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James P. Sumner (65 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Jun 5, 2019
The Force is strong in this one...
Like so many of us, I had theorised what would happen in this movie based on the influx of teaser trailers online, and I'm happy to say, I was wrong on nearly everything! I like being surprised, and this film was just that. A very pleasant surprise. It's Star Wars, like Star Wars should be. Not too heavy on the CGI, plenty of action interlaced with character-driven dialogue and sub-plots, and yes, someone says "I have a bad feeling about this..." which is just ace!
So, the story. (No spoilers here, promise!) We join the action some 30 years after partying with the Ewoks on Endor. The Empire is no more, yet, like an evil phoenix, The First Order has risen from its ashes and is doing much the same thing—being awful to everyone and trying to rule the galaxy. Same old, same old.
There are plenty of new faces—the three main ones effectively being modern-day retellings of our old favourites. First up is Oscar Isaac's excellent Poe Dameron, who is this year's Han Solo. A hot-shot rebel fighter pilot, with rogue-ish good looks, a cheeky grin, and wise-cracking dialogue.
Then, we have the Stormtrooper with a conscience, played by John Boyega. A really good performance by him, and despite his character’s beginnings, it doesn't take long for you to genuinely care what happens to him. He's this year's Luke Skywalker, definitely.
And finally, there's the mysterious Rey, the tough-as-nails tomboy who's hotter than you first realise, brought to life by the uber-talented, destined-for-great-things, Daisy Ridley. Not much is known about who she is, but she's this year's Princess Leia, without a doubt.
And that was the first thing that really struck a chord with me—how the film acknowledges the original characters, but gives them a twist for the newer, younger audience. The comparisons are immediate and obvious, but they work. Instead of the kick-ass princess, you have the hard-done-by street kid... instead of the teenager dreaming of escaping his dead-end life, you have one who struggles to accept he's not meant for the exciting one he has. Kids today will relate to these things, yet the film manages to keep the essence of what made the main characters from the classic films so memorable.
We also have the new lovable droid, BB-8, who, like R2-D2 so many years ago, unwittingly finds itself with a garbled message in its memory banks, and in the possession of one of our heroes.
In much the same way that Episode IV didn’t hang about getting Darth Vader on the screen, it's not long before we're treated to our first look at the big bad—Kylo Ren. Let's run through the checklist:
• Looks cool wearing black? Check.
• Masked, with scary voice? Check.
• Mean? Check.
So, Mr. Ren starts out doing everything we would expect, which is nice. We know he's working with The First Order, we know he's looking for something... so far, so Star Wars.
The film moves along at a good pace. Plenty of action and fighting, slowed down by great interaction between the main cast where needed. Then we start getting drip-fed the old-timers, which is where the fanboy in you will get really excited. We first get a look of Han Solo and Chewbacca, which we already knew from the trailers, when Han says, "Chewy, we're home." Harrison Ford steps back into the role like putting on an old pair of shoes—a little awkward at first, but you soon remember how comfortable they are, and you're off and running in no time. It's almost like he's not played any other part since 1983 (and after Indiana Jones and the Kingdom of the Crystal Skull, I bet sometimes Mr. Ford wishes that were the case!). Accompanied by his long-time friend, he effortlessly goes through the motions as the scoundrel looking to make some money, but always ending up owing someone more than he has.
It's not long before a twist of fate puts him and Chewy alongside our new heroes, and they're on their way to see another familiar face, Princess Leia. Except she's not a Princess anymore, she's the General of the Resistance. I won't say too much about her, as her parts in the film are integral to the main storyline, and I don't want to ruin it. Suffice to say, like any couple reuniting after 30 years, her and Han are a joy to watch on screen together.
I don't want to delve into the storyline too much, because a) you've probably pieced together the gist of it from all the trailers, and b) it's hard to do without telling you things you won't know if you haven't already seen it. So I'll leave it there, but will finish by saying it's a pleasure from start to finish, it cues up the inevitable sequels well, and it does nothing more than what it should do—it gives you a Star Wars experience that leaves you wanting to watch it again the moment it finishes.
