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Movie Metropolis (309 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
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To say 2014’s Guardians of the Galaxy was a surprise hit is a slight understatement. Many had predicted Marvel’s gamble to sink the studio with its unknown characters and very unique sense of style, but it ended up being one of the year’s best films grossing nearly $800million.
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Movie Metropolis (309 KP) rated Kingsman: The Golden Circle (2017) in Movies
Jun 10, 2019
Welcome back, chaps
Kingsman: The Secret Service was one of the surprise hits of 2014. Marketed poorly by an unassuming set of trailers, the end result was a film as big a surprise as Guardians of the Galaxy was.
We all know what happened. Kingsman senior grossed over $400million worldwide and a sequel was soon greenlit with a much bigger budget and a marketing effort worth of the first film.
But has some of that old-school charm been lost in the transition to high-budget movie event of the summer?
With their headquarters destroyed and the world held hostage by a villainous drug lord (Julianne Moore), members of Kingsman find new allies when they discover a spy organization in the United States known as Statesman. In an adventure that tests their strength and wits, the elite agents band together to battle a ruthless enemy and save the day, something that seems to be a bit of a habit for Eggsy (Taron Egerton) of late.
Thankfully, I’m pleased to tell you that Matthew Vaughn’s follow-up, while not bettering its predecessor, manages to stay away from many of the sequel pitfalls we tend to see nowadays.
Opening with a fantastically filmed cab ride through London’s narrow streets, the first sequence sets up the movie perfectly. This is a rollercoaster ride – loud, at times exhausting but completely and utterly exhilarating.
That familiar cast we grew to love in the first film return including the not-so-secret return of Colin Firth’s Harry. It’s disappointing to have seen the big reveal of his survival from Samuel L Jackson’s bullet in the trailers, but it’s still a welcome return and a smart move by the writers – even if the circumstances surrounding his well-being are a little farfetched.
Taron Egerton is once again on top form and Mark Strong is ever-reliable as intelligence agent, Merlin. Of the newcomers, Channing Tatum, Halle Berry and Jeff Bridges make a small, but noticeable impact on proceedings though I would’ve liked to have seen them a little more throughout the 140-minute runtime.
You’re right to gasp. Kingsman: The Golden Circle is a good 10 minutes or so longer than its predecessor and while the action is choreographed to the same exceptional standard of its forbearer, it does feel like a long film.
Nevertheless, if there’s one thing Matthew Vaughn knows how to direct, it’s action. The increased budget this time around means our heroes embark on a globetrotting mission that includes Cambodia, Italy, the US and of course Blighty. The cinematography is wonderful with the Cambodian lair of our main villain being a particular highlight.
Speaking of which, Julianne Moore is absolutely sublime. Described by Vaughn himself as “Martha Stewart on crack”, she is right up there with Samuel L Jackson’s outlandish Richmond Valentine. Watch out for a surprise turn from Elton John that will have you in stitches whenever the film switches to Moore’s mountain-top lair.
With this and President Alma Coin from The Hunger Games on her CV, she’s proving a great choice to play wicked characters – she’s certainly got the acting chops for it.
Overall, there’s far too much in Kingsman: The Golden Circle to talk about in one review, but it’s fair to say this sequel is a big success. With beautifully choreographed action and some cracking performances, it’s more than a candidate for best film of the year. Flawed? Yes. But you’ll be having too much fun to notice. Bring on the sequel.
https://moviemetropolis.net/2017/09/21/kingsman-the-golden-circle-review/
We all know what happened. Kingsman senior grossed over $400million worldwide and a sequel was soon greenlit with a much bigger budget and a marketing effort worth of the first film.
But has some of that old-school charm been lost in the transition to high-budget movie event of the summer?
With their headquarters destroyed and the world held hostage by a villainous drug lord (Julianne Moore), members of Kingsman find new allies when they discover a spy organization in the United States known as Statesman. In an adventure that tests their strength and wits, the elite agents band together to battle a ruthless enemy and save the day, something that seems to be a bit of a habit for Eggsy (Taron Egerton) of late.
Thankfully, I’m pleased to tell you that Matthew Vaughn’s follow-up, while not bettering its predecessor, manages to stay away from many of the sequel pitfalls we tend to see nowadays.
