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Little Ray Of Sunshine (41 KP) rated Beside Myself in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | Beside Myself by Ann Morgan
*Original post: http://bit.ly/2ehWQVh*
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
Beside Myself is about Helen and Ellie who are identical twins. Helen is the leader and Ellie is the follower. Ellie was born after Helen she had problems when she was born she had her umbilical cord wrapped around her neck so this caused Ellie communication and functional skills.
I started to hate the character, Helen
because she was awful to Ellie she bullied her and pulled pranks. I felt sorry for Ellie as she doesn't get the attention from their mother. Helen and Ellie as gone through a traumatic event in their life as their biological father took his own life so their mother couldn't cope and started neglecting them. I didn't like how their mother always spoiled Helen over Ellie and Helen always got the best of everything.
The story is all about that one day when Helen and Ellie were out playing and Helen thought it would be fun to swap places and fool everyone around them. But Helen thought it would only last for one day and everything will go back to normal the next day. But Ellie grabbed the chance as she was getting the attention she needs. So Helen life turns upside down and she starts to live Ellie life and she is shocked how Ellie is treated. Helen did try to tell their mother but she didn't believe her and so you follow Helen's nightmare through her school life, home life and through her adult life.
Helen doesn't get the support from home so she starts to rebel and go down the wrong path. You really feel for her and you experience what she is going through as the author writes in the first person.
This book touches on Mental Health and the writing is so true and beautiful as Helen is suffering from Bipolar Disorder. The book gripped me as I wanted to know how Helen's life will end. I keep wanting her mother to realize that she is the real 'Helen'. I won't say anymore as I would like you to read it for yourself.
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Charlie Cobra Reviews (1840 KP) rated Angel Has Fallen (2019) in Movies
Jul 7, 2020
Not The Best In The Series But A Good Farewell
Angel Has Fallen is a 2019 action/thriller movie directed by Ric Roman Waugh with screenplay written by Waugh, Robert Mark Kamen and Matt Cook from story by Creighton Rothenberger and Katrin Benedikt. Producers on the film included Gerard Butler, Alan Siegel, Matt O'Toole, John Thompson, Les Weldon, and Yariv Lerner. It was produced by Millennium Media, G-Base and distributed by Lionsgate. The film stars Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Piper Perabo, and Lance Reddick.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Undergoing training at a private military facility, Secret Service agent Mike Banning (Gerard Butler) finds himself hiding the fact that he's suffering from migraines, insomnia and self-medicating to deal with severe back pain. He is nominated by the President Alan Trumbull (Morgan Freeman), for the position of Secret Service Director to replace retiring Director David Gentry (Lance Reddick). An assassination attempt occurs during the President's fishing trip and his security detail is killed by armed drones, leaving only himself and Banning the sole survivors. Banning is arrested by FBI Agent Helen Thompson (Jada Pinkett Smith) after finding substantial evidence that Banning is responsible for the attack. After escaping from his captors Banning must evade his own agency and the FBI to find the real threat to the President. To save the country from imminent danger he must turn to unlikely allies and uncover the truth to clear his name.
This movie was all over the place but it was good. I think i liked it better than the last one which was London Has Fallen, but not as much as the original movie Olympus Has Fallen. It was refreshing to see Gerard Butler's character Mike Banning humanized a bit in this film. The plot was a little predictable but I enjoyed the whole man on the run while trying to still do his job angle to it. Like I said the movie was kind of all over the place and didn't have the action scenes as tight as in the other films especially in the middle of the movie but it didn't matter too much overall. Fairly entertaining, it was a good movie to end the summer action movies off with. I give it a 7/10.
Gareth von Kallenbach (980 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Jul 2, 2019
When I was younger, my mom and I would get all dressed up and we would take a special holiday trip up to Seattle to see The Nutcracker. I was captivated by the costumes, dancing and the story. When I found out that a film was being made based off of the famed ballet I was very excited especially with Disney behind it.
Clara is given a gift for Christmas that requires a one of a kind key. To find this key she must follow a piece of string that leads her into a world full of magic and mystery but is in a state of disrepair. Along the way she meets many different characters who want to help her find the key and restore harmony within the lands.
The film in its entirety is visually stunning and equally entertaining. In a way, the film sort of reminds me of Alice In Wonderland as it has a very Tim Burtone-sque feel to it. The star studded cast made the film that much better. It was lovely seeing Mackenzie Foy all grown up, the beautiful Keira Knightly with her somewhat annoying high pitched character voice, Morgan Freeman and Dame Helen Mirren’s amazing acting and Misty Copeland’s beautiful dancing just to name a few.
