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Bob Mann (459 KP) rated Last Night in Soho (2021) in Movies
Nov 11, 2021
Edgar Wright’s Haunting Love Letter to the Swinging Sixties.
A young 21st-century teen walks in her nightclothes down a darkened alley emerging into a bustling 60’s Soho street across from a theatre showing “Thunderball”. She enters the Cafe de Paris with a reflection mimicking her actions but showing a very different girl. So it was that the trailer for Edgar Wright’s “Last Night in Soho” hit earlier this year.
The trailer grabbed me by the gut and firmly cemented it as a “must see” in my movie-watching schedule. Frustratingly, Covid got in my way. But now free of the wretched virus, this had just HAD be my first outing.
Plot Summary:
Eloise (Thomasin McKenzie) is a Cornish teen whose fashion and music tastes are firmly rooted in the ’60s. She is also blessed (or plagued) with having visions of people who’ve passed, including her dead mother.
Travelling to a London fashion school, Eloise is a lost soul in a raucous world. But at night, she is mystically transported back to the swinging 60’s into the body of aspiring singer Sandie (Anya Taylor-Joy). Sandie is under the thrall of ‘manager’ Jack (Matt Smith), and Eloise witnesses events that she needs to tell people about. But who would possibly believe such a tale?
Certification:
US: R. UK: 18.
Talent:
Starring: Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, Diana Rigg.
Directed by: Edgar Wright.
Written by: Krysty Wilson-Cairns (based on a story by Edgar Wright).
“Last Night in Soho” Review: Positives:
This is SUCH a tour de force of filmmaking. Honestly, there were moments in here, particularly in the first half of the movie, where I was beaming from ear to ear at the audacity of it all. That ‘time travel’ reveal is even better in ‘the flesh’ than it was in the trailer, enhanced by the vibrant cinematography of Chung-hoon Chung.
Thomasin McKensie again impressed me immensely. She was of course the ‘girl in the attic’ from “Jojo Rabbit” and the best thing in the lacklustre M. Night Shyamalan feature “Old“. Anya Taylor-Joy is as spectacular as you would expect and Matt Smith also delivers, although I wasn’t completely convinced by Smith’s cockney accent. And what a wonderful thing to watch veteran actors Terence Stamp and Diana RIgg strut their stuff on the big screen. (This was Rigg’s final screen performance, and the film is dedicated to her: “For Diana”. RIP Ms Rigg.)
The combination of ‘in camera’ and special effects here are gob-smackingly effective. Some of the ‘mirror’ effects involving Eloise, Sandie and Jack in the club are gleeful. And I’m not sure how they were all done. And a dance sequence where Eloise switches to Sandie and back again is just so clever.
The Production Design is just brilliant. It oozes a combination of 60’s style and sleaze. Surely an Oscar nomination is due here.
As with other Edgar Wright movies (like “Baby Driver“) the choice of music is superb. The score is by Oscar winning composer Steven Price, but you can be sure that Wright was heavily involved in the track selections. These prominently feature a Cilla Black track – heralded by 15 string beats of total perfection – that is in my top 5 songs from the 60’s. And Anya Taylor-Joy’s haunting version of “Downtown” is just superb.
Acting Royalty…. Diana Rigg in her last role, and….
Negatives:
The second half of the film just doesn’t *quite* live up to the promise of the first half (which was running as a clear 5*s).
While the inevitable twist in the tale is clever (and unexpected), I thought it was rather clumsily introduced. (I can’t go into details without introducing spoilers, but an envelope is involved). Something more subliminal would have been my preference; something that you would have had to watch the film again to catch.
A stunning starring role for Thomasin McKenzie. Just wonderful.
Summary Thoughts on “Last Night in Soho”
I loved this one. It lived up to my expectations, and came close to “classic status”. I need to give this careful consideration as to where this sits in my “Top 10 Films of the Year”, but it is undoubtedly up there in the list.
Highly recommended, if you are content to stomach some violent (and quite disturbing) horror imagery.
The trailer grabbed me by the gut and firmly cemented it as a “must see” in my movie-watching schedule. Frustratingly, Covid got in my way. But now free of the wretched virus, this had just HAD be my first outing.
Plot Summary:
Eloise (Thomasin McKenzie) is a Cornish teen whose fashion and music tastes are firmly rooted in the ’60s. She is also blessed (or plagued) with having visions of people who’ve passed, including her dead mother.
