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Michael Barker recommended The Killers (1964) in Movies (curated)
Mark @ Carstairs Considers (2086 KP) rated The 19th Christmas in Books
Nov 13, 2019
Can Lindsay Stop a Caper at Christmas?
San Francisco Homicide Detective Lindsay Boxer and her partner Rich Conklin are using their lunch hour for a little holiday shopping, and they happen to be on hand to catch a petty criminal. The criminal immediately wants to talk deals. He’s heard rumors that someone named Loman is planning some kind of big heist on Christmas Day. As the tips begin to pour in, the police are left chasing their tails as they try to figure out what Loman really plans. Or who he even really is. Meanwhile, reporter Cindy Thomas has landed the story of an illegal immigrant accused of a murder and gets assistant district attorney Yuki Castellano involved in her attempts to free him. And medical examiner Claire Washburn leaves town to teach a course during Christmas week to college students down in San Diego.
As popular as Christmas books have become, this is one series I hadn’t expected to offer one since some of the storylines in other books don’t lend themselves to the season. These storylines do, but unfortunately, the books is a mixed bag. I didn’t buy their excuse for writing Claire out of the book, and Cindy and Yuki’s sub-plot is undercooked. It felt like it was there more to preach than entertain. Fortunately, the main mystery was entertaining and kept me turning pages, although it relied on the villain taunting police, a trope I have trouble buying. Add in an epilogue that came out of nowhere and left me wondering if they are setting up the next book in the series. On the other hand, I got plenty of Christmas spirit from the book. As I said, this is an average entry in the series.
As popular as Christmas books have become, this is one series I hadn’t expected to offer one since some of the storylines in other books don’t lend themselves to the season. These storylines do, but unfortunately, the books is a mixed bag. I didn’t buy their excuse for writing Claire out of the book, and Cindy and Yuki’s sub-plot is undercooked. It felt like it was there more to preach than entertain. Fortunately, the main mystery was entertaining and kept me turning pages, although it relied on the villain taunting police, a trope I have trouble buying. Add in an epilogue that came out of nowhere and left me wondering if they are setting up the next book in the series. On the other hand, I got plenty of Christmas spirit from the book. As I said, this is an average entry in the series.
Kirk Bage (1775 KP) rated Evil Genius in TV
Feb 25, 2021
If spending 7 hours in one sitting is still a bit daunting, you can always try this one that comes in at just over 3 hours over 4 easy to digest episodes. It focuses on a crime so bizarre you wouldn’t believe it wasn’t a film plot, unless you already have an understanding from these kind of shows just how bonkers America can be! It describes the events of a bank heist gone wrong in a small town, involving a middle aged man who claimed to have a homemade bomb clamped around his neck that he couldn’t take off… soon into episode one we see that it was real when we (sort of) witness it going off after he is apprehended, killing him instantly.
We then get led down an intriguing web of local suspects, whose motives and probable involvement becomes more and more bizarre and disturbing. The point of it all seems to be how it is possible to be extremely intelligent, manipulative and to an extent organised, whilst at the same time being quite clearly clinically insane. It is shocking to see and hear about the lives of people so off the rails, who believe themselves to be entirely normal. There are a lot of “oh my god” and “wow” moments in a short space of time, but you also feel a little like the case is being exaggerated and heightened for dramatic purposes. In the end it all seems fairly self explanatory, except that the case was never definitively closed because it is impossible to know if the guy with the bomb was part of the plan all along and therefore a willing accomplice, or whether he was entirely innocent and a victim of a very sinister crime. Being left to debate and decide for yourself is half the “fun” sometimes.
We then get led down an intriguing web of local suspects, whose motives and probable involvement becomes more and more bizarre and disturbing. The point of it all seems to be how it is possible to be extremely intelligent, manipulative and to an extent organised, whilst at the same time being quite clearly clinically insane. It is shocking to see and hear about the lives of people so off the rails, who believe themselves to be entirely normal. There are a lot of “oh my god” and “wow” moments in a short space of time, but you also feel a little like the case is being exaggerated and heightened for dramatic purposes. In the end it all seems fairly self explanatory, except that the case was never definitively closed because it is impossible to know if the guy with the bomb was part of the plan all along and therefore a willing accomplice, or whether he was entirely innocent and a victim of a very sinister crime. Being left to debate and decide for yourself is half the “fun” sometimes.
Kirk Bage (1775 KP) rated Band a Part (1964) in Movies
Jan 28, 2021
Of all the directors I have flirted with in my opening months with the BFI player, Godard is the one I am finding most accessible and least intimidating. He is the guy whose movies I am most tempted by when I don’t want to think or analyse too much, but simply sit back and enjoy for being cool. I also wanted to see why Quentin Tarantino named his production company after this movie. And now I have seen it his whole oeuvre makes total sense, at last! The exact feel of this Nouvelle Vague cornerstone is exactly what you find in 80% of what Tarantino is trying to do. The plot is incidental, of course. What is happening is only there to pin the characters and quirky dialogue on. Being cool is all. And this mid 60s confection is so cool, so French and so much style over content in the best possible way.
