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A Creepshow Holiday Special (2020)
A Creepshow Holiday Special (2020)
2020 | Comedy, Horror
7
6.0 (2 Ratings)
Movie Rating
Contains spoilers, click to show
Creepshow delivers the holiday themed goods once again with this Christmas special. Unlike the Halloween Special, this one is fully live action, and instead of being the regular two segments, it's one big 45 minute story.

The first half focuses on a dude attending a support group for people who are shape shifters, keen to find out exactly what he shapeshifts into. The group is filled with a few colourful characters who transform into all sort of things - tortoises, cheetahs, werewolves, boars. It's mostly dialogue but it's pretty fun. Adam Pally and Anna Camp head up the cast, and both seem to be aware just how silly the episode is and both ham up proceedings well enough. IMDb has listed Barbara Crampton, Marilyn Manson, Ali Larter and Keith David among others in the cast, but I'll be fucked if I spotted them anywhere!

The second half is when it gets festive when *SPOILERS* out of nowhere, it's revealed that Santa Claus hunts shapeshifters for a living and employs an army of shopping mall Santas to help him in his fight. Shit gets ridiculous as everyone transforms, Santa turns up in some crazy demon armour with actual robotic claws for hands, blood flies everywhere, scores of Santas are mown down by gunfire - it's so so dumb, but goddam entertaining.

There isn't really any underlying message here. Writer/Director Greg Nicotero just wanted to go all out and schlocky as possible, and I'd say he achieved his goal pretty effectively.

This holiday special is a boat load of fun, and another solid piece of evidence as to why Creepshow is an essential part of horror television. Ho Ho Fucking Ho!
  
    Big Day - Event Countdown

    Big Day - Event Countdown

    Events, Lifestyle and Utilities

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    "Over 12 million users downloaded the original Big Day app!" Are you bored with the other...

Overlord (2018)
Overlord (2018)
2018 | Action, Mystery, Sci-Fi
Overbored
#overlord is overlong, #boring, repetitive dross with no #soul of its own.
I was looking forward to this #film walking in, it looked like a throw back to 2002 #action horror films like #DogSoldiers, #Deathwatch & #28dayslater but it couldnt be any further from any of them if it tried. When Overlord is a #war film its passable enough (mainly because it outright steals all the best bits from #savingprivateryan & #bandofbrothers) but its when it tries its hand at horror it becomes down right #embarrassing. We know whats lurking in the basement going into the film but for some reason it keeps it a mystery for far to long instead feeding us this dull recycled generic plot we've seen a million times before we get to 'what we came to see'. Once the horror hits its done extremely poorly, lacking in suspense, quality & grittiness. I get they were going for a kid of #grindhouse sort of style but it takes itself far to seriously losing the fun of such a film. Acting is as painful as the dialog which is delivered by most of the cast as if you gave a script to someone on the street & asked them to read it. Not one character is likable & they all seem to be un phased by wounds or the horrors they witness. #Creature design is unimaginative, cgi is #poor & set pieces are dull however there are some great tracking shots at times & a bit of nice imagery but its to few & far between. Its nice to see an 18 certificate film like this for a change but I found Overlord to be a huge let down & a big wasted opportunity. Pitty. #odeon #odeonlimitless #horror #gore #scary #natzi #war #worldwar #thursdaythoughts #filmbuff #filmcritic #ww2 #nasty #zombies #halloween #callofduty
  
Halloween (2018)
Halloween (2018)
2018 | Horror
.....Fuckin comedians
Michael Myers is back.... And this is supposed to be what actually happened... 40 years later???
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
  
Black Christmas (1974)
Black Christmas (1974)
1974 | Horror
7
8.4 (12 Ratings)
Movie Rating
Answer The Phone
With anethor remake coming out this friday, and that i already reviewed the 2006 remake. In going back to the oringal, were it alll started from. So lets take a little trip back to 1974.

Inspired by the urban legend "The babysitter and the man upstairs" and a series of murders that took place in the Westmount section of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me.

The Plot: As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb's friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.

Margot Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that.

Black Christmas eventually gained a cult following and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like).

Black Christmas has been included multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo's The 100 Scariest Movie Moments.

A overall classic slasher horror movie based around a hoilday.
  
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JT (287 KP) rated The Ward (2010) in Movies

Mar 16, 2020  
The Ward (2010)
The Ward (2010)
2010 | Horror, Mystery, Thriller
Occasional good use of camera angles (0 more)
Poor acting (2 more)
Laughable twist
Not scary
Carpenter must have been having an off day
his is a massive disappointment and there is no place to hide here for John Carpenter who making a return to directing since 2001′s Ghosts of Mars has delivered us a real ‘dog’ of a film.