So, the downsides. There aren't many, but, for me, there are some. They don't take away from the movie as a whole, but they detracted from the experience enough to make them worth mentioning, so here goes.
Princess/General Leia - I'm sorry, but poor Carrie Fisher has had so much Botox, I genuinely thought it was a different actress when she first appeared on camera. We see her go through an emotional reunion, some heartache, some humorous banter, some thrilling, edge-of-the-seat action, and a nail-biting, jaw-dropping finale... and not once did her expression change! Probably because it couldn't. She's the only one who looked like they were struggling to revive their character, because she didn't look like a natural, older version of herself… she looked like she was trying to be a younger version of herself, and it made me not want to see her as much as other characters.
Kylo Ren - This guy starts out as being awesome. His mask is suitably evil, his voice is menacing, his lightsabre is just brilliant… But then he takes his mask off. He's doing something (which I won't detail, but is another obvious and much-appreciated nod to the film's predecessors) and he just takes off his mask. Now, no disrespect to Adam Driver, but... have you seen Harry Potter? Well, Kylo Ren, without his mask, kinda looks like he's related in some distant, in-bred way, to Neville Longbottom. He continues with his evil gestures and scary intentions, but without the mask, you just kinda think... Really? Am I meant to be scared here? When I was a kid, Darth Vader terrified the hell out of me! This guy... you could probably flush his head and steal his lunch money, if he doesn't force-choke you beforehand.
I think he’s another Hayden Christensen—horribly miscast for an important role that could’ve defined the right actor’s career. Let's hope it doesn't end up ruining it for him. Should've kept the mask on, Kylo!
Captain Phasma - The name might not mean much to casual fans, but I’m referring to the chrome Stormtrooper who has inexplicably developed somewhat of a cult following since their appearance in the trailers. They’re the tall, imposing, assumed leader of the Stormtroopers, and certainly looks the part. However, that part is so insignificant, it’s like it was written in as an after-thought. The character will apparently play a more significant role in later films, but that’s hardly the point. We first see him at the beginning, and they’re all evil and shooty, which is fine. But then we see him only a couple of times after that and, at one point, he’s taken hostage in possibly the most unimposing, least-threatening way imaginable, and he just goes along with it. What the hell?! Oh, and I say “He”, but the character is actually played by a woman—Gwendoline Christie, the tall, sword-wielding blonde from Game of Thrones. Anyway…
The final thing that annoyed me a little bit is tough to talk about, because it's riddled with spoilers. But I shall simply say this: the way a certain character (who I haven't mentioned previously) was handled could've been done so much better than it was. That's it. I'll say no more. Watch the film, then read this again. You'll know what I mean.
So, to sum up. This is a great addition to the franchise, no doubt. But, forgetting it's Star Wars for a moment, it's simply a great film. It provides everything you would want from this genre, and it leaves you wanting more at the end (with a clear indication it's going to provide it at some point in the future). Now go. Enjoy. Even if you don't like Star Wars, it's worth a watch. Though I'm pretty certain after seeing it, you'll want to watch the others.
So, the story. (No spoilers here, promise!) We join the action some 30 years after partying with the Ewoks on Endor. The Empire is no more, yet, like an evil phoenix, The First Order has risen from its ashes and is doing much the same thing—being awful to everyone and trying to rule the galaxy. Same old, same old.
There are plenty of new faces—the three main ones effectively being modern-day retellings of our old favourites. First up is Oscar Isaac's excellent Poe Dameron, who is this year's Han Solo. A hot-shot rebel fighter pilot, with rogue-ish good looks, a cheeky grin, and wise-cracking dialogue.
