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Darren (1599 KP) rated Echoes of Fear (2019) in Movies
Oct 24, 2019
Characters – Alisa sees her last family die suddenly, she must head back to the house where she was raised to decide what to do with it next in what seems like a routine, tidy up and sale plan. Her plans are thrown off when she starts hearing noises, suffering nightmares and experiencing visions, which leads to her wanting to learn the truth, going through the house to unlock the truth, which each clue becoming more disturbing for her. Steph is the best friend that can visit at times and will help her with the investigation. Brandon is the boyfriend who is happy to help plan the changes, looking for a quick sell and start of a new life. David is the neighbour that does offer a few answers and is willing to help Alisa with any problems.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
Performances – Trista Robinson is the star of the show, she is the one getting haunted, trying to solve the problems she is experiencing and you believe every moment she is going through. Nobody else is getting too much outside the simple to do, with none of them doing anything wrong through the film.
Story – The story here follows a relative that inherits a home and soon starts getting haunted by the ghosts of the house, leading her to try and solve the situation. This is a story that does keep us wondering what is going on with us learning more just as Alisa does, which is why this story works so well, because it enters the most interesting sub-genre of horror, with the haunting helping unlock the mystery. We could have a couple of questionable moments including a bit of miss-direction when it comes to what could be going on, this doesn’t really add up, but is nice to guide us away from the truth. This story does try to break certain rules created and does a wonderful job at this too, but lets just ask, why is there a sniffer mouse?
Horror – The horror side of the film does use a couple of ideas, with the haunting being the biggest moments, while others come off more disturbing by the end.
Settings – The film does keep most of the action inside the house, being a location, that Alisa would know, but hasn’t been to in a while, with he changes adding to the horror of the film.
Special Effects – The effects are used to create certain moments of horror, which most coming in the haunting moments.
Scene of the Movie – The final 20 minutes.
That Moment That Annoyed Me – The sniffer mouse is very strange.
Final Thoughts – This is a horror that does keep us guessing, it has a disturbing outcome with the haunting being the highlight of the scares.
Overall: Horror with Plenty of Scares.
MelanieTheresa (997 KP) rated The Shape of Night in Books
Oct 11, 2019
This was a quick, fun read, and completely different from the author's previous titles - both her Rizzoli & Isles series and her stand-alone novels. I wouldn't call it romantic suspense, as it's being billed. There really isn't anything at all romantic about what happens to Ava. I'd call it paranormal mystery/suspense leaning toward gothic - and well done!
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
Invisible In A Bright Light
8.0
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From I, Coriander to Invisible in a Bright Light, Sally Gardner's first middle grade novel in 14...
The Turn of The Key
7.7
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'Will hold you captive until the brilliant ending' SHARI LAPENA, author of The Couple Next Door ...
Lyndsey Gollogly (2893 KP) rated The Mark in Books
Jul 21, 2023
95 of 235
Kindle
The Mark
By Lee Mountford
⭐️⭐️⭐️⭐️⭐️
It isn’t the house that’s haunted…
It’s the person.
Kirsty is no stranger to trauma, but when her house is invaded one night, she is left with a strange mark carved into her skin.
And that is when the horrifying ghosts start to appear.
As the experiences grow more frequent—and dangerous—Kirsty must fight for her life and unravel the mystery behind the occult symbol etched into her flesh. This forces her into the terrifying world of the occult, where she learns of a Bible written by the Devil himself.
Can she save her very soul from damnation?
You will love this gripping ghost story, because it ramps up the fear and doesn’t let go until its thrilling climax.
I clearly didn’t learn my lesson from the last Lee Mountford book! So I read this at night in the dark and it truly scared the living daylights out of me. I actually had nightmares it doesn’t help that I one read it in the dark and two have an overactive imagination. It takes a lot for a book to genuinely scare but that creepy shadow and his puppets from under the bed and stair climbers were enough to do it! Ok so bring on the next one!