It is certainly refreshing to see a new twist on a classic story. I am pleased that they didn’t do away with the dancing along with the most familiar score listened to during the holidays. The CG sets were amazing with bold colors that made the film very visually appealing. It encapsulates an entertaining and adventurous story along with humor and excellent acting. In my book, that is the perfect recipe for a great film. I look forward to adding this one to my ever growing movie collection.
Clara is given a gift for Christmas that requires a one of a kind key. To find this key she must follow a piece of string that leads her into a world full of magic and mystery but is in a state of disrepair. Along the way she meets many different characters who want to help her find the key and restore harmony within the lands.
The film in its entirety is visually stunning and equally entertaining. In a way, the film sort of reminds me of Alice In Wonderland as it has a very Tim Burtone-sque feel to it. The star studded cast made the film that much better. It was lovely seeing Mackenzie Foy all grown up, the beautiful Keira Knightly with her somewhat annoying high pitched character voice, Morgan Freeman and Dame Helen Mirren’s amazing acting and Misty Copeland’s beautiful dancing just to name a few.
It is certainly refreshing to see a new twist on a classic story. I am pleased that they didn’t do away with the dancing along with the most familiar score listened to during the holidays. The CG sets were amazing with bold colors that made the film very visually appealing. It encapsulates an entertaining and adventurous story along with humor and excellent acting. In my book, that is the perfect recipe for a great film. I look forward to adding this one to my ever growing movie collection.
Darren (1599 KP) rated Angel Has Fallen (2019) in Movies
Aug 22, 2019
Verdict: Franchise Hasn’t Fallen
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.
Story: Angel Has Fallen starts when Mike banning (Butler) is the only survivor of a drone attack on President Allan Trumbull (Freeman), the rest of the team are killed and Mike has been framed for the assassination attempt. FBI agent Helen Thompson (Smith) is investigating the case, with Mike looking cut and dry to have been the man behind it, but when Mike escapes, he sets out to prove his innocence.
Mike turns to his estranged father Clay (Nolte) as he looks to discover why his old friend an private contractor Wade Jennings (Huston) has set him up and how he can prove his isn’t involved despite a nationwide manhunt for him.
Thoughts on Angel Has Fallen
Characters – Mike Banning is still a senior secret service man, playing righthand to the President, he has been keeping his injuries secret, which is nice to see an action man actually suffering injuries, instead of just being fine, like most action stars. He does his duty saving the President from an attack, only to find himself framed. When the people come to finish the job on Banning, he escapes and uses all his training to allude and search for a way to prove his innocence. Allan Trumbull is now the President, stepping up from his role as the Vice in the previous two outings, he is looking to change certain ideas, though he spends most of his film in a coma after the attack, he is the only other witness who could defend Mike’s involvement too. Wade Jennings is the private military contractor and old military buddy of Mike’s, he has framed him and is using his expertly trained team to hunt him down and finish off the job. Leah is the wife of Mike’s she is trying to keep him from working now they have a child and must deal with the consequences of seeing the name dragged through the dirt. FBI Agent Helen Thompson is trying to put the pieces together, seeing Mike as the prime suspect, she just wants the case closed without anybody else being hurt. Clay Banning is the estranged father of Mike’s he has been off the grid for years because of his own trauma from his time in the war, he is the only person Mike knows he can turn too.
Performances – Gerard Butler is great in the leading role, he is always going to be a bankable star when it comes to action roles and this is no different. Morgan Freeman does everything you would expect from a President role, without needing to do much. Piper Perabo takes over from Radha Mitchell in the wife role, which doesn’t have much to do if we are being honest. Danny Huston is one of these actors that you know is always going to be a villain, he does everything we know he can do in this role. Nick Nolte is a lot of fun, bringing his trademark estranged father role to the big screen once again, he gets a few laughs in too.
Story – The story here sees Mike Banning being framed for the assassination attempt of the President, the figure that he has been guarding for years and he must go off the grid to prove who was really behind it. The story is one that is great to watch for action, but if you have seen the previous instalments of the franchise, you will be left asking a few questions. First what happened to President Benjamin Asher, we have zero mention of him, secondly, how is nobody on Mike’s side after all he has done in the past, like seriously, he pretty much saved the President against impossible odds twice. While this question could be answered with the number of pieces of evidence placed on him, it still doesn’t seem to fit the character these people have created. Away from these questions, we must say this does build on the scale of the previous film’s stories, which is good because it does feel different, which each film does do. We could easily watch this story as a single film too and the fact that we do touch on the physical injuries that Mike has suffered through his job, does show a vulnerable action character.
