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BookwormMama14 (18 KP) rated A Lady in Defiance (Romance in the Rockies #1) in Books
Jan 2, 2019
When God leads three sisters to a town called Defiance, they had no idea how He would use them to shine His light in the darkest of places.
"Naomi found it mind-boggling and quite humbling what God could do if you let him."
Location 3665
About the Book
Charles McIntyre is the founder of Defiance, a town riddled with lust and drunkenness. He is determined to clean up the town so that the railroad will lay tracks there. The only problem is, he has forgotten what it takes to be a man of honor. Recently widowed Mrs. Naomi Miller and her two sisters, Hannah and Rebecca, know that they were led to Defiance by God. Intent on opening a respectable hotel, they face challenges that they have been unprepared for. Following the Lord's lead...and sometimes that of a feisty personality, the sisters aim to earn a decent reputation in the town and share the love of God with those around them. Showing them that no one is perfect, and that our Heavenly Father loves us no matter our past. Repentance and salvation is available to us all. Will Naomi be able to see past the sins of the man and see his heart? With more than one disreputable man in town, will the sisters remain safe?
My Thoughts
I have not read many books that so blatantly show us the black and white of sin and salvation. There is a lot of language referencing the work of the prostitutes in the story. But I do not feel that the profession was glamorized at all, far from it. There is a lot of reference to the prostitutes' low cut dresses and ogling of the females in general by the men. But as the sisters remain pure, their attitudes and behavior rubs off on those around them. Giving us a perfect example of being in the world but not of it. They held firm to their beliefs and were not swayed by the godless world around them. And through them God brought a change to the town and the occupants. While this is not a book I would recommend for young readers, I never felt uncomfortable reading this and I am planning on reading the rest of the series. I would also like to honor Heather for writing what she was called to write. She shares the true grit of the west with the pure love and acceptance of our Lord Jesus Christ.
My Rating
★★★★☆ - You must allow me to tell you how ardently I admire and love you. (More Info)
Published by Rivulet Publishing. I received a free digital copy of A Lady in Defiance in exchange for my honest review. All opinions expressed are mine alone.
"Naomi found it mind-boggling and quite humbling what God could do if you let him."
Location 3665
About the Book
Charles McIntyre is the founder of Defiance, a town riddled with lust and drunkenness. He is determined to clean up the town so that the railroad will lay tracks there. The only problem is, he has forgotten what it takes to be a man of honor. Recently widowed Mrs. Naomi Miller and her two sisters, Hannah and Rebecca, know that they were led to Defiance by God. Intent on opening a respectable hotel, they face challenges that they have been unprepared for. Following the Lord's lead...and sometimes that of a feisty personality, the sisters aim to earn a decent reputation in the town and share the love of God with those around them. Showing them that no one is perfect, and that our Heavenly Father loves us no matter our past. Repentance and salvation is available to us all. Will Naomi be able to see past the sins of the man and see his heart? With more than one disreputable man in town, will the sisters remain safe?
My Thoughts
I have not read many books that so blatantly show us the black and white of sin and salvation. There is a lot of language referencing the work of the prostitutes in the story. But I do not feel that the profession was glamorized at all, far from it. There is a lot of reference to the prostitutes' low cut dresses and ogling of the females in general by the men. But as the sisters remain pure, their attitudes and behavior rubs off on those around them. Giving us a perfect example of being in the world but not of it. They held firm to their beliefs and were not swayed by the godless world around them. And through them God brought a change to the town and the occupants. While this is not a book I would recommend for young readers, I never felt uncomfortable reading this and I am planning on reading the rest of the series. I would also like to honor Heather for writing what she was called to write. She shares the true grit of the west with the pure love and acceptance of our Lord Jesus Christ.
My Rating
★★★★☆ - You must allow me to tell you how ardently I admire and love you. (More Info)
Published by Rivulet Publishing. I received a free digital copy of A Lady in Defiance in exchange for my honest review. All opinions expressed are mine alone.

