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Acanthea Grimscythe (300 KP) rated Kill Creek in Books
May 15, 2018
When I open up a book, I’ve come to expect one of two things: a slow simmer with no reward, or something brimming with action. Rarely do I find one the former of those two to be worth the time spent building up to the climax. Scott Thomas’s debut novel, Kill Creek, defies those odds with an amazing payoff to its agonizingly long crawl.
One of the things I liked early on about Kill Creek is its homage to several different types of horror authors. The main characters, T. C. Moore, Daniel Slaughter, Sebastian Cole, and Sam McGarver, all represent different corners of the genre – and vastly different personalities. It’s a welcome relief from books filled with the same drab, rehashed characters of different names. (Seriously, I’ve read books where the main characters were pretty much identical and it’s a bore!)
In Kill Creek, Thomas takes a rather unusual approach to the whole haunted house thing. Rather than having a locale of note infested with ghosts, he takes slightly different strides: i.e., he personifies the house itself – a welcome respite from your traditional ghost stories.
I think my biggest issue with this book is its pacing. Several times I nearly put it down and many other times, I fell asleep reading it. That’s not to say that Thomas’s prose is drab – it’s not. Nor is the book a snoozefest. However, the first 70% of the novel is largely exposition and minor build-up. It’s not until the final 30% of the novel that things start to get messy and fun. Fortunately, Thomas’s ability to terrify, though more saturated near the end of the book, can be tasted subtly in that first, drier bit of his prose. (I had nightmares, y’all. Seriously.)
Because of that awfully slow burn, I can’t give this book all five skulls. I want to, and the last bit of the book nearly redeemed it, but to have more than half the novel filled with something that drags on so horribly is a nope in my book. Nonetheless, I know this man can write and I gladly look forward to more of his books.
I’d like to thank NetGalley and the publisher for providing me with a free copy of the book in exchange for an unbiased (albeit horribly late) review.
One of the things I liked early on about Kill Creek is its homage to several different types of horror authors. The main characters, T. C. Moore, Daniel Slaughter, Sebastian Cole, and Sam McGarver, all represent different corners of the genre – and vastly different personalities. It’s a welcome relief from books filled with the same drab, rehashed characters of different names. (Seriously, I’ve read books where the main characters were pretty much identical and it’s a bore!)
In Kill Creek, Thomas takes a rather unusual approach to the whole haunted house thing. Rather than having a locale of note infested with ghosts, he takes slightly different strides: i.e., he personifies the house itself – a welcome respite from your traditional ghost stories.
I think my biggest issue with this book is its pacing. Several times I nearly put it down and many other times, I fell asleep reading it. That’s not to say that Thomas’s prose is drab – it’s not. Nor is the book a snoozefest. However, the first 70% of the novel is largely exposition and minor build-up. It’s not until the final 30% of the novel that things start to get messy and fun. Fortunately, Thomas’s ability to terrify, though more saturated near the end of the book, can be tasted subtly in that first, drier bit of his prose. (I had nightmares, y’all. Seriously.)
Because of that awfully slow burn, I can’t give this book all five skulls. I want to, and the last bit of the book nearly redeemed it, but to have more than half the novel filled with something that drags on so horribly is a nope in my book. Nonetheless, I know this man can write and I gladly look forward to more of his books.
I’d like to thank NetGalley and the publisher for providing me with a free copy of the book in exchange for an unbiased (albeit horribly late) review.
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Goddess in the Stacks (553 KP) rated Alice in Zombieland - White Rabbit Chronicles in Books
Feb 1, 2018
This was an interesting re-imagining of Alice in Wonderland. In Alice in Zombieland, Alice Bell's life has always been curtailed by her father's insistence that monsters exist. The family cannot leave the house after dark, she's been taught how to fight hand-to-hand and with a couple of weapons, and they never - NEVER - drive past the graveyard. All of this changes in one night - when Alice "falls down the rabbit hole" as it were - and discovers her father wasn't insane after all.
Now, living with her grandparents, haunted by visions of her little sister and glimpses of monsters in the dark, Alice - or Ali, as she insists on being called - finds herself being called on to fight the monsters alongside the roughest crowd in her high school. Falling in love with the leader of the bad boys doesn't help her social life, but might help her stay alive.
I enjoyed this book and will probably pick up the sequel, Through the Zombie Glass, if I can find it at the library. The writing flowed well most of the time, and while Alice began a little whiny, by the end of the book she was pretty bad ass. It felt.... a little more "young adult" than some young adult books I've read; the emotions seemed detached or damped down a bit. While she was dealing with grief over the loss of her family, and possible death at the hands of zombies, it just didn't feel as raw as I think those emotions should have felt. And the notion of a bunch of high school kids fighting zombies - with the support of adults, including the high school principal - was a little weird. Still an interesting book, and not a waste of time, but it felt a lot like "teenagers are special snowflakes!"
