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Ross (3282 KP) rated One Word Kill in Books
Dec 4, 2019
Nothing original but a good read
Mark Lawrence has stepped out of the fantasy bubble into this loosely sci-fi trilogy set in the 1980s. 15 year old Nick is diagnosed with cancer and while undergoing chemotherapy starts to have strange visions and deja vu. A mysterious figure seems to be stalking him and his D&D friends, and he ends up planning a siege to help this person from the future.
The story is very short (a little over 200 pages on kindle), but is quite heavy on the 80s references and D&D gameplay. The story itself is nothing new but with a little more head-scratching time travel/parallel universe pseudo-science crammed in. The twists throughout the story are fairly predictable and cliched.
The dialogue also doesn't feel like authentic 80s teenager speech to me, a few too many Americanisms ("hey" instead of "hi", "do it, already" etc).
A reasonably enjoyable short book, but a little Stranger Things bandwagon-jumping to me. I'm not sure whether the other two books carry on the story or how, so I will be interested to see where they go from here.
The story is very short (a little over 200 pages on kindle), but is quite heavy on the 80s references and D&D gameplay. The story itself is nothing new but with a little more head-scratching time travel/parallel universe pseudo-science crammed in. The twists throughout the story are fairly predictable and cliched.
The dialogue also doesn't feel like authentic 80s teenager speech to me, a few too many Americanisms ("hey" instead of "hi", "do it, already" etc).
A reasonably enjoyable short book, but a little Stranger Things bandwagon-jumping to me. I'm not sure whether the other two books carry on the story or how, so I will be interested to see where they go from here.
Ross (3282 KP) rated Dispel Illusion in Books
Jan 3, 2020
A consistent end to the trilogy
The D&D time-travel series comes to and end with this third book. Here the action is split between a timeline in the 90s following the first two books, with a future narrative of Nick's adult life in the 2000s and 2010s, and finishing up with a retelling of the events of the first book, from "future Nick's" PoV.
I still have issues with the science, multiverse and time-travel execution here as with the first books, but appreciate the way the story was woven together. Some of Lawrence's fantasy books have the different timeline feature and once again he expertly weaves them together so the overall story emerges at a good pace.
At one point, I thought the book was going to go down the Bill & Ted route as a cop-out ("in the future we will come back to this point and leave this key here and voila here it is") but this was actually quite well handled and wasn't the cop-out I feared.
The book benefits from a more stretched timeline as we see significant events from Nick's adult life, rather than dwelling on his teenage years solely. Likewise there is more of a focus on the D&D, which was somewhat lacking in book 2, and with key learnings from that featuring in the real world storyline.
Overall, I think I enjoyed this series, but I have my hang-ups about time-travel and multiverse theories in general. A good bit of escapism, if a little heavy on the pretend science at times.
I still have issues with the science, multiverse and time-travel execution here as with the first books, but appreciate the way the story was woven together. Some of Lawrence's fantasy books have the different timeline feature and once again he expertly weaves them together so the overall story emerges at a good pace.
At one point, I thought the book was going to go down the Bill & Ted route as a cop-out ("in the future we will come back to this point and leave this key here and voila here it is") but this was actually quite well handled and wasn't the cop-out I feared.
The book benefits from a more stretched timeline as we see significant events from Nick's adult life, rather than dwelling on his teenage years solely. Likewise there is more of a focus on the D&D, which was somewhat lacking in book 2, and with key learnings from that featuring in the real world storyline.
Overall, I think I enjoyed this series, but I have my hang-ups about time-travel and multiverse theories in general. A good bit of escapism, if a little heavy on the pretend science at times.
Anne (15117 KP) rated Stolen Enchantress (Forbidden Forest, #1) in Books
Nov 4, 2019
I received a complimentary copy of this book from the author via Voracious Readers Only. It was a retelling - from the blurb it mentions the story being a cross between Beauty and the Beast and The Pied Piper. It definitely was a cross between those two stories too.