Travelling to a London fashion school, Eloise is a lost soul in a raucous world. But at night, she is mystically transported back to the swinging 60’s into the body of aspiring singer Sandie (Anya Taylor-Joy). Sandie is under the thrall of ‘manager’ Jack (Matt Smith), and Eloise witnesses events that she needs to tell people about. But who would possibly believe such a tale?
Certification:
US: R. UK: 18.
Talent:
Starring: Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, Diana Rigg.
Directed by: Edgar Wright.
Written by: Krysty Wilson-Cairns (based on a story by Edgar Wright).
“Last Night in Soho” Review: Positives:
This is SUCH a tour de force of filmmaking. Honestly, there were moments in here, particularly in the first half of the movie, where I was beaming from ear to ear at the audacity of it all. That ‘time travel’ reveal is even better in ‘the flesh’ than it was in the trailer, enhanced by the vibrant cinematography of Chung-hoon Chung.
Thomasin McKensie again impressed me immensely. She was of course the ‘girl in the attic’ from “Jojo Rabbit” and the best thing in the lacklustre M. Night Shyamalan feature “Old“. Anya Taylor-Joy is as spectacular as you would expect and Matt Smith also delivers, although I wasn’t completely convinced by Smith’s cockney accent. And what a wonderful thing to watch veteran actors Terence Stamp and Diana RIgg strut their stuff on the big screen. (This was Rigg’s final screen performance, and the film is dedicated to her: “For Diana”. RIP Ms Rigg.)
The combination of ‘in camera’ and special effects here are gob-smackingly effective. Some of the ‘mirror’ effects involving Eloise, Sandie and Jack in the club are gleeful. And I’m not sure how they were all done. And a dance sequence where Eloise switches to Sandie and back again is just so clever.
The Production Design is just brilliant. It oozes a combination of 60’s style and sleaze. Surely an Oscar nomination is due here.
As with other Edgar Wright movies (like “Baby Driver“) the choice of music is superb. The score is by Oscar winning composer Steven Price, but you can be sure that Wright was heavily involved in the track selections. These prominently feature a Cilla Black track – heralded by 15 string beats of total perfection – that is in my top 5 songs from the 60’s. And Anya Taylor-Joy’s haunting version of “Downtown” is just superb.
Acting Royalty…. Diana Rigg in her last role, and….
Negatives:
The second half of the film just doesn’t *quite* live up to the promise of the first half (which was running as a clear 5*s).
While the inevitable twist in the tale is clever (and unexpected), I thought it was rather clumsily introduced. (I can’t go into details without introducing spoilers, but an envelope is involved). Something more subliminal would have been my preference; something that you would have had to watch the film again to catch.
A stunning starring role for Thomasin McKenzie. Just wonderful.
Summary Thoughts on “Last Night in Soho”
I loved this one. It lived up to my expectations, and came close to “classic status”. I need to give this careful consideration as to where this sits in my “Top 10 Films of the Year”, but it is undoubtedly up there in the list.
Highly recommended, if you are content to stomach some violent (and quite disturbing) horror imagery.
Ross (3284 KP) rated Insidious: Chapter 3 (2015) in Movies
Dec 4, 2017
No attempt to explain the background of ... anyone really (1 more)
No Rose Byrne
"Chapter 3" is a prequel to the first 2 Insidious films and follows a young girl, Quinn attempting to contact her dead mother, who eventually calls in the help of Elise Rainier (a former psychic who since her husband passed away has become a weird cat lady, played by the weird dog lady from There's Something About Mary), a key character of the first 2 films.
Quinn thinks her mother is attempting to respond to her and wants help breaking through, but after she is hit by a car, breaking both legs, she starts to realise it isn't her mother trying to contact her.
The demon in the film clearly has a backstory (tar footprints, breathing apparatus in his mouth, hospital gown) but there is no attempt to explain this at all. One of the best bits of the second film was the exposition of the demon haunting Josh his whole life and what he had been in life. That is completely absent here. Fan theories abound on the internet but these all seem like nonsense and clutching at straws.
This in itself is a half-decent horror film, there is enough atmosphere and the acting is (in places) decent, but for me was quite a disappointment based on the first film (and to a lesser extent the second chapter). It just be me being grumpy having paid for this film (despite having Sky Cinema, Netflix and Amazon Prime) and didn't feel like I got my £3.49 worth, but I felt a little disappointed at the end.
