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Gareth von Kallenbach (980 KP) rated The 15:17 To Paris (2018) in Movies
Jul 8, 2019
Based on book, The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Soldiers by Jeffrey E. Stern, Spencer Stone, Anthony Sadler and Alek Skarlatos, the film, The 15:17 to Paris tells the story of three America friends who stop a terrorist attempt on a train to Paris.
The men are heroes and it is inspiring to see how ordinary people can step up and put their lives at risk to save lives.
As such, this film would have been better told as a short documentary. Mostly because I found myself wondering what these men were thinking in those moments. How were they feeling when they saw people running and heard a gunshot. What made them take action? Was there doubt? And how did their friendship/bond contribute to being able to support each other in that moment and after?
Unfortunately, we do not get the answers to these questions. Instead Director Clint Eastwood decided to make a film that was trying to imitate real life as much as possible. So much so, the three actual heroes Stone, Sadler and Skarlatos play themselves. If Eastwood’s goal was to show how mundane life is in every day moments and a terrorist attack can happen at any moment in any mundane situation and end just as quickly, he succeeded. These three friends have cringe worthy dialogue that goes nowhere throughout the story. It makes these real life friends feel like they do not have any chemistry as it is clear they all feel out of their element in front of the camera. Not exactly the level of amateurism you would expect from a full feature film.
The semi bright spot is when we are shown how these three men became friends as boys and how they grew up. We get an understanding of how they like to play “war” in their back yard and how they would get in trouble but still have each other’s back when it counted. However, like the rest of this film, I wish this was told as a documentary or dramatic documentary. I wanted to hear from them firsthand what they thought about their friendship and how it evolved.
Stone, Sadler and Skarlatos are Heroes. They deserve better than this film. These three men deserve an opportunity to have their story told so people everywhere can care and understand. One of them had a call to duty because of his grandfather who served in WWII. What did that truly mean to him? We don’t know. One felt like he was being pushed to greatness by the universe. What did that mean to him now that it’s happened? We don’t know because we don’t hear from him first hand. The other was always just looking to have a good time. How does he feel about what happened and his friends? We don’t know. Because we are never given anything buy hollow dialogue, some loose information to surmise these things and bad screen chemistry from three real life friends.
I left the movie in awe of what the trio did in a moment where most people would run or think only of themselves. But I cannot in good faith recommend anyone spend money at a theater for a film that feels like it was produced by an amateur and should have been premiered on YouTube.
The men are heroes and it is inspiring to see how ordinary people can step up and put their lives at risk to save lives.
As such, this film would have been better told as a short documentary. Mostly because I found myself wondering what these men were thinking in those moments. How were they feeling when they saw people running and heard a gunshot. What made them take action? Was there doubt? And how did their friendship/bond contribute to being able to support each other in that moment and after?
Unfortunately, we do not get the answers to these questions. Instead Director Clint Eastwood decided to make a film that was trying to imitate real life as much as possible. So much so, the three actual heroes Stone, Sadler and Skarlatos play themselves. If Eastwood’s goal was to show how mundane life is in every day moments and a terrorist attack can happen at any moment in any mundane situation and end just as quickly, he succeeded. These three friends have cringe worthy dialogue that goes nowhere throughout the story. It makes these real life friends feel like they do not have any chemistry as it is clear they all feel out of their element in front of the camera. Not exactly the level of amateurism you would expect from a full feature film.
The semi bright spot is when we are shown how these three men became friends as boys and how they grew up. We get an understanding of how they like to play “war” in their back yard and how they would get in trouble but still have each other’s back when it counted. However, like the rest of this film, I wish this was told as a documentary or dramatic documentary. I wanted to hear from them firsthand what they thought about their friendship and how it evolved.