Action – The action is big, we might not have the large scale opening attack, but once we get into the military formations ideas, we get plenty of tactical shootings.
Settings – The film does build on the settings, with the first one being one building, the second being one city, now we have a nationwide hunt.
Special Effects – The effects, well this has been an issue for the franchise all along, but the green screen scenes are so clear to see it almost feels like they didn’t finish the job yet.
Scene of the Movie – Mike and Clay have an escape plan.
That Moment That Annoyed Me – No mention of former President Benjamin Asher, like what happened here?
Final Thoughts – This is a action sequel that does enough different to make it feel fresh even if certain parts of the story feels too farfetched, it does continue to have a 24 vibe to everything, but it is well for a watch if you have seen the franchise or not.
Overall: Trilogy that hasn’t Fallen.
Bob Mann (459 KP) rated The Fate of the Furious (2017) in Movies
Sep 29, 2021
Blood is thicker than Diesel.
All work and no play makes bob-the-movie-man a tardy reviewer. Still, what better way to break the fast than with “Fast and Furious 8” (aka “The Fate of the Furious”)?
Well, quite a lot of things actually!
Now, I have a confession to make (and I know for some this will be the equivalent of an appalling statement like “I’ve never seen Star Wars”). I have actually never ever seen Fast and Furious 1 through 7! (If it’s any mitigation to this cinematic crime, I did see the F-and-F wannabe “Need for Speed“).
So I was going to be completely lost with the “plot” right? Well actually, no. It was pretty easy to jump in and follow as a piece of popcorn nonsense.
The M25 water main burst was a real bitch for the Monday morning rush-hour.
For nonsense it is (hence the “rabbit ears” round the word “plot” above). The story isn’t just a bit far-fetched. It’s bat-shit crazy where the bat in question has downed a questionable vindaloo two hours earlier!
Dom (Vin Diesel) has turned on his “family”, including his squeeze, the lovely Letty (Michelle Rodriguez), and Hobbs (Dwayne Johnson, “San Andreas“), to team with the above-the-law (and above the clouds) cyber-super-terrorist Cipher (Charlize Theron, “Mad Max: Fury Road“). They have teamed up, apparently, for no other reason than to allow Cipher to ‘kick some global ass’ with a nuclear threat. But given his caring and sharing side, why the sudden betrayal of his nearest and dearest by Dom?
Ice Queen Metallica fan Theron, showing off her hardware.
Where do you begin with the nonsensical story? Jumping from Cuba (with some admittedly fun scenes, but shamelessly objectifying scantily-clad women) via Berlin and New York to the icy wastes of Siberia, it’s just an excuse to show fast cars doing ludicrously unlikely things. There is zero logic within any of the script. Here are just a handful of examples:
the team know (through enormous jumps of speculation) to be present at a particular location in the world and at exactly the time that Dom is there (arrive, look through binoculars, “Oh, there he is”!);
all cars can be automatically hijacked and remotely driven (who knew), but NOT those of the team (obviously);
fast cars/tanks/etc can be magicked from New York to Siberia (wot, no Hertz Siberia available?);
Russian nuclear codes are stolen, so obviously they can’t be changed?
a nuclear submarine is out of the water on wooden blocks, but spin the propeller really REALLY fast and it can suddenly be sailing away.
Muscle for muscle it never looked like being a fair fight.
I appreciate I am being enormously po-faced about this, and this is designed as pure escapism. But is there REALLY any need for this to be such mindless escapism? The director (Gary Gray, “The Italian Job”) and writer (Chris Morgan, responsible for parts 6 and 7) should credit their audience with rather more in the way of intelligence.
Diesel and Johnson are never going to set the acting ablaze, but Rodriquez (“Lost”) is as watchable as ever. Theron has fun with her villainy and the supporting turns by Tyrese Gibson and Ludacris are enjoyable. Nathalie Emmanuel though as Ramsey seems as uncomfortable with her “sexy English” stereotype as she should be.
A long way from Brookside. Nathalie Emmanuel uncomfortable as “the sexy one”.
