Search
Search results
ClareR (5674 KP) rated The Prophets in Books
Jan 5, 2021
I’ve agonised over writing something about this. How can whatever I write possibly do this book any justice? It’s beautiful, it’s haunting and it’s terrible. I don’t mean that it’s bad-terrible. I mean that it’s a book that I wish never had to be written. What is terrible, is mans inhumanity to man.
The story centres around the slaves on the Elizabeth Plantation (also known as ‘Empty’ to the slaves), and in particular, Samuel and Isaiah. They are betrayed by the other slaves, as if by revealing their love, it will make their lives safer. Of course this is not the case, as we see when we read the chapters centred around some of the other slaves. We learn about the inhumane treatment of the slaves by their immoral white owners (or toubabs, as they are called by their black slaves). I felt that the white people in this book had a mad, mentally unhinged quality about them: after all, how else could you reconcile treating human beings worse than animals?
I found the chapters written from the African people’s perspective, as they were free then captured and imprisoned, so interesting. It made them even more real to me. These were real people (as opposed to the animals that they were seen as by the slavers) with families, traditions, lives, loves and beliefs. The scenes on board the slave ships were harrowing.
It has taken me over a week to tackle this review. This book really affected me deeply, and there were many times that I had to put the book down and walk away. Then, I would feel guilty that I had the luxury of doing just that, unlike the slaves who lived every moment of their lives as some white mans possession to do with as he saw fit.
I can’t believe that this is a debut novel. The writing is beautiful, even in the most horrific moments. The magical elements add a suggestion of hope and the indomitable spirit of these people. And the ending is just perfection. I’m sure that this book will win awards - it SHOULD win - and I’m glad that I’ve had the opportunity to read it.
Many thanks to the publisher for granting me access to this book via NetGalley. It has been a privilege to read it.
The story centres around the slaves on the Elizabeth Plantation (also known as ‘Empty’ to the slaves), and in particular, Samuel and Isaiah. They are betrayed by the other slaves, as if by revealing their love, it will make their lives safer. Of course this is not the case, as we see when we read the chapters centred around some of the other slaves. We learn about the inhumane treatment of the slaves by their immoral white owners (or toubabs, as they are called by their black slaves). I felt that the white people in this book had a mad, mentally unhinged quality about them: after all, how else could you reconcile treating human beings worse than animals?
I found the chapters written from the African people’s perspective, as they were free then captured and imprisoned, so interesting. It made them even more real to me. These were real people (as opposed to the animals that they were seen as by the slavers) with families, traditions, lives, loves and beliefs. The scenes on board the slave ships were harrowing.
It has taken me over a week to tackle this review. This book really affected me deeply, and there were many times that I had to put the book down and walk away. Then, I would feel guilty that I had the luxury of doing just that, unlike the slaves who lived every moment of their lives as some white mans possession to do with as he saw fit.
I can’t believe that this is a debut novel. The writing is beautiful, even in the most horrific moments. The magical elements add a suggestion of hope and the indomitable spirit of these people. And the ending is just perfection. I’m sure that this book will win awards - it SHOULD win - and I’m glad that I’ve had the opportunity to read it.
Many thanks to the publisher for granting me access to this book via NetGalley. It has been a privilege to read it.
Ronyell (38 KP) rated MirrorMask (2005) in Movies
Aug 4, 2020
The Mirror World of Weirdness
Now, I will admit that even though I have read many of Neil Gaiman's works, I had never heard of this movie before, until just recently and I must admit that I really enjoyed this movie a lot! What was the most interesting thing to me about this movie was that the drawings that Helena had drawn throughout the film was none other than Dave McKean's drawings, who was well known for doing a lot of the artwork for Neil Gaiman's books! I loved the way that the drawings provided a haunting and surreal atmosphere for the film as I found myself either being memorized by the imagery (the scenes with the City of Lights were beautiful) or being frightened by the imagery (the scenes with the sphinx cats really creep me out). I also loved the fact that this film is somewhat of a spiritual successor to "Labyrinth," another film from the Jim Henson Company, as both films dealt with the main character having problems with their families and once they enter another world, they have to save the people who resemble their family members from whatever dark force happens to come upon them. The actors and the actresses in this film were fantastic, with my favorite character being Valentine as he was played wonderfully by Jason Barry and he really brought so much humor to the film. I also loved Stephanie Leonidas' portrayal of Helena as she is shown to be a spunky girl who doesn't seem to be afraid of the frightening world she ends up in and it really makes me get into her character.