Then, we have the Stormtrooper with a conscience, played by John Boyega. A really good performance by him, and despite his character’s beginnings, it doesn't take long for you to genuinely care what happens to him. He's this year's Luke Skywalker, definitely.
And finally, there's the mysterious Rey, the tough-as-nails tomboy who's hotter than you first realise, brought to life by the uber-talented, destined-for-great-things, Daisy Ridley. Not much is known about who she is, but she's this year's Princess Leia, without a doubt.
And that was the first thing that really struck a chord with me—how the film acknowledges the original characters, but gives them a twist for the newer, younger audience. The comparisons are immediate and obvious, but they work. Instead of the kick-ass princess, you have the hard-done-by street kid... instead of the teenager dreaming of escaping his dead-end life, you have one who struggles to accept he's not meant for the exciting one he has. Kids today will relate to these things, yet the film manages to keep the essence of what made the main characters from the classic films so memorable.
We also have the new lovable droid, BB-8, who, like R2-D2 so many years ago, unwittingly finds itself with a garbled message in its memory banks, and in the possession of one of our heroes.
In much the same way that Episode IV didn’t hang about getting Darth Vader on the screen, it's not long before we're treated to our first look at the big bad—Kylo Ren. Let's run through the checklist:
• Looks cool wearing black? Check.
• Masked, with scary voice? Check.
• Mean? Check.
So, Mr. Ren starts out doing everything we would expect, which is nice. We know he's working with The First Order, we know he's looking for something... so far, so Star Wars.
The film moves along at a good pace. Plenty of action and fighting, slowed down by great interaction between the main cast where needed. Then we start getting drip-fed the old-timers, which is where the fanboy in you will get really excited. We first get a look of Han Solo and Chewbacca, which we already knew from the trailers, when Han says, "Chewy, we're home." Harrison Ford steps back into the role like putting on an old pair of shoes—a little awkward at first, but you soon remember how comfortable they are, and you're off and running in no time. It's almost like he's not played any other part since 1983 (and after Indiana Jones and the Kingdom of the Crystal Skull, I bet sometimes Mr. Ford wishes that were the case!). Accompanied by his long-time friend, he effortlessly goes through the motions as the scoundrel looking to make some money, but always ending up owing someone more than he has.
It's not long before a twist of fate puts him and Chewy alongside our new heroes, and they're on their way to see another familiar face, Princess Leia. Except she's not a Princess anymore, she's the General of the Resistance. I won't say too much about her, as her parts in the film are integral to the main storyline, and I don't want to ruin it. Suffice to say, like any couple reuniting after 30 years, her and Han are a joy to watch on screen together.
I don't want to delve into the storyline too much, because a) you've probably pieced together the gist of it from all the trailers, and b) it's hard to do without telling you things you won't know if you haven't already seen it. So I'll leave it there, but will finish by saying it's a pleasure from start to finish, it cues up the inevitable sequels well, and it does nothing more than what it should do—it gives you a Star Wars experience that leaves you wanting to watch it again the moment it finishes.
So, the downsides. There aren't many, but, for me, there are some. They don't take away from the movie as a whole, but they detracted from the experience enough to make them worth mentioning, so here goes.
Princess/General Leia - I'm sorry, but poor Carrie Fisher has had so much Botox, I genuinely thought it was a different actress when she first appeared on camera. We see her go through an emotional reunion, some heartache, some humorous banter, some thrilling, edge-of-the-seat action, and a nail-biting, jaw-dropping finale... and not once did her expression change! Probably because it couldn't. She's the only one who looked like they were struggling to revive their character, because she didn't look like a natural, older version of herself… she looked like she was trying to be a younger version of herself, and it made me not want to see her as much as other characters.
