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Merissa (11731 KP) rated True North (Yule Lads #1) in Books
Dec 20, 2023
TRUE NORTH is the first book in the Yule Lads, and this is not a Hallmark story!
It is intricate and intriguing, but I always felt as though I wasn't getting the full picture. It is fast-paced and non-stop, including the relationship between Dylan and Somerset. This is definitely something I want more of, as I just didn't feel as though I had enough.
If the aim was to keep the reader in the dark, along with Dylan, so you learn at the same time as him, then it worked. I kept reading in the hope I would understand more of what was going on.
This was an absorbing story that I look forward to reading more of.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 9, 2023
It is intricate and intriguing, but I always felt as though I wasn't getting the full picture. It is fast-paced and non-stop, including the relationship between Dylan and Somerset. This is definitely something I want more of, as I just didn't feel as though I had enough.
If the aim was to keep the reader in the dark, along with Dylan, so you learn at the same time as him, then it worked. I kept reading in the hope I would understand more of what was going on.
This was an absorbing story that I look forward to reading more of.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 9, 2023
Phillip McSween (751 KP) rated Go Back to China (2020) in Movies
Sep 3, 2020
Couldn't Hold My Interest
I’m always on the lookout for hidden gems, especially when it comes to films starring minorities. I was hoping to find that in Go Back to China but wasn’t as impressed as I thought it would be. In the movie, a woman living in the states is forced to go to China to work for her father in his toy factory after he cuts off her trust fund.
Acting: 10
Great performances all around from a stellar Asian cast. While I don’t know much about them from previous films, I was extremely impressed with the range of Anna Akana, Richard Ng, and Lynn Chen who all shared the most screen time. They breathed a life and a realism into their characters that really made them feel like family.
Beginning: 2
Characters: 10
I appreciated that the three main characters experienced a great growth over the course of the movie. Each of them played off of each others’ personalities and experiences which gave the movie a true dynamic feel. The main character Sasha Li is likable right from jump even as a pretentious snob. She gives you a reason to stay interested in the movie.
Cinematography/Visuals: 6
The camera work is just slightly above par here. Outside of the toy factory, the setpieces are pretty bland. I honestly can’t remember any scenes that stand out or a shot that made my jaw drop. The movie instead seems content with going through the motions.
Conflict: 3
Entertainment Value: 6
Go Back to China is not without its share of entertaining moments but unfortunately those moments are too few and far between for the movie to consistently be entertaining. Just when it starts to get a bit of momentum, it finds itself going in reverse. Too much talking, not enough action. In the thick of it, it felt more like a Hallmark movie than anything else.
Memorability: 8
Pace: 8
The story moves along gracefully, albeit with a few trip-ups here and there. I always felt like the story was going somewhere at the very least. This would have worked more in the film’s favor had the story itself been a little more solid.
Plot: 5
As I mentioned above, the story definitely has a very Hallmarky-type feel. The cheese runs super high throughout. The premise is interesting, but things become very predictable very fast the longer the story plays out.
Resolution: 10
Say what you want about Hallmark movies, who doesn’t love a good Hallmark ending? All the pieces of the puzzle ended up exactly where they needed to be. If the movie had began just as strongly as it had ended, the movie would have been way more enjoyable.
Overall: 68
As a man that loves to appreciate and understand different cultures, I did love the perspective the movie provided into the life of people in China and the different hardships they face. Unfortunately, I didn’t love Go Back to China as a whole. A few tweaks here and there and this review would look a lot different.
Acting: 10
Great performances all around from a stellar Asian cast. While I don’t know much about them from previous films, I was extremely impressed with the range of Anna Akana, Richard Ng, and Lynn Chen who all shared the most screen time. They breathed a life and a realism into their characters that really made them feel like family.
Beginning: 2
Characters: 10
I appreciated that the three main characters experienced a great growth over the course of the movie. Each of them played off of each others’ personalities and experiences which gave the movie a true dynamic feel. The main character Sasha Li is likable right from jump even as a pretentious snob. She gives you a reason to stay interested in the movie.
Cinematography/Visuals: 6
The camera work is just slightly above par here. Outside of the toy factory, the setpieces are pretty bland. I honestly can’t remember any scenes that stand out or a shot that made my jaw drop. The movie instead seems content with going through the motions.
Conflict: 3
Entertainment Value: 6
Go Back to China is not without its share of entertaining moments but unfortunately those moments are too few and far between for the movie to consistently be entertaining. Just when it starts to get a bit of momentum, it finds itself going in reverse. Too much talking, not enough action. In the thick of it, it felt more like a Hallmark movie than anything else.
