Search

Search only in certain items:

Follow the Snowflakes
Follow the Snowflakes
Angelina Kerner | 2020 | Contemporary, Fiction & Poetry, Romance
8
9.0 (2 Ratings)
Book Rating
Previously I read some of the short romance books, and unfortunately, they kind of disappointed me, but I actually enjoyed this novella, maybe because I read it at the suitable time, or maybe because I could relate with some of the things which were mentioned in the book.

The blurb of this novella is pretty accurate, Cat accidentally meets a stranger in a car accident, and because she has a good heart, she helps him out. One thing leads to another and they spend more and more time together, but life throws in some pleasant surprises and twists for Cat. This is a sweet story, with pleasant characters and interesting twists. I enjoyed reading this novel because it was not too sweet, it had its edge in it, but at the same time, it was pleasant and romantic.

The author was born in Novosibirsk, Russian Siberia, and I did like the little details she proudly shared about her Russian heritage. Do not be fooled by the cover, even though this book is filled with pictures giving it a playful feel, it is a story for adults. I really liked the art at the end of the novel, and I think it is great if you have children, you can give it to them to colour in. Everybody wins!!!

The writing style of this novella is quite simple, with easy and understandable vocabulary. I liked the short chapters, it made this book really great one sitting read. The ending of this story rounded everything as I was suspecting, and for me, it didn’t leave any loose ends. So to conclude, it is a great read if you like Hallmark and looking for a quick, playful and Christmasy story which is pleasant, romantic and not over sweetened. Enjoy
  
40x40

LoganCrews (2861 KP) rated 3 From Hell (2019) in Movies

Oct 10, 2020 (Updated Oct 10, 2020)  
3 From Hell (2019)
3 From Hell (2019)
2019 | Horror
RIP - Sid Haig

I... wanted to like this so badly, it physically hurts me to write this. I revere the first two films in this trilogy and thought it ended contently on the previous one - though I wouldn't necessarily be opposed to seeing more. However, the way this was practically forced out of Zombie when he wanted to make another film instead (after over a decade of swearing off interest in another sequel already) plus the whole thing being plagued with a stifled budget and Sig Haig's failing health on top of that just makes it a sad affair in more ways than one. It starts off okay, begins with a substantial amount of 'martyred killer' psychobabble ("Justice is a fucking knife", "All hail the man behind the grease paint!") and hallmark Zombie sadism, albeit significantly toned down this time around much to its detriment. I still applaud Zombie in his effort to make every entry into this canon a different experience, but there's nothing going on here - it's essentially a diet retread of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 meets a boring hangout movie that barely even attempts to delve into the tantalizing Manson-era publicized serial killer culture it teases in its opening scenes. Looks like cheap DTV shit too, especially that criminal CGI blood. Just so disappointingly cursory in its storytelling, obviously this would have suffered without Haig anyway but the Richard Brake replacement character stands around and does jack shit. Moon-Zombie and Moseley are intact but to what effect? Their characters come out worse off than they were 15 years ago. Has enough alright moments to escape being too offensively bad but I'm still immeasurably let down. Dee Wallace is great, though. I wonder what Doctor Satan is up to.
  
Sleigh Bells on Bread Loaf Mountain
Sleigh Bells on Bread Loaf Mountain
Lindy Miller | 2021 | Contemporary, Romance
6
6.0 (1 Ratings)
Book Rating
cute and sweet!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

If you follow my reviews, you'll know I'm all about the book feelings and how much I hate using the word NICE to describe a book. But sometimes, that word sticks at the tip of my fingers and I can't shift it no matter what.

So, this is a nice book.

Roxy goes home for Christmas for the first time in several years, at the request of her aging grandmother. Her (currently) off-again boyfriend is in Milan. A conversation between them sets Roxy off in a bad mood and things go downhill from there. Or rather, Roxy goes uphill but the weather turns for the worse and Roxy runs off the road in a blizzard and she only packed her good clothes. Ranger Mark finds her, and there follows a lovely tale of finding your true self.

I liked it. It's relatively clean, just some kissing. Low angst, although Roxy does have to dig deep to make the decision she does. Just Roxy has a say though, and maybe if Mark had been given a voice, I might have enjoyed it more.

I refer back to the book feelings. My first and most lasting feeling about this book is that it's a Hallmark Christmas movie, wrapped up in some 178 pages. It didn't seem that long though.

It's incredibly sweet, and I think, for ME, just a bit too much.

But! This is the first I've read of this author, under either name she uses, and I'd certainly give her another go. A book with a bit more bite might be more for me.

3 good, twinkly stars

*same worded review will appear elsewhere
  
40x40

Rufus Wainwright recommended Pet Sounds by The Beach Boys in Music (curated)

 
Pet Sounds by The Beach Boys
Pet Sounds by The Beach Boys
1966 | Psychedelic

"For me, this is very much a hallmark of where I was able fit in musically in my career. When I started out I was in Montreal, but went to New York periodically and failed miserably with what I was trying to do. It was right at the time that Jeff Buckley was on the rise, and grunge, and that whole movement was incredibly heterosexual, incredibly nihilistic, incredibly guitar-based and very, very dark. I admired it, I'm not against that, but when I was dropped into that equation I was this gay piano-playing opera queen who wanted to be romantic and harken back to other more refined eras. What I was trying to do just didn't make any sense in New York. People would often try to categorise me and say I was cabaret or that I should be doing Broadway. It was very complicated and I never figured it out. Then I was signed to Dreamworks, by Lenny Waronker – whom I believe helped make Pet Sounds. I went to Los Angeles and suddenly realised that I was definitely more part of the Brian Wilson tradition. Whether it was him or Randy Newman or Van Dyke Parks or Harry Nilsson, there was a kind of spot that I could fit into. So I listened a lot to Pet Sounds. You can hear it somewhat on my new album, songs like the last track 'Alone Time', but all through my career there's been a real concentration on harmonies and interesting chord changes and a dreamlike quality. I was able to find my niche through that tradition, as opposed to the East Coast. I have a lot to thank Brian Wilson for, he allowed me to inhabit my world comfortably, as opposed to when I was in New York and I was a total anathema to what was happening there. I can't say that I listened to the album obsessively or that I'm obsessed with him and know all his work, but I definitely feel I am a Wilsonite."

Source