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Phil Leader (619 KP) rated Havana Storm in Books
Nov 14, 2019
I've been reading some pretty demanding books recently and needed something a bit more lightweight and the Cussler template usually fits the bill. You always know what you are going to get and sometimes that's just what you need. I didn't expect this book to blow me away and it didn't - but it was better than my expectations.
This is another collaboration with Dirk Cussler and as usual it's hard to know how much of the book is down to Clive and how much to Dirk. But that's not the point. In this book you get lots of underwater action, 'bad guys' intent on making money and creating environmental disaster in the process and Cuban political intrigue.
In previous installments the children of Dirk Pitt (called Dirk and Summer) have sometimes appeared to have written in just to make sure they appear in the series leaving the actual meat of the story progression to the familiar team of Pitt and Giordino. But this is quite notable for the ensemble cast that get their hands dirty in the course of the story, especially when the usual pairings are split up and Pitt works with his daughter and Dirk is with Giordino.
There are the usual scrapes and death-defying escapes but again the reader is kept guessing as sometime the escapes leave the heroes free to continue their task of thwarting the bad guys but other times ingenious and risky plans work but end up with their almost immediate recapture.
Overall the book is indeed a little more realistic that previous ones (although still pretty far fetched). The threat is localised rather than global and the motivation of political power and greed seems plausible, as does the way the NUMA team pull the threads together to work out what is going on.
This is never going to be a must read book or on any kind of literary shortlist for me but for pure escapist adventure, it's really hard to beat.
Possibly one for Dirk Pitt fans only as the first few books are far superior, but a lot better than some installments in the series.
Rating: Some violence but not excessive
This is another collaboration with Dirk Cussler and as usual it's hard to know how much of the book is down to Clive and how much to Dirk. But that's not the point. In this book you get lots of underwater action, 'bad guys' intent on making money and creating environmental disaster in the process and Cuban political intrigue.
In previous installments the children of Dirk Pitt (called Dirk and Summer) have sometimes appeared to have written in just to make sure they appear in the series leaving the actual meat of the story progression to the familiar team of Pitt and Giordino. But this is quite notable for the ensemble cast that get their hands dirty in the course of the story, especially when the usual pairings are split up and Pitt works with his daughter and Dirk is with Giordino.
There are the usual scrapes and death-defying escapes but again the reader is kept guessing as sometime the escapes leave the heroes free to continue their task of thwarting the bad guys but other times ingenious and risky plans work but end up with their almost immediate recapture.
Overall the book is indeed a little more realistic that previous ones (although still pretty far fetched). The threat is localised rather than global and the motivation of political power and greed seems plausible, as does the way the NUMA team pull the threads together to work out what is going on.
This is never going to be a must read book or on any kind of literary shortlist for me but for pure escapist adventure, it's really hard to beat.
Possibly one for Dirk Pitt fans only as the first few books are far superior, but a lot better than some installments in the series.
Rating: Some violence but not excessive
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
Phil Leader (619 KP) rated The Midas Code (Tyler Locke #2) in Books
Nov 20, 2019
The story of King Midas is a Greek Legend warning on the folly of greed where everything the king touches turns to gold - including his daughter. But at the heart of every story is a grain of truth. What if King Midas was real and there really was a Midas Touch that could turn other things into gold? How much would it be worth? And more importantly how far would some people go in order to secure it?
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Jordan Orr is in a race against time to secure this ancient and valuable artifact but he is missing two important pieces - an expert in ancient civilisations and an engineer able to decode centuries old mechanisms. He therefore puts Stacy Benedict, scholar and presenter of a popular TV show on ancient cultures, and Tyler Locke into a situation where they have no choice but to help him. Can Locke outsmart Orr? And does the Midas Touch really exist?