The only problem that I had with this film was that the story tend to get a little confusing at times to the point where I don't exactly know what is quite going on with the characters. Like for instance, the movie didn't really explain about what kind of condition Helena's mother had that caused her to go to the hospital in the first place and even though it wouldn't be a major part of the film, I still would like to know what kind of disease Helena's mother had that would be so dangerous to her health.
Overall, "Mirrormask" is a fantastic and surreal film that anyone who is a huge fan of Neil Gaiman's works or surreal movies in general will definitely enjoy for many years to come!
The only problem that I had with this film was that the story tend to get a little confusing at times to the point where I don't exactly know what is quite going on with the characters. Like for instance, the movie didn't really explain about what kind of condition Helena's mother had that caused her to go to the hospital in the first place and even though it wouldn't be a major part of the film, I still would like to know what kind of disease Helena's mother had that would be so dangerous to her health.
Overall, "Mirrormask" is a fantastic and surreal film that anyone who is a huge fan of Neil Gaiman's works or surreal movies in general will definitely enjoy for many years to come!
BankofMarquis (1832 KP) rated The Graduate (1967) in Movies
Jun 16, 2019
Career Defining Turn by Bancroft
On the surface, THE GRADUATE is a story of a young college graduate who has an affair with an older woman. But look beneath the surface and this film becomes much, much more.
Directed by Mike Nichols, THE GRADUATE tells the tale of Benjamin Braddock a recent College Graduate who returns home to figure out what to do with his life. He enters the film in a malaise and is paralyzed into inaction by no clear direction to his life. Taking advantage of this young man's vulnerability, family friend, Mrs. Robinson, seduces Benjamin but Benjamin realizes that he is in love with Mrs. Robinson's daughter, Elaine.
Sounds pretty straight forward, right? But under the smart, understated Direction of Mike Nichols (who won an Oscar for his work), this film becomes much, much more - subverting the notion of love and lust while driving a narrative that shines a light on the generational gap between parents and adult children in a time of great change in America - oh...and doing it in a subtly comedic way (the screenplay was wonderfully written by the great Buck Henry who makes a cameo in this film as a Hotel clerk).
Nichols, smartly, casts then relative unknown Dustin Hoffman as Benjamin because he was able to play the comedy of the awkwardness of the character (especially early on in the seduction/sex scenes with Mrs. Robinson) as well as showing emotion in emotionlessness. His Benjamin is empty - but not lacking of personality or interest - a tough tightrope to walk, but Hoffman plays it well and earned an Academy Award nomination for his work. His character does become...if I'm being honest...less interesting and more "stalker-ish" (certainly from a 21st Century perspective) as he pursues Elaine in the 2nd half of the film, so this diminishes this performance just a bit.
Also earning an Academy Award nomination is Anne Bancroft who dons a career-defining role as Mrs. Robinson. She was having trouble with the part until Director Nichols reminded her that Mrs. Robinson is seducing Benjamin not out of love or lust, but out of anger at the direction her life has drifted. We find out that Mrs. Robinson was an Art Major in College but gave up anything resembling a career when she got pregnant shortly before marrying Mr. Robinson. You can see the seething anger and resentment in the way Bancroft performs this character, with just a tinge of regret. This is a woman trying to take some control over her life - by controlling her relationship with Benjamin. And, when Benjamin decides it is time to take control of his own life, she resents it and digs her claws in deeper. It is a tour-de-force performance, one of the all-time great female performances in film.
