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Purple Phoenix Games (2266 KP) rated The Big Book of Madness in Tabletop Games
Jun 12, 2019
Man, this game looks great! The components are really cool! The premise is excellent, and something that is somewhat underused! This is going to be amazing! We get to be Harry Potter and his friends tracking down baddies and using spells to squish them back in their book!
Except, it totally misses the mark for me. -100 points to Grifflepuffinclaw.
So here you are minding your own business at magic college, when you happen past The Big Book of Madness and its pages fly open, releasing monsters onto the campus. Being the heroes that you are training to become, you leap into action to use your spells to reign them back into the book and save the day… hopefully before lunch in the caf. (Purists, I know that’s not exactly the premise, take a cold shower.)
This game uses some clever mechanics, like a shared pool of spell cards that can be used on anyone’s turn to help them with their plans, deck building (which is my favorite mechanic), variable player powers, and a super-sweet book that is assembled while setting up. The shared pool is the best part of this game. You can send cards from your hand right into the shared pool of cards that are available to everyone on their turn, should they need them to defeat curses.
We are no strangers to co-op games, so this was an easy win in my head. But, for some unfathomable reason, my playmates refused to put cards into the shared pool. Y U NO HLAP MEH, FREN?? I am almost positive that the shared pool is the key to victory, but after several plays of this game, I don’t think any of us really want to try anymore. That being said, I have since gotten rid of this game and am excited to see what will fill its shoes as the next great-looking co-op with a shared resource pool. Sorry IELLO, I typically love your products.
Purple Phoenix Games gives The Big Book of Madness a big ol score of 8 / 12.
https://purplephoenixgames.wordpress.com/2018/12/10/the-big-book-of-madness-review/
Except, it totally misses the mark for me. -100 points to Grifflepuffinclaw.
So here you are minding your own business at magic college, when you happen past The Big Book of Madness and its pages fly open, releasing monsters onto the campus. Being the heroes that you are training to become, you leap into action to use your spells to reign them back into the book and save the day… hopefully before lunch in the caf. (Purists, I know that’s not exactly the premise, take a cold shower.)
This game uses some clever mechanics, like a shared pool of spell cards that can be used on anyone’s turn to help them with their plans, deck building (which is my favorite mechanic), variable player powers, and a super-sweet book that is assembled while setting up. The shared pool is the best part of this game. You can send cards from your hand right into the shared pool of cards that are available to everyone on their turn, should they need them to defeat curses.
We are no strangers to co-op games, so this was an easy win in my head. But, for some unfathomable reason, my playmates refused to put cards into the shared pool. Y U NO HLAP MEH, FREN?? I am almost positive that the shared pool is the key to victory, but after several plays of this game, I don’t think any of us really want to try anymore. That being said, I have since gotten rid of this game and am excited to see what will fill its shoes as the next great-looking co-op with a shared resource pool. Sorry IELLO, I typically love your products.
Purple Phoenix Games gives The Big Book of Madness a big ol score of 8 / 12.
https://purplephoenixgames.wordpress.com/2018/12/10/the-big-book-of-madness-review/
HOOKED - Chat Stories
Book and Social Networking
3.0
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Every HOOKED story is told as a bite-sized text message conversation, as if you were reading someone...
Vera Brittain and the First World War: The Story of Testament of Youth
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Vera Brittain and the First World War tells the remarkable story of the author behind Testament of...
Law, Liberty and the Constitution: A Brief History of the Common Law
Book
Throughout English history the rule of law and the preservation of liberty have been inseparable,...
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
BankofMarquis (1832 KP) rated The Pale Blue Eye (2022) in Movies
Jan 15, 2023
Haunting and Intriguing
An eerie, gothic murder mystery pairing an ingenious Detective with a young Edgar Allan Poe is now streaming on Netflix and is the perfect way to shut out the January winds and hibernate on your couch and get involved in the mystery while sitting in front of a warm, roaring fire (or heat lamp) and your favorite warm (possibly adult) beverage).
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written for the screen (from book by Louis Bayard) and Directed by Scott Cooper (OUT OF THE FURNACE), THE PALE BLUE EYE stars the always good Christian Bale (probably my favorite actor working today) as Civilian Detective Augustus Landor who is summoned to 1830’s West Point Military Academy to solve a murder. He is aided by a young cadet played by Harry Melling (Dudley Dursley in the HARRY POTTER FILMS) who turns out to be none other than Edgar Allan Poe.
Cooper films this movie in shadow and dark brown and yellow tones, giving the 1830’s setting a certain dream-like, dreary quality that underscores the gruesome goings-on happening behind the scenes at the fledgling United States Military Academy. These types of films - and the mood that is permeated throughout - can often be slow slogs and often times bogs down under the weight of it’s own pretentiousness - but Cooper keeps the action moving forward (though at a deliberate pace) often-times mimicking the piecing together of the circumstances that Bale’s character is doing.