Luke Evans (“The Hobbit“), Kurt Russell (“Deepwater Horizon“) and Helen Mirren (“Eye in the Sky“) turn up in entertaining but underused cameos, but it is Jason Statham as Deckard that has the most fun in the whole film, and his scenes – done largely for comic effect – are the best part of the movie. (But “math” Jason? “MATH”?? I hope your old maths teacher back in London doesn’t get to see this film).
Parking enforcement by the City Council was getting more and more stringent.
If you’re willing to park your brain at the door for two hours then it has some fun moments. But I felt the damage to my IQ might not have been worth the risk, and this really didn’t fill my cinematic tank.
Well, quite a lot of things actually!
Now, I have a confession to make (and I know for some this will be the equivalent of an appalling statement like “I’ve never seen Star Wars”). I have actually never ever seen Fast and Furious 1 through 7! (If it’s any mitigation to this cinematic crime, I did see the F-and-F wannabe “Need for Speed“).
So I was going to be completely lost with the “plot” right? Well actually, no. It was pretty easy to jump in and follow as a piece of popcorn nonsense.
The M25 water main burst was a real bitch for the Monday morning rush-hour.
For nonsense it is (hence the “rabbit ears” round the word “plot” above). The story isn’t just a bit far-fetched. It’s bat-shit crazy where the bat in question has downed a questionable vindaloo two hours earlier!
Dom (Vin Diesel) has turned on his “family”, including his squeeze, the lovely Letty (Michelle Rodriguez), and Hobbs (Dwayne Johnson, “San Andreas“), to team with the above-the-law (and above the clouds) cyber-super-terrorist Cipher (Charlize Theron, “Mad Max: Fury Road“). They have teamed up, apparently, for no other reason than to allow Cipher to ‘kick some global ass’ with a nuclear threat. But given his caring and sharing side, why the sudden betrayal of his nearest and dearest by Dom?
Ice Queen Metallica fan Theron, showing off her hardware.
Where do you begin with the nonsensical story? Jumping from Cuba (with some admittedly fun scenes, but shamelessly objectifying scantily-clad women) via Berlin and New York to the icy wastes of Siberia, it’s just an excuse to show fast cars doing ludicrously unlikely things. There is zero logic within any of the script. Here are just a handful of examples:
the team know (through enormous jumps of speculation) to be present at a particular location in the world and at exactly the time that Dom is there (arrive, look through binoculars, “Oh, there he is”!);
all cars can be automatically hijacked and remotely driven (who knew), but NOT those of the team (obviously);
fast cars/tanks/etc can be magicked from New York to Siberia (wot, no Hertz Siberia available?);
Russian nuclear codes are stolen, so obviously they can’t be changed?
a nuclear submarine is out of the water on wooden blocks, but spin the propeller really REALLY fast and it can suddenly be sailing away.
Muscle for muscle it never looked like being a fair fight.
I appreciate I am being enormously po-faced about this, and this is designed as pure escapism. But is there REALLY any need for this to be such mindless escapism? The director (Gary Gray, “The Italian Job”) and writer (Chris Morgan, responsible for parts 6 and 7) should credit their audience with rather more in the way of intelligence.
Diesel and Johnson are never going to set the acting ablaze, but Rodriquez (“Lost”) is as watchable as ever. Theron has fun with her villainy and the supporting turns by Tyrese Gibson and Ludacris are enjoyable. Nathalie Emmanuel though as Ramsey seems as uncomfortable with her “sexy English” stereotype as she should be.
A long way from Brookside. Nathalie Emmanuel uncomfortable as “the sexy one”.
Luke Evans (“The Hobbit“), Kurt Russell (“Deepwater Horizon“) and Helen Mirren (“Eye in the Sky“) turn up in entertaining but underused cameos, but it is Jason Statham as Deckard that has the most fun in the whole film, and his scenes – done largely for comic effect – are the best part of the movie. (But “math” Jason? “MATH”?? I hope your old maths teacher back in London doesn’t get to see this film).
Parking enforcement by the City Council was getting more and more stringent.
If you’re willing to park your brain at the door for two hours then it has some fun moments. But I felt the damage to my IQ might not have been worth the risk, and this really didn’t fill my cinematic tank.
Bob Mann (459 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Sep 28, 2021
Good popcorn nonsense.
“Remember who we are. The Shaw family. We never, never, never give up.”
(That title is especially for my friends the Shaw family!).