Kindle
The Mark
By Lee Mountford
⭐️⭐️⭐️⭐️⭐️
It isn’t the house that’s haunted…
It’s the person.
Kirsty is no stranger to trauma, but when her house is invaded one night, she is left with a strange mark carved into her skin.
And that is when the horrifying ghosts start to appear.
As the experiences grow more frequent—and dangerous—Kirsty must fight for her life and unravel the mystery behind the occult symbol etched into her flesh. This forces her into the terrifying world of the occult, where she learns of a Bible written by the Devil himself.
Can she save her very soul from damnation?
You will love this gripping ghost story, because it ramps up the fear and doesn’t let go until its thrilling climax.
I clearly didn’t learn my lesson from the last Lee Mountford book! So I read this at night in the dark and it truly scared the living daylights out of me. I actually had nightmares it doesn’t help that I one read it in the dark and two have an overactive imagination. It takes a lot for a book to genuinely scare but that creepy shadow and his puppets from under the bed and stair climbers were enough to do it! Ok so bring on the next one!
Haunts of Old Louisville: Gilded Age Ghosts and Haunted Mansions in America's Spookiest Neighborhood
Book
Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the...
Acanthea Grimscythe (300 KP) rated The House by the Cemetery in Books
Jan 31, 2019 (Updated Feb 2, 2019)
I have a love-hate relationship with The House by the Cemetery by John Everson, and it’s really tearing me apart. I absolutely enjoyed the story itself, but there’s a few issues, one of which is a huge red flag, that I simply can’t allow to go unspoken–and if other reviews are any clue, I’m not the only one that’s immensely bothered by it.
The story involves a witch that died in 1963, a haunted house, a haunted house attraction, and a lot of characters (too many to keep track of without a notebook, actually). Hired to repair the haunted house so that guests can safely walk through it, Mike Kostner spends much of his time drinking beer and talking with the girls, Katie and Emery. At the same time, Jeanie’s been hired on as a makeup artist for the upcoming attraction and drags her boyfriend, Bong, into it. Then there’s Jillie and Ted, paranormal investigators. And then there are three other groups of people to form more members of the cast, which I found to be extremely overwhelming.
At this point in my review, I usually talk about characters and their development, what I like about them, what I don’t, etc. In this case, I can’t really do that. The only character I managed to forge any sort of emotional connection with was Jeanie, and it’s mainly sympathetic. As for the rest of the roles played, I’m largely disappointed. Why? Because there’s a severe lack of sensitivity in this novel–which has been mentioned in several other reviews. There are four characters whose sole defining characteristic is either their race or their weight. There’s no depth given beyond that to them as an individual. The remarks dealing with weight are largely shaming and those dealing with race are stereotypical. And here’s where I’m going to take a moment to discuss the character Bong, which I feel is the most blatant insult to another race’s customs that I’ve seen in a long time.
Bong’s full name is Bong-soon Mon. Phonetically, that sounds a lot like “bong soon man.” It’s not overly obvious if you’re not familiar with Korean names, and Bong-soon is an actual name used in the drama Strong Woman Do Bong Soon. However, in this case, Everson shortens Bong-soon, which is actually the character’s name (whether it’s his first or last, I’m not sure), to Bong. Thus he makes it more of a laughing matter (really, it’s not funny), whether it’s intentional or unintentional. Usually I’m not sensitive to these types of material, but in this book the way it comes across is really bothersome and, like several other readers, I agree with the idea that this book desperately needs an edit for sensitivity. Please bear in mind that I read an arc of this book and so I’m not sure if any of these issues were addressed in the final publication.
EDIT: After speaking with the author, he explained to me that the reason he shortened the name as he did comes from personal experience with someone that had the same name, and what they went by. Everson also assured me it was not his intent to fat shame those characters. I really appreciate that he reached out to me, and feel it's important that my misconception be corrected, but not hidden.