Kylo Ren - This guy starts out as being awesome. His mask is suitably evil, his voice is menacing, his lightsabre is just brilliant… But then he takes his mask off. He's doing something (which I won't detail, but is another obvious and much-appreciated nod to the film's predecessors) and he just takes off his mask. Now, no disrespect to Adam Driver, but... have you seen Harry Potter? Well, Kylo Ren, without his mask, kinda looks like he's related in some distant, in-bred way, to Neville Longbottom. He continues with his evil gestures and scary intentions, but without the mask, you just kinda think... Really? Am I meant to be scared here? When I was a kid, Darth Vader terrified the hell out of me! This guy... you could probably flush his head and steal his lunch money, if he doesn't force-choke you beforehand.
I think he’s another Hayden Christensen—horribly miscast for an important role that could’ve defined the right actor’s career. Let's hope it doesn't end up ruining it for him. Should've kept the mask on, Kylo!
Captain Phasma - The name might not mean much to casual fans, but I’m referring to the chrome Stormtrooper who has inexplicably developed somewhat of a cult following since their appearance in the trailers. They’re the tall, imposing, assumed leader of the Stormtroopers, and certainly looks the part. However, that part is so insignificant, it’s like it was written in as an after-thought. The character will apparently play a more significant role in later films, but that’s hardly the point. We first see him at the beginning, and they’re all evil and shooty, which is fine. But then we see him only a couple of times after that and, at one point, he’s taken hostage in possibly the most unimposing, least-threatening way imaginable, and he just goes along with it. What the hell?! Oh, and I say “He”, but the character is actually played by a woman—Gwendoline Christie, the tall, sword-wielding blonde from Game of Thrones. Anyway…
The final thing that annoyed me a little bit is tough to talk about, because it's riddled with spoilers. But I shall simply say this: the way a certain character (who I haven't mentioned previously) was handled could've been done so much better than it was. That's it. I'll say no more. Watch the film, then read this again. You'll know what I mean.
So, to sum up. This is a great addition to the franchise, no doubt. But, forgetting it's Star Wars for a moment, it's simply a great film. It provides everything you would want from this genre, and it leaves you wanting more at the end (with a clear indication it's going to provide it at some point in the future). Now go. Enjoy. Even if you don't like Star Wars, it's worth a watch. Though I'm pretty certain after seeing it, you'll want to watch the others.
TacoDave (3640 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Feb 5, 2020 (Updated May 6, 2020)
Special Effects (1 more)
Music
The force is weak with this one...
You've either already seen "The Rise of Skywalker" or you probably don't care too much about it. I won't go into major spoilers, except to say this: this movie is swiss cheese. It has so many holes and unexplained plot points that it would be futile to try to list them all. But here are a few:
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
Puke Flyswatter (7 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 12, 2017
Incredible special effects for the time (1 more)
Story writing and characters
The Force is strong with this one
Contains spoilers, click to show
Most fans argue over which of its ongoing episodes, is the best in the Star Wars saga. The Empire Strikes Back took a darker approach than its predecessor in delivering the story of the Rebellion's fight to bring peace and freedom to the galaxy by destroying the Empire who now rule with far more than just iron fist, having snatched its power from the dead hands of the Old Republic. This in my opinion, is what made it not only the best of the saga, but the best science fiction movie of all time and more controversially- one of the best movies ever made; an accolade that has still to be taken by any other movie of the genre to date.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
Star Wars: Rebellion
8.3
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Tabletop Game
Star Wars: Rebellion is a board game of epic conflict between the Galactic Empire and Rebel Alliance...
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Dislexia Ejercicios Practicos
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KIDZPLAYMOB, empresa comprometida con la difusión de material educativo y didáctico, se complace...
Darren (1599 KP) rated Pan (2015) in Movies
Oct 14, 2019
Characters – Peter is an orphan during World War II, stuck in a boys home, he believes something is happening and wants to be reunited with his mother, taken to Neverland, he learns that he has an ability unlike anyone else, he just needs to learn to believe in himself. Blackbeard has been taking orphans to help him mine for fairy dust in Neverland, he runs a strict ship which Peter upsets, however this will put Blackbeard closer than ever to getting what he wants. Hook is one of the miners that helps Peter escape, he wants to be free with his own tragic backstory. Tiger Lily has been leading the war against Blackbeard for years now, she knows the secrets to the fairies and now must protect them at all costs.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.
