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Mark @ Carstairs Considers (2099 KP) rated Halloween Party Murder in Books
Sep 1, 2021 (Updated Sep 1, 2021)
Partying with a Corpse or Three
This Halloween, we are being treated to another novella collection with these three cozy mystery authors as they feature their series sleuths. First up, Lucy Stone finds a dead body after a haunted house fund raiser. Then, Hayley Powell’s Halloween party in her new restaurant ends with the discovery of a corpse in the freezer. Finally, when Julia Snowden’s niece finds herself at a high school party, Julia goes to bring her home, only for the police to discover a dead body in the shed out back.
Out of these three authors, I only regularly read Barbara Ross’s Maine Clambake mysteries, so that story, featuring Julia Snowden, was my favorite. That’s not to say I didn’t enjoy all three of the novellas. All three feature a strong assortment of characters and a solid mystery. Even if I figured out a part of the story early, I didn’t have it all pieced together until the end. My only complaint was the politics brought into the first novella in the collection. Even then, I’m a bit torn since it did play a part in the story while also feeling like I was reading a lecture. Still, if you are in the mood for a murderous Halloween party, you’ll be glad you picked up this novella collection.
Out of these three authors, I only regularly read Barbara Ross’s Maine Clambake mysteries, so that story, featuring Julia Snowden, was my favorite. That’s not to say I didn’t enjoy all three of the novellas. All three feature a strong assortment of characters and a solid mystery. Even if I figured out a part of the story early, I didn’t have it all pieced together until the end. My only complaint was the politics brought into the first novella in the collection. Even then, I’m a bit torn since it did play a part in the story while also feeling like I was reading a lecture. Still, if you are in the mood for a murderous Halloween party, you’ll be glad you picked up this novella collection.
David McK (3233 KP) rated Jurassic World: Dominion (2022) in Movies
Aug 14, 2022
Insect park?
Jurassic Park (the original) is a masterpiece of cinema.
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
Jurassic Park 2: The Lost World has it's moments (the raptors in the long grass), but also has the annoying-kid-doing-gymnastics-while-a-Raptor-watches.
Jurassic Park 3 takes some scenes from the original novel (most noticeably the aviary) that were left out of the previous films, but also has the stupid ringing phone that a dinosaur has swallowed that remind the viewer too much (and not in a good way) of Peter Pan and Captain Hook crocodile.
Jurassic World follows the same format as Jurassic Park, except goes larger. It's not a bad movie.
Jurassic World: Fallen Kingdom goes in a completely different direction, going the haunted house route in the second half, and ends with the dinosaurs released on the mainland.
Which is where Jurassic World: Dominion picks up, roughly four years on from the ending of Fallen Kingdom. Lots have been made of the fact that this also reunites the original cast - Sam Neill, Laura Dern and Jeff Goldblum - alongside the newer duo of Chris Pratt and Bryce Dallas Howard.
The problem, however, is that more is quite often less, which I found to be the case here - plenty of action (and dinosaurs), yes, but also, well, just missing something :(
ClareR (5603 KP) rated The Ghost of Hollow House in Books
Jun 9, 2019 (Updated Jun 9, 2019)
A Victorian ghostly mystery.
This is a mystery set in Victorian England (1872), a time when women were the weaker sex and unable to tolerate anything vaguely ‘upsetting’. Mina Scarletti clearly hasn’t seen the memo about this. She’s intelligent, witty and brave - she’s also 4 feet 8 inches tall, and she has what appears to be a severe scoliosis. So those who don’t know her are surprised by her outlook on life and her independence. Mina is a great character, as are Dr Hamid, who is her physician and travels with her, and Nellie, her friend.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
Nellie is invited to stay with an old friend, Kitty, from her stage days, and her wealthy husband. They have a large house in the country and it appears to be haunted. The maids won’t stay overnight, and Mrs Honeyacre (Kitty) is beside herself. Her husband is a big follower of spiritualism and the occult(it was very fashionable at this time), but just not in his house.
It’s a slow burner, but when the action gets going, it really does go for it. I’m no expert on Victorians, but the attitudes and daily routines rang true, and the characters were all interesting and on the whole, likeable - especially Mina. I loved how she consistently surprised the male characters: they expected a meek and mild, sickly girl, and got an outspoken and independent woman instead.
I hadn’t realised when I began to read this, that it was the fourth in a series. I didn’t feel that I missed anything by not reading the first three, and it definitely could be read as a stand-alone. However, based on this novel, I would think that books 1-3 will be going on to my ‘to read’ pile!