There was an annoying little teaser at the end of the film where the main demon from the first film appears. This was a bit "Prometheus" as it kind of felt like a prequel but didn't really make sense, and Elise seeing this demon should have meant she was expecting it in the first movie, which didn't quite sit right.
There was a similar teaser at the end of the second film which bore no relation to this film, so plenty of pressure on 2018's conclusion to tie up the loose ends!
Quinn thinks her mother is attempting to respond to her and wants help breaking through, but after she is hit by a car, breaking both legs, she starts to realise it isn't her mother trying to contact her.
The demon in the film clearly has a backstory (tar footprints, breathing apparatus in his mouth, hospital gown) but there is no attempt to explain this at all. One of the best bits of the second film was the exposition of the demon haunting Josh his whole life and what he had been in life. That is completely absent here. Fan theories abound on the internet but these all seem like nonsense and clutching at straws.
This in itself is a half-decent horror film, there is enough atmosphere and the acting is (in places) decent, but for me was quite a disappointment based on the first film (and to a lesser extent the second chapter). It just be me being grumpy having paid for this film (despite having Sky Cinema, Netflix and Amazon Prime) and didn't feel like I got my £3.49 worth, but I felt a little disappointed at the end.
There was an annoying little teaser at the end of the film where the main demon from the first film appears. This was a bit "Prometheus" as it kind of felt like a prequel but didn't really make sense, and Elise seeing this demon should have meant she was expecting it in the first movie, which didn't quite sit right.
There was a similar teaser at the end of the second film which bore no relation to this film, so plenty of pressure on 2018's conclusion to tie up the loose ends!
Haley Mathiot (9 KP) rated The Ice Twins in Books
Apr 27, 2018
This was literally the most depressing book I’ve ever read. Like, literally. The writing was lyrical and descriptive (almost too much so), and it was hard to listen to because of the emotional devastation of the characters. It was a rollercoaster because out of the three main characters (daughter, husband, wife) you loved all of them, you hated all of them, but you weren’t sure which one was the bad guy (and there was definitely a bad guy). And then once you figured out which one you hated the most, it would switch on you. Suffice to say, this made it an emotional trip.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
Acanthea Grimscythe (300 KP) rated Insidious: Chapter 2 (2013) in Movies
May 12, 2018
For every bit that I enjoyed Insidious, Insidious: Chapter 2 is a complete snoozefest. Harsh, I know, but the sequel takes a path that’s far too common, and does it dreadfully so. It’s redeeming quality comes in the way it weaves into past events, hinting at time running in a completely different way in the Further. It’s an interesting notion, but can it really be called a haunting with what we learn?
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
Debbiereadsbook (1166 KP) rated The Supers )The Supers #1, Dreamspun Beyond #6) in Books
May 14, 2018
GREAT book, good narration
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Flynn joins Blaine's paranormal research group, and they visit an abandoned hospital. Things get real creepy and the guys are faced with a possession, a haunting a tragic love story and a twist I did not see coming!
Another one of those books that kinda creeps up on ya and you have no idea, not a single clue about how its all gonna go down!
While there is immediate attraction between Blaine and Flynn, it takes a while for them to act on it.
The story of Room 204 builds at an even pace and there were points where I had to rewind, and double check that Blaine had in fact, called Flynn David. The story of Room 204 (that's how I heard it, with a capital R, if that makes sense!) did not play out how I was expecting it to!
It's a little . . . fluffier. . . than other books I've read of Michael (Three Wishes) but it is a DreamSpun Beyond and they are generally so. Just enough heat and passion between Blaine and Flynn to keep the heat level high, but not scorching. Right for this book.
Kenneth Obi narrates.
Mostly, I enjoyed Obi's narration. His reading voice is clear and deep and he got over the emotions of Blaine and Flynn in all the right ways, in all the right places.
His voice for the 204 ghost comes across as really REALLY nasty in some places, though, and that is probably why I did not see that ending coming at me.I thought the ghost was going to be a bit more vengeful.
And the voices Obi gives to Blaine and Flynn are far too similar for my crappy hearing to make out the difference between them, so I struggled a bit keeping up with conversations between them
BUT!!! I will give Obi another go, as this is the first of his work I listened to.