Thank goodness Cooper had the good sense to reunite with his OUT OF THE FURNACE star and cast Bale in the lead role. The character of Detective Augustus Landor is dark and brooding - himself still working through the emotions of a tragedy from his past. But he is also thoughtful and deliberate in his detective work and Bale handles these moods…and the pacing of the film…like the pro that he is. If for no other reason, check out THE PALE BLUE EYE (a reference to Poe’s TELL TALE HEART) for Bale’s performance at the center of things.
Fortunately, Bale is aided in this film by a strong ensemble of (mostly) British actors from Toby Jones to Gillian Anderson to Simon McBurney and Timothy Spall - they all bring their considerable talents to lesser roles as suspects and/or witnesses in this “whodunnit”. Cooper also trots out good ol’ (and I do mean old) Robert Duvall for a “blink or you’ll miss it” cameo. The casting works well for this gothic murder mystery.
And then there is Melling as Edgar Allan Poe. He plays Poe as you might expect one to play a young Edgar Allan Poe - as an “odd duck” who is fascinated by macabre scenarios (which would be later found in his storytelling), but Melling gives him an intelligence and gentleness of soul that really works in this case.
The Cinematography of this movie is bleak and dark - as befits a gothic murder mystery - and the pacing is not fast in any sense of the word, but if you click into this world, you’ll be rewarding by an interesting murder mystery that resolves itself in a surprising - and satisfactory - way.
Letter Grade: B+
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Enola Holmes 2 (2022) in Movies
Nov 14, 2022
Pleasant and Entertaining
Back in September 2020 - in the heart of the pandemic shutdown - Netflix released ENOLA HOLMES which was dubbed “the teen version of Guy Ritchie’s Sherlock Holmes” - one can decide for themselves if that is a good or a bad thing. For me, this flick was an agreeable way to spend a few hours and I, for one, was looking forward to further adventures of Enola and her more well-known older brother, Sherlock.
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
Haley Mathiot (9 KP) rated The Ghost, the Eggheads, and Babe Ruth's Piano in Books
Apr 27, 2018
THE GHOST, THE EGGHEADS, AND BABE RUTH’S PIANO
By Larry Sweitzer
Genre: YA Fiction
Rating: 4.5/5
Freddie is a nerd, and he likes it that way. He keeps his grades up, he holds honors positions at his school, and he studies hard. But he’s only second best. Tony is his rival, and Tony is always putting him down. Tony and Freddie both go to Camp Mason over the summer, where Billy Mason died many years ago. Supposedly, there’s a ghost haunting the camp, but nobody has ever seen him.
Freddie is desperately trying to do three things: one, keep Tony from winning the scholarship at the end of the camp, two, find out about the ghost, and three, get a little closer to his crush, Ginny. But there are plenty of things stopping Freddie. How is he going to solve the mystery, win the scholarship competition, and put together sentences that make sense when he talks to Ginny?
The Ghosts, the Eggheads, and Babe Ruth’s Piano was hilarious. I enjoyed this story immensely! The story had the perfect amount of adventure, romance, tension, comic relief, and baseball. Now I’m not really Red Sox fan like Freddie is, but I now have a healthy respect for baseball. The cool part is, the baseball parts weren’t boring to me because of the way they were presented.
My favorite character was Zoe, the perky lively girl who ended up as Logan’s (Freddie’s friend) girlfriend by the end of the book (My second favorite had to be Harry Potter… Monty’s pet rat.), but I loved all the characters in this story. They had a lot of personality and were relatable and likeable (or in Tony’s case, hate-able.)
There were a lot of twists and turns that I didn’t expect! The pacing was perfect—it wasn’t too fast or too slow, and clues and keys were presented in a logical fashion. The end was totally unexpected and exciting, and got my blood racing. Freddie finally solves this mystery of how Billy died… and even though he didn’t win the scholarship competition, somehow ends up with money for college anyway.
Content: This book was wonderfully clean of everything.
Recommendation: Ages 10+, but suitable for teens as well.
**Thank you to Larry and Dorothy from Pump Up Your Book for supplying my review copy!**
By Larry Sweitzer
Genre: YA Fiction
Rating: 4.5/5
Freddie is a nerd, and he likes it that way. He keeps his grades up, he holds honors positions at his school, and he studies hard. But he’s only second best. Tony is his rival, and Tony is always putting him down. Tony and Freddie both go to Camp Mason over the summer, where Billy Mason died many years ago. Supposedly, there’s a ghost haunting the camp, but nobody has ever seen him.