It took me a little longer to read because I had a hard time getting into the book at first. It seemed like it was a bit slow for the first part, then it got interesting and picked up quite a bit. But then when I was very engrossed into the story, the end came rather suddenly and I felt like it was a bit abrupt and needed more closure.
It was also a bit more difficult for me getting through some of this book because it was quite dark and heavy in parts. It was a good book overall, but a bit more on the dark, heavy side of things that leaves you searching out for the spark of hope, which there is some, but not as much as Id like.
I was very interested in parts of the book and the different aspects and unique perspectives, but I wish there had been a bit more to the story with a little more hope. I was a bit like huh? when the book ended cause its taken me a bit to process it.
I would read another book by this author especially if it was a continuation of this story.
It took me a little longer to read because I had a hard time getting into the book at first. It seemed like it was a bit slow for the first part, then it got interesting and picked up quite a bit. But then when I was very engrossed into the story, the end came rather suddenly and I felt like it was a bit abrupt and needed more closure.
It was also a bit more difficult for me getting through some of this book because it was quite dark and heavy in parts. It was a good book overall, but a bit more on the dark, heavy side of things that leaves you searching out for the spark of hope, which there is some, but not as much as Id like.
I was very interested in parts of the book and the different aspects and unique perspectives, but I wish there had been a bit more to the story with a little more hope. I was a bit like huh? when the book ended cause its taken me a bit to process it.
I would read another book by this author especially if it was a continuation of this story.
Chris Sawin (602 KP) rated Up (2009) in Movies
Jun 22, 2019
Carl Fredricksen is a balloon salesman who has always wanted to have that one big adventure ever since he was a little boy. As a boy, he idolized the then famous explorer, Charles Muntz. He's now 78-years-old and the odds are against him in having that adventure this late in his life until one fateful day. When Carl is left with no other option than to leave his home, he ties thousands of balloons to his house and literally floats away. He heads to South America just like a certain special someone who used to be in Carl's life would've wanted it. A wilderness explorer named Russell who's looking to get his "helping the elderly" badge is accidentally brought along on Carl's adventure. Carl soon figures out that even though keeping his word and going on an adventure he promised to take (crossed his heart) is something to be proud of, that particular adventure will eventually end and he'll have to rummage out on his own.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
Pixar always seems to release one of the best films each and every year. This year is no exception. Up is able to take its audience through so many ups and downs throughout its running time. It makes your heart heavy in the first ten to fifteen minutes before the actual story begins, then the rest of the film seems to juggle its audience between humor, excitement, and being genuinely heartfelt. Pixar films seem to have this ability to accomplish more than other films. The writing is always extremely solid and the film is always built around an incredibly creative idea. It's like a Pixar film holds your emotions in the palm of its hand. Every emotion you have is a labeled button on the remote in this imaginary hand and Pixar can access these emotions at the simple push of a button. In fact, Pixar is at its strongest when there is no dialogue at all. The first half of WALL-E is a perfect example, but the short shown before Up (Partly Cloudy) is another great example. There's no dialogue at all, but my eyes were welling up before it was all said and done. When the credits roll to a Pixar film, a sense of fulfillment washes over its viewers. They're left with that warm fuzzy feeling that many films only dream of leaving their audience with.
There's nothing else that can really be said about the animation in this film that people aren't already expecting. It's top notch as the animation is fluid, character features (such as hair) look realistic (Carl grows a five o'clock shadow by the time the third day in Paradise Falls rolls around), and everything is just so colorful and vibrant. While knowing full well it's an animated feature, characters seem to jump off the screen and scenery looks like what would be found in actual wildlife. The 3-D was a nice touch, but isn't necessary to enjoying the film to its full extent. Although seeing 3-D animated characters in a 3-D world in actual 3-D really seemed to fit like a glove.
Each character is given just the right amount of screen time in the film to make its audience really care about them. Russell has this whole back story as to why he wants his "helping the elderly" badge, "Kevin" (the giant, colorful snipe) really just squawks and makes weird noises but is actually just trying to get home to serve its real purpose, and Dug (the dog with the collar that enables it to talk) is the outcast of his pack but pretty much steals whatever scene he is in. The whole story is built around Carl, so caring about him is pretty much a given after that heartbreaking opening that was mentioned earlier. The whole film is filled with oddball characters that all have their own quirks and gags (SQUIRREL!) that you really want nothing more than to see more of each and every one of them.