Lindsay (1760 KP) rated Amish Celebrations: 4 Novels in Books
Jan 4, 2019
Amish Celebrations is really a combination of 4 stories in one book. They are all different but have something in common. They all are about celebrations.
Here are all the books and there reviews for each one.
The Gift of Sisters
Hannah and Elizabeth are twins. When a new boy comes to town, he seem to attracted both girls. They both fall for him in there own ways. He seem to have them pulling them away from each other. Will either one of them choose this new boy or will they both leave them.
Will it be two late to reunite to be sisters. One is doing something to protect her sister and the other think the other is trying to ruin her life and her love life at that. Will they find what best for them.
A New Beginning
Noah and Rebecca seem to be heading for marriage? Noah does something and make Rebecca think about getting married? What was it that Noah did? Will Noah walk way or will he forgive himself. What could Noah be struggling with? Rebecca is also navigation their relationship as well. Does she want to be with Noah or trust him?
A Perfect Plan
Priscilla knows who see was marrying since she way sixteen years old. Once the question is pop to her. They seem to think they know the prefect plan. God seem to have another plan or a bit of changes to that plan when one disaster will occurs after another. Is God testing there relationship?
There seems to be a special person who has something for both Chester and Priscilla. They each receive it at different times and separately. They are both told to not open it until there wedding day and not before and promised. Will they even get married or will they not?
A Christmas Miracle
Every feel overwhelmed with life or motherhood? Well, Mary feels this and does not know how to cope with her children. She seems to feel like she a bad mother. Though she got her husband and her husband seem to try and help. He for a loss to help her as well. Though he suggest that she ask her mother in law to help her.
There seem to be something more to stress of the marriage. Will her husband get some advise to help his marriage and his wife before it to late? There seems to be someone really important that happens when Mary befriends an elderly man in a red suit and his side kick elf?
I really like how this story outcomes turn out. Will Mary really get what needs and help she needs to cope with her situation. Does Mary's mother in law dislike Mary or is it something else.
Here are all the books and there reviews for each one.
The Gift of Sisters
Hannah and Elizabeth are twins. When a new boy comes to town, he seem to attracted both girls. They both fall for him in there own ways. He seem to have them pulling them away from each other. Will either one of them choose this new boy or will they both leave them.
Will it be two late to reunite to be sisters. One is doing something to protect her sister and the other think the other is trying to ruin her life and her love life at that. Will they find what best for them.
A New Beginning
Noah and Rebecca seem to be heading for marriage? Noah does something and make Rebecca think about getting married? What was it that Noah did? Will Noah walk way or will he forgive himself. What could Noah be struggling with? Rebecca is also navigation their relationship as well. Does she want to be with Noah or trust him?
A Perfect Plan
Priscilla knows who see was marrying since she way sixteen years old. Once the question is pop to her. They seem to think they know the prefect plan. God seem to have another plan or a bit of changes to that plan when one disaster will occurs after another. Is God testing there relationship?
There seems to be a special person who has something for both Chester and Priscilla. They each receive it at different times and separately. They are both told to not open it until there wedding day and not before and promised. Will they even get married or will they not?
A Christmas Miracle
Every feel overwhelmed with life or motherhood? Well, Mary feels this and does not know how to cope with her children. She seems to feel like she a bad mother. Though she got her husband and her husband seem to try and help. He for a loss to help her as well. Though he suggest that she ask her mother in law to help her.
There seem to be something more to stress of the marriage. Will her husband get some advise to help his marriage and his wife before it to late? There seems to be someone really important that happens when Mary befriends an elderly man in a red suit and his side kick elf?
I really like how this story outcomes turn out. Will Mary really get what needs and help she needs to cope with her situation. Does Mary's mother in law dislike Mary or is it something else.
WA
Wanderlust: Actions, Traces, Journeys 1967-2017
Book
Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the...

Lying in Wait
Book
Sunday Times Top 10 Bestseller! Featured in the Richard and Judy Spring 2017 Book Club 'Gone Girl...

