quinn's eventual growth and my need to root for them turned this into a 3.5-star read.
BankofMarquis (1832 KP) rated Young Frankenstein (1974) in Movies
Apr 20, 2020
My All Time Favorite Comedy
There are certain films that I can revisit time and time again and the effects of the film do not diminish for me and I would argue that they get better with age...and with repeated viewings.
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Mel Brooks' Universal Horror film spoof/satire YOUNG FRANKENSTEIN from 1974. It is a work of comedic genius and features some of the most memorable characters in motion picture comedy history.
Co-Writen by Brooks and Gene Wilder, Directed by Brooks and starring Wilder, Marty Feldman, Peter Boyle, Teri Garr, Cloris Leachman and the great Madeline Kahn, this film sends up the black and white Universal Horror films of the 1930's not by making fun of them, but by lovingly recreating them and then exaggerating the scenes/circumstances.
Wilder is at his manic best as Dr. Frederick Frankenstein - the grandson of the original Frankenstein - who is brought to Transylvania and soon takes up his grandfather's work. He works through a controlled rage throughout the film until such times where the rage (and his hair) comes bursting forth in maniacal energy that is a comic tour-de-force.
He is surrounded by an outstanding collection of misfits, most notably Marty Feldman's servant/assistant Igor who is game for just about anything. Under-rated is the comedic performance of Teri Garr as Frankenstein's lab assistant Inga who not only has good looks ("what knockers") but can hold her own with Wilder and Feldman in a scene. Peter Boyle is earnest and scary and vulnerable (all at the same time) in his portrayal of "the Monster" who just wants to be understood - the "Puttin' on the Ritz" scene shows some fine comedic chops in an actor that up to this point had not really done comedy (his Emmy nominated work in EVERYONE LOVES RAYMOND is years in the future).
But it is the work of 2 female comediennes that drives this film to another level. Madeline Kahn as Frederick's fiance, Elizabeth, commands (and steals) every scene she is in while the inscrutable Cloris Leachman is deadpan perfection as castle housekeeper Frau Bleucher (horse whinny).
Director Brooks keeps the jokes coming at a fast a furious pace, but keeps the pace and the story going as well. This is much more than "just a collection of jokes" - it is a very good movie.
This film falls squarely in my "Top 10 All Time Favorite Films" - and my #1 comedy of all time.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
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