Opening with a fantastically filmed cab ride through London’s narrow streets, the first sequence sets up the movie perfectly. This is a rollercoaster ride – loud, at times exhausting but completely and utterly exhilarating.
That familiar cast we grew to love in the first film return including the not-so-secret return of Colin Firth’s Harry. It’s disappointing to have seen the big reveal of his survival from Samuel L Jackson’s bullet in the trailers, but it’s still a welcome return and a smart move by the writers – even if the circumstances surrounding his well-being are a little farfetched.
Taron Egerton is once again on top form and Mark Strong is ever-reliable as intelligence agent, Merlin. Of the newcomers, Channing Tatum, Halle Berry and Jeff Bridges make a small, but noticeable impact on proceedings though I would’ve liked to have seen them a little more throughout the 140-minute runtime.
You’re right to gasp. Kingsman: The Golden Circle is a good 10 minutes or so longer than its predecessor and while the action is choreographed to the same exceptional standard of its forbearer, it does feel like a long film.
Nevertheless, if there’s one thing Matthew Vaughn knows how to direct, it’s action. The increased budget this time around means our heroes embark on a globetrotting mission that includes Cambodia, Italy, the US and of course Blighty. The cinematography is wonderful with the Cambodian lair of our main villain being a particular highlight.
Speaking of which, Julianne Moore is absolutely sublime. Described by Vaughn himself as “Martha Stewart on crack”, she is right up there with Samuel L Jackson’s outlandish Richmond Valentine. Watch out for a surprise turn from Elton John that will have you in stitches whenever the film switches to Moore’s mountain-top lair.
With this and President Alma Coin from The Hunger Games on her CV, she’s proving a great choice to play wicked characters – she’s certainly got the acting chops for it.
Overall, there’s far too much in Kingsman: The Golden Circle to talk about in one review, but it’s fair to say this sequel is a big success. With beautifully choreographed action and some cracking performances, it’s more than a candidate for best film of the year. Flawed? Yes. But you’ll be having too much fun to notice. Bring on the sequel.
https://moviemetropolis.net/2017/09/21/kingsman-the-golden-circle-review/
I am absolutely in love with the book and wish that I didn't have to wait another year to find out what happens. Unlike Marissa Meyer's Lunar Chronicles series, I feel that Renegades is not a series that is as universal a read. The Lunar Chronicles effortlessly blends science fiction with a fairytale retelling and I feel can draw people in even if they don't normally read either of those two. Renegades on the other hand is definitely a superhero story, with fantastic characters and an intriguing plot - but, if you're not a fan of superheroes then you're not as likely to fall in love with this book.
I personally love superheroes, I read comics and can completely see the similarities to the X-Men in this novel. The gifted in this novel are called prodigies and have such amazing (and unique) powers. My personal favourite was Adrian, who had the ability to draw and make his art come to life. Even if you're not super familiar with powers in comics, you'll not be surprised by invincibility or flight. That's why Adrian's ability was so fascinating to me. It was wholly different from the powers I've grown to know and infinitely more surprising because of how versatile it is.
I also really enjoyed that the book wasn't black and white, good and evil, right and wrong. Meyer did a brilliant job illustrating the nuances so that as a reader you could see both sides of the coin. Neither was completely the one that you wanted to root for, as they were all real, flawed people. Even Nova, who I didn't completely connect with at the beginning of the book, grew over time and learned to think more openly. I ended up liking her a lot more, and love reading the struggle she went through throughout the entire book as it helped her develop as a character.
The main characters in this story definitely felt more real than the supporting ones, but I still feel that everyone was fleshed out. I never had those moments when I couldn't remember who was who, which can happen with a large cast of characters (especially when they have both real names and aliases). Meyer allowed people to form a connection with almost all of her characters, no matter how many pages she dedicated to them. I think that is definitely where this book shone.
I've always loved Marissa Meyer's ability to build a believable world that populates in your head as you read, and this is no exception. It could see Gatlon City with its heroes and villains, ordinary people, towering base of command, filthy subway tunnels and abandoned theme park buildings. I was so intrigued by the characters and the world that the storyline took more of a backseat for me. It was still fantastic, and even though the pacing of some scenes wasn't perfect, it was a really enjoyable book.