The third side to this triangle is Elaine Robinson and as written - and portrayed by Katherine Ross - this is the most problematic of the characters. Elaine appears to be a well adjusted young woman finishing off her college career and is forced into a "date" with Benjamin at the insistence of Benjamin's parents and Elaine's father (Elaine's mother - Mrs. Robinson - is, understandably, silent on this). There is a good scene in the middle of the film where Benjamin and Elaine make a connection (which spurs Benjamin into his obsession with Elaine) but I couldn't really see what was in it for Elaine. Sure, there is the "break away from the carefully crafted life that my parents have set up for me" angle (and, surely, her desire to NOT marry the pre-Med student that she is engaged to lines right up with that) but I just didn't understand/buy her infatuation with Benjamin. Despite this, Ross earned the 3rd acting Nomination from this film.
Credit all 3 of these performances to Director Nichols who finds the right balance in every scene along with an interesting visual style that punctuates the loneliness and isolation that Benjamin is feeling. Add to that the haunting songs/sounds of the Simon and Garfunkel soundtrack - just about the only music in this film - and you have a funny, haunting and important film that is an interesting look at a time in America (the late '60's) where great change was happening and the "Generation Gap" was never more noticeable.
One last note - I LOVED the closing shot of this film. Nichols let the camera roll just a little longer than the actors expected and the look on their faces change, subtly, from surety of their decision and direction to a more "unsure" look. It is a perfect, ambiguous, way to end and I applaud Nichols for making this strong choice.
Come for the seduction, stay for the subtle humor and to watch a Director at the top of his game.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Directed by Mike Nichols, THE GRADUATE tells the tale of Benjamin Braddock a recent College Graduate who returns home to figure out what to do with his life. He enters the film in a malaise and is paralyzed into inaction by no clear direction to his life. Taking advantage of this young man's vulnerability, family friend, Mrs. Robinson, seduces Benjamin but Benjamin realizes that he is in love with Mrs. Robinson's daughter, Elaine.
Sounds pretty straight forward, right? But under the smart, understated Direction of Mike Nichols (who won an Oscar for his work), this film becomes much, much more - subverting the notion of love and lust while driving a narrative that shines a light on the generational gap between parents and adult children in a time of great change in America - oh...and doing it in a subtly comedic way (the screenplay was wonderfully written by the great Buck Henry who makes a cameo in this film as a Hotel clerk).
Nichols, smartly, casts then relative unknown Dustin Hoffman as Benjamin because he was able to play the comedy of the awkwardness of the character (especially early on in the seduction/sex scenes with Mrs. Robinson) as well as showing emotion in emotionlessness. His Benjamin is empty - but not lacking of personality or interest - a tough tightrope to walk, but Hoffman plays it well and earned an Academy Award nomination for his work. His character does become...if I'm being honest...less interesting and more "stalker-ish" (certainly from a 21st Century perspective) as he pursues Elaine in the 2nd half of the film, so this diminishes this performance just a bit.
Also earning an Academy Award nomination is Anne Bancroft who dons a career-defining role as Mrs. Robinson. She was having trouble with the part until Director Nichols reminded her that Mrs. Robinson is seducing Benjamin not out of love or lust, but out of anger at the direction her life has drifted. We find out that Mrs. Robinson was an Art Major in College but gave up anything resembling a career when she got pregnant shortly before marrying Mr. Robinson. You can see the seething anger and resentment in the way Bancroft performs this character, with just a tinge of regret. This is a woman trying to take some control over her life - by controlling her relationship with Benjamin. And, when Benjamin decides it is time to take control of his own life, she resents it and digs her claws in deeper. It is a tour-de-force performance, one of the all-time great female performances in film.
The third side to this triangle is Elaine Robinson and as written - and portrayed by Katherine Ross - this is the most problematic of the characters. Elaine appears to be a well adjusted young woman finishing off her college career and is forced into a "date" with Benjamin at the insistence of Benjamin's parents and Elaine's father (Elaine's mother - Mrs. Robinson - is, understandably, silent on this). There is a good scene in the middle of the film where Benjamin and Elaine make a connection (which spurs Benjamin into his obsession with Elaine) but I couldn't really see what was in it for Elaine. Sure, there is the "break away from the carefully crafted life that my parents have set up for me" angle (and, surely, her desire to NOT marry the pre-Med student that she is engaged to lines right up with that) but I just didn't understand/buy her infatuation with Benjamin. Despite this, Ross earned the 3rd acting Nomination from this film.