Performances – Levi Miller as the young Peter is good because he shows us the innocence needed for this film while dealing with the emotional impact his life is having. Hugh Jackman does seem to be having a lot of fun in this role even if he is overacting at times. Garrett Hedlund just can’t catch a break, his performance is solid enough, though it does feel like he just wanted to be the next Han Solo. Rooney Mara again is solid, it looks like a role which meant something to her and will help her take on the bigger roles.
Story – The story is an origin story for Peter Pan and Hook, well it seems to be, Peter is in the human world where he is an orphan taken to Neverland to help fight in a war between the two sides who want control of the fairy dust, he works with Hook which is strange because he is a good guy. The film shows us why Peter never wanted to leave Neverland and just what is meant to him once he learns about his parent’s identity. When we look deeper at the story it does feel like a pretty safe story and by having Peter needing to learn his own identity before going on to be the character we know now. The problem comes from any moment of peril he is in or Hook we know they will make it out of there because we know their story is only just beginning. The additional problem comes from just how Hook is a good guy and doesn’t get given any moments to tease his villainous ways.
Adventure/Fantasy – The adventure side of the film is good because it shows a new life Peter could have away from the war his own reality is involved in, this does take us to the fantasy world of Neverland which only seems to have one unique animal in, but it has magic.
Settings – The film uses the colour tones well, we see the darkness which shows us how bleak Peter’s real-life is, while giving us the bright open world of Neverland to show the hope of a future.
Special Effects – The effects in the film are solid enough without looking as flawless as they should, though the overly ambitious nature to it all doesn’t help.
Scene of the Movie – Hook’s escape plan.
That Moment That Annoyed Me – Not filling enough of the blanks between the time period.
Final Thoughts – This is another cash-in on a franchise which feels overly done, it doesn’t capture the rue magic and only ends up confusing the time between the movies.
Overall: Magicless fantasy film.
RəX Regent (349 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Mar 7, 2019
The weakest...
Contains spoilers, click to show
This is often thought of as the weakest of the original trilogy, and whilst I would agree with that, that's not to say that it is bad. The phenomenon which had begun with"Star Wars", six years earlier was about to conclude, or so we thought, with Jedi.
The first film had pioneered the technology and concepts of which to present and achieve such a franchise in the 1970′s and '80′s, and "The Empire Strikes Back" is still the benchmark for part twos, but where this film falls down is that it has sacrificed narrative quality for Lucas' realisation that he could finally do what he wanted, without any hindrance from studios or production limitations.
He had the best of best in visual effects with his Industrial Light and Magic, and he had a vision which had remained unrealised in the previous two films, such as the so called failed Cantina scene in "Star Wars", which is presented here, only this time in the walls of Jabba's palace.
The first half I believe, is George Lucas' real film. Monsters and Muppets, pure fantasy as our heroes wrap up the events of the previous film, and make their daring escape from Jabba the Hutt. The second part is almost a separate film, focusing quite rightly on the Empire and the destruction of the second Death Star. But this plot is very matter of fact, and has no real charm or heart, just epic visuals and a theatrical sense.
Meanwhile, Han Solo and Princess Leia are leading a rebel assault on the forest moon of Endor, populated by the most annoying Muppets of all the dreaded Ewoks! The Ewoks must be one of cinema's greatest misjudgments, the first real misstep in Lucas' handling of the "Star Wars Saga"; but with the prequels and the constant tinkering with the originals, this was to be the thin end of the wedge.