Memorability: 8
Pace: 8
The story moves along gracefully, albeit with a few trip-ups here and there. I always felt like the story was going somewhere at the very least. This would have worked more in the film’s favor had the story itself been a little more solid.
Plot: 5
As I mentioned above, the story definitely has a very Hallmarky-type feel. The cheese runs super high throughout. The premise is interesting, but things become very predictable very fast the longer the story plays out.
Resolution: 10
Say what you want about Hallmark movies, who doesn’t love a good Hallmark ending? All the pieces of the puzzle ended up exactly where they needed to be. If the movie had began just as strongly as it had ended, the movie would have been way more enjoyable.
Overall: 68
As a man that loves to appreciate and understand different cultures, I did love the perspective the movie provided into the life of people in China and the different hardships they face. Unfortunately, I didn’t love Go Back to China as a whole. A few tweaks here and there and this review would look a lot different.
LoganCrews (2861 KP) rated The Invisible Man (2020) in Movies
Sep 21, 2020
There are three things that are certain in life:
1. Death
2. Taxes
3. Leigh Whannell is the fucking *man*.
Just fantastic. Obviously very few films could ever hope to match the rampant badassery of Whannell's previous masterwork, 𝘜𝘱𝘨𝘳𝘢𝘥𝘦 - but this is about as stellar as a follow-up as one could hope for. A constant guessing game with your eyes, something could be hiding in just about every corner - never stop looking, you could miss it right in plain sight. Melds horror, thriller, drama, and action in a way that is simply euphoric - especially after the decade-worst slump of movies we experienced in 2019. Does Jordan Peele better than Jordan Peele in every aspect except image-making, which only falls behind by a tad. Moss is - naturally - amazing, probably her best film performance in a career chock full of first-rate ones. And the themes are loud and clear without ever having to spoon feed or turn into a rote, mawkish Hallmark movie with the material. Starts small, methodically grows, then ends with a bang. A riot.
1. Death
2. Taxes
3. Leigh Whannell is the fucking *man*.
Just fantastic. Obviously very few films could ever hope to match the rampant badassery of Whannell's previous masterwork, 𝘜𝘱𝘨𝘳𝘢𝘥𝘦 - but this is about as stellar as a follow-up as one could hope for. A constant guessing game with your eyes, something could be hiding in just about every corner - never stop looking, you could miss it right in plain sight. Melds horror, thriller, drama, and action in a way that is simply euphoric - especially after the decade-worst slump of movies we experienced in 2019. Does Jordan Peele better than Jordan Peele in every aspect except image-making, which only falls behind by a tad. Moss is - naturally - amazing, probably her best film performance in a career chock full of first-rate ones. And the themes are loud and clear without ever having to spoon feed or turn into a rote, mawkish Hallmark movie with the material. Starts small, methodically grows, then ends with a bang. A riot.
LoganCrews (2861 KP) rated Kingpin (1996) in Movies
Sep 20, 2020
Familiar Farrelly fare to a fault (I swear to God that repetition was unintentional) - it's got every single hallmark of their films all rolled into one: extremely juvenile peepee/caca/sex jokes, USA heartland road trip, lovable doofus + straight man lead pairing plus the underdeveloped woman who puts them at odds with each other, runtime that's about 15 or so minutes too heavy, unpointed misogyny, and heaping helpings of sentimentality. For better or worse, this is the quintessential Farrelly film. On the whole though, it's okay. Comedy is hit or miss here but this can be damn funny, specifically Bill Murray - who easily runs away with this entire film (the film's biggest flaw? that there isn't more of him). Randy Quaid is a riot too, though this is oddly a better sports movie than it is an outright comedy. All these (still fair) gross-out comedy trappings are infused into your model sports film formula but it's oddly really engaging as that, and the comedy is just a bonus. I like how this movie portrays skill, and it's also one of the Farrellys' best looking ones, too. All of this is still rather simple but it's fun.
Merissa (11731 KP) rated Of Mates & Magic (Eliza Falls #1) in Books
Dec 2, 2022
OF MATES & MAGIC is the first book in the Eliza Falls series and it gives you a quick insight into the small hallmark town.
Cora and Seb are the main characters who spend most of the book avoiding each other, but then seem to get together very quickly. I did like the build-up but then it was a steamy scene and boom! The book was over. Well, not quite, but the build-up definitely takes up the majority of the pages.