If you like Victorians, mysteries and possibly ghosts, then this is a book that you’ll enjoy. I did!
Many thanks to Sapere books for my copy of this to read and honestly review.
Leanne Crabtree (480 KP) rated The Trouble with Twelfth Grave in Books
Jan 6, 2021
4.5 stars.
I finished book 11, Eleventh Grave in Moonlight, in September and decided that I had to have the last book before I started book 12 just so I could finish the series all at once. I now have it so here goes.
This starts with Charley at a client's house as she tells the whole ordeal of the past three days (since the events of the last book) to the little old lady beside her who thinks her house is haunted. Ever since Reyes went into the God glass in the last book and spent what could have been days in there before coming back out as Rey'azikeen, there have been deaths in the Albuquerque area - deaths that point to him as the culprit. Charley finally gets the gang together to tell them what happened and they try to come up with a plan to find out if it was Reyes and how to stop him or Michael and the angels will come to take him out.
As usual, this book is filled to the brim with Charley Davidson craziness. I absolutely love her but she is totally bonkers at times. She has an unusual way of thinking but it seems to always go her way anyway. It's ridiculous but so much of why I love this series. It is simply amazing. I can't recommend this series enough!
The books in this series are fairly short but the author manages to pack a lot into them. We had a murder investigation, a breaking and entering, some sexy times, a mob family, some creepy sounding wraiths and quite a lot more too. I can't go into too much detail as it will spoil it for everyone.
I do love the characters in this. Charley and Reyes have grown a lot over the last eleven books and I'm waiting with baited breath to start the last book to see where the series has been building up to after all this time. Off to start book 13!
I finished book 11, Eleventh Grave in Moonlight, in September and decided that I had to have the last book before I started book 12 just so I could finish the series all at once. I now have it so here goes.
This starts with Charley at a client's house as she tells the whole ordeal of the past three days (since the events of the last book) to the little old lady beside her who thinks her house is haunted. Ever since Reyes went into the God glass in the last book and spent what could have been days in there before coming back out as Rey'azikeen, there have been deaths in the Albuquerque area - deaths that point to him as the culprit. Charley finally gets the gang together to tell them what happened and they try to come up with a plan to find out if it was Reyes and how to stop him or Michael and the angels will come to take him out.
As usual, this book is filled to the brim with Charley Davidson craziness. I absolutely love her but she is totally bonkers at times. She has an unusual way of thinking but it seems to always go her way anyway. It's ridiculous but so much of why I love this series. It is simply amazing. I can't recommend this series enough!
The books in this series are fairly short but the author manages to pack a lot into them. We had a murder investigation, a breaking and entering, some sexy times, a mob family, some creepy sounding wraiths and quite a lot more too. I can't go into too much detail as it will spoil it for everyone.
I do love the characters in this. Charley and Reyes have grown a lot over the last eleven books and I'm waiting with baited breath to start the last book to see where the series has been building up to after all this time. Off to start book 13!
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Cyn Armistead (14 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Gravel Heart
Book
Moving from revolutionary Zanzibar in the 1960s to restless London in the 1990s, Gravel Heart is a...
fiction
LoganCrews (2861 KP) rated The Conjuring (2013) in Movies
Oct 11, 2020
Have the exact same opinion from when I first saw it, it's fun and has its share of scary moments but holy hell is it also exhausting and conventional. Very handsomely made with a lot of visual personality (it's impossible for Wan to make a bad film simply because of how damn good they look) but otherwise short on nuance and running about fifteen minutes too lengthy. I mean this was practically made for normies to love but otherwise in terms of its acclaim even at the time, I don't really get it? I can't stress enough how much this did for modern horror as we know it and I of course applaud it for that, but I think most people were just shocked that a high-grossing studio horror movie could be shot and acted well back then imo. Putting aside the fact that they're real-life bullshit artists, the Warrens depicted here are just about as bland as can be - for me this whole affair just doesn't have the verve or the flavor of Wan's 𝘐𝘯𝘴𝘪𝘥𝘪𝘰𝘶𝘴. His playfulness and the entire cast's conviction help ultimately sell this for me even in spite of its austerity; the moments when this feels like a rustic haunted house joyride make it work but the rest it of mostly *strains* man come on this shit is so beyond familiar territory even by this point. Fine, but could have been better.
Mayfair Witches Collection
8.0
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An enchanting, hypnotic trilogy of witchcraft, adventure, and romance from the beloved author of...
The Family Plot
7.0
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From the author of The Winter Sister and Behind the Red Door, a family obsessed with true crime...