Up is one of the year's best films and will more than likely be on most best of lists by the time this year comes to a close. It is a family film, but it generally has something to offer for everybody. It is definitely the type of film to see to put anyone in a better mood and put a smile on your face. Up is a whimsical and heartwarming animated feature that's incredibly fun for anyone.
TravelersWife4Life (31 KP) rated What Momma Left Behind in Books
Feb 24, 2021
<a href="https://travelingwife4life.wordpress.com/2020/06/24/what-momma-left-behind-lone-star-lit">Travelers Wife 4 Life</a>
A new to me author Cindy K. Sproles created a vivid view of life on the Appalachian Mountains. Her descriptions of the scenery, the mountains, and the geographical location of the characters were very engaging and interesting to read. I enjoyed Cindy K. Sproles's way of engaging my imagination with the world she created for her characters, it reminded me of Pepper D. Basham and Joanne Bischof’s style of writing. I truly loved the environment she created and was sorry to see the story come to an end.
The plot was very unexpected for me. Whether due to the synopsis not doing the story justice, or my preconceptions going into the book. Either way, it was a surprising storyline that turned out to be a sweet and encouraging read on how to find your place in this world, and where you should place your trust.
Favorite Quote:
“The mountain air brings newness, seeps down deep, and cleans out the things that weigh heavy on a body’s soul. Despite how hard things are, it’s like the mountain is forgivin’. It demands a man’s hard work to survive, but then it wraps its soul and spirit around you, claimin’ you as its own child.”
The characters in this story were interesting and relatable. I enjoyed getting to read about Worie Dressar and loved seeing her growth progress throughout the story, I thought she was a unique character and I enjoyed her journey. Throughout the story, she overcomes much sorrow and pain, mixed in with some truly joyful moments. Worie learns who God wants her to be and the plans that He has for her and her family. The other secondary characters added some much-needed layers to this story, they were interesting, and I would love to read more about their personal stories as well (Hint, hint). Worie Dressar has some very thought-provoking thoughts in this book, and I have written down many of them as reminders for when I need God’s guidance in something. A good book overall.
I give this book 4 out of 5 stars for the deep thought-provoking lessons, the vivid descriptions of mountain hardships, and the moral of trusting God through it all. The only thing I would have like to see more of would have been a better developed secondary character for Worie Dressar.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
A new to me author Cindy K. Sproles created a vivid view of life on the Appalachian Mountains. Her descriptions of the scenery, the mountains, and the geographical location of the characters were very engaging and interesting to read. I enjoyed Cindy K. Sproles's way of engaging my imagination with the world she created for her characters, it reminded me of Pepper D. Basham and Joanne Bischof’s style of writing. I truly loved the environment she created and was sorry to see the story come to an end.
The plot was very unexpected for me. Whether due to the synopsis not doing the story justice, or my preconceptions going into the book. Either way, it was a surprising storyline that turned out to be a sweet and encouraging read on how to find your place in this world, and where you should place your trust.
Favorite Quote:
“The mountain air brings newness, seeps down deep, and cleans out the things that weigh heavy on a body’s soul. Despite how hard things are, it’s like the mountain is forgivin’. It demands a man’s hard work to survive, but then it wraps its soul and spirit around you, claimin’ you as its own child.”
The characters in this story were interesting and relatable. I enjoyed getting to read about Worie Dressar and loved seeing her growth progress throughout the story, I thought she was a unique character and I enjoyed her journey. Throughout the story, she overcomes much sorrow and pain, mixed in with some truly joyful moments. Worie learns who God wants her to be and the plans that He has for her and her family. The other secondary characters added some much-needed layers to this story, they were interesting, and I would love to read more about their personal stories as well (Hint, hint). Worie Dressar has some very thought-provoking thoughts in this book, and I have written down many of them as reminders for when I need God’s guidance in something. A good book overall.