Credit all 3 of these performances to Director Nichols who finds the right balance in every scene along with an interesting visual style that punctuates the loneliness and isolation that Benjamin is feeling. Add to that the haunting songs/sounds of the Simon and Garfunkel soundtrack - just about the only music in this film - and you have a funny, haunting and important film that is an interesting look at a time in America (the late '60's) where great change was happening and the "Generation Gap" was never more noticeable.
One last note - I LOVED the closing shot of this film. Nichols let the camera roll just a little longer than the actors expected and the look on their faces change, subtly, from surety of their decision and direction to a more "unsure" look. It is a perfect, ambiguous, way to end and I applaud Nichols for making this strong choice.
Come for the seduction, stay for the subtle humor and to watch a Director at the top of his game.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Rachel King (13 KP) rated Fever (The Chemical Garden, #2) in Books
Feb 11, 2019
I found this book to be much grimmer than the first book, Wither. In this book, Rhine and Gabriel spend most of their time trying to escape and running from or to some place. It was rather tiring at times, and I often wondered while I was reading, Don't they need to eat more? Seriously, they subsist on almost no food until they get to the orphanage, and even then, Rhine still seems to have an anorexic-like view of any and all food. Not very realistic for teenagers, in my view.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Ellie seems to have the picture perfect life - and now, the picture perfect wedding. She's finally marrying Rob, seemingly the man of her dreams. But at her wedding, Ellie's world collapses, as she finds out Rob is not what he seems. She is quickly swept up into his world of lies and yes, murder. Rob is counting on Ellie to free them from the constrictive life he's been leading, but that may mean she has to kill someone. Is Ellie prepared to do this? Is Rob what he seems? What has happened to Ellie's perfect life?
This was an interesting thriller, to say the least. It starts out a little slow (seems like a conventional he said/she said back and forth point-of-view tale) but quickly turned into an actual, compelling mystery. The book is told in a "Then" and "Now" format, but with a couple of twists: first, you hear not only from Ellie and Rob, but also a detective, Lucien, who is investigating several cases that have ensnared the pair, and second, the "Then" portions aren't chronological, so you are really skipping around in time. It is confusing at times, but certainly adds to the page-turning aspect. A good 3/4 of the book passes by in a flash.
I was wary most of the book - who is telling the truth? Rob? Ellie? No one? This one reminded me a bit of another excellent book I read recently - J.T. Ellison's "No One Knows" (which I preferred), where you just don't know which spouse to trust, or if you even like either of them! They are both flawed, but not really in a way you could sympathize with. Lucien was certainly the only character who seemed to have any redemptive qualities to him at times, and his inclusion was intriguing and enjoyable.
Overall, this book left me feeling confused and a little wanting. It seemed to fall apart a little with the ending - I was almost not quite sure exactly what transpired. It left me a little wanting. Still, as I write my review 24 hours later, the book is still haunting me, and I imagine it will for quite some time-- which is certainly a feat in itself. I'm glad I read it; it was a strange and interesting experience to say the least.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 3/22. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting thriller, to say the least. It starts out a little slow (seems like a conventional he said/she said back and forth point-of-view tale) but quickly turned into an actual, compelling mystery. The book is told in a "Then" and "Now" format, but with a couple of twists: first, you hear not only from Ellie and Rob, but also a detective, Lucien, who is investigating several cases that have ensnared the pair, and second, the "Then" portions aren't chronological, so you are really skipping around in time. It is confusing at times, but certainly adds to the page-turning aspect. A good 3/4 of the book passes by in a flash.