Well, the patchy British summer’s just about up, and autumn’s chilly fingers are touching up the UK. And yet I still hadn’t seen the summer hit “Hobbs and Shaw”! Until last night.
It’s utter nonsense of course, like most of the “Fast and Furious” films, but I have to admit it’s done with some tongue in cheek style.
The plot
A vicious cyber-soldier, Brixton (Idris Elba) tries to steal a deadly virus but is thwarted by brave MI6 agent Hattie (Vanessa Kirby). To help recover the virus, Deckard Shaw (Jason Statham) is recruited in London by CIA agent Loeb (Rob Delaney, the “non-super” hero Peter in “Deadpool 2“). In an interesting piece of related casting, the Eteon Director (Champ Nightengale – LoL, a cameo for someone far more famous) recruits Luke Hobbs (Dwayne Johnson) in LA as a part of the team.
Both agents know they are heading for trouble… but do they really appreciate how much the pair hate each other’s guts?
The trail leads from London to the Ukraine to (a very picturesque) Samoa in a race against time to both defeat the undefeatable Brixton and save Hattie: now a ticking time bomb of global destruction. And Hattie has relations!
Absurd stunts.
As a “Fast and Furious” film there are of course some truly absurd car stunts involved and – unlike the Mission Impossible films – you are never quite sure what is “real” and what is CGI generated. Which is a shame.
For me, the gold standard for chases remains Tom Cruise‘s chase through Paris in “Mission Impossible: Fallout“. Here, the car chase through London – whilst impressive – never quite reaches the seat clenching tension of MI6.
And a final stunt with a helicopter is – I’m sorry – just plain ridiculous. If a chopper can partially lift 5 x load then why can’t it completely lift 1 x load. Give me a break!
To round things off, there is one of the most unbelievable “100% survival of a car crashing off a cliff” scenes in movie history!
Acting
The acting is largely from the Arnie Swartzenegger school, with Johnson and Statham giving it the old shtick. Dwayne Johnson may be one of Hollywood’s most bankable stars (the boy has done REAL good for himself), but he can’t do serious acting. His “pathos” scenes with his daughter (a vibrant Eliana Sua) are excruciating.
Dropping in as class acts are Helen Mirren as the elder Shaw and the excellent Vanessa Kirby as Hattie. Kirby gets a lot more to get her teeth into than in the last Mission Impossible movie, and is really very good. Mirren is rather too posh to be the incarcerated East End con, but is a fun turn nevertheless.
Also excellent, as always, is Eddie Marsan as the key scientist. Marsan really turns in a splendid performance in every film he’s in. He’s top of “Division 2” in my books. Never the star, but always starring.
Mexican actress Eiza González (from “Baby Driver“) also crops up as an unfeasibly good-looking Russian femme fatale.
“I hate you”. “No, I hate you”. Blah, blah, blah.
Writers Chris Morgan and Drew Pearce do a good job at keeping the script light and fluffy. The animosity between Hobbs and Shaw is played to 110%, and for me the interplay frankly became a bit tiresome. But it’s a fun-enough film to entertain, although it’s bladder-testing running time of 2 hours 17 minutes is at least 30 minutes too long. There is a natural Ukraine-based finale, but it’s not taken, and the film goes on… and on… and on…. and on. Enough already.
I’ve said many times before that comedies shouldn’t last more than 90 minutes, and although an “action film” this is fundamentally a comedy and the rule should apply. It would have been a much better film if it was compacted.
Sexism diverted.
I did criticize “Fast and Furious 8” for scenes that brazenly objectified women. And there was a moment – just one, fortunately – with a gyrating bikini-clad beauty – where I thought “uh, oh” – this franchise has not moved with the times.
But actually, this was the only scene where I thought that. Cinema has moved along massively in the last two years, driven by the “Times Up” movement. Here the women are all given pretty leading “kick-ass” roles, and they generally show the muscle-bound morons up, often saving their arses.
Final Thoughts.
It’s summer popcorn nonsense, but its well done popcorn nonsense. Probably not a film high on my list of films I want to see again, but as an entertainment vehicle it was not too shabby.
(That title is especially for my friends the Shaw family!).
Well, the patchy British summer’s just about up, and autumn’s chilly fingers are touching up the UK. And yet I still hadn’t seen the summer hit “Hobbs and Shaw”! Until last night.
It’s utter nonsense of course, like most of the “Fast and Furious” films, but I have to admit it’s done with some tongue in cheek style.