I give this book 4 out of 5 stars for the deep thought-provoking lessons, the vivid descriptions of mountain hardships, and the moral of trusting God through it all. The only thing I would have like to see more of would have been a better developed secondary character for Worie Dressar.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Debbiereadsbook (1056 KP) rated His Accidental Daddy in Books
May 2, 2020
so very nearly 5 stars!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Gareth von Kallenbach (965 KP) rated Pacific Rim (2013) in Movies
Jun 19, 2019
Director Guillermo Del Toro has introduced an interesting new twist to the “giant monster run amok” genre with his latest film “Pacific Rim”. The movie details how extraterrestrial life has appeared upon the earth via a rift in the ocean floor. These gigantic alien life are known as Kaijus after the Japanese word for gigantic creature and have unleashed utter devastation upon the coastal cities of the world. Since the first attack took six days to repel, the leaders of the world devised a new plan of defense which involves the building of gigantic mechanized robots or Jaegers, after the German word for hunter. It is learned that the initial results were very promising however as time went along, the alien threat continued to evolve and adapt and were soon becoming a challenge for the mech defenses.
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Enter into the mix Raleigh Becket (Charlie Hunnam), a young Jaeger pilot who, with his brother, pilots the Gypsy Danger mech. It is learned that two pilots are needed to control the mechs as the neural demands were too much for one individual alone. Through a process known as “drifting” the pilots are linked to one another’s minds which allows them each to control one half of the machine in combat situations. Needless to say it is vital that the two pilots are compatible as the connection allows them to see into each other’s minds and memories so therefore having somebody of a compatible nature is key to success.
Six years into the war tragedy strikes leaving Raleigh dissolution and alone. In the ensuing seven years he is working on a last gasp project to build gigantic walls around coastal cities in an effort to stop the alien menace and protect cities. Things have not been going well and due to increasing losses the command has canceled the Jaeger program and ordered the few remaining next to Hong Kong to provide a measure of defense will wall is completed.
This does not sit well with Defense Marshall Pentecost (Idris Elba), who believes that the mechs offer humanity’s best defense against the enemy and as such he seeks down Raleigh and return Sam reluctantly to the program. It is learned that there are only four mechs left and a desperate plan to deliver a nuclear payload through the rift directly to the enemy is put in place. Of course complications arise specifically in the form that Raleigh needs to find a new copilot and by far and away the best candidate for him Rinko (Mako Mori) is being blocked from taking part in the mission by the Defense Marshall. This combined with tension between their rival pilot and Raleigh certainly has him rethinking his place in the mission.
As if this was not complicated enough, base scientist Newton (Charlie Day), is convinced that there is a much bigger threat coming and that their current course of action is not going to be enough to save the day.What follows is an FX heavy spectacle of action as humanity makes a last-ditch stand against the alien apocalypse in spectacular style.
The movie, while entertaining, does strain credibility to a serious extreme even by adventure film standards. We’re supposed to believe that enormous amounts of money have been spent to develop and maintain the defense program when the weaponry aboard the mechs as well as conventional weaponry such as Tomahawk missiles and such could be mounted aboard ships and coastal batteries and deployed with similar success at a significantly reduced cost. We are told that the initial attack took six days to repel using jets and tanks but from my point of view heavy assault gunships, rail guns, cruise missiles, as well as the plasma weaponry shown in the film would certainly do the job from any floating or fixed coastal location.
Even though the 3-D in the movie was converted it was done very well and there were some very good moments of immersion especially during the very well done combat sequences. My biggest issue was that the middle of the film tended to drag as we had a lot of interpersonal dramas play out but they lacked attention and character development that they needed to be fully effective. Despite the extremely solid cast, many of the characters were very thinly developed as the emphasis on the movie was clearly on putting giant robots against giant creatures and unleashing as much carnage and mayhem as possible.
In this regard the film worked however the times in between do not work so well and there is a surprising lack of chemistry amongst many of the leads which undermines the sense of urgency, desperation, and sacrifice which is key to the story.