I would highly recommend this book, especially if you like reading about superheroes (or supervillains, I won't judge). I definitely think you'll enjoy the book otherwise, but it might just not end up being your favourite. Who knows? You may discover that you actually love superheroes because of this book. Trust me, it's pretty great.
I personally love superheroes, I read comics and can completely see the similarities to the X-Men in this novel. The gifted in this novel are called prodigies and have such amazing (and unique) powers. My personal favourite was Adrian, who had the ability to draw and make his art come to life. Even if you're not super familiar with powers in comics, you'll not be surprised by invincibility or flight. That's why Adrian's ability was so fascinating to me. It was wholly different from the powers I've grown to know and infinitely more surprising because of how versatile it is.
I also really enjoyed that the book wasn't black and white, good and evil, right and wrong. Meyer did a brilliant job illustrating the nuances so that as a reader you could see both sides of the coin. Neither was completely the one that you wanted to root for, as they were all real, flawed people. Even Nova, who I didn't completely connect with at the beginning of the book, grew over time and learned to think more openly. I ended up liking her a lot more, and love reading the struggle she went through throughout the entire book as it helped her develop as a character.
The main characters in this story definitely felt more real than the supporting ones, but I still feel that everyone was fleshed out. I never had those moments when I couldn't remember who was who, which can happen with a large cast of characters (especially when they have both real names and aliases). Meyer allowed people to form a connection with almost all of her characters, no matter how many pages she dedicated to them. I think that is definitely where this book shone.
I've always loved Marissa Meyer's ability to build a believable world that populates in your head as you read, and this is no exception. It could see Gatlon City with its heroes and villains, ordinary people, towering base of command, filthy subway tunnels and abandoned theme park buildings. I was so intrigued by the characters and the world that the storyline took more of a backseat for me. It was still fantastic, and even though the pacing of some scenes wasn't perfect, it was a really enjoyable book.
I would highly recommend this book, especially if you like reading about superheroes (or supervillains, I won't judge). I definitely think you'll enjoy the book otherwise, but it might just not end up being your favourite. Who knows? You may discover that you actually love superheroes because of this book. Trust me, it's pretty great.
Kyera (8 KP) rated The Shadow Queen (Ravenspire, #1) in Books
Feb 1, 2018
As a huge fan of re-tellings, I was excited to pick up and read this book. The Shadow Queen is the tale of Snow White, re-imagined into a vast world populated with not only magic users but dragons. Of all of the versions of this story that I've experienced, the Shadow Queen is probably my favourite version. It is always more enjoyable when the heroine is not solely a damsel in distress but is able to save herself when the need arises. The portrayal of a strong female lead is welcome in this story and she is supported by an array of characters.
I really enjoyed how the characters were initially introduced and then developed over the course of the novel. We meet Lorelei (and her brother Leo) as children when their father is still alive and married to his second wife, Irina. You see the love that was once there and then the betrayal that occurs, leading to the princess fleeing the castle. She grows up outside of the palace and is able to learn about her people, become more self-sufficient than she would have been had she lived as a royal and become a stronger person as a result. You understand her motivation and drive to do what is right, even at the cost of herself.
Kol is a royal from another land who always felt like he disappointed his family, but must take on more than he feels he is ready for when he is thrust into a challenging situation. He is initially very immature but quickly grows into the strong leader that his friends already saw him as. You learn just how deeply loyal he is and willing to sacrifice for his people.
The villain was well thought out and not one-dimensional. Queen Irina feels that she must act the way she does and that she deserves the crown. As the elder of two sisters, she was supposed to be married first but that did not happen. She felt betrayed and cheated by her father, her uncle, her sister. No one treated her as she deserved and it made her bitter. She vowed to make the crown hers, whatever the cost. Despite her actions and whether she deserved it, Lorelei's betrayal just added to the darkening of her heart. Irina thought that Lorelei understood her and when it was clear that she did not, Lorelei also became the enemy. While Irina's beliefs are not necessarily valid, it was nice to see the series of events that led her to become the person she was in the novel and show her reasons for her horrific actions.