On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.
On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.
JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Joe Goodhart (27 KP) rated Rocket: The Blue River Score in Books
Nov 30, 2020
I have to confess: I went into this one with low expectations, largely due to trying to read the previous Rocket outing, Matthew Rosenberg's ROCKET RACCOON: GROUNDED! That book was just depressing as hell, and every character in it just felt wholly out-of-character, as if Rosenberg no flarking clue as to who the characters actually were and how they were SUPPOSED to behave! Fortunately, my pre-"low expectations" were ill-placed, as Trash Panda's outing was as far from the depressing wreck that Rosenberg churned out!
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
A few years ago, there was an accident in Seelie and Isolde’s home village and ever since, they’ve been on the run. Seelie is an autistic changeling trying to understand and control her unpredictable magic - it doesn’t help that she finds it almost as difficult to fit in with the humans around her. Her sister Isolde, is an amazing pickpocketer and uses her skills to keep them alive. When a heist goes wrong, the twins find themselves in a larger mystery than they expected and discover secrets of the history of both faeries and humans. With new companions on their adventure can Seelie get control of her magic in time to protect her sister.
“The perfect start to any morning. Who needs coffee when you have the icy shock of mortal terror?”
I was pretty excited to read this book portraying an autistic main character written by someone who is on the spectrum themselves. It is a wonderful portrayal for children and young adults to see themselves represented, especially in a fantasy, magic filled world like we see in Unseelie. Seelie’s character is honest and true, and you see this world through her eyes - with and without overstimulating events.
Each of the four main characters were fun to meet and learn about - though I am hoping we get to see more flushed out history of both Raze and Olani in the next book.
The pacing of this novel was a bit slow in places, especially in the middle and then the ending kind of hit you fiercely. I didn’t realize this would be a duology until the last few pages, especially since nothing really wrapped up and you were kind of left with unexplained events and a cliffhanger. That being said though, I am super excited for the next book in the series and will for sure be waiting for that to hit the shelves.
*Thank you Inkyard Press for an ARC of this novel in exchange for an honest review
“The perfect start to any morning. Who needs coffee when you have the icy shock of mortal terror?”
I was pretty excited to read this book portraying an autistic main character written by someone who is on the spectrum themselves. It is a wonderful portrayal for children and young adults to see themselves represented, especially in a fantasy, magic filled world like we see in Unseelie. Seelie’s character is honest and true, and you see this world through her eyes - with and without overstimulating events.
Each of the four main characters were fun to meet and learn about - though I am hoping we get to see more flushed out history of both Raze and Olani in the next book.
The pacing of this novel was a bit slow in places, especially in the middle and then the ending kind of hit you fiercely. I didn’t realize this would be a duology until the last few pages, especially since nothing really wrapped up and you were kind of left with unexplained events and a cliffhanger. That being said though, I am super excited for the next book in the series and will for sure be waiting for that to hit the shelves.
*Thank you Inkyard Press for an ARC of this novel in exchange for an honest review
Neon's Nerd Nexus (360 KP) rated Widows (2018) in Movies
May 13, 2019
Perfection
#widows is this years biggest surprise. Just like a punch to the gut its full of #pain, suffering an overload of #emotion & shock. My goodness what an exceptional & #stunning piece of work this is. As soon as the film opened is was hanging off my seat, with an opening which not only sets the stage for what's to come but showcases just how talented #stevemcqueen is as a director. This calm before the storm style of directing works so well that it constantly lulls you into a false sense of security (by using #beautiful/unique camera work, a powerful score, subbtle #humour, interesting characters & deep character connections) to pull you in which are then followed instantly by incredibly tense action or scenes of #brutal #violence or shocking emotional breakdowns which hit you hard like a slap across the face. Long but never once #boring this is such a heavy, bleak & #depressing film not only about grief, loss, #broken trust & #survival but also about #racism, corruption, power abuse & the using of money & #religion as a control tool. I dont want to spoil to much because its best to go in blind here to feel the full impact of the #film & its twists. #Widowsmovie is so powerful & full of so much depth I felt like id been hit by a train walking out. Everything flows together so perfectly here from its pacing to its plot & its cinematography right down to its sound & set design. Theres also stellar acting all across the board here & i mean seriously impressive preformances by a good chunk of the cast which makes sure each & every characters pain, grief & struggle through #life is felt deeply, making it at times increadibly #heartbreaking & tuff to watch. This film overall was such an engaging/draining & absorbing thrill ride full of intelligent & current themes that I cant wait to see it again & delve deeper into its layers. Absolutely mind blowing & one of the most tense & well constructed #heist films ive seen in a long long time. #odeon #odeonlimitless #filmbuff #filmcritic #thursdaythoughts #violadavis #collinfarrell #liamnesson #danielkaluuya #love