Charlie Day provides some good comic relief in his role and Hunnam and Elba do a good job with the limited characters that they are given.
While it is not a bad film by any stretch the imagination, it could have been so much more because as it stands now it is basically in the vein of the Toho Godzilla movies just with a bigger budget and better effects.
http://sknr.net/2013/07/11/pacific-rim/
Gareth von Kallenbach (965 KP) rated The Hobbit: An Unexpected Journey (2012) in Movies
Aug 7, 2019
Following the Lord of the Rings Trilogy was going to be no easy feat. The series not only made incredible amounts of cash at the box office worldwide, but also garnered an Academy award for best picture for the final film in the series. In the years since the trilogy, writer-director-producer Peter Jackson has not overwhelmed at the box office. His big-budget remake of “King Kong” performed below expectations and the high-profile collapse of the “Halo” movie to which he was attached, as well as the underwhelming box office of “The Lovely Bones” made many people question if Jackson had peaked and was better suited for the lower budgeted independent films that first gave him his start.
When it was announced that a film version of “The Hobbit” was in the works and that director Guillermo del Toro would direct the film as well as help write the screenplay and that Jackson would produce, the fans’ interest level was definitely piqued. But after a long state of pre-production, del Torro decided not to direct the film as he was unwilling to commit the next six years to living and working in New Zealand. Jackson then took over the film and soon after it was announced that it would be stretched into three movies to form a new trilogy.
For those unfamiliar with the story it was actually the first book written by J.R.R. Tolkien, which sets the stage for what was to follow in the Lord of the Rings even though it was originally conceived as a standalone story. The film opens with an older Bilbo Baggins (Martin Freeman), writing a memoir while preparations for a party are underway. Bilbo discusses how there was one story that he had not disclosed and sets pen to paper in order to chronicle his legendary journey 60 years prior.
Gandolf Wizard (Sir Ian McKellen) visits the younger Bilbo and suggests he go on an adventure. Bilbo immediately declines, as being a Hobbit, he has no desire to leave the creature comforts and serenity of The Shire, much less face the dangers that exist in the world beyond. A group of dwarves arrive’ that evening and despite their gluttonous appetites and loud behavior, Bilbo has a change of heart the following morning and accompanies them on their quest.
The group’s goal is to travel to the dwarves’ kingdom of Erebor to reclaim their stronghold which was lost many years earlier to a vicious Dragon named Smaug. In the decades since, the dwarves existed as people without a home, forced to live as nomads taking work wherever they can find it. Along the way the group deals with all manner of threats and dangers ranging from trolls, goblins, orcs, and other supernatural elements. Of course there were some internal tensions and conflicts within the group as it marched towards a finale that sets the stage for the next film.
The movie has a runtime of nearly 3 hours and there were times that I caught a couple members in press row dozing briefly. While I enjoyed the film more than I did any of the Lord of the Rings movies, it was clearly obvious that things were being stretched out in order to justify a third film in the series. There were countless scenes of the band walking over hills and across the countryside so much so that at times I felt that I was watching the longest commercial for New Zealand tourism ever created. We get it. It’s a long journey. They travel near and far. I got it. I don’t need to see it every 10 minutes.
There were also several scenes that were done almost as if in aside that truthfully did not add much to the story but seem to exist as nothing more than time fillers. In the subsequent films it is learned that characters and scenes that did not appear in the book will be inserted into the film. Once again I have to question this as I do believe they could have easily cut an hour out of this movie and not lose much of the necessary narrative.
There’s been a lot of talk about the higher frame rate 3-D that was used to create the film. There have been claims that it was distracting, jerky, and detracted from the movie. I on the other hand found it absolutely captivating because it did not have that movie look to it, and it felt like I was watching an HD television. Even during the CGI heavy sequences, it did appear as if the performers were literally right there in front of me and I got the impression more of watching a play than of watching a movie.
