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BankofMarquis (1832 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Movie Metropolis (309 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 10, 2019
Star Wars goes western
Star Wars has had somewhat of a chequered history since turning over to the dark side, sorry, I mean Disney. You see, since LucasFilm was acquired by the House of Mouse there has been one Star Wars movie each year. The Force Awakens was good, if a little safe and The Last Jedi was brilliant, but incredibly divisive.
What’s been more exciting to see evolve however, is the Star Wars Story movies. Rogue One became my 2nd favourite film in the series after Empire with Godzilla director, Gareth Edwards proving to be a force to be reckoned with. Then, LEGO Movie directors Phil Lord and Chris Miller were hired to direct a Han Solo origins story and that got people very excited indeed.Fast forward a few months and they were unceremoniously dumped from the project during filming with veteran director Ron Howard brought in as their replacements. Howard’s name is a concerning one. He’s become something of a director-for-hire over the last decade: competent but not exemplary. Phew! Keeping up? Good.
The resulting film has been plagued by ballooning costs, expensive reshoots and rumours of on-set acting classes for some of the stars. It’s finally here, but are we looking at the first new generation Star Wars failure?
Young Han Solo (Alden Ehrenreich) finds adventure when he joins a gang of galactic smugglers, including a 196-year-old Wookie named Chewbacca. Indebted to the gangster Dryden Vos (Paul Bettany), the crew devises a daring plan to travel to the mining planet Kessel to steal a batch of valuable coaxium. In need of a fast ship, Solo meets Lando Calrissian (Donald Glover), the suave owner of the perfect vessel for the dangerous mission — the Millennium Falcon.
Thankfully, and by nothing short of a miracle, Solo: A Star Wars Story is engaging, packed full of nostalgia and features an incredible ensemble cast. It’s not perfect by any means, but we’ll get on to that later.
Billed as a heist meets western kinda movie, Solo hits all the right beats to carefully straddle the line between those two genres. The writing is snappy, genuinely funny and engaging with all the cast members doing their fair share of the heavy lifting. Emilia Clarke is great as Solo’s love interest Qi’Ra and Woody Harrelson is as charming as ever in a role that could’ve been serviced by many 50-something actors who could do fancy stuff with a blaster.
It is in Donald Glover however that the film truly belongs. His Lando Calrissian is absolutely, unequivocally sublime. He channels his counterpart from Empire beautifully and you do feel like you’re watching a young Billy Dee Williams in action.
There is some striking imagery throughout the film with the western-style finale being absolutely superb
In fact, there are only two of the main cast members that fail to register in the way that they had clearly intended to do. One is Paul Bettany’s Dryden Vos; the Star Wars universe’s first real villain failure. Alas, it’s not the fault of Bettany. The part was originally written for a CGI motion capture performance but was changed at the last minute with reshoots being added for Bettany’s scenes.
The other, unfortunately, is Han Solo himself. Alden Ehrenreich definitely makes all the right noises. He’s cocky, arrogant, self-assured, just like Harrison Ford, but, for all of his effort, he just isn’t doing a Harrison Ford in this film. Now, that doesn’t ruin the movie as much as you might think it does, as it’s easy to just go along for the ride, but at no point in Solo’s run time did I think we were watching a young Harrison Ford in action. Ehrenreich is good, he’s just not that good.
Thankfully, what is that good is the cinematography. The action is staged beautifully, though I’m unsure as to whether this is Howard’s influence or the previous directors. There is some striking imagery throughout the film with the western-style finale being absolutely superb. The CGI is nicely integrated with animatronics and props, just like a Star Wars movie should be, and each of the set pieces is brimming with excitement.
One sequence in particular, involving the liberation of some slaves is really nicely filmed with a great colour palate and the much-marketed monorail heist is edge-of-your-seat stuff with cracking CGI.
Pacing is generally good, and at 135 minutes that is no easy win though things do drag a little about half way through. What is pleasing however, is how the bromance between Chewbacca and Han takes a backseat up until about 40 minutes before the end in which a familiar theme plays over the action: it’s spine-tingling in its simplicity. In fact, John Powell’s score is rousing when it needs to be and beautifully put together. A real match for John Williams’ classic orchestral soundtrack.