Stone, Sadler and Skarlatos are Heroes. They deserve better than this film. These three men deserve an opportunity to have their story told so people everywhere can care and understand. One of them had a call to duty because of his grandfather who served in WWII. What did that truly mean to him? We don’t know. One felt like he was being pushed to greatness by the universe. What did that mean to him now that it’s happened? We don’t know because we don’t hear from him first hand. The other was always just looking to have a good time. How does he feel about what happened and his friends? We don’t know. Because we are never given anything buy hollow dialogue, some loose information to surmise these things and bad screen chemistry from three real life friends.
I left the movie in awe of what the trio did in a moment where most people would run or think only of themselves. But I cannot in good faith recommend anyone spend money at a theater for a film that feels like it was produced by an amateur and should have been premiered on YouTube.
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Kingdom Rush Origins HD
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***Best Mobile Game 2015 DICE Nominee*** The most addicting tower defense game returns in an...
Kingdom Rush Origins
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***Best Mobile Game 2015 DICE Nominee*** The most addicting tower defense game returns in an...
Acanthea Grimscythe (300 KP) rated Little Heaven: A Novel in Books
May 16, 2018
Before I delve into my thoughts about Little Heaven, I would like to thank the publisher, the author, and NetGalley for providing me with a free copy of the book in exchange for an honest and unbiased review. Little Heaven will be available for purchase January 10, 2017 and its definitely on my wishlist for a physical copy.
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
Little Heaven plays host to an interesting cast of characters that range from three extremely different and unlikely heroes, to your typical, run of the mill, religious zealot. Heavily influenced by the Jonestown Massacre in some regards, I found Cutter's book to be a delightful and fresh read, in the most fiendishly way possible.
Our "heroes" are hired by a concerned woman after her nephew is taken into Little Heaven, a religious compound run by Reverend Amos Flesher. The motley crew quickly find themselves caught up in what can only be described as a nightmare; Reverend Flesher's obsession with his religion, coupled with an ancient evil, wrought a terrifying tale that is worth every minute I spent reading it.
I also have to admit that I was awestruck by Nick Cutter's style of writing. If you read my blog often enough, you're likely aware that I am no stranger to the macabre. The more gruesome, terrifying, and gore-filled a story or movie is, the happier I am. In that regard, Cutter exceeded my expectations. He paints such a vivid picture that there are times I actually found myself feeling squeamish - and that is a feat when it comes to the written word. Other times, I found myself on the verge of an anxiety attack, even if it was action driven, rather than by suspense.
The only thing I really didn't care for was the manner in which it went back and forth between two different time periods, especially since the latter period, 1980, could probably have been largely left out of the equation - or at least implemented into a smoother transition. The part of the story taking place in the 80s felt largely pointless to me up until the end, and even then it didn't have as much of a "wow" factor as I had hoped for. Nonetheless, it was still an excellent read.
Little Heaven is, undoubtedly, one of my favorite books so far this year - or rather, next year if you go by the publication date. I can't wait to read more from this author!
Darkwriter1408 (8 KP) rated The Incredibles (2004) in Movies
Jun 13, 2019
Family friendly (3 more)
Funny
Good fight scenes
Good use of superheroes
Brilliant family film that all will enjoy!!
So they live in a time where heroes are forbidden and Mr incredible is struggling to adjust. Disney have done a really good job in the scripting to show in his dialogue the problems he's facing. The animation as well is really impressive within his facial expressions.
After dismissing one of his fans from when he was a public hero, he receives an anonymous letter offering a heroes job. Now, for anyone else who shares my point of view. If I received a anonymous job offer worth thousands off of a stranger, I'd be speaking to my partner as that is creepy! Instead Disney took the approach of he is that desperate for the recognition of being a super he accepts without any thought or hesitation.
After dismissing the initial issue upon his first job, he begins a sort of partnership with this stranger only for it to be revealed as his childhood fan who he dismissed. The villain naming himself as syndrome has invented his own gadgets granting him powers like flight, zero gravity lasers and others.
