Search

Search only in certain items:

40x40

Kirk Bage (1775 KP) created a poll

Mar 4, 2020  
Poll
Who gave the best acting performance in The Irishman

Al Pacino
Harvey Keitel

0 votes

Stephen Graham

0 votes

Robert De Niro
Joe Pesci
Jesse Plemons

0 votes

Vote
     
40x40

Geoff Dyer recommended Bad Timing (1980) in Movies (curated)

 
Bad Timing (1980)
Bad Timing (1980)
1980 | Mystery
(0 Ratings)
Movie Favorite

"Deeply pervy—and that’s just the decision to cast Art Garfunkel in the lead as a math professor in Vienna! My favorite moment is when the detective—an implausibly wonderful Harvey Keitel—asks Garfunkel to confess to the crime “as a personal favor.” As bonkers as it is beautiful."

Source
  
Thelma & Louise (1991)
Thelma & Louise (1991)
1991 | Comedy
Director Ridley Scott's classic 1991 road trip movie starring Geena David and Susan Sarandon (with Brad Pitt and Harvey Keitel also having a part), in which the two friends Thelma (Davis) and Louise (Sarandon) go on a road trip that takes a turn for the worse when Louise shoots and kills a man attempting to rape Thelma.

Finding themselves on the run, they try to make their way to Mexico, culminating in perhaps one of the most famous final shots in movie history.
  
40x40

Sean Baker recommended Bad Lieutenant (1992) in Movies (curated)

 
Bad Lieutenant (1992)
Bad Lieutenant (1992)
1992 | Drama, Mystery
5.5 (4 Ratings)
Movie Favorite

"This is torture. It was very difficult to leave off so many of my favorites from this list but I decided to go with my favorites that don’t get as much attention as others so that hopefully it leads to people seeking them out. So these aren’t in order — love them all equally. Abel Ferrara’s masterpiece Bad Lieutenant. I love NYC films and this truly captured the city’s vibe of the early ’90s. I could watch Harvey Keitel screaming, crying and smoking crack all day. Besides his amazing performance and Ferrara’s vibrant realism, Zoë Lund wrote one of the tightest screenplays ever written. We only got one film from her as she tragically passed away in 1999. Thank you Zoë… this is an important film."

Source
  
From Dusk Till Dawn (1996)
From Dusk Till Dawn (1996)
1996 | Drama, Horror, Mystery
A underrated action horror film
From dusk till dawn- was directed by robert roderguiz and had a great cast.

The plot: the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family's RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out.

A tv series was made back in 2014 and had 3 seasons.

From dusk till dawn- has horror, action and fantasy all mixed into one film. Overall its very underrated and more people should watch it.
  
Sullivan's Travels (1941)
Sullivan's Travels (1941)
1941 | Action, Classics, Comedy
8.0 (2 Ratings)
Movie Favorite

"I would say Sullivan’s Travels would probably round out the five. That movie is kind of what I’m always wrestling with, you know — there’s the idea of, “Do I go out and entertain people [laughs], or do I go out and say something?” I love that movie. That’s just another movie that, you know, Preston Sturges movies — they’re not really set in the real world, or most of them aren’t set in any real world, but the characters are always very realistic; and then he has these great, oddball one-dimensional characters that show up. Clearly that’s something that’s kind of influenced me, ’cause I don’t think the world that my movies take place in, it’s not a real place. I always laugh at people who go, “Well, you know, they would have been caught” in [God Bless America] and I’m like, “It’s not real, man.” I don’t wanna have a scene where Harvey Keitel is in front of this big map of the United States going, “I gotta get inside their brains. I gotta figure out where they’re gonna strike next.”"

Source
  
The Congress (2014)
The Congress (2014)
2014 | Animation, Sci-Fi
Restored my belief in the power of movies, one of the most fulfilling cinematic experiences I've ever had and probably will ever have in my lifetime. Not trying to undersell how structureless this is, but it gets a free pass for how rigorously committed to the mindfuck it is - it just wouldn't have worked out even a fraction as well with any sort of form. I spent the better part of this with my jaw frozen in the dropped position, it's been so long since I've truly been blown away and couldn't believe what I was watching actually got made. Part personal, quasi-documentary character study of a real life actress; part actually good "Black Mirror" episode about the evolution of idolization; part 50s cartoon nightmare; part acid trip; part "holy shit my tears are crying" drama. Can't even begin to justifiably describe how good this film looks in words, essential viewing - can only be believed by first having seen. Robin Wright and Harvey Keitel give megaperformances to match the boundless ambition - 𝘊𝘭𝘰𝘶𝘥 𝘈𝘵𝘭𝘢𝘴 can't even compare. A nebulous, meditative, and bracingly surreal slideshow of future-fantasy and riffs on what the future could bring with a refreshing lack of pretention and cynicism for once (though I'm sure I stand alone in thinking that) that's never anything less than beautiful. Never wanted to let go, never has some variation of "your past is dead" been said so despondently. And what a fucking A-class score.
  
40x40

Andy K (10821 KP) created a poll

Mar 4, 2019  
Poll
THE NETFLIX DEBATE: WHAT IS YOUR OPINION?

Haven't heard of the debate? Basically there are two sides to what is being called the "Netflix Wars" whereas certain filmmakers and studios are attempting to change, or make harder, the ability for "Netflix" type, day-and-date, films (like this year's Roma) to receive Academy Award nominations since they are basically "made for TV" movies.

