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Mark @ Carstairs Considers (2099 KP) rated Molten Death in Books
Apr 3, 2024 (Updated Apr 3, 2024)
Author Leslie Karst lives part time in Hilo, so I wasn’t surprised that she chose this as the setting for her new series. Her knowledge showed in how she brought the setting to life. And who doesn’t want a Hawaiian vacation? The plot was very inventive, and I appreciated Valerie’s good motive for getting involved. We had some nice twists before a great climax. I did struggle with Valerie’s relationship with Kristen because they were so at odds for much of the book. I think if this hadn’t been my introduction to them, I would have been okay with this sub-plot. Overall, I liked the series regulars by the end, and Valerie’s darker baggage made her an interesting character. We do get some Pigeon and Hawai’ian mixed into the dialogue. A couple times it was a bit overwhelming, but for the most part, I could figure it out from the context. We get six Hawaiian recipes at the end. The inventive plot will make this series debut a winner for mystery fans.
Phillip McSween (751 KP) rated Forgetting Sarah Marshall (2008) in Movies
Jan 15, 2019
Acting: 10
Jason Segel plays the perfect broken man in his role as Peter. He carries a pitifulness that’s endearing, a guy easy to root for. From a comedic standpoint, his timing is always right there and it feels extremely natural as if we’re being introduced to a real person. I can only think of a handful of actors that could pull off the role as successfully as Segel. A number of other roles solidified the acting in the movie as well, but Segel carried the movie in my opinion.
Beginning: 10
Forgetting Sarah Marshall grabs your funny bone from jump and sets the tone. The first ten minutes introduces us to Peter as we watch him go about his boring, but hilarious day. Everytime I think about the breakup scene between him and Sarah (Kristen Bell), it still cracks me up. You knew right away the rest of the film was going to be classic.
Characters: 10
The movie sports a solid cast of characters with just enough originality to keep things interesting without going overboard. You’ve got Rachel (Mila Kunis), the badass front desk attendant who gives Peter a reason to enjoy life again. Then there’s the British rockstar and the hotel attendant who is obsessed with him. I could go on as these are just a handful of the crew that make this movie shine.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Others won’t agree, but this is the funniest movie I’ve ever seen. It has everything we want in a comedy. It’s funny without having to go over the top to try. It succeeds with a comical real-life premise that has the right characters surrounding it. Not only does it make you laugh, but it makes you feel as well. But, most importantly, it makes you laugh…A LOT. It hits you with several different types of funny from the characters themselves to the subtle jabs.
Memorability: 10
A classic movie has scenes that stick out in your head for years to come. Forgetting Sarah Marshall has a number of those scenes. When the towel drops. Peter crying naked on the floor then having to defend himself. Dracula musical. The surf scene. I could go on…These are scenes that, by themselves, could make a movie memorable. Together, they made Forgetting Sarah Marshall a classic.
Pace: 10
Plot: 10
I know what you’re thinking. What are the chances he goes on vacation and ends up at the exact same resort as his ex at the same exact time? I thought about this a lot and concluded that it could have been completely conceivable that Peter and Sarah had talked about that resort in the past. Alternatively they could have even had plans to go to that resort together during that week and the breakup changed that. Ultimately I decided it didn’t need to completely make sense. It’s a comedy and it’s unique enough for me to not have gotten bogged down in the “how”.
Resolution: 10
Starts just like it ends: Perfectly. It fits both for Peter and Rachel, definitely putting a smile on my face. It works on a lot of levels, touching but still maintaining the level of humor that carried the film to this point.
Overall: 100
A film is always the sum of its parts. Forgetting Sarah Marshall does everything right and then some. From its beautiful cinematics (thank you, Hawaii) to downright perfect pacing, it succeeds on every level. Classic.