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Lindsay (1793 KP) rated Bound to Happen (Bound #2) in Books
Jan 27, 2026
We meet up with Fee. She is about studying or researching, not playing—her flatmates help her bury her mouse.
I am curious about her parents and, if she has any, her siblings. Suppose this is the same Fee that is mentioned at the end of book one. Her name is Aoife, but friends call her "Fee". Wonder what she's doing in London and who she works for.
We meet Gil, and we see his point of view. He seems interested in a woman who was on stage. What happened to him? What caused his death and exile to a theater in London? He has come alive this year when an ung woman came to visit and explore the stage.
Fee thinks she can pass on her leaking as if it were a choice. But what if she's soul, and she really does have a choice?
Will she help Gil? Her mother warned her, but she didn't take it seriously.
Where she is now, she has to forget her family, such as her brothers and parents. However, we have some memories of her mom and Papa, and of her brother, Michael, and the twins. Will her siblings have Souler, or is it just women in the family?
It's getting more and more interesting as the story goes on. Will Fee finally know that she found her healing? Did he see her?
Why can souls travel centuries? But somewhat struggling in the 21st century with life once they run into their leeches?
Will Fee and Gil have a few children at some point? Will they be souls as well?
Will Fee free her leating? Will she join him once she does? She's trying to learn her soul's past. But is it a family business, or something else? Did her mother not get all the help, or did she not know how to bring her ghost to her, and that is why Fee and her sibling were living in Paris, France, in the 1700s?
I am curious about her parents and, if she has any, her siblings. Suppose this is the same Fee that is mentioned at the end of book one. Her name is Aoife, but friends call her "Fee". Wonder what she's doing in London and who she works for.
We meet Gil, and we see his point of view. He seems interested in a woman who was on stage. What happened to him? What caused his death and exile to a theater in London? He has come alive this year when an ung woman came to visit and explore the stage.
Fee thinks she can pass on her leaking as if it were a choice. But what if she's soul, and she really does have a choice?
Will she help Gil? Her mother warned her, but she didn't take it seriously.
Where she is now, she has to forget her family, such as her brothers and parents. However, we have some memories of her mom and Papa, and of her brother, Michael, and the twins. Will her siblings have Souler, or is it just women in the family?
It's getting more and more interesting as the story goes on. Will Fee finally know that she found her healing? Did he see her?
Why can souls travel centuries? But somewhat struggling in the 21st century with life once they run into their leeches?
Will Fee and Gil have a few children at some point? Will they be souls as well?
Will Fee free her leating? Will she join him once she does? She's trying to learn her soul's past. But is it a family business, or something else? Did her mother not get all the help, or did she not know how to bring her ghost to her, and that is why Fee and her sibling were living in Paris, France, in the 1700s?
Future and Past (Ebb & Flow #2)
8.0
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Book
At 130 years old, lone Nova Scotian werewolf Malachi Powers never intended to find a mate, until...
Fantasy MM Romance
Haley Mathiot (9 KP) rated Ada: Legend of a Healer in Books
Apr 27, 2018
Ada has the unique ability of being able to heal anything she touches. Having lived in the foster care system her whole life, she finally gets the opportunity to live with her aunt, Jessie, who is also a healer, and explains her special ability. But Ada and Jessie have different viewpoints on a healer's responsibility, and Ada decides she's had enough. She takes off on her own heading to Paris with only an address and a photograph to attempt to find her mother, who she discovers isn't dead.
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
Inner Perspectives: Guideposts for the Spiritual Journey
3.0
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Podcast
Elizabeth Clare Prophet, modern mystic and pioneer in New Age spirituality, answers more than 300...
Acanthea Grimscythe (300 KP) rated The Fifth Petal in Books
May 16, 2018
I finally finished reading The Fifth Petal by Brunonia Barry. It wasn’t quite my thing, though. Despite being labeled as a fantasy mystery, The Fifth Petal hovers a little too heavily on romance for me to find it enjoyable. There’s also a ridiculous amount of repetition which, if you read my thoughts on List of 10, you’ll know I abhor it when writers think their readers are going to forget something major within the plot after a few pages.
Many times throughout my reading of The Fifth Petal, I felt things were dragging. In fact, very little of the book focuses on the murders mentioned in its blurb. More of it focuses on an abstract idea of new age healing, with only the overly obvious blooming romance breaking up the monotony. As a reader, when I pick up a book that’s labeled fantasy or mystery, that’s what I expect. Couple that with an unrealistic, “out of the wild blue yonder” twist at the end, and it seriously just falls flat.
Characterwise, there’s a distinct feeling of “woe is me! I am the victim” throughout this book, alongside several of your stereotypical wealthy snobs. Because of this, I found it hard to become attached to any of the characters – but this is my opinion. For other readers, namely those that favor the flavor of romance, this is perfect.
To be honest, I’d like to rate this book a two for the sheer fact that, like The Cutaway, its genre is based more on the plot’s outline than its actual content. The thing is, the writing isn’t horrible – nor is the romance. There’s not really any detailed sexual encounters either, which is a plus for some. In fact, it’s a pretty safe read all around. I do admire Barry’s ideology behind some of her witches, i.e., lace readers. Because I can see others enjoying this and it’s not downright horrid, I’ve decided to go with a median rating. Besides, the cover is fantastic.
I would like to thank Blogging for Books for providing me with a copy of this book free of charge in exchange for an honest review.