The plot
A vicious cyber-soldier, Brixton (Idris Elba) tries to steal a deadly virus but is thwarted by brave MI6 agent Hattie (Vanessa Kirby). To help recover the virus, Deckard Shaw (Jason Statham) is recruited in London by CIA agent Loeb (Rob Delaney, the “non-super” hero Peter in “Deadpool 2“). In an interesting piece of related casting, the Eteon Director (Champ Nightengale – LoL, a cameo for someone far more famous) recruits Luke Hobbs (Dwayne Johnson) in LA as a part of the team.
Both agents know they are heading for trouble… but do they really appreciate how much the pair hate each other’s guts?
The trail leads from London to the Ukraine to (a very picturesque) Samoa in a race against time to both defeat the undefeatable Brixton and save Hattie: now a ticking time bomb of global destruction. And Hattie has relations!
Absurd stunts.
As a “Fast and Furious” film there are of course some truly absurd car stunts involved and – unlike the Mission Impossible films – you are never quite sure what is “real” and what is CGI generated. Which is a shame.
For me, the gold standard for chases remains Tom Cruise‘s chase through Paris in “Mission Impossible: Fallout“. Here, the car chase through London – whilst impressive – never quite reaches the seat clenching tension of MI6.
And a final stunt with a helicopter is – I’m sorry – just plain ridiculous. If a chopper can partially lift 5 x load then why can’t it completely lift 1 x load. Give me a break!
To round things off, there is one of the most unbelievable “100% survival of a car crashing off a cliff” scenes in movie history!
Acting
The acting is largely from the Arnie Swartzenegger school, with Johnson and Statham giving it the old shtick. Dwayne Johnson may be one of Hollywood’s most bankable stars (the boy has done REAL good for himself), but he can’t do serious acting. His “pathos” scenes with his daughter (a vibrant Eliana Sua) are excruciating.
Dropping in as class acts are Helen Mirren as the elder Shaw and the excellent Vanessa Kirby as Hattie. Kirby gets a lot more to get her teeth into than in the last Mission Impossible movie, and is really very good. Mirren is rather too posh to be the incarcerated East End con, but is a fun turn nevertheless.
Also excellent, as always, is Eddie Marsan as the key scientist. Marsan really turns in a splendid performance in every film he’s in. He’s top of “Division 2” in my books. Never the star, but always starring.
Mexican actress Eiza González (from “Baby Driver“) also crops up as an unfeasibly good-looking Russian femme fatale.
“I hate you”. “No, I hate you”. Blah, blah, blah.
Writers Chris Morgan and Drew Pearce do a good job at keeping the script light and fluffy. The animosity between Hobbs and Shaw is played to 110%, and for me the interplay frankly became a bit tiresome. But it’s a fun-enough film to entertain, although it’s bladder-testing running time of 2 hours 17 minutes is at least 30 minutes too long. There is a natural Ukraine-based finale, but it’s not taken, and the film goes on… and on… and on…. and on. Enough already.
I’ve said many times before that comedies shouldn’t last more than 90 minutes, and although an “action film” this is fundamentally a comedy and the rule should apply. It would have been a much better film if it was compacted.
Sexism diverted.
I did criticize “Fast and Furious 8” for scenes that brazenly objectified women. And there was a moment – just one, fortunately – with a gyrating bikini-clad beauty – where I thought “uh, oh” – this franchise has not moved with the times.
But actually, this was the only scene where I thought that. Cinema has moved along massively in the last two years, driven by the “Times Up” movement. Here the women are all given pretty leading “kick-ass” roles, and they generally show the muscle-bound morons up, often saving their arses.
Final Thoughts.
It’s summer popcorn nonsense, but its well done popcorn nonsense. Probably not a film high on my list of films I want to see again, but as an entertainment vehicle it was not too shabby.