You can find all my reviews at http://goddessinthestacks.wordpress.com
Now, living with her grandparents, haunted by visions of her little sister and glimpses of monsters in the dark, Alice - or Ali, as she insists on being called - finds herself being called on to fight the monsters alongside the roughest crowd in her high school. Falling in love with the leader of the bad boys doesn't help her social life, but might help her stay alive.
I enjoyed this book and will probably pick up the sequel, Through the Zombie Glass, if I can find it at the library. The writing flowed well most of the time, and while Alice began a little whiny, by the end of the book she was pretty bad ass. It felt.... a little more "young adult" than some young adult books I've read; the emotions seemed detached or damped down a bit. While she was dealing with grief over the loss of her family, and possible death at the hands of zombies, it just didn't feel as raw as I think those emotions should have felt. And the notion of a bunch of high school kids fighting zombies - with the support of adults, including the high school principal - was a little weird. Still an interesting book, and not a waste of time, but it felt a lot like "teenagers are special snowflakes!"
You can find all my reviews at http://goddessinthestacks.wordpress.com
Steve Fearon (84 KP) rated Insidious: Chapter 2 (2013) in Movies
Sep 7, 2018
Some good tension ramping (1 more)
Jump Scares are on point
The 'Baddies' in this lack the pure sinister power of the demon from the first. (1 more)
Its a little 'straightforward haunted house movie' for my tastes
Decent Tension, but disappointingly predictable
Contains spoilers, click to show
Straight off the bat, if you liked the first Insidious, you will likely like the second.
Following straight on from the end of the first film, we are straight back with Wan's favourite boy Patrick Wilson and family, and the plot is a solid continuation of the themes explored in the first movie.
The camerawork in this movie, the framing of some of the shots etc is phenomenal and genuinely half of the tension of this film is generated by clever angles, and the lurching movement of the camera itself.
But where Insidious always began to struggle for me was in the mythos and the 'spirit realm' where it went a bit 'poltergeist' and took me out of the tension build in both films, though some of the ideas were interesting.
This film's antagonists never reach the same level of intimidation and fear as represented by the brilliant 'Darth Maul' Demon of the initial flick, but there are some interesting dynamics introduced using a serial killer and his relationship with his mother.
The biggest disappointment is probably just that Insidious 2 doesn't really ever expand on the first, leaving us with a nicely wrapped up story, but without really expanding our understanding or excitement for what a 3rd installment could offer.
That being said, it does enough right to make it an enjoyable watch, and the class of Wan and Whannell is evident throughout.
A polished, decent scare fest with plenty of strengths, but lacking in a truly memorable antagonist.
Following straight on from the end of the first film, we are straight back with Wan's favourite boy Patrick Wilson and family, and the plot is a solid continuation of the themes explored in the first movie.
The camerawork in this movie, the framing of some of the shots etc is phenomenal and genuinely half of the tension of this film is generated by clever angles, and the lurching movement of the camera itself.
But where Insidious always began to struggle for me was in the mythos and the 'spirit realm' where it went a bit 'poltergeist' and took me out of the tension build in both films, though some of the ideas were interesting.
This film's antagonists never reach the same level of intimidation and fear as represented by the brilliant 'Darth Maul' Demon of the initial flick, but there are some interesting dynamics introduced using a serial killer and his relationship with his mother.
The biggest disappointment is probably just that Insidious 2 doesn't really ever expand on the first, leaving us with a nicely wrapped up story, but without really expanding our understanding or excitement for what a 3rd installment could offer.
That being said, it does enough right to make it an enjoyable watch, and the class of Wan and Whannell is evident throughout.
A polished, decent scare fest with plenty of strengths, but lacking in a truly memorable antagonist.
Chris Sawin (602 KP) rated Friday the 13th Part V: A New Beginning (1985) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Tommy Jarvis has grown up, but killing a psychopath at twelve years old really takes a toll on your psyche. Tommy is enrolled in a mental institution in hopes of moving past the events in the last film. The same day he arrives, a fellow inmate is killed by somebody else enrolled in the institution and things only seem to get worse from there. Tommy is haunted by the image of Jason and sees him behind every corner, but when the inmates start disappearing Tommy realizes that his worst fear may have finally become a reality.
This might be my least favorite film in the franchise. I loathe the ending. I mean, they couldn't even get Jason Voorhees for a Friday the 13th film? Are you kidding me? That's beyond weak. Then, on top of all that, they make "Jason" be Roy the ambulance attendant. I'll admit that the "twist" is kind of interesting, but by the time that rolled around I had pretty much already lost interest. Let's pretend Jason was in the film and everything but the ending was the same. It'd still be pretty lame.
The kills are rather mediocre, at best. Ethel and Junior are two of the most annoying characters to ever be featured in a horror film. Both of them give Franklin from Texas Chainsaw Massacre a run for his money for most annoying douchebag in a horror film. Most of the kids in the halfway house are just a-holes and you can't wait for them to die. I can understand going in a new direction for the franchise and I admire the writers and director for having the balls to do something like that, but it wound up falling flat especially when it's sandwiched between two of the greatest films in the franchise.
