"Greg Sage had a lot of great records right around this period but this one to me is the peak. It's extremely dark music and it's sort of hardcore but it's also undeniable pop songs. I remember driving around Austin with some of my hardcore friends from Temple and they were really into The Misfits, The Dead Kennedys. They weren't into my silly pop music, let me just put it that way. They were not Julian Cope fans. They put this record on they were like 'this is too gloomy. It's creeping me out.' It's a record that has classic song after classic song. At one point I covered 'No One Wants an Alien' just on my four track. I used to cover songs a lot just as an exercise because it was fun and to figure out how songs were put together. It was my process for figuring out how to become a recording artist. "

"I was just a monumental fan of both Tony Scott as a director and Eddie Murphy. I suppose you can probably tell now — and especially by if you watch Hardcore Henry, the performance styles of Robin Williams and Eddie Murphy, and Jim Carrey, that type of performance — Peter Sellers, which was obviously a bit before my time — but as I grew up going back and watching that, I love those kinds of actors. It’s interesting all the sequels [I have] in here too [laughing]."

"That was the first record that Jaye ever played to me when we met. It was surprise. This is a girl who ran away from home at age 14 to Alphabet City in the eighties, lived in a squat there, was into the hardcore scene so went out with one of the biggest hardcore guys in a band so no-one would beat her up or touch her, and yet she loved sixties psychedelic music. The Electric Prunes, The Zombies… Eventually The Zombies reformed to do one gig in New York, in this little club, so I got tickets, and they were spot-on. They did Odessey And Oracle, and afterwards I introduced her to The Zombies and they signed her album. It’s an excellent album. The harmonies and Colin Blunstone’s voice are stunning. That voice with the hissing in it. We had this friend, who did a lot of co-production on early Psychic TV, and he said my voice took to tape really well because it had this hiss in it. Apparently, it gave more resonance, so I accidentally have the same sort of resonances as Blunstone. Sadly, not the same voice or skill!"

"To me, there is a holy trinity of hardcore bands, and the first among these is, obviously, Black Flag. They pretty much invented the genre, and as much as it's become boringly de rigeur to be "into" Flag and have a tattoo and a t-shirt (guilty on both counts), and as much as Greg Ginn seems intent on fucking their legacy to death, this record is still pretty untouchable, not just as a groundbreaking musical statement, but also because of the raw fucking attitude in every cut."

"Does this record qualify as hardcore? Who actually gives a fuck? This was unquestionably my favorite album at the time and the first proper show I ever played was opening for BSF on this tour in London. I guess it's emocore. Whatever. Listening back now, it's a little cringey in places, but music is never as pure and affecting as it is when you're 16 and falling in love for the first time, and seeing them play these songs at the Red Eye remains one of my favorite musical memories."