5 stars for the book
4 stars for the narration
4.5 (rounded down to 4) overall
**same worded review will appear elsewhere**
Flynn joins Blaine's paranormal research group, and they visit an abandoned hospital. Things get real creepy and the guys are faced with a possession, a haunting a tragic love story and a twist I did not see coming!
Another one of those books that kinda creeps up on ya and you have no idea, not a single clue about how its all gonna go down!
While there is immediate attraction between Blaine and Flynn, it takes a while for them to act on it.
The story of Room 204 builds at an even pace and there were points where I had to rewind, and double check that Blaine had in fact, called Flynn David. The story of Room 204 (that's how I heard it, with a capital R, if that makes sense!) did not play out how I was expecting it to!
It's a little . . . fluffier. . . than other books I've read of Michael (Three Wishes) but it is a DreamSpun Beyond and they are generally so. Just enough heat and passion between Blaine and Flynn to keep the heat level high, but not scorching. Right for this book.
Kenneth Obi narrates.
Mostly, I enjoyed Obi's narration. His reading voice is clear and deep and he got over the emotions of Blaine and Flynn in all the right ways, in all the right places.
His voice for the 204 ghost comes across as really REALLY nasty in some places, though, and that is probably why I did not see that ending coming at me.I thought the ghost was going to be a bit more vengeful.
And the voices Obi gives to Blaine and Flynn are far too similar for my crappy hearing to make out the difference between them, so I struggled a bit keeping up with conversations between them
BUT!!! I will give Obi another go, as this is the first of his work I listened to.
5 stars for the book
4 stars for the narration
4.5 (rounded down to 4) overall
**same worded review will appear elsewhere**
Andrew Leatherbarrow’s Chernobyl 01:23:40: The Incredible True Story of the World’s Worst Nuclear Disaster is an excellent starting point for readers new to the history of nuclear power. When I’m at home, I am just barely outside the fallout range for Arkansas Nuclear One (ANO). While I’m at work, I’m in the reactor’s back yard. As a result, I figured there was no better time to learn a thing or two about nuclear energy. I was not disappointed.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Chernobyl 01:23:40 is the product of a spontaneous trip Leatherbarrow took to visit the Chernobyl Exclusion Zone and Pripyat. In this book, he details his experience in Chernobyl, explains nuclear energy in easy to grasp terms, and discusses the incidents leading up to and after the disaster. For those that know little to nothing about nuclear energy, this book is a must-read.
Despite our close proximity to ANO, I cannot recall learning about nuclear energy. As children, our teachers explained what to do in case of an incident at the plant and nothing else. As expected, due to lack of education about reactors and their failsafes, I grew up with an unnecessary fear of ANO. For this reason, I am grateful for Leatherbarrow’s book. What happened at Chernobyl is the product of failure to follow protocol; it is also the result of improper training. Because there are so many safety precautions, the chance of incident is actually fairly small. (Also, ANO is not an RBMK-1000 reactor like Chernobyl.)
In addition to this fear, I have a vested interest in Chernobyl. It’s haunting photos, like all ghost towns, leave me in awe. There is no doubt in my mind that Leatherbarrow spent a long time conducting research. Using various sources, he has crafted a detailed narrative of what happened at Chernobyl. His book also gives voice to some of the reactor’s victims.
Nuclear energy is dangerous. I will not deny that. However, it is also our cleanest resource. While Chernobyl 01:23:40 is only a glimpse into the world of nuclear power, it is a truly eye-opening account brimming with facts.
Kristy H (1252 KP) rated Cruel Beautiful World in Books
Feb 13, 2018
As young girls, Lucy and Caroline come into the care of the older Iris. The girls' parents had died, and they wind up living with Iris, who becomes a sort of adopted mother to the two sisters. Both Lucy and Charlotte are extremely close until high school, when they find themselves drifting apart. Studious Charlotte is focused on getting into college, where she hopes to study to become a vet. Lucy, however, can never quite seem to live up to her sister's academic shadow. That is until she meets a vibrant teacher, William, at her high school. Lucy falls fast for her older English teacher and suddenly finds herself running away to a remote area of Pennsylvania to start over with her new love. Iris and Charlotte, however, are devastated, and cannot give up their search for Lucy. Even worse, Lucy's life of promise and happiness with William may be falling short.
