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Caffeinated Fae (464 KP) rated Get a Life, Chloe Brown (The Brown Sisters #1) in Books
Feb 24, 2020
Enemies to Lovers (4 more)
Sunshine Character with a Grumpy Character
Invisible Illness Representation
Amazing Characters
Great Banter
Best Romance of 2019
I read this book a few months ago, thanks to Libro.fm's influencer program. I saw quite a few of my favorite blogs reviewing/talking about this book, so I knew I had to read it. I've waited a while to write this book review simply because I loved it so much. Get A Life, Chloe Brown is one of those books that will stay with you for a while after. I struggled to write this book review because nothing will do justice to how much I loved this book. I seriously want to shove it into everyone's hands and tell them to read it.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
The narration for this book was outstanding. Adjoa Andoh narrated this book to perfection. Her voices, her attitude, everything was executed incredibly well. I always knew who was talking and never once questioned her narration. She brought this story to life & I loved every second of it.
What I loved the most about this book was the banter. Seriously, Talia Hibbert should get an award for verbal sparring. As you all know by now, banter is my catnip & I couldn't help but squee at the interactions between Red & Chloe. The author genuinely made me love each character more than I thought possible. Both Characters were realistic and had their faults. I loved seeing them work through their issues and grow.
I also loved that this book included so many of my favorite tropes. Enemies to lovers is hands down one of my favorite tropes, so when paired with a sunshine character with a grumpy character, I was in heaven. Talia Hibbert also executed the enemies to lover trope incredibly well. This trope is hit, or miss and so many things can go wrong. The fact that this was done to perfection still has me wowed.
I wouldn't do this book justice if I didn't mention that Talia Hibbert also handled invisible illnesses, domestic abuse, and some hard-hitting issues with compassion and accuracy. I loved that Chloe has fibromyalgia, and I genuinely appreciated how accurate it was. I also was thankful that this illness was present but didn't define Chloe. Chloe was three dimensional, and fibromyalgia didn't make up the core basis for who she was. It was beautiful to see Chloe as the main character, and I appreciated how well this story came together.
As you can tell, I loved this book. It's probably one of my all-time favorite books I have read. I loved the banter, the tropes, and the execution. Talia Hibbert should write a master class on banter. I honestly can't wait to dive into her backlist and have bought this book the second I could.
Music at Midnight: The Life and Poetry of George Herbert
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For the first time, John Drury convincingly integrates the life and poetry of George Herbert, giving...
The Vintage Sweets Book
Book
"It is hard not to be swept along by Adoree's enthusiasm for the past..." - Sunday Times Style...
Kristy H (1252 KP) rated Party of Two (The Wedding Date #5) in Books
Feb 18, 2021
An absolutely charming romance with lots of cake!
This is the sixteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
When Olivia Monroe randomly chats with a handsome stranger at a hotel bar, she has no idea that they will wind up making a lasting connection. After her chance encounter, she learns that man was no other than Max Powell, a hotshot junior senator from California, where Olivia has just moved to start her own law firm. Olivia is focused on her firm--and she has no desire to date someone well-known--but when she and Max meet again, and he then sends her a cake, she can't help but be charmed. She finds she really likes Max, but not the scrutiny that comes with dating a high-profile figure. Olivia knows she and Max have something special, but is it worth all the other stuff?
This was my first book by Jasmine Guillory, but it will certainly not be my last. I found PARTY to be completely charming. I had no idea it was the fifth book in a series, and I'll definitely be going back and catching up on the previous books. That being said, this one seems to stand-alone.
PARTY is one of those romance books that just sweeps you off your feet from the beginning. It's incredibly fun and sexy and made me smile while reading it. Oh how I needed a book that made me smile. Olivia is smart and easy to identify with: I have a soft spot for skeptical workaholics. She also loves cake, and there are so many references to baked goods in this book. I was truly in heaven! (And hungry.) Max is handsome and a bit too perfect, but, yes, you learn, he too has flaws. And honestly, I was quite protective of my Olivia, so I only wanted the best for her anyway.
So sure, maybe this is a little predictable, but who cares, because it's so fun, and it made me laugh and tear up. Our couple is adorable, and the supporting cast is excellent (and, as far as I can tell, links to other books). I liked the references to politics and adored any and all mention of sweets. The book also touches on racism and the issues plaguing working women, so it's not just fluff. Overall, I loved basically every moment, and I can't wait to read the copy of THE WEDDING DATE I immediately bought upon finishing this book. 4.5 stars.
When Olivia Monroe randomly chats with a handsome stranger at a hotel bar, she has no idea that they will wind up making a lasting connection. After her chance encounter, she learns that man was no other than Max Powell, a hotshot junior senator from California, where Olivia has just moved to start her own law firm. Olivia is focused on her firm--and she has no desire to date someone well-known--but when she and Max meet again, and he then sends her a cake, she can't help but be charmed. She finds she really likes Max, but not the scrutiny that comes with dating a high-profile figure. Olivia knows she and Max have something special, but is it worth all the other stuff?
This was my first book by Jasmine Guillory, but it will certainly not be my last. I found PARTY to be completely charming. I had no idea it was the fifth book in a series, and I'll definitely be going back and catching up on the previous books. That being said, this one seems to stand-alone.