Overall, Solo: A Star Wars Story is better than it had any right to be. Whenever a film goes through such a turbulent production process, it’s always concerning that the final product will be somehow lesser in quality, but this isn’t the case here. It’s not perfect by any stretch of the imagination, but as a continuation of the new Star Wars mantra under Disney, it’s a fitting entry and a great addition to the series.
https://moviemetropolis.net/2018/05/24/solo-a-star-wars-story-review-stars-wars-goes-western/
What’s been more exciting to see evolve however, is the Star Wars Story movies. Rogue One became my 2nd favourite film in the series after Empire with Godzilla director, Gareth Edwards proving to be a force to be reckoned with. Then, LEGO Movie directors Phil Lord and Chris Miller were hired to direct a Han Solo origins story and that got people very excited indeed.Fast forward a few months and they were unceremoniously dumped from the project during filming with veteran director Ron Howard brought in as their replacements. Howard’s name is a concerning one. He’s become something of a director-for-hire over the last decade: competent but not exemplary. Phew! Keeping up? Good.
The resulting film has been plagued by ballooning costs, expensive reshoots and rumours of on-set acting classes for some of the stars. It’s finally here, but are we looking at the first new generation Star Wars failure?
Young Han Solo (Alden Ehrenreich) finds adventure when he joins a gang of galactic smugglers, including a 196-year-old Wookie named Chewbacca. Indebted to the gangster Dryden Vos (Paul Bettany), the crew devises a daring plan to travel to the mining planet Kessel to steal a batch of valuable coaxium. In need of a fast ship, Solo meets Lando Calrissian (Donald Glover), the suave owner of the perfect vessel for the dangerous mission — the Millennium Falcon.
Thankfully, and by nothing short of a miracle, Solo: A Star Wars Story is engaging, packed full of nostalgia and features an incredible ensemble cast. It’s not perfect by any means, but we’ll get on to that later.
Billed as a heist meets western kinda movie, Solo hits all the right beats to carefully straddle the line between those two genres. The writing is snappy, genuinely funny and engaging with all the cast members doing their fair share of the heavy lifting. Emilia Clarke is great as Solo’s love interest Qi’Ra and Woody Harrelson is as charming as ever in a role that could’ve been serviced by many 50-something actors who could do fancy stuff with a blaster.
It is in Donald Glover however that the film truly belongs. His Lando Calrissian is absolutely, unequivocally sublime. He channels his counterpart from Empire beautifully and you do feel like you’re watching a young Billy Dee Williams in action.
There is some striking imagery throughout the film with the western-style finale being absolutely superb
In fact, there are only two of the main cast members that fail to register in the way that they had clearly intended to do. One is Paul Bettany’s Dryden Vos; the Star Wars universe’s first real villain failure. Alas, it’s not the fault of Bettany. The part was originally written for a CGI motion capture performance but was changed at the last minute with reshoots being added for Bettany’s scenes.
The other, unfortunately, is Han Solo himself. Alden Ehrenreich definitely makes all the right noises. He’s cocky, arrogant, self-assured, just like Harrison Ford, but, for all of his effort, he just isn’t doing a Harrison Ford in this film. Now, that doesn’t ruin the movie as much as you might think it does, as it’s easy to just go along for the ride, but at no point in Solo’s run time did I think we were watching a young Harrison Ford in action. Ehrenreich is good, he’s just not that good.
Thankfully, what is that good is the cinematography. The action is staged beautifully, though I’m unsure as to whether this is Howard’s influence or the previous directors. There is some striking imagery throughout the film with the western-style finale being absolutely superb. The CGI is nicely integrated with animatronics and props, just like a Star Wars movie should be, and each of the set pieces is brimming with excitement.
One sequence in particular, involving the liberation of some slaves is really nicely filmed with a great colour palate and the much-marketed monorail heist is edge-of-your-seat stuff with cracking CGI.
Pacing is generally good, and at 135 minutes that is no easy win though things do drag a little about half way through. What is pleasing however, is how the bromance between Chewbacca and Han takes a backseat up until about 40 minutes before the end in which a familiar theme plays over the action: it’s spine-tingling in its simplicity. In fact, John Powell’s score is rousing when it needs to be and beautifully put together. A real match for John Williams’ classic orchestral soundtrack.
Overall, Solo: A Star Wars Story is better than it had any right to be. Whenever a film goes through such a turbulent production process, it’s always concerning that the final product will be somehow lesser in quality, but this isn’t the case here. It’s not perfect by any stretch of the imagination, but as a continuation of the new Star Wars mantra under Disney, it’s a fitting entry and a great addition to the series.
https://moviemetropolis.net/2018/05/24/solo-a-star-wars-story-review-stars-wars-goes-western/
David McK (3188 KP) rated The Star Wars in Books
Jan 30, 2019
Based on George Lucas' original rough-draft for 'Star Wars', this is an interesting read not so much for the (somewhat disconnected) story, but to see how the movies grew out of the original rough draft: this is very different from those movie(s), albeit with some of the characters and place names still showing up but in a different manner - most noticeable, perhaps, in the characters of Han Solo and Darth Vader (and 'May the Force of Others be with you' just doesn't sound right, does it?).