The world was vast and varied, from the dual-hearted people who could change into dragons, to magic wielders and peasants. I wish that we had seen or heard about more of the world, in depth but what we did experience was very well written. You could imagine the castle or villages that our heroes occcupied and traveled through.
Overall, I would recommend this book to young adult/teen readers who enjoy fairytales, re-tellings, fantasy, magic, dragons, strong female heroines, well-developed characters or Snow White. I enjoyed reading this book and can't wait to see where the series goes, its after happily ever after.
I really enjoyed how the characters were initially introduced and then developed over the course of the novel. We meet Lorelei (and her brother Leo) as children when their father is still alive and married to his second wife, Irina. You see the love that was once there and then the betrayal that occurs, leading to the princess fleeing the castle. She grows up outside of the palace and is able to learn about her people, become more self-sufficient than she would have been had she lived as a royal and become a stronger person as a result. You understand her motivation and drive to do what is right, even at the cost of herself.
Kol is a royal from another land who always felt like he disappointed his family, but must take on more than he feels he is ready for when he is thrust into a challenging situation. He is initially very immature but quickly grows into the strong leader that his friends already saw him as. You learn just how deeply loyal he is and willing to sacrifice for his people.
The villain was well thought out and not one-dimensional. Queen Irina feels that she must act the way she does and that she deserves the crown. As the elder of two sisters, she was supposed to be married first but that did not happen. She felt betrayed and cheated by her father, her uncle, her sister. No one treated her as she deserved and it made her bitter. She vowed to make the crown hers, whatever the cost. Despite her actions and whether she deserved it, Lorelei's betrayal just added to the darkening of her heart. Irina thought that Lorelei understood her and when it was clear that she did not, Lorelei also became the enemy. While Irina's beliefs are not necessarily valid, it was nice to see the series of events that led her to become the person she was in the novel and show her reasons for her horrific actions.
The world was vast and varied, from the dual-hearted people who could change into dragons, to magic wielders and peasants. I wish that we had seen or heard about more of the world, in depth but what we did experience was very well written. You could imagine the castle or villages that our heroes occcupied and traveled through.
Overall, I would recommend this book to young adult/teen readers who enjoy fairytales, re-tellings, fantasy, magic, dragons, strong female heroines, well-developed characters or Snow White. I enjoyed reading this book and can't wait to see where the series goes, its after happily ever after.
MichaelS (0 KP) rated Justice League (2017) in Movies
Feb 20, 2018
"Meanwhile, at the Hall Of Justice..."
This movie is the culmination of a childhood full of Saturday mornings in front of the tv in pajamas with a bowl of cereal. "Superfriends" was superheroes at it's most basic. The bad guys wanted to take over or destroy the world and the good guys have to stop them. That was the depth of the plots for both those classic cartoons, and this movie. It's pure cartoon fun brought to life, and I loved every minute of it.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
The plot only serves as a reason for these heroes to come together. So you can say that story is not a top priority. Character is the name of the game here, and on that level, the movie is gold. Each character is fully realized, with their own individual situation they need to grow from. Every hero is given his or her moment to shine as an individual. When they stand as a team, it's some of the best superhero action we've ever gotten.
The performances of the League members is spot on across the board. Every character is presented exactly the way they should be. Ben Affleck continues to prove all the doubters wrong, by giving us the best live action version of Batman we've ever seen. Right from the start you see how he demands fear from evildoers, but filled with hope for the good things in the world. Gal Gadot IS Wonder Woman. If there was any doubt left after her solo movie, it should be thoroughly erased now. She's strong in body, mind, and spirit. Jason Mamoa forever erases the idea of Aquaman being the wimpiest superhero. His "surfer dude" take on the character brings all the recklessness and abandon you'd expect from a beach bum. He's almost like a Spartan soldier that lives for the excitement of battle. Ezra Miller brings a youthful excitement of someone who is simply jazzed by what he, and others, can do with their abilities. He's almost the comic relief until you realize that the excited reactions he gives to everything is exactly what we would to if we were dropped in that situation.