This might be my least favorite film in the franchise. I loathe the ending. I mean, they couldn't even get Jason Voorhees for a Friday the 13th film? Are you kidding me? That's beyond weak. Then, on top of all that, they make "Jason" be Roy the ambulance attendant. I'll admit that the "twist" is kind of interesting, but by the time that rolled around I had pretty much already lost interest. Let's pretend Jason was in the film and everything but the ending was the same. It'd still be pretty lame.
The kills are rather mediocre, at best. Ethel and Junior are two of the most annoying characters to ever be featured in a horror film. Both of them give Franklin from Texas Chainsaw Massacre a run for his money for most annoying douchebag in a horror film. Most of the kids in the halfway house are just a-holes and you can't wait for them to die. I can understand going in a new direction for the franchise and I admire the writers and director for having the balls to do something like that, but it wound up falling flat especially when it's sandwiched between two of the greatest films in the franchise.
Gareth von Kallenbach (980 KP) rated Fun Size (2012) in Movies
Aug 7, 2019
While this may be your typical Nickelodeon movie, it will bring you back to those days when the Beasties reigned supreme and Elizabeth Shue was having her Adventures in Babysitting. Wren (Victoria Justice) is your typical, slightly geeky, fairly hot high school student who thinks that going out for Halloween dressed as a Supreme Court justice is cool. Her friend April (Jane Leavy) is more in tune with high school social status and wants them to go to the popular boy’s party. They are actually discussing how this will never happen; when he rolls up and invites them to come. He may even sing a song for Wren.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.
Wren is getting ready to leave for the party when her mother (Chelsey Handler) tells her she needs to take Albert trick-or-treating. Albert is almost your typical little brother; there is an opening montage of all the sweaters he has destroyed of Wren’s. The small catch: Albert doesn’t talk. Wren takes Albert out and he gets into your usual mischief, but it’s not until they get separated in a haunted house that things really start to go wrong.
Wren realizes she has lost Albert and must find him and various hijinks ensue as Albert is exposed to the adult world of Halloween. Wren and her friends are caught up in all sorts of trouble looking for Albert, including their Volvo having an intimate encounter with a giant mechanized chicken.
Appearances by Kerri Kenney and Ana Gasteyer as the “moms” as well as Johnny Knoxville as the guy everybody can’t stand round out the cast and add some more adult humor to the story. All in all a cute movie, Fun Size will be enjoyed most by the Nickelodeon set, but parents will laugh as well. I laughed throughout the whole thing.
London's Secrets: Bizarre & Curious
8.0
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Make Your Own Video Games!: With the Free Tools Twine, Puzzlescript, and Scratch
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Eleanor (1463 KP) rated The Whisper Man in Books
Jul 11, 2019
Spine chilling atmosphere set up (1 more)
Jake the cool if spooky kid
Not much mystery in the crime (1 more)
Poor police characters
If you leave a door half open, soon you'll hear the whispers spoken.......
This book got off to a great start with a really creepy feeling to it. A spooky kids rhyme will always get the chills going.
Jake and his father Tom are struggling with life after the death of Jake’s mum and a fresh start in a new house doesn't lead to the new start Tom hopes for when Jake continues to keep saying freaky stuff and knowing things he couldn’t possibly know. There is a very supernatural feel to the beginning of this book that is well done, and how that is wrapped up is also well dealt with.
However I felt the crime plot let this book down, the killer was obvious to me as soon as they were vaguely mentioned but the police detective Amanda Beck just seemed flat out incompetent. I nearly screamed out loud at her when she gave herself the proverbial pat on the back for a job well done. Staying up all night because a kid has gone missing does not in itself make you a good cop - doing some good old style investigating that actually gets results does.
I liked the complex relationship between Jake and Tom but a lot of the other characters left much to be desired for me. Reformed alcoholic cop Pete Willis; haunted by his past felt like a character I have read/ seen a hundred times before. And the reporter with morals seemed a stretch.
All in all I’d recommend coming to this book for the chills but don’t expect the crime mystery to knock your socks off.
Jake and his father Tom are struggling with life after the death of Jake’s mum and a fresh start in a new house doesn't lead to the new start Tom hopes for when Jake continues to keep saying freaky stuff and knowing things he couldn’t possibly know. There is a very supernatural feel to the beginning of this book that is well done, and how that is wrapped up is also well dealt with.
However I felt the crime plot let this book down, the killer was obvious to me as soon as they were vaguely mentioned but the police detective Amanda Beck just seemed flat out incompetent. I nearly screamed out loud at her when she gave herself the proverbial pat on the back for a job well done. Staying up all night because a kid has gone missing does not in itself make you a good cop - doing some good old style investigating that actually gets results does.
I liked the complex relationship between Jake and Tom but a lot of the other characters left much to be desired for me. Reformed alcoholic cop Pete Willis; haunted by his past felt like a character I have read/ seen a hundred times before. And the reporter with morals seemed a stretch.
All in all I’d recommend coming to this book for the chills but don’t expect the crime mystery to knock your socks off.