Some pieces of information seem as though they're going to play a part in the book but never come to fruition. I don't know if they will show up in later books that Seb and/or Tate are in.
The pacing is fast and so the world-building is a little rushed in places. That could be remedied in future stories though.
On the whole, this was a quick and enjoyable story that I can recommend. I'll definitely be on the lookout for the other books in this series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Cora and Seb are the main characters who spend most of the book avoiding each other, but then seem to get together very quickly. I did like the build-up but then it was a steamy scene and boom! The book was over. Well, not quite, but the build-up definitely takes up the majority of the pages.
Some pieces of information seem as though they're going to play a part in the book but never come to fruition. I don't know if they will show up in later books that Seb and/or Tate are in.
The pacing is fast and so the world-building is a little rushed in places. That could be remedied in future stories though.
On the whole, this was a quick and enjoyable story that I can recommend. I'll definitely be on the lookout for the other books in this series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Matthew Krueger (10051 KP) rated The Last House on the Left (1972) in Movies
Sep 3, 2020
To Avoid Fainting Keep Repeating...Its Only A Movie
The Last House on the Left- was wes's directoral debut and what a start. Its a disturbing, psychological, graphic, exploitation horror film.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
The plot: Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a night of torture and rape. The gang then kills the girls in the woods, not realizing they're near Mari's house. When they pose as salesmen and are taken in by Mari's mother (Cynthia Carr) and father (Gaylord St. James), it doesn't take the parents long to figure out their identities and plot revenge.
Wes Craven, who had no money at the time, was put on the job of synchronizing dailies for Cunningham's re-shoot. He soon began editing the film with Cunningham. He soon began editing the film with Cunningham and they became good friends. Hallmark bought the film for $10,000, and it was considered a "hit"; this prompted Hallmark to persuade them to make another film with a bigger budget, and gave them $90,000 to shoot a horror film.
This script, written under the title Night of Vengeance, has never been released; only a brief glimpse is visible in the featurette Celluloid Crime of the Century (a 2003 documentary on the making of the film).
The majority of the cast of The Last House on the Left were inexperienced or first-time actors, with the exception of Richard Towers, Eleanor Shaw, and Sandra Peabody who were all soap opera regulars and had prior film roles.
The film underwent multiple title changes, with its investors initially titling it Sex Crime of the Century. However, after test screenings were completed, it was decided to change the title to Krug and Company; however, this title was found to have little draw during test screenings. A marketing specialist who was an acquaintance of Cunningham's proposed the title The Last House on the Left. Craven initially thought the title was "terrible."
Due to its graphic content, the film sparked protests from the public throughout the fall of 1972 who called for its removal from local theaters.
Promotional material capitalized on the film's graphic content and divisive reception, featuring the tagline: "To avoid fainting, keep repeating 'It's only a movie' ..." advertising campaign. Under the Last House... title, the film proved to be a hit.
Though the film passed with an R-rating by the Motion Picture Association of America, director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.
It is a distubing film but it is a excellet film by a horror icon.
Phil Leader (619 KP) rated Pacific Vortex! (Dirk Pitt #1) in Books
Nov 21, 2019
Ships have been vanishing off of Hawaii for a while, a phenomenon that has been dubbed the 'Pacific Vortex'. But when a nuclear submarine falls victim things become more serious. Marine engineer Dirk Pitt gets involved in the search and finds that the disappearances are not coincidental.
Although released later in the series, Pacific Vortex! is very much a prequel to the main Dirk Pitt series and was the first of the Pitt novels Cussler wrote. As such it is a little different to the rest. Pitt comes across as more of a generic action hero type. The plot is far more straightforward with very little in the way of twists and suprise reveals that became the hallmark of the best of Cussler's novels. The standard hero trope is also enforced by the love interest and the megalomaniac villain in his lair.
However this is still a good read, with good ideas and it's interesting to see some of the building blocks that made up the Pitt franchise, particularly those that surfaced here but were then discarded for the later works. As a story it's not bad with enough going on the engage the reader's interest and obviously it lays the seeds of the later appearance of his children.
Not an essential read by any means, but one that will entertain
Although released later in the series, Pacific Vortex! is very much a prequel to the main Dirk Pitt series and was the first of the Pitt novels Cussler wrote. As such it is a little different to the rest. Pitt comes across as more of a generic action hero type. The plot is far more straightforward with very little in the way of twists and suprise reveals that became the hallmark of the best of Cussler's novels. The standard hero trope is also enforced by the love interest and the megalomaniac villain in his lair.