Chris Sawin (602 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Before you read this review of Fast & Furious Presents: Hobbs & Shaw, I just want you to know that I can’t stand this franchise. I gave up keeping up with them after Furious 7 and felt like the Fast & Furious franchise peaked/was tolerable around Fast Five and never really went anywhere worthwhile before or since. I have not seen all the films and really only seemed to watch every other entry, but whether you’re in a heist or a drag race that lethal dose of masculinity being projectile vomited all over you by an entire cast (women included) for two hours straight is dull and tiresome. In fact, just call this franchise “Dull & Tiresome” from here on out and I doubt anyone would notice. It’s even got “tire” in there for car…stuff.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Ignoring the fact that screenwriters Chris Morgan (writer of every Fast and Furious entry since Tokyo Drift) and Drew Pearce (writer and director of the flop known as Hotel Artemis) were involved, I actually like David Leitch’s work (co-director of John Wick, director of Deadpool 2 and Atomic Blonde) even if he is probably going to screw up that Enter the Dragon remake. The trailers also made Hobbs & Shaw look like the stupid kind of action film I might enjoy; a bunch of fight scenes and chase sequences that give the middle finger to physics. But when a big moment in the film is a group of the good guys willingly bringing a bunch of sharp sticks to a battle where the villains are loaded to the teeth with highly advanced firearms, then you know you’ve jumped headfirst into the deep end of ridiculous without a special needs helmet.
The film is quick to point out that even though Luke Hobbs (Dwayne Johnson) is in Los Angeles and Deckard Shaw (Jason Statham) is in London, they’re essentially similar characters. Hobbs is a big dude who likes to Hulk smash everything while Shaw likes to think he has more class and finesse to his ass beatings and exaggerated torture devices. Despite their different cultures and supposedly unique way of approaching their work, they do nothing but talk trash, jack things up, simultaneously kick unsuspecting guys in the balls, and track stuff that needs tracking because that’s what trackers do. They reluctantly join forces and are in constant competition with one another to find some CT17 virus, which is currently inside Shaw’s MI6 operative sister Hattie Shaw (Vanessa Kirby) and is being hunted by formerly dead, cyber genetically altered, and current superhuman criminal mastermind Brixton Lore (Idris Elba). Don’t get too attached to the whole virus thing since even the film can’t keep up with what the hell it’s supposed to be.
The highlight of Hobbs & Shaw is the amount of cameos it’s able to squeeze into its excruciating two-hour-and-fifteen-minute runtime. The film utilizes about a third of the cast of a certain sequel to a certain film starring a certain Regenerating Degenerate and that cast is responsible for the humor that works best in whatever this spinoff is supposed to accomplish. Idris Elba is unbelievably cool as Brixton Lore. He’s this cocky and unstoppable bad ass who has a history with Shaw and his car chase on his self-driving motorcycle where he slides under a bus in slow motion is too sick for words. Vanessa Kirby has this on-screen presence that outshines the consistent bickering between Hobbs and Shaw. She’s the one capable female character in the film (Helen Mirren sitting behind glass doesn’t count) who seems to be the only one thinking logically, but it took her doing the dumbest thing imaginable at the beginning of the film to get that way.
This action film smorgasbord rides on the chemistry between Dwayne Johnson and Jason Statham, but that gets old as soon as they start sort-of working together. Their incessant ribbing of each other, desire to always outdo one another, and nonstop unfiltered machismo being this palpable elephant in the room leads to nothing but verbal dick size comparisons and leaves you thinking that maybe they’ll make out or grope each other by the end of the film. Spoiler alert: maybe they’re saving that for the sequel.
There isn’t enough of a differentiation between action sequences in Hobbs & Shaw to make it feel worthwhile. There’s chemistry between the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. For those who care, there is a mid-credits and after-credits scene but neither is surprising. The cheesy motivational speeches, forced heartfelt stories, and, “all technology in the world doesn’t beat heart,” mumbo jumbo doesn’t help matters. The supposed story for this film is basically a dunce cap disguised as a pocket protector. There are intelligent elements used in ludicrous ways and maybe that’s what could describe the Fast & Furious franchise as a whole. You can bury a diamond in a dog turd and say it’s extravagant and that it’s valuable, but it’s still a dog turd that smells awful and lingers long after it’s been flushed away.
Bob Mann (459 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Sep 28, 2021
A fantasy that’s glossy and beautiful to look at.
Before the heavyweight juggernaut of “Mary Poppins Returns” arrives at Christmas, here’s another Disney live action feature to get everyone in the festive spirit.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.
The Plot.
It’s Victorian London and Young Clara (Mackenzie Foy) lives with her father (Matthew Macfadyen), her older sister Louise (Ellie Bamber) and her younger brother Fritz (Tom Sweet). It’s Christmas and the family are having a hard time as they are grieving the recent death of wife and mother Marie (Anna Madeley). Like her mother, Clara has an astute mind with an engineering bias and is encouraged in this pursuit by her quirky inventor godfather, Drosselmeyer (Morgan Freeman). At his fabled Christmas ball, Clara asks for his help in accessing a gift Clara’s mother has bequeathed to her. This leads Clara on a magical adventure to a parallel world with four realms, where everything is not quite peace and harmony.