The visual effects in the film were quite stunning. The live-action and computer-generated elements were absolutely amazing, especially during the latter part of the film when we meet Gollum (Andy Serkis), and during the battle and the goblin stronghold. Although the book is considered a children’s novel, I would really have to think twice about bringing young children to see this film as there is a lot of action and violence in the film as well as potential scares in the form of the monsters that abound.
The film could have definitely used some star power to it. While the cast does a solid job, they are fairly generic and almost interchangeable during certain segments of the film. That being said, the film works because despite its issues, it’s a visually spectacular masterpiece that, if you can endure the long periods of inaction, pays off especially well during the film’s battle sequences.
When it was announced that a film version of “The Hobbit” was in the works and that director Guillermo del Toro would direct the film as well as help write the screenplay and that Jackson would produce, the fans’ interest level was definitely piqued. But after a long state of pre-production, del Torro decided not to direct the film as he was unwilling to commit the next six years to living and working in New Zealand. Jackson then took over the film and soon after it was announced that it would be stretched into three movies to form a new trilogy.
For those unfamiliar with the story it was actually the first book written by J.R.R. Tolkien, which sets the stage for what was to follow in the Lord of the Rings even though it was originally conceived as a standalone story. The film opens with an older Bilbo Baggins (Martin Freeman), writing a memoir while preparations for a party are underway. Bilbo discusses how there was one story that he had not disclosed and sets pen to paper in order to chronicle his legendary journey 60 years prior.
Gandolf Wizard (Sir Ian McKellen) visits the younger Bilbo and suggests he go on an adventure. Bilbo immediately declines, as being a Hobbit, he has no desire to leave the creature comforts and serenity of The Shire, much less face the dangers that exist in the world beyond. A group of dwarves arrive’ that evening and despite their gluttonous appetites and loud behavior, Bilbo has a change of heart the following morning and accompanies them on their quest.
The group’s goal is to travel to the dwarves’ kingdom of Erebor to reclaim their stronghold which was lost many years earlier to a vicious Dragon named Smaug. In the decades since, the dwarves existed as people without a home, forced to live as nomads taking work wherever they can find it. Along the way the group deals with all manner of threats and dangers ranging from trolls, goblins, orcs, and other supernatural elements. Of course there were some internal tensions and conflicts within the group as it marched towards a finale that sets the stage for the next film.
The movie has a runtime of nearly 3 hours and there were times that I caught a couple members in press row dozing briefly. While I enjoyed the film more than I did any of the Lord of the Rings movies, it was clearly obvious that things were being stretched out in order to justify a third film in the series. There were countless scenes of the band walking over hills and across the countryside so much so that at times I felt that I was watching the longest commercial for New Zealand tourism ever created. We get it. It’s a long journey. They travel near and far. I got it. I don’t need to see it every 10 minutes.
There were also several scenes that were done almost as if in aside that truthfully did not add much to the story but seem to exist as nothing more than time fillers. In the subsequent films it is learned that characters and scenes that did not appear in the book will be inserted into the film. Once again I have to question this as I do believe they could have easily cut an hour out of this movie and not lose much of the necessary narrative.
There’s been a lot of talk about the higher frame rate 3-D that was used to create the film. There have been claims that it was distracting, jerky, and detracted from the movie. I on the other hand found it absolutely captivating because it did not have that movie look to it, and it felt like I was watching an HD television. Even during the CGI heavy sequences, it did appear as if the performers were literally right there in front of me and I got the impression more of watching a play than of watching a movie.
The visual effects in the film were quite stunning. The live-action and computer-generated elements were absolutely amazing, especially during the latter part of the film when we meet Gollum (Andy Serkis), and during the battle and the goblin stronghold. Although the book is considered a children’s novel, I would really have to think twice about bringing young children to see this film as there is a lot of action and violence in the film as well as potential scares in the form of the monsters that abound.
The film could have definitely used some star power to it. While the cast does a solid job, they are fairly generic and almost interchangeable during certain segments of the film. That being said, the film works because despite its issues, it’s a visually spectacular masterpiece that, if you can endure the long periods of inaction, pays off especially well during the film’s battle sequences.