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How to Read Greek Vases
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This handsomely illustrated volume is the second in a series of publications aimed at giving a broad...
LeftSideCut (3776 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Adam Ant recommended What's Going On by Marvin Gaye in Music (curated)
Johnny Marr recommended track Jean Genie by David Bowie in Platinum Collection by David Bowie in Music (curated)
Lyndsey Gollogly (2893 KP) rated The Jaguar King (The Wild Rites Saga #1) in Books
Apr 12, 2021
50 of 250
Kindle
The Jaguar King ( The Wild Rites saga book 1)
By Anne Mcilwraith
Once read a review will be written via Smashbomb and link posted in comments
Magic is real? Big deal. Bills still gotta be paid.
Especially when you’re heading into vet med. Emma Chase is nothing special – if anything, with a roomie who turns into a jaguar on a regular basis, she’s the sidekick, not the heroine. Her superpowers have more to do with acing her finals and overworking herself. Knowing her best friend’s secret makes it easier to justify her own inclination to keep people at a distance, but it doesn’t change her life.
Until others like him show up on her doorstep, convinced she’s the fated savior of their race, telling her she’s destined to command the magic of – well, Emma doesn’t quite catch that part, she’s too busy getting her ass the hell out of there.
What she does know? The Jaguar King is after her, his rivals want her dead, and she doesn’t have to believe in prophecy to believe they’ll stop at nothing to catch her.
Violence. Magic. Inappropriate humor. Step into a world of wonder and savagery in a gritty urban fantasy with an unlikely heroine, sizzling heroes, and complicated villains. The Jaguar King is a full-length read and the first in a series, and all the books have satisfying resolutions as well as a series-spanning story arc. Definitely no cliff-hangers – just bad-ass shifters with one goal: claim the prize. Claim the Caller of the Blood.
I so wanted to give this more than 2 stars! The main character is good she can kick ass and has sass but it’s all a bit over complicated. I found it rushed in places and hard to read in others. It’s not all bad though I’ve been dying for a spider shifter for so long and in this area I was not disappointed and I love the link that Emma has with Fern!
The fighting scenes were a bit all over the place too nothing seemed clear.
For me overall it showed promise just didn't deliver.
Merissa (12788 KP) created a post
Feb 12, 2021
ClareR (5869 KP) rated A Thousand Ships in Books
Sep 13, 2020
How could it be anything other than ‘Epic’ when it’s Greek Mythology involved?
A Thousand Ships is the story of the Trojan War as experienced by the women. Greek mythology is always centred around the men - after all, it was men who original myths down (The Iliad and The Odyssey both having been written by Homer). Women are side characters who have things done to them, rather than them being the ones doing things - unless they’re a goddess or a witch. Although witches and nymphs don’t seem to come out of these stories particularly well either 🤷🏼♀️
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
Gareth von Kallenbach (980 KP) rated Hidden Figures (2016) in Movies
Jul 12, 2019
Teaching courses on history and the relevance of film capturing historical periods, people, and themes offers me a little greater perspective when watching historically based films. I think about how much I should criticize the film based on the ways that the truths are stretched in order to placate their audiences so that they don’t feel to uncomfortable with the subject matter. Hidden Figures offers up a chance to expose American audiences to a period and historical figures that helped impact American history and allow successful space flight.
Hidden Figures discusses the contributions of African-American women at NASA — Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). The film is enlightening and allows for audiences to gain a greater understanding of women and women of color in ensuring the success of the American Space program. The film does not exaggerate circumstances to a point where it is difficult to believe. What is difficult to believe for audiences in using this film to look at the past is that we have waited so long to recognize and honor these heroes. Without their contributions, the United States may have never made it to the moon.
The film offers adults and youth audiences an honest look into what these women faced in the forms of racism and sexism. There is no brutality of racism or violence demonstrated, but the spectre of it lingers over the film and reminds the viewer of the hardships that these women faced. They had the minds to carry out their tasks, but they did not have the right gender or color to be taken seriously, at first. The film is empowering and allows for young girls, despite race, to see that science and math are not fields that are not limited to men. Appropriate representation allows for more depth to history and the role that people of different walks, faiths, and nationalities have played in society. Hidden Figures is a timely film that allows for greater representation and may push filmmakers and audiences to discover more hidden figures in history.
Hidden Figures discusses the contributions of African-American women at NASA — Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe). The film is enlightening and allows for audiences to gain a greater understanding of women and women of color in ensuring the success of the American Space program. The film does not exaggerate circumstances to a point where it is difficult to believe. What is difficult to believe for audiences in using this film to look at the past is that we have waited so long to recognize and honor these heroes. Without their contributions, the United States may have never made it to the moon.
The film offers adults and youth audiences an honest look into what these women faced in the forms of racism and sexism. There is no brutality of racism or violence demonstrated, but the spectre of it lingers over the film and reminds the viewer of the hardships that these women faced. They had the minds to carry out their tasks, but they did not have the right gender or color to be taken seriously, at first. The film is empowering and allows for young girls, despite race, to see that science and math are not fields that are not limited to men. Appropriate representation allows for more depth to history and the role that people of different walks, faiths, and nationalities have played in society. Hidden Figures is a timely film that allows for greater representation and may push filmmakers and audiences to discover more hidden figures in history.
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