I’m a big fan of his work, but that is his early work with the likes of Halloween and The Thing as my personal favourites, but here Carpenter’s trademark suspense is all but lost in a story that is as predictable as it is stupid.

After setting fire to a barn Kristen (Amber Heard) is sent to a mental hospital, where she is terrorised by a ghost, a hidden past his reflected upon but never fully delved into. There is of course more to it than that, and Heard spends a vast majority of the time either locked in her room or trying to escape while at the same time piecing the puzzle together with the help of some of her fellow inmates.

Carpenter’s use of the wide camera angle is effective in places, and the long cold corridors of the ward are enough to give anyone the chills. However, it is not built on in any way and all the suspense is somewhat lost by the poor acting and monotonous build-up to the next potential terrifying scene. When the ghost is revealed it is, to be honest laughable and not in the least bit frightening which is probably one of the main downfalls of the film.

The twist ending is anything but predictable and you could have spotted it a mile off, it’s a poor effort this perhaps not helped in the writing department, but Carpenter is one of the masters of horror but here he hasn’t even bothered to turn up.
  
    Food Network Magazine US

    Food Network Magazine US

    Food & Drink and Magazines & Newspapers

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Species: The Awakening (2007)
Species: The Awakening (2007)
2007 | Horror, Sci-Fi
1
6.2 (9 Ratings)
Movie Rating
I can quite comfortably say that Species: The Awakening - the fourth and thankfully last entry in the series to date - is one of the worst films I've ever put myself through.
Cheap horror films can occasionally find salvation in having a sort of charm to them, shitty yet endearing if you will, but unfortunately, there's more charm in my left testicle than in Species 4.

When I say cheap, I mean cheap as in they aren't even trying cheap. The whole film is drenched in a weird green lighting which makes it looks like a discount version of CSI. There's not even any practical gore to write home about. Not only is it seldom, but when things get violent, it looks like the blood was added using Microsoft Paint. It's dreadful.

I don't like to bash actors, they are only following directions after all, but Christ, no one on screen seems remotely invested in what they're doing. The dialogue is lazy, and half of the characters are just creeping around pulling "scary" faces whilst wearing "spooky" contact lenses. You know when a load of people on your Facebook friends-list update their profile pictures at Halloween with whatever costume they've put together, and they're pulling a cringey dead eye scary face just to add to the illusion - this film is basically that but for nearly two hours.

Talking about the runtime - fuck me it's gruelling. I'm pretty sure I drifted off at one point, but everything that's happening is so damn boring that by the time the credits roll, it becomes clear that Species: The Awakening is in fact an edurance test, designed to see how much dogshit the audience will take. At least, it feels that way.

It's abysmal, and I'm now in a bad mood, thanks a lot Species.
  
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Edgar Wright recommended Knives Out (2019) in Movies (curated)

 
Knives Out (2019)
Knives Out (2019)
2019 | Comedy, Crime, Drama

"It’s a pleasure to write this particular piece about Rian Johnson as over the last 10 years or so, he’s become one of my best friends in Hollywood; the perfect person to talk to at 8 a.m. over coffee or at 2 a.m. over some other brown liquid. He’s terribly clever (but never annoyingly so), a good listener, and a generous laugher. He’s also always dressed like a cool college professor, which makes him both easy to draw and dress up as for Halloween. In the interest of full disclosure, I did make a cameo in his “Star Wars” episode and my last movie, “Baby Driver,” is alluded to in his new one. So you’d be forgiven for assuming all this chumminess would result in Rian’s movie getting a glowing review from me no matter what. But here’s the thing. Not only do I genuinely LOVE this film, but it’s exactly the type of movie that Hollywood needs and audiences are crying out for. “Knives Out” is superb entertainment that proves you can please a crowd without ever talking down to them. It’s endlessly smart, fiendishly plotted, and populated with a cast clearly loving every acid-soaked line flung their way. So much cinema is divided into just two food categories these days. There’s the empty calories of the bloated green-screen pantomimes that clog up every auditorium at your local multiplex. Then there’s what I call broccoli films; those worthy, good-for-you productions that can be very nourishing, but sometimes (whisper it) a little dull. Rian’s murder mystery straddles the line perfectly; an entertainment for grown-ups that nods to classic studio thrillers but with an invigorating 21st century overhaul. Rian is making the brainy, big screen crowd pleasers we truly deserve. For that alone, give him all the awards."

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