I was wary most of the book - who is telling the truth? Rob? Ellie? No one? This one reminded me a bit of another excellent book I read recently - J.T. Ellison's "No One Knows" (which I preferred), where you just don't know which spouse to trust, or if you even like either of them! They are both flawed, but not really in a way you could sympathize with. Lucien was certainly the only character who seemed to have any redemptive qualities to him at times, and his inclusion was intriguing and enjoyable.
Overall, this book left me feeling confused and a little wanting. It seemed to fall apart a little with the ending - I was almost not quite sure exactly what transpired. It left me a little wanting. Still, as I write my review 24 hours later, the book is still haunting me, and I imagine it will for quite some time-- which is certainly a feat in itself. I'm glad I read it; it was a strange and interesting experience to say the least.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 3/22. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Heather Cranmer (2721 KP) rated Shattered in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I'm a huge fan of horror books, so when Shattered by C.S. Kane was offered for review, I knew it was a book I had to read! However, I was really disappointed with this book.
I don't think the title suits the book at all. I don't really understand what is being shattered unless it's talking about Stacey's sanity.
The cover is alright. It is a scene from the book. It took me awhile to realize that the red thing on the cover was a heart pinned to the wall.
I didn't really have any problems with the world building except that it didn't come across as a creepy world. Not once was I the slightest bit scared or creeped out.
I felt the pacing of this book was slow. If it had been a longer book, I probably would've added it to my DNF (did not finish) shelf. It took forever, or so I thought, before the action really started, and when it did, it felt like it wasn't much.
The plot idea itself was a good one but sadly fell flat with poor execution. I would've liked this story to involve more of a haunting with more goings on. This story was poorly lacking I believe.
I found all the characters to be a bit dull and on dimensional. I couldn't connect with Stacey on any level, and I found myself not really caring what happened to her. There's a few other characters that are minor but I felt that they are also just sub par.
The dialogue doesn't feel disjointed or awkward in this novel, so it does have that going for it. The character interactions also flow well. There may be a slight amount of swearing in this book. (To be honest, I was a bit bored with this book, so I just wanted to get to the end). There is some blood and gore as well.
Overall, the idea for Shattered was a good one but was just poorly executed. Personally, I found it to be a bit dull and lacking depth. However, there are some good reviews for this book, so I encourage you to form your own opinion.
Personally, I wouldn't recommend this book to anyone.
I'd give Shattered by C.S. Kane a 1.75 out of 5.
(I received a free ecopy of this title from the publisher in exchange for a fair and honest review).
I'm a huge fan of horror books, so when Shattered by C.S. Kane was offered for review, I knew it was a book I had to read! However, I was really disappointed with this book.
I don't think the title suits the book at all. I don't really understand what is being shattered unless it's talking about Stacey's sanity.
The cover is alright. It is a scene from the book. It took me awhile to realize that the red thing on the cover was a heart pinned to the wall.
I didn't really have any problems with the world building except that it didn't come across as a creepy world. Not once was I the slightest bit scared or creeped out.
I felt the pacing of this book was slow. If it had been a longer book, I probably would've added it to my DNF (did not finish) shelf. It took forever, or so I thought, before the action really started, and when it did, it felt like it wasn't much.
The plot idea itself was a good one but sadly fell flat with poor execution. I would've liked this story to involve more of a haunting with more goings on. This story was poorly lacking I believe.
I found all the characters to be a bit dull and on dimensional. I couldn't connect with Stacey on any level, and I found myself not really caring what happened to her. There's a few other characters that are minor but I felt that they are also just sub par.
The dialogue doesn't feel disjointed or awkward in this novel, so it does have that going for it. The character interactions also flow well. There may be a slight amount of swearing in this book. (To be honest, I was a bit bored with this book, so I just wanted to get to the end). There is some blood and gore as well.
Overall, the idea for Shattered was a good one but was just poorly executed. Personally, I found it to be a bit dull and lacking depth. However, there are some good reviews for this book, so I encourage you to form your own opinion.
Personally, I wouldn't recommend this book to anyone.
I'd give Shattered by C.S. Kane a 1.75 out of 5.
(I received a free ecopy of this title from the publisher in exchange for a fair and honest review).