However this is still a good read, with good ideas and it's interesting to see some of the building blocks that made up the Pitt franchise, particularly those that surfaced here but were then discarded for the later works. As a story it's not bad with enough going on the engage the reader's interest and obviously it lays the seeds of the later appearance of his children.
Not an essential read by any means, but one that will entertain
Alice (117 KP) rated The Switch in Books
Mar 3, 2021
Thank you to NetGalley and Macmillan Audio and Flatiron Books for early access to this audiobook
I wholeheartedly adored this book! After reading and loving The Flat Share I knew I wanted to read this book as well so when I saw it was available as an audiobook on NetGalley I jumped at the chance to get to read it. Also, the fact that it was narrated by the absolute ICON that is Alison Steadman and Normal People's Daisy Edgar-Jones really sold it to me! I love when audiobooks have multiple perspectives narrated by different actors as I feel like it adds a lot to the story that you don't always get from a single narrator. This was just so charmingly Beth O'Leary and I loved this one just as much - if not more than I loved The Flat Share. I loved all of the characters and this was such a fun read but it also deals with very serious topics as well such as death, grief and abuse but all rolled up in a charming little tale of love, friendship and family. It gave me major Hallmark Christmas movie vibes as in I kind of knew how it was going to end right at the start but it was so fun and sweet and it was nice just to do life with the characters. I couldn't recommend this book enough!
I wholeheartedly adored this book! After reading and loving The Flat Share I knew I wanted to read this book as well so when I saw it was available as an audiobook on NetGalley I jumped at the chance to get to read it. Also, the fact that it was narrated by the absolute ICON that is Alison Steadman and Normal People's Daisy Edgar-Jones really sold it to me! I love when audiobooks have multiple perspectives narrated by different actors as I feel like it adds a lot to the story that you don't always get from a single narrator. This was just so charmingly Beth O'Leary and I loved this one just as much - if not more than I loved The Flat Share. I loved all of the characters and this was such a fun read but it also deals with very serious topics as well such as death, grief and abuse but all rolled up in a charming little tale of love, friendship and family. It gave me major Hallmark Christmas movie vibes as in I kind of knew how it was going to end right at the start but it was so fun and sweet and it was nice just to do life with the characters. I couldn't recommend this book enough!
Debbiereadsbook (1092 KP) rated Tangled In Tinsel in Books
Dec 11, 2021
the letter made me cry!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Taken straight from the blurb, this best describes this book! This gay, Hallmark-influenced romance is a heart-warming, hilarious, steamy mug of Christmas cocoa.
And it really is a wonderful read! I have a lot of holiday stories in my review list this year and this is the most fun read, I think, of the lot.
Dean is chasing that elusive find, the one that would save his business and make his name in the antiques world. Finding it is Tinsel, and meeting Levi again, was fate. Then the snow comes, Dean's nemesis also arrives and Dean is faced with making the decision of his life.
There follows an hilarious tale of two men falling in love, over a cradle; a lot of interruptions to their moments and a horse ride from hell and I really can't go into too much more, save for spoilers!
But it really is a wonderful read. And I loved the connection that Levi had to the cradle, and just what else Levi has to give to Dean.
The letter though, made me cry!
Oh, and the epilogue did too!
I can't see that I've read anything else by this author, and I think I need to correct that, right quick (just as soon as my review list lets me!)
4 wonderful stars
*same worded review will appear elsewhere
Taken straight from the blurb, this best describes this book! This gay, Hallmark-influenced romance is a heart-warming, hilarious, steamy mug of Christmas cocoa.
And it really is a wonderful read! I have a lot of holiday stories in my review list this year and this is the most fun read, I think, of the lot.
Dean is chasing that elusive find, the one that would save his business and make his name in the antiques world. Finding it is Tinsel, and meeting Levi again, was fate. Then the snow comes, Dean's nemesis also arrives and Dean is faced with making the decision of his life.
There follows an hilarious tale of two men falling in love, over a cradle; a lot of interruptions to their moments and a horse ride from hell and I really can't go into too much more, save for spoilers!
But it really is a wonderful read. And I loved the connection that Levi had to the cradle, and just what else Levi has to give to Dean.
The letter though, made me cry!
Oh, and the epilogue did too!
I can't see that I've read anything else by this author, and I think I need to correct that, right quick (just as soon as my review list lets me!)
4 wonderful stars
*same worded review will appear elsewhere