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
This book is not what I expected, but it was a wonderful (although sometimes haunting) tale. Leavitt creates nuanced, well-developed characters who jump off the page. The book has a poignant sadness that stays with you, even after you've turned the last page. Somehow, I inadvertently read this one directly after [b:The Girls|26893819|The Girls|Emma Cline|https://d2arxad8u2l0g7.cloudfront.net/books/1464528839s/26893819.jpg|42856015], with each tale being set in a similar timeframe, with mentions and allusions to the Manson murders, free love, etc. I actually preferred this novel and its intricate plot and characters, to whom I found myself growing quite attached. The story unfolds from the point of view of Lucy, Charlotte, and Iris, which allows us to get to know each of them. Each is different and beautiful in their own way.
Overall, I loved most of this book. It slowed for me about 3/4 through, but recovered by the end. Some of the characters' actions are frustrating, but it does not take away from its almost poetic nature. Definitely recommend.
I received a copy of this novel from the publisher and LibraryThing (thank you!).
Dana (24 KP) rated The Accident Season in Books
Mar 23, 2018
This book is truly haunting. It's creepy, but not in a gross way, that makes you feel anxious throughout the story.
It was a very quick read, but it didn't feel rushed at all. Even with the fast paced movement of the story, nothing was really left out of the story.
The characters were so strange in their own ways. I loved the interconnections between them all and how they were able to play off each other throughout. I felt really connected to them, even though I have nothing really in common with them at all. The relationships were also very complex without being too confusing.
The settings were very well described as well. I loved the Ghost House and I wish I could go and visit it.
Everything was also so subtle in the book!! There were hints about what was happening in the second plot hidden under the more obvious plot that you can pick out if you are looking for it. That being said, the means behind the ends were all earned and did not feel like they were just there to shock and surprise the audience.
I do, however, wish there was more interaction with the mom and her reasons for believing so much in the Accident Season. This could have been expanded on so much, but it wasn't. (At least not in the edition I read which was an ARC, so there could have been more in the finished copy.) I wanted to know more of a backstory with the beginnings of the Accident Season and how it only affects the family and no one else. And I wanted to see more connections and hints to the past throughout as well.
Everything had a very magical quality to it that I really enjoyed!
*****MINOR SPOILERS AHEAD, YOU HAVE BEEN WARNED!!!*****
My favorite scene was at the party at the Ghost House when Cara gets drunk. I loved how the writing style mirrored her intoxication so everything got jumbled and distorted. I thought that was a brilliant writing device and I may use it in my own stuff if I ever write it.
Overall, I really enjoyed this book and highly recommend it!!
It was a very quick read, but it didn't feel rushed at all. Even with the fast paced movement of the story, nothing was really left out of the story.
The characters were so strange in their own ways. I loved the interconnections between them all and how they were able to play off each other throughout. I felt really connected to them, even though I have nothing really in common with them at all. The relationships were also very complex without being too confusing.
The settings were very well described as well. I loved the Ghost House and I wish I could go and visit it.
Everything was also so subtle in the book!! There were hints about what was happening in the second plot hidden under the more obvious plot that you can pick out if you are looking for it. That being said, the means behind the ends were all earned and did not feel like they were just there to shock and surprise the audience.
I do, however, wish there was more interaction with the mom and her reasons for believing so much in the Accident Season. This could have been expanded on so much, but it wasn't. (At least not in the edition I read which was an ARC, so there could have been more in the finished copy.) I wanted to know more of a backstory with the beginnings of the Accident Season and how it only affects the family and no one else. And I wanted to see more connections and hints to the past throughout as well.
Everything had a very magical quality to it that I really enjoyed!
*****MINOR SPOILERS AHEAD, YOU HAVE BEEN WARNED!!!*****
My favorite scene was at the party at the Ghost House when Cara gets drunk. I loved how the writing style mirrored her intoxication so everything got jumbled and distorted. I thought that was a brilliant writing device and I may use it in my own stuff if I ever write it.
Overall, I really enjoyed this book and highly recommend it!!
Dana (24 KP) rated Beware the Wild (Beware the Wild, #1) in Books
Mar 23, 2018
Beware the Wild is a beautifully crafted novel that takes the Magical Realism realm to a new height. I loved how inhabited the world of this book is.
Not only does the swamp become a character in and of itself, it also sets the tone to the creepy and haunting vibe Parker is striving for.