Syndrome develops a robot that is essentially impenetrable. He holds a remote to dismantle it and has a genius master plan to get rid of all supers and essentially become the only super available. The rest of mr incredibles family get wind of what has happened and go to rescue him only to get caught as well and essentially be at syndromes disposle. Now let us just dismantle that one moment, a company as big as Disney has decided that this robot can be controlled by a remote, it has it's own computer processor so is aware of everything and is impenetrable. Am I the only one who sees the flaw that it can think for itself.? No? That's alright then.
The actors voice overs are really good and give the sense of urgency and emotion throughout there performces. This only adds to the big final battle. With a few funny moments in the film and bit of a slow moving middle filled with a sped up montage of mr incredibles training, I would say this film is definitely a very good family friendly film that will give a laugh and a very good evening with all the food on the table.
After dismissing one of his fans from when he was a public hero, he receives an anonymous letter offering a heroes job. Now, for anyone else who shares my point of view. If I received a anonymous job offer worth thousands off of a stranger, I'd be speaking to my partner as that is creepy! Instead Disney took the approach of he is that desperate for the recognition of being a super he accepts without any thought or hesitation.
After dismissing the initial issue upon his first job, he begins a sort of partnership with this stranger only for it to be revealed as his childhood fan who he dismissed. The villain naming himself as syndrome has invented his own gadgets granting him powers like flight, zero gravity lasers and others.
Syndrome develops a robot that is essentially impenetrable. He holds a remote to dismantle it and has a genius master plan to get rid of all supers and essentially become the only super available. The rest of mr incredibles family get wind of what has happened and go to rescue him only to get caught as well and essentially be at syndromes disposle. Now let us just dismantle that one moment, a company as big as Disney has decided that this robot can be controlled by a remote, it has it's own computer processor so is aware of everything and is impenetrable. Am I the only one who sees the flaw that it can think for itself.? No? That's alright then.
The actors voice overs are really good and give the sense of urgency and emotion throughout there performces. This only adds to the big final battle. With a few funny moments in the film and bit of a slow moving middle filled with a sped up montage of mr incredibles training, I would say this film is definitely a very good family friendly film that will give a laugh and a very good evening with all the food on the table.
Rob P (30 KP) rated The Heroes in Books
Dec 20, 2018
Character Arc (3 more)
Universe exploration and progression
Minor characters from previous trilogy (The First Law) explored to great satisfaction of readers.
Morally very challenging.
The Heroes
First of all I’d like to say that although this is a great read for any fantasy fan, the importance and virtues of this book are enforced greatly by having read Abercrombie’s trilogy; The First Law. That’s not to say it could not be read on its own, the story is dramatic, rich, honest and satisfying. Characters are interesting, morally grey (an Abercrombie staple) and fundamentally human in their relatability.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
The story centres on a battle between the empirical Union, or otherwise the seat of power from the south of the continent, and the brutish Northmen united under a legendary fighter, Black Dow. Dow has (presumably) killed, and seized power from the previous lord of war, Logen Ninefingers (also known as The Bloody Nine) and declared the north independent.
In the south, the Union (under guidance and governance from external parties) raises it’s army to march north and deal with this threat, with the two armies set to collide at an old northern monument of stone pillars, known as The Heroes.
Now, for a reader with a severe completion complex, this book is just a warm hug. Leading on from the trilogy that left just enough unanswered to make you need more, this book if anything over-delivers on detail and lends some of its best moments from characters you just didn’t realise you wanted to know more about, or passed you by entirely.
The very best state of mind to go into with this read, is to remember that both story and moral lines are perennially blurred. Every character belongs to one side or the other in theory, but with their own agenda entirely.
Abercrombie, to me, really stands out when it comes to fighting sequences, and there’s no shortage in this offering. He uses point of view accounts from multiple characters, chaining them as they fall or impact the flow of battle, making for a visceral and investing read.
Ultimately, fans of the series or Abercrombie’s works will already have enough to know they want to read this, but if you’re thinking of picking this as a starting point, your bookshelf will be sponsored by Abercrombie before you even know what is happening – Rob.
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
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Set off on an ICE AGE match-3 puzzle adventure with Sid, Manny, Diego and Scrat in addition to a...
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