Darren (1599 KP) rated Memoirs of an Invisible Man (1992) in Movies
Oct 14, 2019
Characters – Nick Halloway is a fast-talking businessman that has been getting away with slacking through his job for years now, after another session on the drinks, he looks to skive off, only to get caught in the middle of an experiment which turns him invisible, Nick must figure out who he can trust to help him after the CIA look to hunt him down to use him for their own benefit. He isn’t the most interesting character, he doesn’t come off as funny as it seems he should be either. Alice is the new woman that comes into Nick’s life, she is the one he turns to for help as she is prepared to listen to his story over most other people. David Jenkins is the man hunting down Nick, he is a CIA agent that will do whatever it takes to add to the security of the country, seeing Nick as the next generation of secret agent.
Performances – Chevy Chase does feel slightly mis-cast in this role, he doesn’t seem to handle the comedy on the level it is meant to be coming from his character. Daryl Hannah does all she needs to as the love interest, she doesn’t need to do much either. Sam Neill is highlight of the performances with just how he handles the evil agent.
Story – The story follows a man that gets turn invisible in a mysterious event, seeing him being chased down by the government while he tries to figure out how to get out of his situation. This is an interesting spin on the invisible man story, it does try to make the story a comedy which is where the story falls short, because it is an unlikable character that gets turn invisible rather than somebody whose experiment going wrong. Nick doesn’t just anything to help himself, which disappoints, it does feel kind of cheesy and by the end you will feel like not everything is answered.
Comedy/Sci-Fi – The comedy misses more often than hitting, it just doesn’t seem smooth. The sci-fi elements don’t get bought to the front with incident happening and that being it.
Settings – The film is set in San Francisco which does always make for a solid back drop for any movie.
Special Effects – The effects in the film do feel great for the time with certain moments, the make-up shot is the highlight because of camera angle.
Scene of the Movie – Let’s try make up.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that does miss a lot of the jokes and ends up feeling flatter than it should have been.
Overall: Disappointing comedy.
Performances – Chevy Chase does feel slightly mis-cast in this role, he doesn’t seem to handle the comedy on the level it is meant to be coming from his character. Daryl Hannah does all she needs to as the love interest, she doesn’t need to do much either. Sam Neill is highlight of the performances with just how he handles the evil agent.
Story – The story follows a man that gets turn invisible in a mysterious event, seeing him being chased down by the government while he tries to figure out how to get out of his situation. This is an interesting spin on the invisible man story, it does try to make the story a comedy which is where the story falls short, because it is an unlikable character that gets turn invisible rather than somebody whose experiment going wrong. Nick doesn’t just anything to help himself, which disappoints, it does feel kind of cheesy and by the end you will feel like not everything is answered.
Comedy/Sci-Fi – The comedy misses more often than hitting, it just doesn’t seem smooth. The sci-fi elements don’t get bought to the front with incident happening and that being it.
Settings – The film is set in San Francisco which does always make for a solid back drop for any movie.
Special Effects – The effects in the film do feel great for the time with certain moments, the make-up shot is the highlight because of camera angle.
Scene of the Movie – Let’s try make up.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is a comedy that does miss a lot of the jokes and ends up feeling flatter than it should have been.
Overall: Disappointing comedy.

Daniel Boyd (1066 KP) rated Mindhunter - Season 1 in TV
Oct 24, 2017 (Updated Oct 24, 2017)
Fantastic Performances (3 more)
Brilliant Script
Good Direction
Great Soundtrack
A Method In The Madness?
Mindhunter is a Netflix series set in the late 70's, that follows two FBI detectives as they embark to learn more about serial killers and why they do the things that they do. One of the detectives, Bill Tench, actually coins the phrase, 'serial killer,' at one point and the team do seem to be making progressive steps into understanding a disturbed psyche, even if some of the methods they use along the way are fairly questionable.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.

Movie Metropolis (309 KP) rated Hitman: Agent 47 (2015) in Movies
Jun 11, 2019
Clinical and incomprehensible
The transition from video game to movie is notoriously difficult to get right. From box-office disasters like Super Mario Bros. to the poorly received Resident Evil franchise, it appears no film is spared from either financial woe or critically panning.
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/