PARTY is one of those romance books that just sweeps you off your feet from the beginning. It's incredibly fun and sexy and made me smile while reading it. Oh how I needed a book that made me smile. Olivia is smart and easy to identify with: I have a soft spot for skeptical workaholics. She also loves cake, and there are so many references to baked goods in this book. I was truly in heaven! (And hungry.) Max is handsome and a bit too perfect, but, yes, you learn, he too has flaws. And honestly, I was quite protective of my Olivia, so I only wanted the best for her anyway.
So sure, maybe this is a little predictable, but who cares, because it's so fun, and it made me laugh and tear up. Our couple is adorable, and the supporting cast is excellent (and, as far as I can tell, links to other books). I liked the references to politics and adored any and all mention of sweets. The book also touches on racism and the issues plaguing working women, so it's not just fluff. Overall, I loved basically every moment, and I can't wait to read the copy of THE WEDDING DATE I immediately bought upon finishing this book. 4.5 stars.
Gaspar Noe recommended Eraserhead (1977) in Movies (curated)
Bingo Blitz - BINGO & SLOTS
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BankofMarquis (1832 KP) rated The Last Duel (2021) in Movies
Oct 30, 2021
Doesn't Really Work
With films such as GLADIATOR, KINGDOM OF HEAVEN, ROBIN HOOD, EXODUS: GODS AND MONSTERS and the current THE LAST DUEL, Director Ridley Scott is single-handedly trying to keep alive the “Sword and Sandals” genre that was so much en vogue in the Golden Age of Hollywood.
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (13782 KP) rated Bratva's Vow (Bratva's Undoing #2) in Books
Aug 19, 2025
BRATVA'S VOW is the concluding part of Wren and Maxim's story, although not the end of the series! Phew!!! You really do need to read the first book to fully appreciate this one, so I won't go over the story again, apart from to say that it follows on from the first one.
Right then...
This really is a book of two halves, well, three thirds, if you want to get picky. The First Act is where Wren and Maxim are still working on their relationship, with all the secrets that entails. The Second Act is trauma and betrayal - I'll give you three guesses what that part's about. And the Third Act is the culmination of all the behind-the-scenes machinations, more betrayal, LOADS more love, and a possible set-up for the next book.
Once again, I was lost in Wren and Maxim's world. A guy like Maxim would have me heading for the hills in real life, but when I can curl up on the couch and read about it? Yum!! Definitely a guilty pleasure. Maxim is who he is, and he's unapologetic about it. He will move heaven and earth for Wren, if only Wren will let him. He may be the Big Boss in every other aspect of his life, but he will do anything if it makes Wren happy. And Wren himself is so much stronger than he first thought, BUT I adored his reaction when he found out about Maxim. It was lifelike and raw, and I was completely hooked.
If you've read my review for Bratva's Intern, then you'll know I mentioned getting an itchy feeling about a character. I WAS RIGHT!!! My Spidey senses were tingling for a good reason. In fact, they were all the way through. So you can imagine how happy I was to be proven right in every way, from who it was, to what they were doing, and why.
This book gave me all the answers I was looking for, as well as giving me the warm fuzzies for Wren and Maxim, not forgetting Jellybean. I'm really hoping they appear in later books. As for who's next? I'm presuming it's Sergei and Leo, but I don't really care. I will read whoever it is in this series, and no doubt love every word too. Just in case you've not realised, I HIGHLY RECOMMEND this book, so long as you read the other one first.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 19, 2025
Right then...
This really is a book of two halves, well, three thirds, if you want to get picky. The First Act is where Wren and Maxim are still working on their relationship, with all the secrets that entails. The Second Act is trauma and betrayal - I'll give you three guesses what that part's about. And the Third Act is the culmination of all the behind-the-scenes machinations, more betrayal, LOADS more love, and a possible set-up for the next book.
Once again, I was lost in Wren and Maxim's world. A guy like Maxim would have me heading for the hills in real life, but when I can curl up on the couch and read about it? Yum!! Definitely a guilty pleasure. Maxim is who he is, and he's unapologetic about it. He will move heaven and earth for Wren, if only Wren will let him. He may be the Big Boss in every other aspect of his life, but he will do anything if it makes Wren happy. And Wren himself is so much stronger than he first thought, BUT I adored his reaction when he found out about Maxim. It was lifelike and raw, and I was completely hooked.
If you've read my review for Bratva's Intern, then you'll know I mentioned getting an itchy feeling about a character. I WAS RIGHT!!! My Spidey senses were tingling for a good reason. In fact, they were all the way through. So you can imagine how happy I was to be proven right in every way, from who it was, to what they were doing, and why.
This book gave me all the answers I was looking for, as well as giving me the warm fuzzies for Wren and Maxim, not forgetting Jellybean. I'm really hoping they appear in later books. As for who's next? I'm presuming it's Sergei and Leo, but I don't really care. I will read whoever it is in this series, and no doubt love every word too. Just in case you've not realised, I HIGHLY RECOMMEND this book, so long as you read the other one first.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 19, 2025
Kristy H (1252 KP) rated The In Between in Books
Feb 1, 2018
I confess that this book was not exactly what I was expecting. The novel appears to tell a typical tale of YA love, but it also spends much of its time in a paranormal, mystical world of the "In Between." It's very odd and I wasn't expecting so much talk of Heaven and Hell, despite the hint from the title.
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)