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.
tonidavis (353 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Dec 13, 2017
Has the feel of original series (2 more)
BB8
Hans Solo and Princess/ Genral Leia are back
Star wars for a new generation
The force awaken opens up star wars for a whole new generation whilst the original trilogy had the world enraputed with this epic adventure series and revolutionized the way we see Sci Fi, Fantasy today Phathom menace, attack of the clones and revenge of the sith, didnt quiet capture the sprirt of the original trilogy. However Force awakens come out swinging.
Not only do we see our old favorites of Han solo Cewbacca Princess now General Leia the new characters leave a force of there own you cant help but admire Rey strength and determination. Fall in love with little BB-8. Finn ability to feel even though hes a storm trooper bring up a whole new level of meaning to established characters from the series.
Ive always like the dark side more than the light as my friendtell me i only ever like assholes so obviously Darth Vader is my favorite star wars character however Kylo Ren is no Darth Vader. However much he may wish to be and although the ending cements his darkness between Vader and Kylo there no choice who i think is the better villian so this film get a 9/10 rather than 10/10
Not only do we see our old favorites of Han solo Cewbacca Princess now General Leia the new characters leave a force of there own you cant help but admire Rey strength and determination. Fall in love with little BB-8. Finn ability to feel even though hes a storm trooper bring up a whole new level of meaning to established characters from the series.
Ive always like the dark side more than the light as my friendtell me i only ever like assholes so obviously Darth Vader is my favorite star wars character however Kylo Ren is no Darth Vader. However much he may wish to be and although the ending cements his darkness between Vader and Kylo there no choice who i think is the better villian so this film get a 9/10 rather than 10/10
Michelle (114 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Mar 16, 2018
Loved this film even though all three of the original films were filmed and seen before the first part of the Star Wars series. Mark Hamell, Harrison Ford, The late Carrie Fisher were the best as Luke Skywalker, Han Solo and Princess Lai she soon should everyone that she was not some helpless princess who let everyone else do things while she sat back and did nothing. Her costumes were amazing, she was right in there fighting along with them to save their homelands/worlds from the Dark Lord Darth Vada. The ariel battles were fantastic. Storm Troopers were meant to be menacing when in fact they were quite funny at times. R2 D2 and 3PO where hilarious and Chewie adorable. The Jedi training was good. The shock about Luke's father I mean who would not be shocked and disgusted at finding out your father is Darth Vada and the girl you love turns out to be your sister.
David McK (3188 KP) rated Death Troopers (Star Wars) in Books
Jan 30, 2019
Take a classic Space Opera saga (Star Wars), add a soupcon of horror (Aliens), and a large dose of Zombies (Resident Evil), and what do you have?
This book.
The plot? An Imperial prison barge breaks down, and then comes across a seemingly abandoned Star Destroyer out in the wastes of space. It transpires that the Destroyer is not abandoned after all, and that it had been carrying out bio-weapon experiments ...
Definitely felt like the author was (heavily) inspired by the Resident Evil games/films: the Zombies are such not as the living dead back-to-life of Romero, but as a result of a engineered virus. The Aliens link I mentioned comes in on the 'set-on-prison-<s>planet</s>barge' setting, and I'm also not entirely sure why he felt the need to drop Han Solo and Chewbacca into the mix, unless that was just so you would know it is a Star Wars novel?
Not the best Extended Universe book.
This book.
The plot? An Imperial prison barge breaks down, and then comes across a seemingly abandoned Star Destroyer out in the wastes of space. It transpires that the Destroyer is not abandoned after all, and that it had been carrying out bio-weapon experiments ...
Definitely felt like the author was (heavily) inspired by the Resident Evil games/films: the Zombies are such not as the living dead back-to-life of Romero, but as a result of a engineered virus. The Aliens link I mentioned comes in on the 'set-on-prison-<s>planet</s>barge' setting, and I'm also not entirely sure why he felt the need to drop Han Solo and Chewbacca into the mix, unless that was just so you would know it is a Star Wars novel?
Not the best Extended Universe book.
Eduardo Sanchez recommended Raiders of the Lost Ark (1981) in Movies (curated)
LeftSideCut (3778 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
Aug 25, 2019
A bonafide game changer
It cannot be overstated how important and game changing A New Hope was/is.
The first Star Wars film (but 4th chapter of course) is a classic that truly stands the test of time.