Plotwise, I adored this book. I can’t go too much into detail without sharing spoilers, but I can say this: the Everson does have a talent for creating beautifully grisly, albeit somewhat repetitive, scenes. The bloodbath that takes place near the end of the book is a glorious gore-fest that I felt the rest of the story worked up to quite well, even if it crawled earlier on while Mike was working on the house. As for the setting, it’s well written. I liked the idea of a house next to a cemetery, and its easy to infer its age without being told: it’s too close to a turnpike to have been put there before the turnpike was built. I was, however, confused by the juxtaposition of a heavily wooded house and cemetery in close proximity to a city or town, as in my experience turnpikes usually don’t have exits between major locales. At least, not very many present-day ones do, as most of them have been converted to, or created as, a controlled-access highway, where intersecting roads tend to cross over or under so that they do not impede traffic. That said, it strikes me as weird that a single house and cemetery would have an exit from a turnpike.
So I decided to google cemeteries and turnpikes, and what did I find? Bachelor’s Grove Cemetery is an actual haunted locale found in the suburbs of Chicago. And yes, it actually is that close to a turnpike! If you like to watch Ghost Adventures, the cemetery was featured in a 2012 episode. Also, the cemetery is extremely old. Even better? Many of the ghost stories referenced in the book are actual tales surrounding the cemetery. It’s actually pretty fascinating and I wouldn’t even have known about it were it not for Everson’s book.
Overall, I did enjoy reading this book. I loved the homage to horror movies of all types, including lesser known genres. I absolutely adored the way in which some of the characters were manipulated, too. Hence why I stated early in this review that I have a love-hate relationship with it. Because of the lack of sensitivity though, and the way I was made to feel as a reader because of it (I’m overweight, after all), I can’t give it more than three skulls.
I’d like to thank the publisher and NetGalley for providing me with a free copy of this book for review.
The story involves a witch that died in 1963, a haunted house, a haunted house attraction, and a lot of characters (too many to keep track of without a notebook, actually). Hired to repair the haunted house so that guests can safely walk through it, Mike Kostner spends much of his time drinking beer and talking with the girls, Katie and Emery. At the same time, Jeanie’s been hired on as a makeup artist for the upcoming attraction and drags her boyfriend, Bong, into it. Then there’s Jillie and Ted, paranormal investigators. And then there are three other groups of people to form more members of the cast, which I found to be extremely overwhelming.
At this point in my review, I usually talk about characters and their development, what I like about them, what I don’t, etc. In this case, I can’t really do that. The only character I managed to forge any sort of emotional connection with was Jeanie, and it’s mainly sympathetic. As for the rest of the roles played, I’m largely disappointed. Why? Because there’s a severe lack of sensitivity in this novel–which has been mentioned in several other reviews. There are four characters whose sole defining characteristic is either their race or their weight. There’s no depth given beyond that to them as an individual. The remarks dealing with weight are largely shaming and those dealing with race are stereotypical. And here’s where I’m going to take a moment to discuss the character Bong, which I feel is the most blatant insult to another race’s customs that I’ve seen in a long time.
Bong’s full name is Bong-soon Mon. Phonetically, that sounds a lot like “bong soon man.” It’s not overly obvious if you’re not familiar with Korean names, and Bong-soon is an actual name used in the drama Strong Woman Do Bong Soon. However, in this case, Everson shortens Bong-soon, which is actually the character’s name (whether it’s his first or last, I’m not sure), to Bong. Thus he makes it more of a laughing matter (really, it’s not funny), whether it’s intentional or unintentional. Usually I’m not sensitive to these types of material, but in this book the way it comes across is really bothersome and, like several other readers, I agree with the idea that this book desperately needs an edit for sensitivity. Please bear in mind that I read an arc of this book and so I’m not sure if any of these issues were addressed in the final publication.
EDIT: After speaking with the author, he explained to me that the reason he shortened the name as he did comes from personal experience with someone that had the same name, and what they went by. Everson also assured me it was not his intent to fat shame those characters. I really appreciate that he reached out to me, and feel it's important that my misconception be corrected, but not hidden.
