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Jesters_folly (230 KP) rated Deep Red (Profondo rosso) (1975) in Movies
Jul 19, 2021
Contains spoilers, click to show
Deep Red (aka Profondo rosso) is a thriller/slasher from Italian writer/director Dario Argento.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
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Jamie (131 KP) rated Dead by Daylight in Video Games
Jul 15, 2017
Genuinely fun & thrilling (2 more)
Survive with Friends & Kill Your Friends modes are both fun
Steep learning curve that rewards skilled players
Riddled with bugs and easily exploited (2 more)
Toxic community
Useless ranking system
Fun horror themed multiplayer action
It's been almost a year since DBD was first released and for me it's been a year of both joy and frustration. I love the game, it's still one of my favorites, and it's an absolute blast to play with friends. The developers have made signifcant progress since launch in terms of fixing bugs, rebalancing mechanics, and adding content both to keep the game fresh but also to improve the quality of life for both survivors and killers. When I first started it was genuinely tense until I got used to the game, and the Halloween update last year brought back the old scares at least for a little while even for relatively seasoned players. It's nice to see that the dev team is still actively working on the game.
With that said, while I recommend this game I do so cautiously. On release the game was riddled with bugs and had serious issues with the queue system, and while some of the issues with both of those things have been fixed there are still some glaring problems that don't seem to have any easy fixes. The game can be easy to abuse and there have been problems in the past with cheaters and bots (thankfully not so much anymore). Game lobbies are peer to peer which means that survivors will be at the mercy of the other person's internet connection. There is a ranking system that means next to nothing as there are no end of season rewards, just a steam achievement and bragging rights.
Add in the fact that this game is extremely competitive, you'll pretty regularly run into some salty people. You get killers that camp, survivors that abuse infinites, and on occasion the random angry messages and trash talk on steam. A good number of the folks I used to play with ended up rage quitting for one reason or another, so this game can have that effect on folks.
Overall though, I still enjoy DBD on occasion, I like to see the new stuff that gets added or fixed. While the bugs, occasional long queue times, and lag can be extremely frustrating at times I feel that the good outweighs the bad. As long as you don't take it too seriously and just have fun it can be a really enjoyable, especially with the right people.
With that said, while I recommend this game I do so cautiously. On release the game was riddled with bugs and had serious issues with the queue system, and while some of the issues with both of those things have been fixed there are still some glaring problems that don't seem to have any easy fixes. The game can be easy to abuse and there have been problems in the past with cheaters and bots (thankfully not so much anymore). Game lobbies are peer to peer which means that survivors will be at the mercy of the other person's internet connection. There is a ranking system that means next to nothing as there are no end of season rewards, just a steam achievement and bragging rights.
Add in the fact that this game is extremely competitive, you'll pretty regularly run into some salty people. You get killers that camp, survivors that abuse infinites, and on occasion the random angry messages and trash talk on steam. A good number of the folks I used to play with ended up rage quitting for one reason or another, so this game can have that effect on folks.
Overall though, I still enjoy DBD on occasion, I like to see the new stuff that gets added or fixed. While the bugs, occasional long queue times, and lag can be extremely frustrating at times I feel that the good outweighs the bad. As long as you don't take it too seriously and just have fun it can be a really enjoyable, especially with the right people.
Acanthea Grimscythe (300 KP) rated Eat the Night in Books
May 16, 2018
If you’re looking for a good ol’, classic horror tale in the flavor of <i>Evil Dead</i> or <i>Army of Darkness</i>, Tim Waggoner’s <i>Eat the Night</i> is a must-read. It’s fast paced and filled with the sort of material horror fans like me grew up with. Death cult? Check. Mass suicide? Check. Possession? Check. Vivid, gore-filled scenes? Hideous monsters from another dimension? Reincarnation? Check, check, and check. I can’t even begin to describe how hungrily I devoured this book, and though it has its ridiculous moments, I’ll definitely be looking out for more from this author!
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.
Thirty years ago, retired rockstar Mark Maegarr and his devout followers, in true Jonestown fashion, committed suicide in tropic Suriname. It was Maegarr’s belief that this ritual would hasten the approach of Entropy, or the total dissolution of the world as we know it. Unfortunately for Maegarr, something went wrong and he spends the next several decades reaching from beyond the grave to finish what he started.
Joan Lantz and her husband, Jon, are first time home-owners. Burdened with a troubled past, Joan is glad to finally have a home of her own. After waking from a horrific nightmare detailing the grisly end that befell Mark Maegarr and his cult, she discovers a hidden basement in her home, which had not been on the house’s plans and was previously unknown to the home’s last owners, who were friends of hers.
Kevin Benecke works for Maintenance, a secretive company that is reminiscent of Men in Black. Aware that they cannot save the world from its fate, their goal is to slow the coming of the end down from the sidelines. He’s an unfortunate sort of fellow and things don’t happen to go the way they ought to in his line of work, but he has his own boyish charm.
Together, these three characters weave a story that is brimming with horrific scenes and action. The plot is fairly solid as well, and Waggoner doesn’t hold back when it comes to the laws of the world he has created to coexist alongside the one we know so well. Maegarr’s cult is expertly crafted, with a belief so plausible it could be defined as chilling.
<i>Eat the Night</i> is easily one of my favorite reads so far this year and is perfect for those looking for a good Halloween read. I would like to extend a special thanks to NetGalley, DarkFuse, and Tim Waggoner for providing me with an advanced copy for the purpose of an honest, unbiased review.