Everything managed to hook me in when I first saw it as a young child, from John Williams flawless soundtrack (surely the most iconic movie soundtrack of all time) to the engaging characters.
Characters such as Luke Skywalker, Han Solo, Leia Organa, Obi-Wan Kenobi, and Darth Vader were iconic from the get go.
The set pieces are truly legendary, especially the climatic assault on the Death Star.
All of the locations and planets seem exciting and magical.
The different droids and alien species that we come across are memorable.
All these things that I fell in love with as a child are still intact when I watch it now.
George Lucas lovingly crafted a classic that will always be important.
The first Star Wars film (but 4th chapter of course) is a classic that truly stands the test of time.
Everything managed to hook me in when I first saw it as a young child, from John Williams flawless soundtrack (surely the most iconic movie soundtrack of all time) to the engaging characters.
Characters such as Luke Skywalker, Han Solo, Leia Organa, Obi-Wan Kenobi, and Darth Vader were iconic from the get go.
The set pieces are truly legendary, especially the climatic assault on the Death Star.
All of the locations and planets seem exciting and magical.
The different droids and alien species that we come across are memorable.
All these things that I fell in love with as a child are still intact when I watch it now.
George Lucas lovingly crafted a classic that will always be important.
LeftSideCut (3778 KP) rated Jaws 3 (1983) in Movies
May 11, 2022
Jaws 3 is without a doubt, one of those films to file away in the "so-bad-it's-good" section.
The special effects are so awful that they are part of movie legend in this day and age. I must admit to only watching the standard version, but there's a huge part of me that wants to see this in 3-D, just for those shitty effects to hit different. Everything about this entry is corny and cheap to be honest, but its premise is pretty fun. The idea of people getting stuck in SeaWorld with a gigantic shark on the loose suits the overall tone, and the cast embrace the stupidness of it all, even Dennis Quaid doing a weird Han Solo impression for the whole runtime.
Jaws 3 is inherently shite, but I would absolutely watch it again, just for the weird slow motion shot near the end where the shark breaks through that window at 0.2 mph. Chefs kiss.
The special effects are so awful that they are part of movie legend in this day and age. I must admit to only watching the standard version, but there's a huge part of me that wants to see this in 3-D, just for those shitty effects to hit different. Everything about this entry is corny and cheap to be honest, but its premise is pretty fun. The idea of people getting stuck in SeaWorld with a gigantic shark on the loose suits the overall tone, and the cast embrace the stupidness of it all, even Dennis Quaid doing a weird Han Solo impression for the whole runtime.
Jaws 3 is inherently shite, but I would absolutely watch it again, just for the weird slow motion shot near the end where the shark breaks through that window at 0.2 mph. Chefs kiss.
David McK (3188 KP) rated Star Wars, volume 4: Crimson Reign in Books
Feb 16, 2023
So, confession time first.
I picked this up recently, started reading it, got myself a bit lost and then found out I had missed a series in-between (collected in Star Wars: War of the Bounty Hunters).
Back I went, picked that up, and put his on hold to read that entry.
This now makes a bit more sense!
It also follows on more from the previous collection, with this being a compilation of issues 20-25 of the main-line Star Wars series, and with this bringing to a close the story of Imperial Commander Commander Ellian Zahra.
There's also an attempt to 'bring-in' characters from other Star Wars media spin-offs: most noticeably, Qi'Ra from the film 'Solo' but also Poe Dameron's parents. Final issue in the collection (issue #25) has nothing to do with the main-line characters (Luke, Leia, Han, etc) but is instead a compilation of 4 mini-stories starring (1) Obi-Wan and Anakin, pre RotS (2)Darth Vader (3)Kylo Ren and (4) Poe Dameron.
I picked this up recently, started reading it, got myself a bit lost and then found out I had missed a series in-between (collected in Star Wars: War of the Bounty Hunters).
Back I went, picked that up, and put his on hold to read that entry.
This now makes a bit more sense!
It also follows on more from the previous collection, with this being a compilation of issues 20-25 of the main-line Star Wars series, and with this bringing to a close the story of Imperial Commander Commander Ellian Zahra.
There's also an attempt to 'bring-in' characters from other Star Wars media spin-offs: most noticeably, Qi'Ra from the film 'Solo' but also Poe Dameron's parents. Final issue in the collection (issue #25) has nothing to do with the main-line characters (Luke, Leia, Han, etc) but is instead a compilation of 4 mini-stories starring (1) Obi-Wan and Anakin, pre RotS (2)Darth Vader (3)Kylo Ren and (4) Poe Dameron.