Don't get me wrong, there are plot elements revolving around the Muppets which I liked, such as the nature vs. technology metaphor, but that doesn't excuse the Ewoks and nothing ever will! But elements such as the Speedbike chase and the final battle, all of it, the final Vader/Luke dual, the assault of the Death Star itself, and even the ludicrous Ewok assault, are excellent, visually stunning and exiting and it is enough to save this film from being bogged down by the bad.
And like I said, the money grabbing, almost narratively illiterate George Lucas has damaged and defamed his franchise with his constant tinkering, firstly with the Special Edition in 1997, and then with his Enhanced Special Edition in 2004 for the DVD release.
Lucas is a visionary and has done so much for the film industry and we should be grateful but in the end, he needs to stop milking this franchise, stop pretending that it is never finished, when he has finished it THREE times now and realise that the best of the original trilogy was directed and written by other people, all of which display more talent. Lucas is not a good director but he is a good producer and he has brought this franchise to the screen and the movie industry is better for it. But the Special Editions bring nothing important to the mix, with the exception of the finale, which does carry more scope that 1983 original.
Overall, the weakest of the "Star Wars Trilogy" is a fair assessment and at its worst, it's still leagues above any entry in the prequels, even the Episode III, which is the closest to this high standards of this series.
The first film had pioneered the technology and concepts of which to present and achieve such a franchise in the 1970′s and '80′s, and "The Empire Strikes Back" is still the benchmark for part twos, but where this film falls down is that it has sacrificed narrative quality for Lucas' realisation that he could finally do what he wanted, without any hindrance from studios or production limitations.
He had the best of best in visual effects with his Industrial Light and Magic, and he had a vision which had remained unrealised in the previous two films, such as the so called failed Cantina scene in "Star Wars", which is presented here, only this time in the walls of Jabba's palace.
The first half I believe, is George Lucas' real film. Monsters and Muppets, pure fantasy as our heroes wrap up the events of the previous film, and make their daring escape from Jabba the Hutt. The second part is almost a separate film, focusing quite rightly on the Empire and the destruction of the second Death Star. But this plot is very matter of fact, and has no real charm or heart, just epic visuals and a theatrical sense.
Meanwhile, Han Solo and Princess Leia are leading a rebel assault on the forest moon of Endor, populated by the most annoying Muppets of all the dreaded Ewoks! The Ewoks must be one of cinema's greatest misjudgments, the first real misstep in Lucas' handling of the "Star Wars Saga"; but with the prequels and the constant tinkering with the originals, this was to be the thin end of the wedge.
Don't get me wrong, there are plot elements revolving around the Muppets which I liked, such as the nature vs. technology metaphor, but that doesn't excuse the Ewoks and nothing ever will! But elements such as the Speedbike chase and the final battle, all of it, the final Vader/Luke dual, the assault of the Death Star itself, and even the ludicrous Ewok assault, are excellent, visually stunning and exiting and it is enough to save this film from being bogged down by the bad.
And like I said, the money grabbing, almost narratively illiterate George Lucas has damaged and defamed his franchise with his constant tinkering, firstly with the Special Edition in 1997, and then with his Enhanced Special Edition in 2004 for the DVD release.
Lucas is a visionary and has done so much for the film industry and we should be grateful but in the end, he needs to stop milking this franchise, stop pretending that it is never finished, when he has finished it THREE times now and realise that the best of the original trilogy was directed and written by other people, all of which display more talent. Lucas is not a good director but he is a good producer and he has brought this franchise to the screen and the movie industry is better for it. But the Special Editions bring nothing important to the mix, with the exception of the finale, which does carry more scope that 1983 original.
Overall, the weakest of the "Star Wars Trilogy" is a fair assessment and at its worst, it's still leagues above any entry in the prequels, even the Episode III, which is the closest to this high standards of this series.
LeftSideCut (3778 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jan 23, 2020
In this day and age, where Star Wars is beloved by so many, and more recently met with sighs and trepidation by just as many, it's a franchise that easily faces scrutiny.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
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