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Miss Frost Solves A Cold Case (Jayne Frost #1)
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Welcome to Nocturne Falls, the town that celebrates Halloween 365 days a year. Jayne Frost is a...
Hangman (Special X, #8)
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The game begins in Seattle. On Halloween night, a woman opens her door to a trick-or-treater in a...
The Trial of Lotta Rae
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On Halloween night, 1906, young working class Lotta Rae is attacked by a wealthy gentleman. She...
Historical fiction Suffragettes Trigger warning: rape World War 1
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Steve Fearon (84 KP) rated Halloween (1978) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
John Carpenter's Slasher still stands tallest
Contains spoilers, click to show
That theme song starts.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
Leanne Crabtree (480 KP) rated Demon Magic and a Martini (The Guild Codex: Spellbound, #4) in Books
Jan 9, 2020
This has been borrowed from the Kindle Unlimited Library.
I read the first three books in this series a few months ago and got drawn into it quite quickly. The trio of friends grew on me a lot and I liked how they pulled Tori into their ranks and protected her from whatever dangers seem to follow them all around.
This one was no different with all the Guilds being put on a high alert after a warning of a loose demon in the area. Every member is given tasks and go out hunting for the rogue creature. As this one seems to be taking place around Halloween and Tori seems to find herself organising a Halloween Party she needs to head out and pick up some food she's ordered, only to find herself and Ezra being hunted by the demon. Only it seems the demon wants Ezra more than her anyone else...
I won't go into any more detail as that would totally ruin the story but we learn a lot more about Ezra in this. He takes a lot more of the spotlight and I enjoyed seeing more of him. It's definitely a bit of a surprise but he's still the gentle, sweet Ezra unless you royally pee him off
This has got a slight romance arc in it. She got together with Aaron in the second book, I think?, but they went their separate ways in the last one. She's always had a connection with Ezra and that grew in this one with them having a few moments where something flared.
I will definitely be reading the next one to see what other trouble this quartet get up to and to see if anything comes of her growing feelings for Ezra.
P.S. COVER LOVE!!
I read the first three books in this series a few months ago and got drawn into it quite quickly. The trio of friends grew on me a lot and I liked how they pulled Tori into their ranks and protected her from whatever dangers seem to follow them all around.
This one was no different with all the Guilds being put on a high alert after a warning of a loose demon in the area. Every member is given tasks and go out hunting for the rogue creature. As this one seems to be taking place around Halloween and Tori seems to find herself organising a Halloween Party she needs to head out and pick up some food she's ordered, only to find herself and Ezra being hunted by the demon. Only it seems the demon wants Ezra more than her anyone else...
I won't go into any more detail as that would totally ruin the story but we learn a lot more about Ezra in this. He takes a lot more of the spotlight and I enjoyed seeing more of him. It's definitely a bit of a surprise but he's still the gentle, sweet Ezra unless you royally pee him off
This has got a slight romance arc in it. She got together with Aaron in the second book, I think?, but they went their separate ways in the last one. She's always had a connection with Ezra and that grew in this one with them having a few moments where something flared.
I will definitely be reading the next one to see what other trouble this quartet get up to and to see if anything comes of her growing feelings for Ezra.
P.S. COVER LOVE!!
Gareth von Kallenbach (980 KP) rated Fun Size (2012) in Movies
Aug 7, 2019
While this may be your typical Nickelodeon movie, it will bring you back to those days when the Beasties reigned supreme and Elizabeth Shue was having her Adventures in Babysitting. Wren (Victoria Justice) is your typical, slightly geeky, fairly hot high school student who thinks that going out for Halloween dressed as a Supreme Court justice is cool. Her friend April (Jane Leavy) is more in tune with high school social status and wants them to go to the popular boy’s party. They are actually discussing how this will never happen; when he rolls up and invites them to come. He may even sing a song for Wren.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.
Mr. Christmas
Book
One day Mr Christmas receives a call from his uncle asking for help. Can Mr Christmas help Father...
LeftSideCut (3778 KP) rated A Creepshow Animated Special (2020) in Movies
Nov 15, 2020
This Halloween Special of the Creepshow Shudder series is a nice pitstop whilst we patiently wait for the second season of its main run.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
It consists of two 20-ish minute shorts based on Survivor Type by Stephen King, and Twittering from the Circus of the Dead, by King's son Joe Hill.
The animation used is not much more than a motion comic, but it still manages to be quite striking, and gets the job done. I certainly managed to stay engaged in it.
The stories are exactly the type of material that one would come to expect from Creepshow. Short, sharp, to the point, usually with some sort of underlying message. Like Aesop's Fables but with more entrails.
Survivor Type was my favourite of the two, and focuses on one man's descent into madness when he's washed up on a desert island. Kiefer Sutherland lends his voice talents to this tale, and makes it sound like a proper campfire horror story. It's pretty grim in all honesty, but it's just the right kind of grim for a Halloween Special.
Twittering is the sillier of the two, focusing on a young girl Tweeting her experience of a family getaway. They end up at a circus which proves to be more deadly than originally thought. This one was a little more difficult to get on board with at the beginning. It starts off with a typical "social media is bad" kind of vibe, but when the horror starts, it flips nicely, and ends on an entertaining, and quite horrific note. It's all good stuff!
I've really taken to the Creepshow series, and although this special isn't quite up there with the same level of quality, it's still a fun 45 minute horror trip that's worth a visit.
A perfectly creepy Halloween treat.
Well, the spiced pumpkin lattes are out so it must be time to hit the scary reading lists and I would recommend putting this one high on the list this spooky season if you are looking for a truly unsettling, dark supernatural tale that has a good dose of mystery and intriguing characters.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.
Inspired by notes by Bram Stoker this prequel to Stoker’s classic Dracula was always going to have high expectations to live up to and for me, I wasn’t disappointed. Telling the tale of the young Bram Stoker, we meet his childhood caretaker, Ellen Crone whose odd behavior sparks the interest of young Bram and his sister Matilda who of course decide to poke their noses into her business little knowing they are just at the start of what will be an ongoing nightmare for the family. With many chilling discoveries, the tension builds and an unsettling tale is revealed.
It’s a very well written book that doesn't get bogged down in trying to use too much language and style of the period it is set in, instead focusing on successfully creating the gothic atmosphere to creepy perfection. Despite different POVs and timelines, it’s never hard to follow the action. The characters are gripping, in particular, Bram’s sister Matilda comes across as a superb character with brains and determination that are not expected of a lady of the time
This is not a tale for those of a squeamish disposition but it makes a great Halloween fix and has made me want to go and re-read Dracula now.
My thanks to the author, publisher, and NetGalley for the book in exchange for an honest review.