You could even argue this could be one of the reasons Roma did not win Best Picture this years as enough people agreed it should not have been nominated (even though it won several other awards.)

I even got into an argument on Twitter with someone after I expressed my opinion (which was the opposite of hers). She was immediately insulting me for not agreeing with her, so I thought I would ask here before giving my own opinion.

This issue will continue to get more profound considering streaming services are here to stay, and theatrical movie runs are not nearly as important as they used to be. I read over 75% of movies nowadays are not seen in theatres, but on some other format.

In 2019, this will become an even bigger issue with the holiday 2019 release of the Martin Scorsese mob epic "The Irishman" starring Al Pacino, Robert De Niro, Joe Pesci, Harvey Keitel and many others. As this time, the movie, owned and released by Netflix, is supposed to have more of a theatrical run than "Roma", but would still be a Netflix film.

So what is your opinion, Smashbombers? I'm very interested in your opinions as well.

Please feel free to comment below.


"Netflix" type films like Roma and The Irishman should be allowed to compete for the Academy Awards even with a smaller theatrical release and available almost immediately to watch via streaming?
"Netflix" type films like Roma and The Irishman should not be allowed to compete for the Academy Awards since they have smaller theatrical releases and can be watched via streaming almost immediately.
Vote
     
Bad Lieutenant (1992)
Bad Lieutenant (1992)
1992 | Drama, Mystery
5
5.5 (4 Ratings)
Movie Rating
Great Character, Bad Movie
A corrupt cop is forced by a mob boss to pay off his debt or be killed. Hailed as a cinematic classic, Bad Lieutenant truly failed to grab me for a number of different reasons. It misses the mark in a number of ways.

Acting: 10

Beginning: 5

Characters: 9
Love him or hate him The Lieutenant (Harvey Keitel) is one memorable character. Every scene he is in is unpredictable as you have no idea what he’s going to do next. While I was more on the hate side of things, I envied him at the same time. The Lieutenant does whatever he wants and gives zero shits about it.

Cinematography/Visuals: 6
A few scenes caught my eye here and there, but there was nothing overall that really stood as overly memorable or powerful. Visually I was unimpressed as it felt like a film just going through the motions. I wasn’t as immersed in the scenes or the world as I had hoped.

Conflict: 5
We know the conflict, we know what’s at stake, yet I can’t feel the true threat of it throughout the film. My other problem was The Lieutenant is such an awful guy that you don’t really care what happens to him. As a result, the conflict then becomes just mediocre.

Entertainment Value: 5

Memorability: 3

Pace: 5
You see a lot of casual day-to-day over the course of the movie which slows things down tremendously. Despite Lieutenant’s antics, the movie moves in a really boring fashion. You never get the sense that you are progressing towards anything.

Plot: 2

Resolution: 2
I was hoping for some kind of redemption here, but was extremely overwhelmed. When the credits roll, I was more depressed than anything. It solidified what was a crappy movie in my opinion.

Overall: 52
Don’t believe everything you read. All the critics said this movie was amazing, but it falls well short of today’s offerings. Then again, I’m willing to admit that I could be the one that’s wrong. Give it a shot at your own discretion.
  
From Dusk Till Dawn (1996)
From Dusk Till Dawn (1996)
1996 | Drama, Horror, Mystery
From Dusk Till Dawn is a good enough Tarantino/Rodriguez style crime caper for the first hour, carried by its cast and polar opposite characters. On one side of the coin, there's the wholesome Fuller family, played by Harvey Keitel, Juliette Lewis, and Ernest Liu. These characters are the good guys if you will, with just enough development given to be on their team. The other side of the coin serves us the Gecko brothers, played by George Clooney and Quentin Tarantino, two criminals who take the Fullers hostage on their way to Mexico. These two are fucking deplorable, Richie (Tarantino) being a dangerous psychopath with no regard for human life, and Seth (Clooney) just being an arrogant asshat who flits between condemning his brothers behaviour and encouraging it. They're so damn unlikable, but when the five characters are together, it provides us with an electric dynamic, one where they end up depending on eachother to survive.
Other than that, it's good enough. Sure it's stylish, but it's not a scratch on Pulp Fiction or Desperado in what's it's trying to be.

But then the twist kicks in, and Christ does this movie ascend to near greatness. When the Fullers and Geckos arrive in Mexico and head to The Titty Twister bar, shit hits the fan pretty quick, and it goes from good enough crime movie, to all out sticky gross gore filled vampire horror show in seconds. The mix of practical effects and CG is wonderfully balanced, and the aesthetic is hugely reminiscent of Evil Dead II. It's no surprise to see Greg Nicotero among the credits.
This second half is just a whole boat of fun, and is the reason why FDTD is rightly considered a cult classic. Tarantinos screenplay is great (casually ignoring the fact he wrote himself into a scene where he could have Salma Hayeks toes in his mouth) and the addition of actors such as Hayek, Danny Trejo, Cheech Marin, Tom Savini, and Fred Williamson for this tongue-in-cheek, splatter fest of a third act is the cherry on top.

From Dusk Till Dawn is a blast for sure. Its stumbles here and there, but is another fine entry in the Robert Rodriguez catalogue.