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Fantastic Four (2015)
Fantastic Four (2015)
2015 | Action
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.

It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?

Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.

Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.

Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.

Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.

When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.

However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.

Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.

An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.

Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.

A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.

https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
  
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Adam McKay recommended Hustlers (2019) in Movies (curated)

 
Hustlers (2019)
Hustlers (2019)
2019 | Drama

"For years and years in American cinema, thick-handed, pock-marked gangsters have planned and schemed in smoky strip joints with out-of-focus dancers shaking their hips behind them. The most these exhausted, hard-working strippers could hope for might be a B camera topless shot where they wink at a James Gandofini or Robert De Niro. But then Lorene Scafaria stepped in, grabbed the camera and rack focused onto these hitherto silent background characters, and with the movie “Hustlers,” changed the way we look at crime and American culture by telling their story. Scafaria has been known for her razor-sharp comedies for years, but with “Hustlers” she fully jumps into the world of Martin Scorsese or David Chase and makes their gangsters seem like they’ve had it easy. And she does it most impressively of all without framing her characters as victims. Destiny, Ramona, Annabelle and all of her characters are powerful and have wants and desires that drive them to break the law. Full stop. These women may have been born without the opportunities of the bankers they dance for, or may have children to feed, but they are at the end of the day fully conscious, fully aware criminals. And this movie is their story. Scafaria dares us to not view them as anti-heroes or heroes or villains but instead as complex contradictory characters. A few filmmakers have tried to tell the story of the 2007-08 financial collapse (myself included), but Lorene Scafaria took a page from the legendary columnist Jimmy Breslin, who rather than cover JFK’s funeral back in 1963, interviewed his gravedigger. It was an affecting and surprising piece that made Breslin’s reputation. And like Breslin, by choosing the characters we’ve traditionally overlooked, Lorene Scafaria gets to a side of our collective story that for years has been relegated to the background and makes it real and affecting without apology or judgement."

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Fallout: Lois Lane
Fallout: Lois Lane
Gwenda Bond | 2015 | Comics & Graphic Novels, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
I LOVE this book.
I absolutely loved this book. I read an uncorrected proof copy, so there were a few errors, but I am sure those will be fixed before actual publication. But the book was AMAZING. Lois Lane is and always has been one of my greatest heroes. And this book definitely did the teenage Lois justice. In fact, she is pretty perfect. I also love how the author incorporates Clark Kent into the story in such a way that he is important to the story, but he is still secondary to Lane's character. A lot of times, trying to write a story told from the point of view of another character from a story as popular as the Superman mythos, the central character being written about loses her voice in favor of the more well-known hero. Not the case in this novel. I loved it. It was perfect. I hope DESPERATELY that the author continues to write more Lois Lane books in this fashion.
  
The Fault in Our Stars
The Fault in Our Stars
John Green | 2012 | Children
10
8.2 (185 Ratings)
Book Rating
I scoffed at the author's note before the novel started. Of COURSE the characters and events are fictional. DUH. But i had to remind myself of that when i finished because Hazel and Augustus are my dear friends and my heroes. (and it's not because the "fought" cancer "bravely") Even as fictional characters -still don't actually, literally believe that- they left their scars upon me and I'm better for it. That's the whole point of literature, isn't it? That's the whole point of life: notice the universe but don't forget about the simple beauties in front of you. Like a fantastic novel.

SPOILER

I felt like Green put me in the shoes of Hazel in that he created a character that i fell in love with but tragically lost. In an infinite number of dimensions with an infinite number of outcomes, Augustus and Hazel live a long and happy life together. I refuse to believe anything less.