Many times throughout my reading of The Fifth Petal, I felt things were dragging. In fact, very little of the book focuses on the murders mentioned in its blurb. More of it focuses on an abstract idea of new age healing, with only the overly obvious blooming romance breaking up the monotony. As a reader, when I pick up a book that’s labeled fantasy or mystery, that’s what I expect. Couple that with an unrealistic, “out of the wild blue yonder” twist at the end, and it seriously just falls flat.
Characterwise, there’s a distinct feeling of “woe is me! I am the victim” throughout this book, alongside several of your stereotypical wealthy snobs. Because of this, I found it hard to become attached to any of the characters – but this is my opinion. For other readers, namely those that favor the flavor of romance, this is perfect.
To be honest, I’d like to rate this book a two for the sheer fact that, like The Cutaway, its genre is based more on the plot’s outline than its actual content. The thing is, the writing isn’t horrible – nor is the romance. There’s not really any detailed sexual encounters either, which is a plus for some. In fact, it’s a pretty safe read all around. I do admire Barry’s ideology behind some of her witches, i.e., lace readers. Because I can see others enjoying this and it’s not downright horrid, I’ve decided to go with a median rating. Besides, the cover is fantastic.
I would like to thank Blogging for Books for providing me with a copy of this book free of charge in exchange for an honest review.
Ross (3284 KP) rated The Witchwood Crown in Books
May 1, 2019
700 pages that feel like so much more
I haven't read the preceding series but had researched and general consensus was that it was not mandatory. This was my first experience of Tad Williams. And indeed, I did not feel I was missing out on any information - there is enough discussion of past events to make me want to read that series, but it is done in such a way as to give the new reader enough insight.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
Janeeny (200 KP) rated Eleanor Oliphant Is Completely Fine in Books
May 9, 2019 (Updated Jun 10, 2019)
This months reading roulette is . . . . . ‘Eleanor Oliphant is completely fine’ by Gail Honeyman. I’m quite happy this one came up this month, as I’ve been hearing a lot about it and was hoping to be on the bandwagon before it drove out of town.
Eleanor Oliphant is doing ok. She has a simple life and a simple routine. Eleanor doesn’t really have any close acquaintances but she’s ok with that because Eleanor Oliphant is completely fine, or so she thinks. In one adventitious afternoon Eleanor becomes closely involved in the lives of Raymond, an unassuming IT guy at the accounts firm where she works, Sammy, an elderly gentleman with an upfront manner, and his larger than life family. Eleanor slowly starts to realise that maybe things weren’t so fine after all.
What can I say about this book that hasn’t been said already? I can see why it has had such high acclaim.
Eleanor is a hard character to relate to, her mannerisms and speech are antiquated and she has an almost childish naivety about her. However, because of the way she looks at life you can’t help becoming involved and follow her story. From the outset we are given very few details about Eleanor, so you draw certain conclusions about her quirky behaviour. Gradually as the book goes on you tease more and more details about Eleanor, her family, and her history and things start to make sense. Honeyman does well in holding back information, only letting it come to light at the right moment, right up until the very end.
I did really enjoy this book. I liked the way it was told from Eleanor’s perspective, her naive outlook gives you a different perception of situations
It’s clear that Gail Honeyman is trying to get across a very strong message about loneliness. I am very much oversimplifying the story by saying this, but Eleanor Oliphant is lonely and as such is having trouble dealing with her demons. It’s when she is thrown into the company of others that things take a turn and she begins the healing process. I think it’s this message and it’s implications on today’s society that has made it so popular
Eleanor Oliphant is doing ok. She has a simple life and a simple routine. Eleanor doesn’t really have any close acquaintances but she’s ok with that because Eleanor Oliphant is completely fine, or so she thinks. In one adventitious afternoon Eleanor becomes closely involved in the lives of Raymond, an unassuming IT guy at the accounts firm where she works, Sammy, an elderly gentleman with an upfront manner, and his larger than life family. Eleanor slowly starts to realise that maybe things weren’t so fine after all.
What can I say about this book that hasn’t been said already? I can see why it has had such high acclaim.
Eleanor is a hard character to relate to, her mannerisms and speech are antiquated and she has an almost childish naivety about her. However, because of the way she looks at life you can’t help becoming involved and follow her story. From the outset we are given very few details about Eleanor, so you draw certain conclusions about her quirky behaviour. Gradually as the book goes on you tease more and more details about Eleanor, her family, and her history and things start to make sense. Honeyman does well in holding back information, only letting it come to light at the right moment, right up until the very end.
I did really enjoy this book. I liked the way it was told from Eleanor’s perspective, her naive outlook gives you a different perception of situations
It’s clear that Gail Honeyman is trying to get across a very strong message about loneliness. I am very much oversimplifying the story by saying this, but Eleanor Oliphant is lonely and as such is having trouble dealing with her demons. It’s when she is thrown into the company of others that things take a turn and she begins the healing process. I think it’s this message and it’s implications on today’s society that has made it so popular
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
Muscle Trigger Points Massage Therapy
Medical and Health & Fitness
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The Muscle Trigger Points Massage Therapy iPhone App is an extensive compilation of common trigger...
Revolution for Dummies: Laughing Through the Arab Spring
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"Hilarious and Heartbreaking. Comedy shouldn't take courage, but it made an exception for Bassem."...