Darren (1599 KP) rated The Possession of Hannah Grace (2018) in Movies
Oct 24, 2019
Characters – Megan Reed is a former cop that has been through rehab after struggling after her own experience in the field, cleaned up, she looks to get back into work on a graveyard shift at the morgue. Megan does start to have strange visits while on duty and becomes convinced strange things are going on, she is left to wonder whether she is having a bad experience from her drugs or is something supernatural going on. Andrew is the ex-boyfriend and fellow cop of Megan, he was left no choice, but to leave her, but will support her through her struggles. Hannah Grace is the young woman that went through the exorcism, she hasn’t remained dead though, searching for more victims in her afterlife. Randy is the friendly paramedic that offers support for Megan because of his own past.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.
Performances – Shay Mitchell does everything she can with her leading role without being terrible, just not getting much to do from it. Grey Damon doesn’t have much to do, neither does Nick Thune, though he does make the most of his limited time. Kirby Johnson does get extra praise for her ability to try and make her character creepy throughout.
Story – The story here follows a cop fresh out of rehab that takes a graveyard shift in a morgue only to find her night become a nightmare when a corpse comes back to life to haunt them. The story is a true disappointment because we have one side of Megan’s story being that she might be falling off the wagon again, which would make everything going on great, only we get plenty of disposable characters that offer the corpse a chance to kill instead of building the tension of Megan losing her mind. This story does feel like a complete rip off The Autopsy of Jane Doe.
Horror/Mystery – The horror in this film comes from how the haunting figure is searching for the latest victim, only it never reaches the true level it could do. The mystery is meant to be around why the corpse isn’t remaining dead, only for it to end up feeling like it is the back burner.
Settings – The film is set inside the city morgue, we do have the lights that only come on when you are in their sensors go off, though it does feel too large to get the most out of the environment.
Special Effects – The effects are a mixed bag because the physical movement is great, but the CGI covers up too much in this film and it is weak.
Scene of the Movie – The first discovery.
That Moment That Annoyed Me – We just doesn’t seem to get the smart enough decisions in writing here.
Final Thoughts – This is a poor horror that just copies The Autopsy of Jane Doe, only to lose all the atmosphere in the film.
Overall: Disappointing throughout.

Ivana A. | Diary of Difference (1171 KP) rated Three Hours in Books
Feb 3, 2020
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<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.
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<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.

Phillip McSween (751 KP) rated Dumplin' (2018) in Movies
Jan 16, 2019
Good On So Many Levels
High school student Willowdean (Danielle MacDonald) decides to enter a beauty pageant to spite her mom Rosie (Jennifer Aniston), a former pageant queen.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.
Acting: 10
Beginning: 10
Characters: 10
The characters in this story are not just unique and enjoyable. They also represent the melting pot of what this world should be. Willowdean feels out of place because she is heavyset so she tries to attack herself before others do. Her Aunt Lucy (Hilliary Begley) tried to teach her to do the opposite before she passed away, but Willowdean didn’t grasp her aunt’s confidence unfortunately. Through her journey of pageant life, she makes two good friends: Hannah (Bex Taylor-Klaus) who is anti-establishment (or anti-everything, rather) and Millie (Maddie Baillio) a ball of happiness with an overprotective mom. They are at the core of a slew of good characters that brighten the story. And did I mention the drag queens? Phe-no-men-al.
Cinematography/Visuals: 10
Conflict: 10
The conflict here is less about outward confrontation and more about inner discovery. Willowdean’s greatest enemy is herself, something most of us can probably relate to. It is refreshing to watching her battle old demons while coming to terms with who she is and who she can be. Destroying yourself is toxic and Dumplin’ shows how a negative view of one’s self can damage and destroy the relationships around us.
Genre: 10
Memorability: 8
The story as a whole has a magical feeling to it that’s centered in realism, almost like a trailer park Cinderella. I thought of all the 201 movies I watched in 2018. Few touched me quite like this one. A really memorable movie can make you laugh, maybe cry a little, and reflect. Dumplin’ gets the job done. It teaches you never to underestimate yourself and to go all out even when you don’t think you have a shot.
Pace: 10
I love when storytelling is consistent and blends seamlessly from one scene to the next. You get that here. There’s not a whole lot of pointless dialogue that takes you nowhere or random scenes that forces relationship-building. It moves consistently like a batch of waves. Before you know it, it’s over and you’ve had a great ride.
Plot: 10
The story isn’t just original but heartfelt. Something we can all get behind. I can honestly say that I’ve never seen anything like it. You can see the ending coming a mile away, but you’re having so much of a good time you don’t care!
Resolution: 10
Just as with the plot, you definitely see the ending coming a mile away. Doesn’t make it any less awesome or touching. Mum’s the word, but it ties on a nice little bow on the movie as a whole.
Overall: 98
I’m always wary of Netflix originals. Not because they can’t be good, I’ve seen plenty of amazing things on Netflix. Rather I understand that there’s a pressure for them to keep putting out original content at a fast pace because the market is catching up. This could mean more swings-and-misses. Dumplin’ is not a casualty of that in the least. Quality movie.