The Review.
This is a film that visually delights from the word go. The film opens with a swooping tour of Victorian London (who knew the Disney castle was in the capital’s suburbs?!) via Westminster bridge and into the Stahlbaum’s attic. It’s a spectacular tour-de-force of special-effects wizardry and sets up the expectation of what’s to come. For every scene that follows is a richly decorated feast for the eyes. Drosselmeyer’s party is a glorious event, full of extras, strong on costume design and with a rich colour palette as filmed by Linus Sandgren (“La La Land“). When we are pitched into the Four Realms – no wardrobe required – the magical visions continue.
The film represents a Narnia-esque take on the four compass-point lands of Oz, and on that basis it’s a bit formulaic. But the good vs evil angles are more subtley portrayed. Of the Four Realms leaders, Keira Knightley as Sugar Plum rather steals the show from the others (played by Richard E. Grant, Eugenio Derbez and Helen Mirren). Mirren in particular is given little to do.
What age kids would this be suitable for? Well, probably a good judge would be the Wizard of Oz. If your kids are not completely freaked out by the Wicked Witch of the West and the flying monkeys, then they will probably cope OK with the scary bits of the “Realm of Entertainment”. Although those who suffer from either musophobia or (especially) coulrophobia might want to give it a miss! All kids are different though, and the “loss of the mother” is also an angle to consider: that might worry and upset young children. It is definitely a “PG” certificate rather than a “U” certificate.
Young people who also enjoy ballet (I nearly fell into a sexist trap there!) will also get a kick out of some of the dance sequences, which are “Fantasia-esque” in their presentation and feature Misty Copeland, famously the first African American Female Principal Dancer with the American Ballet Theatre. (I have no appreciation at all for ballet, but I’m sure it was brilliant!)
As for the moral tone of the film, the female empowerment message is rather ladled on with a trowel, but as it’s a good message I have no great problem with that. I am often appalled at how lacking in confidence young people are in their own abilities. Here is a young lady (an engineer!) learning self-resilience and the confidence to be able to do anything in life she puts her mind to. Well said.
The story is rather generic – child visits a magical other world – but the screenplay is impressive given its the first-feature screenplay for Ashleigh Powell: there is an article on her approach to screenwriting that you might find interesting here.
The film is credited with two directors. This – particularly if there is also an army of screenwriters – is normally a warning sign on a film. (As a case in point, the chaotic 1967 version of “Casino Royale” had six different directors, and it shows!). Here, there clearly were issues with the filming since Disney insisted on reshoots for which the original director, Lasse Hallström, was not available. This is where the “Captain America” director Joe Johnston stepped in.
The turns.
I really enjoyed Mackenzie Foy‘s performance as Clara. Now 18, she is a feisty and believable Disney princess for the modern age. (If, like me, you are struggling to place where you’ve heard her name before, she was the young Murph in Nolan’s “Interstellar“).
Another name I was struggling with was Ellie Bamber as her sister. Ellie was excellent in the traumatic role of the daughter in the brilliant “Nocturnal Animals“, one of my favourite films of 2016. (Hopefully the therapy has worked and Ellie can sleep at night again!).
A newcomer with a big role is Jayden Fowora-Knight as the Nutcracker soldier: Jayden had a bit part in “Ready Player One” but does a great job here in a substantial role in the film. He stands out as a black actor in a Disney feature: notwithstanding the Finn character in “Star Wars”, this is a long-overdue and welcome approach from Disney.
British comedians Omid Djalili and Jack Whitehouse turn up to add some light relief, but the humour seems rather forced and not particularly fitting.
Final thoughts
I wasn’t expecting to enjoy this one much, but I did. Prinicipally because it is such a visual feast and worth going to see just for that alone: I have a prediction that this film will be nominated for production design, costume design and possible special effects.
I think kids of the right age – I would have thought 6 to 10 sort of range – will enjoy this a lot, particularly if they like dance. Young girls in particular will most relate to the lead character. For such kids, I’d rate this a 4*. The rating below reflects my rating as an adult: so I don’t think ‘drag-a-long’ parents in the Christmas holidays (if it is still on by then) will not be totally bored.