Plotwise, I adored this book. I can’t go too much into detail without sharing spoilers, but I can say this: the Everson does have a talent for creating beautifully grisly, albeit somewhat repetitive, scenes. The bloodbath that takes place near the end of the book is a glorious gore-fest that I felt the rest of the story worked up to quite well, even if it crawled earlier on while Mike was working on the house. As for the setting, it’s well written. I liked the idea of a house next to a cemetery, and its easy to infer its age without being told: it’s too close to a turnpike to have been put there before the turnpike was built. I was, however, confused by the juxtaposition of a heavily wooded house and cemetery in close proximity to a city or town, as in my experience turnpikes usually don’t have exits between major locales. At least, not very many present-day ones do, as most of them have been converted to, or created as, a controlled-access highway, where intersecting roads tend to cross over or under so that they do not impede traffic. That said, it strikes me as weird that a single house and cemetery would have an exit from a turnpike.
So I decided to google cemeteries and turnpikes, and what did I find? Bachelor’s Grove Cemetery is an actual haunted locale found in the suburbs of Chicago. And yes, it actually is that close to a turnpike! If you like to watch Ghost Adventures, the cemetery was featured in a 2012 episode. Also, the cemetery is extremely old. Even better? Many of the ghost stories referenced in the book are actual tales surrounding the cemetery. It’s actually pretty fascinating and I wouldn’t even have known about it were it not for Everson’s book.
Overall, I did enjoy reading this book. I loved the homage to horror movies of all types, including lesser known genres. I absolutely adored the way in which some of the characters were manipulated, too. Hence why I stated early in this review that I have a love-hate relationship with it. Because of the lack of sensitivity though, and the way I was made to feel as a reader because of it (I’m overweight, after all), I can’t give it more than three skulls.
I’d like to thank the publisher and NetGalley for providing me with a free copy of this book for review.
Steve Fearon (84 KP) rated Pyewacket (2017) in Movies
Sep 26, 2018
This film doesn't know WITCH film it wants to be...
Pyewacket is a witchy teen angst film, that feels a bit like it wanted to be Ginger Snaps for witches, following the life of a teen girl whose father has recently died, and whose mother is not dealing well with the new reality.
Against her protestations, her mother moves them to a house in the woods, and away from her school and friends and after a heated exchange, the daughter decides to perform a dark ritual in the woods.
The crux of the film is that she later regrets the decision and is haunted by ghostly presences in the house that she suspects are the result of her ritual.
The whole film feels out of time, as if it were a late 90's early 2000's teen horror, with the majority of time spent exploring teen angst and cringey cliched subculture banter, rather than really tyring to ramp up any tension or scare the viewer.
At no point is a bad film, but it is trying to walk the line between genuine horror and that sort of 'The Craft' style teen culture movie, and it just doesnt seem to really nail either.
Its not bad, its not great, its just ok.
Against her protestations, her mother moves them to a house in the woods, and away from her school and friends and after a heated exchange, the daughter decides to perform a dark ritual in the woods.
The crux of the film is that she later regrets the decision and is haunted by ghostly presences in the house that she suspects are the result of her ritual.
The whole film feels out of time, as if it were a late 90's early 2000's teen horror, with the majority of time spent exploring teen angst and cringey cliched subculture banter, rather than really tyring to ramp up any tension or scare the viewer.
At no point is a bad film, but it is trying to walk the line between genuine horror and that sort of 'The Craft' style teen culture movie, and it just doesnt seem to really nail either.
Its not bad, its not great, its just ok.
No Time for Goodbye
8.6
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A reissue of Linwood Barclay's brilliant first thriller - the fastest-selling Richard & Judy title...
Halloween Party Murder
Barbara Ross, Leslie Meier and Lee Hollis
8.0
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Small town traditions are celebrated throughout Maine during the holiday season. But when it comes...