The second of the Tyler Locke thrillers sees Morrison once again explore the theme of an old story and imagining a what if situation of there being some truth to it. He then adds Tyler Locke - ex army engineer, mechanism and explosives expert and Grant Westfield, ex pro-wrestler and ex Army Ranger to the mix. As Benedict, Locke and Westfield move around Europe following the instructions laid down in a codex written Archimedes it seems Orr is always one step ahead of them. Locke must use all of his ingenuity to try to thwart Orr in his plans.
As with his other novels Morrison doesn't let up for one second and he relishes pushing his heroes to the limit. 'Out of the frying pan and into the fire' has nothing on this.
It would be easy to write a thriller of this sort and be sloppy with the details but Morrison is as always well-researched and keen to show off Locke's scientific and engineering credentials and is effortless at making ancient stories seem like they could - just about - be true.
Overall another absolutely brilliant book. Could Morrison be the best thriller writer working today? It's not something I'd discount.
Kristy H (1252 KP) rated The Night Fire in Books
Mar 19, 2020
Harry Bosch is one of my favorite characters ever, and I wait with much anticipation for the release of every new Michael Connelly novel. The Night Fire is the third book that features both Bosch and Detective Renee Ballard, who works the LAPD night shift. I’m really loving their partnership now and have grown to care for Ballard in her own right. (Bosch will always be my true love, though.)
This is another well-researched book from Connelly, as Bosch and Ballard work a series of intriguing cases—some of which will intersect. The story starts with Bosch receiving an old murder book from the widow of his former mentor. He pulls Ballard in to investigate and off we go! There are some great twists, and the cases are fascinating. I love Bosch to death and how he and Ballard play off each other. Mickey Haller makes an appearance, and Bosch struggles with a rare moment where he’s helping the defense.
The plot, as usual, is great--you can always count on Connelly for gripping cases that are timely and interesting. He manages to do this even as our two heroes are solving a cold case: quite a feat. I'm always astonished at how Connelly can somehow have Bosch and Ballard juggle two, three, four cases at time and somehow it all works. I always think I'll be confused and lost among the plot points, yet it always comes together.
The characters, however, are what keep you coming back. I love that we get to see Bosch interacting more with his half-brother, Haller. And there are some great scenes with Bosch and Maddie, his daughter, including one involving "FOMO" that is just priceless. As Bosch ages, each book seems to have more poignant moments tucked in between mysteries and bad guys. It's Ballard pushing the limits now, and Bosch reminding her to sleep.
Definitely a gripping read even as we have to grapple with the fact that our beloved Bosch is getting older. The ending gave me some hope, though, and I hope Bosch and Ballard are around for quite some time. 4+ stars.
This is another well-researched book from Connelly, as Bosch and Ballard work a series of intriguing cases—some of which will intersect. The story starts with Bosch receiving an old murder book from the widow of his former mentor. He pulls Ballard in to investigate and off we go! There are some great twists, and the cases are fascinating. I love Bosch to death and how he and Ballard play off each other. Mickey Haller makes an appearance, and Bosch struggles with a rare moment where he’s helping the defense.
The plot, as usual, is great--you can always count on Connelly for gripping cases that are timely and interesting. He manages to do this even as our two heroes are solving a cold case: quite a feat. I'm always astonished at how Connelly can somehow have Bosch and Ballard juggle two, three, four cases at time and somehow it all works. I always think I'll be confused and lost among the plot points, yet it always comes together.
The characters, however, are what keep you coming back. I love that we get to see Bosch interacting more with his half-brother, Haller. And there are some great scenes with Bosch and Maddie, his daughter, including one involving "FOMO" that is just priceless. As Bosch ages, each book seems to have more poignant moments tucked in between mysteries and bad guys. It's Ballard pushing the limits now, and Bosch reminding her to sleep.
Definitely a gripping read even as we have to grapple with the fact that our beloved Bosch is getting older. The ending gave me some hope, though, and I hope Bosch and Ballard are around for quite some time. 4+ stars.
Walshy: Paul Walsh: My Autobiography
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LeftSideCut (3776 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.