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Phil Leader (619 KP) rated Piranha (Oregon Files #10) in Books
Nov 25, 2019
Let's be honest here some of the Cussler franchises are getting a little tired and in need of some fresh momentum. Who better to take up the baton of the secret spy ship Oregon than Boyd Morrison? His characterisation and love of technology and gadgets fits perfectly with plots that require several different protagonists in play (there are 4 main 'bad guys' alone in this book, not mention a ship full of the good guys) and high-tech confrontations.
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
Morrison does indeed tackle this book with gusto. This is mostly action from cover to cover with very little time to catch breath between and exposition being done on the move. There is certainly no feeling that the narrative is moving from set piece to set piece without much momentum or reason.
The main plot is also interesting - what if someone always knew what you were going to do, as if they had an omniscient eavesdropping device. How would you counter that? Add in a vengeful Venezuelan Navy captain and some particularly nasty henchmen and you have the basics for a real thrill ride.
I do like Morrison's work (if you have never read any of the Tyler Locke series I recommend that you do) and expected to like this book, but it exceeded my every expectation. Our heroes are assaulted on all sides - and notably often not under the protection of the Oregon - and the only way they win through is by simply being good at what they do - there are no escapes due to fortunate circumstances.
This is definitely one of the most impressive Cussler brand books for years, probably the best Oregon Files book there is. Although mention is made in passing of various previous exploits, reading the previous novels is not required to enjoy this book.
If you like fast paced adventure with plenty of thrills then you can't go far wrong reading this
JT (287 KP) rated 1917 (2020) in Movies
Mar 3, 2020
Brilliant cinematography (2 more)
Great score
Fantastic central characters
A stunning film which hits hard both physically and emotionally
particular emphasis on cinematography. The World War I film is made to look like one continuous shot by director Sam Mendes whose one-shot opening of Spectre gave us a taste of things to come.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
The film swept awards season with the film winning Best Drama Motion Picture at the Golden Globes, not to mention cleaning up at the BAFTAs. This was a strong indication that Mendes might have a hand on a couple of Oscars.
1917 tells the story of two Lance Corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay) who are tasked with hand-delivering a message to another battalion who are inadvertently walking into a trap – Blake’s brother among them. If they fail then 1,600 men will lose their lives.
Blake and Schofield have been through a lot. When we first meet them they are relaxing beneath a tree, taking a break trying to enjoy the peaceful surroundings.
Without so much as a thought the pair salute General Erinmore (Colin Firth) and start the first part of their harrowing journey crossing no man’s land. The film is gripping in every sense of the word and you feel as if you are making the treacherous journey with them.
The scenery is devastatingly realistic, particularly the trip across no man’s land where charred bodies are buried deep in bombed-out craters of mud, their faces starring out in a look of shock.
The cast is limited to a few big-name cameos which aren’t blink and you miss them. Joining Firth is Andrew Scott, Mark Strong and Benedict Cumberbatch who make a significant impression in key scenes. The film flows incredibly well and never takes a back step, quite literally.
This is a journey that rivals Saving Private Ryan for it’s impactfulness, and why the memories of those who fought in the great war should always be forever remembered as true heroes.
LeftSideCut (3776 KP) rated The Walking Dead - Season 2 in TV
Aug 2, 2019
An engaging second season
Contains spoilers, click to show
The second season of The Walking Dead gets a bad wrap at times. Upon many a half drunken discussion in the pub about various nerdy franchises, TWD always crops up, and people always seem to mention season 2 as a weak season. (Usually people who are yet to watch seasons 7-8...)
I am extremely fond of this season. It's fairly slow but that's really not a bad thing. It devotes a lot of time to fleshing out the ensemble cast, and concentrates a lot on internal conflicts within the group.
The series starts with one of the children, Sophia, going missing after a zombie horde shuffles towards our heroes as they hide in a freeway under cars (a classic tense TWD scene).
Sophia, understandably scared, decides to run instead of hide, and the group sets off to find her. During their search, Rick's young son Carl is accidentally shot, and the group find medical help at a nearby farm.
And said farm is where the rest of the season takes place.
We're introduced in this season to fan favourites such as Hershel (literally my favourite TWD character of all time), Maggie, and Beth, adding some great characters to an already strong cast.
The conflict between Rick and Shane comes to a head as the season progresses, resulting in some really tense scenes.
The mid point of season 2 contains one of the best scenes to ever grace TWD. As the suspect barn at the bottom on Hershels farm is opened against his will, and well, the end of the episode contains a revelation that gave me goosebumps. For a show about zombies, it's really powerful television at times.
The finale is predictable zombie chaos, but it's a lot of gory fun, and leaves you hankering for season 3, even if we lose a couple of great characters along the way.
I am extremely fond of this season. It's fairly slow but that's really not a bad thing. It devotes a lot of time to fleshing out the ensemble cast, and concentrates a lot on internal conflicts within the group.
The series starts with one of the children, Sophia, going missing after a zombie horde shuffles towards our heroes as they hide in a freeway under cars (a classic tense TWD scene).
Sophia, understandably scared, decides to run instead of hide, and the group sets off to find her. During their search, Rick's young son Carl is accidentally shot, and the group find medical help at a nearby farm.
And said farm is where the rest of the season takes place.
We're introduced in this season to fan favourites such as Hershel (literally my favourite TWD character of all time), Maggie, and Beth, adding some great characters to an already strong cast.
The conflict between Rick and Shane comes to a head as the season progresses, resulting in some really tense scenes.
The mid point of season 2 contains one of the best scenes to ever grace TWD. As the suspect barn at the bottom on Hershels farm is opened against his will, and well, the end of the episode contains a revelation that gave me goosebumps. For a show about zombies, it's really powerful television at times.
The finale is predictable zombie chaos, but it's a lot of gory fun, and leaves you hankering for season 3, even if we lose a couple of great characters along the way.
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