Freddie is desperately trying to do three things: one, keep Tony from winning the scholarship at the end of the camp, two, find out about the ghost, and three, get a little closer to his crush, Ginny. But there are plenty of things stopping Freddie. How is he going to solve the mystery, win the scholarship competition, and put together sentences that make sense when he talks to Ginny?
The Ghosts, the Eggheads, and Babe Ruth’s Piano was hilarious. I enjoyed this story immensely! The story had the perfect amount of adventure, romance, tension, comic relief, and baseball. Now I’m not really Red Sox fan like Freddie is, but I now have a healthy respect for baseball. The cool part is, the baseball parts weren’t boring to me because of the way they were presented.
My favorite character was Zoe, the perky lively girl who ended up as Logan’s (Freddie’s friend) girlfriend by the end of the book (My second favorite had to be Harry Potter… Monty’s pet rat.), but I loved all the characters in this story. They had a lot of personality and were relatable and likeable (or in Tony’s case, hate-able.)
There were a lot of twists and turns that I didn’t expect! The pacing was perfect—it wasn’t too fast or too slow, and clues and keys were presented in a logical fashion. The end was totally unexpected and exciting, and got my blood racing. Freddie finally solves this mystery of how Billy died… and even though he didn’t win the scholarship competition, somehow ends up with money for college anyway.
Content: This book was wonderfully clean of everything.
Recommendation: Ages 10+, but suitable for teens as well.
**Thank you to Larry and Dorothy from Pump Up Your Book for supplying my review copy!**
Inky Books (3 KP) rated Eona: The Last Dragoneye (Eon, #2) in Books
Jun 21, 2018
When I was young, well, younger, I was obsessed with dragons. I would read anything with dragons in it. So when I found Eon, and saw that there was another book in the series I was so happy.
Back in that time when all I had to worry about was getting good grades and reading books, I would have given this book five stars. Now, however, that I’ve come to read some of the finer offerings this genre has to give, I find myself disappointed. Let this be a lesson to anyone: never re-read your favorite childhood book series (unless it’s Harry Potter or Eragon).
To be 100% honest, this book was a mess from start to finish. I found that the writing wasn’t descriptive enough for me to fully appreciate what the author was trying to do. There was also a lot of world building in a small space, and it didn’t work at all. There needed to be more time for that. I felt that 80% of the book was action. Yes, action is good, but there was too much and not enough time left for characters to develop.
Now my major problem is the main character, Eona. She continues to lie and deceive and deny that she’s doing it throughout the book. It’s very annoying and the author should have been able to come up with other events to keep me interested. Also, bringing all those lies out at the end? Yeah, well, that didn’t work for as much as a shock factor as intended. It was easy to see the outcome.
There are only two things going for this book. The first being the overall plot with the dragons. I won’t say more because I don’t want to spoil it, but I think that was a good way to get the book to end. The second is all the mythology and the world history that was weaved into the plot. I really liked learning about those pieces of the world.
All of that being said, I’ve finally decided on just 3 stars. While I did like it at one point in my life, I don’t as much now. I like parts of the book, but it overall lost all importance in my opinion. I won’t be reading it again unless I forget, for some reason, about how confusing the plot ended up being.
Back in that time when all I had to worry about was getting good grades and reading books, I would have given this book five stars. Now, however, that I’ve come to read some of the finer offerings this genre has to give, I find myself disappointed. Let this be a lesson to anyone: never re-read your favorite childhood book series (unless it’s Harry Potter or Eragon).
To be 100% honest, this book was a mess from start to finish. I found that the writing wasn’t descriptive enough for me to fully appreciate what the author was trying to do. There was also a lot of world building in a small space, and it didn’t work at all. There needed to be more time for that. I felt that 80% of the book was action. Yes, action is good, but there was too much and not enough time left for characters to develop.
Now my major problem is the main character, Eona. She continues to lie and deceive and deny that she’s doing it throughout the book. It’s very annoying and the author should have been able to come up with other events to keep me interested. Also, bringing all those lies out at the end? Yeah, well, that didn’t work for as much as a shock factor as intended. It was easy to see the outcome.
There are only two things going for this book. The first being the overall plot with the dragons. I won’t say more because I don’t want to spoil it, but I think that was a good way to get the book to end. The second is all the mythology and the world history that was weaved into the plot. I really liked learning about those pieces of the world.
All of that being said, I’ve finally decided on just 3 stars. While I did like it at one point in my life, I don’t as much now. I like parts of the book, but it overall lost all importance in my opinion. I won’t be reading it again unless I forget, for some reason, about how confusing the plot ended up being.