I think what I like most about it is how the magic is wholly ingrained into this society by their obstinate to acknowledge that it is real. Each time it is brought up, especially to people who are able to understand the consequences of what is going on, there is such a fear about the truth that they refuse to talk about it. There's also the fact that, while they know there is something bad and probably magic about this swamp, these people do not know exactly what that magical thing is. SO instead of dealing with it, they build a fence and hope for the best.
The magic itself was something that is both beautiful and corrupting which was very intriguing and well thought out. Props to you, Ms Parker.
The characters in this book were all well drawn out. I was hoping for more of a backstory of what happened to the twins in the swamp to make them how they are. Yes, we do get a small amount of the reason, but I wished it was fleshed out a bit more.
Sterling and her brother had an odd dynamic, but it was a good one. I wish we would get more into Sterling and her motivations to why she makes certain choices, but she is still a strong character.
And Heath. Poor guy just wants to be able to live a little, right? Nope. He is my tragic hero in this book and I hope we get to see more of him in Behold the Bones because I loved him in this one.
I have been wanting to read this book for so long and I am so pleased with it! I was lucky enough to be able to meet the author at Yallwest this year and she was so incredibly sweet.
I am so excited to read the next book! I can't wait to get it!
Not only does the swamp become a character in and of itself, it also sets the tone to the creepy and haunting vibe Parker is striving for.
I think what I like most about it is how the magic is wholly ingrained into this society by their obstinate to acknowledge that it is real. Each time it is brought up, especially to people who are able to understand the consequences of what is going on, there is such a fear about the truth that they refuse to talk about it. There's also the fact that, while they know there is something bad and probably magic about this swamp, these people do not know exactly what that magical thing is. SO instead of dealing with it, they build a fence and hope for the best.
The magic itself was something that is both beautiful and corrupting which was very intriguing and well thought out. Props to you, Ms Parker.
The characters in this book were all well drawn out. I was hoping for more of a backstory of what happened to the twins in the swamp to make them how they are. Yes, we do get a small amount of the reason, but I wished it was fleshed out a bit more.
Sterling and her brother had an odd dynamic, but it was a good one. I wish we would get more into Sterling and her motivations to why she makes certain choices, but she is still a strong character.
And Heath. Poor guy just wants to be able to live a little, right? Nope. He is my tragic hero in this book and I hope we get to see more of him in Behold the Bones because I loved him in this one.
I have been wanting to read this book for so long and I am so pleased with it! I was lucky enough to be able to meet the author at Yallwest this year and she was so incredibly sweet.
I am so excited to read the next book! I can't wait to get it!
LeftSideCut (3778 KP) rated Aquaman (2018) in Movies
Jul 16, 2019 (Updated Sep 1, 2019)
An average DC entry saved by its own absurdity
I found that Aquaman is a movie of three distinct parts.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.
It actually starts off pretty strongly, as we're introduced to all the players involved, and all of the important locations.
Jason Mamoa is a very likeable guy, but it takes a while to warm to his gym bro approach Arthur Curry, but he managed to win me over eventually, the charming hairy bastard.
Patrick Wilson is pretty good as Ocean Master, and it's nice to see veterans like Willem Defoe and Nicole Kidman (who gets an early and very brief action scene which I reckon trumps anything in Batman vs Superman).
The story set up is all fine and straightforward, and some of the visuals are pretty impressive, especially sweeping shots of Atlantis.
When the story heads back to land at the mid point is where the films takes a bit of a nosedive.
It all just becomes a bit...boring.
It also falls into the weird "play-a-cool-song-at-random-intervals" trap that Suicide Squad enjoyed flogging to death. (Whoever decided to put that God awful hip hop cover of Africa in the mix deserves a slap)
I also feel that Black Manta was sort of wasted here. He's sidelined to make room for other story lines, which I guess is fine if he's being set up for a bigger role in future installments, but here he just feels kind of tacked on.
The last act of the film is a CGI orgy, but it stands apart from a lot of films in the genre, as it's actually colourful! The sheer scope of the last battle is absolutely absurd, so absurd that it kind of works.
The CGI in question is pretty hit and miss throughout the film - sometimes it looks horrific (young Willem Defoe is haunting) and other times, it's pretty flawless, making for some pretty good action shots.
Overall, for me, the DCEU is still struggling to leave it's mark, but Aquaman and this years Shazam seem like a small step in the right direction.