SPOILER TERRITORY....skip to "END SPOILERS" if you don't want anything ruined
Although it should really come as no surprise to anyone, Superman does indeed return from the dead in this movie. Not only is that he's resurrected very cool, but the aftermath gives us the best fight scene of the film. Superman vs The Justice League. 'nuff said? I've always loved Henry Cavill as Superman, but now he owns the role. He has grown from a man filled with self doubt, trying to find his place in the world, to a man who now fully realizes who he is, and what purpose he serves to mankind. Lots of great Superman stuff in this movie, and that is the thing I'm most thankful for.
END SPOILERS
This is the most fun I've had with a superhero movie in a long time. It may not have the deepest plot, but that is fine with me, because this is truly a comic book come to life. It's full of the action and joyful spirit that the boy in me tuned into every weekend. Now, if the post credit scene in the movie delivers, it REALLY will be everything that the classic Challenges Of The Superfriends, and reduce me to that boy in pajamas again, cereal in hand, and a smile on my face.
Gareth von Kallenbach (980 KP) rated Glass (2019) in Movies
Jun 19, 2019
It is hard to believe it has been 19 years since “Unbreakable” arrived in cinemas as the film seemed to setup a sequel but it did not look like it would come to fruition. That all changed in 2016 when “Split” arrived and shocked audiences with a late reveal that showed a connection to the film. Writer/Director M. Night Shyamalan has wasted no time in bringing the new film to fans with the arrival of “GLASS”. The film picks up soon after the events of “Split” as The Horde embodied by 23 personalities in the form of Kevin Wendell Crumb (James McAvoy) continues to kidnap young girls to serve to his highly dangerous 24th personality The Beast.
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Security expert David Dunn (Bruce Willis) along with the help of his son attempts to locate the Horde as a new group of girls has gone missing. In time David locates The Beast and the two clash; but end up captured by authorities and sent to a facility for evaluation.
Their captive Dr. Ellie Staple (Sarah Paulson) believes their special abilities are in their minds and that they really do not have the special abilities they believe they do. Each of them have a special cell designed to restrain them as David is under threat of being doused with water while Kevin has a series of strobes which will halt him and trigger a new personality.
Added to the mix is Elijah Price (Samuel L. Jackson), who has been at the facility under heavy sedation after the events of “Unbreakable”.
As the therapy unfolds it becomes clear that an elaborate game of cat and mouse is underway between Price and her charges as each seems to have their own agenda. This all builds to a very unusual final act which left me pondering if I enjoyed the final result or was disappointed with it.
The film seems to slowly be building to a big finale but yet it is far more restrained than one would expect. The film has a constant theme of Super Heroes and their traditional stories and roles as well as that of their Super Villains.
One expects a massive Battle Royale complete with elaborate FX but the film takes a more restrained approach and in doing so may disappoint some fans while pleasing others. The film naturally has its twist moments and while I will not spoil it, I can say I predicted it before I even saw the film. When I saw “Split” I actually told my wife my theory and low and behold it was true. I also predicted the twists for many of Shyamalan’s previous films so I had hoped for a bit more in this regard. The film does offer up some interesting options for another sequel or Spin-Off and the cast was very good especially McAvoy who adds to his menagerie of characters by showing audiences a few more of the ones previously undisclosed.
The film is at times very enjoyable and at times a bit frustrating as it seems to deviate from themes and elements that were setup earlier. That being said it does very much appear that this could indeed be just the start of something much bigger in the series.
http://sknr.net/2019/01/16/glass/
Darren (1599 KP) rated American Hustle (2013) in Movies
Jun 20, 2019
Story: When you have a con artist film you need to be anticipating some twist in the heroes favour. This has that and you are left to figure out how he will pull it off, what happens between is very familiar with the differences between the hero and the guy he has to complete the job for. What is not familiar is that the hero starts to support the guys he is meant to be conning, mix in a love triangle and you do get something more original. The film never tries to take its self too serious which is what makes it good, but in the end you won’t be left thinking I have to watch this again. (7/10)
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Gareth von Kallenbach (980 KP) rated 16 Blocks (2006) in Movies
Aug 14, 2019
A burnt out cop with a bad limp and a taste for the bottle has just finished his shift and is looking forward to heading home for some rest. Sadly for Detective Jack Mosley (Bruce Willis), his day is about to get much longer than he expected.
On his way out of the precinct, his Lieutenant tasks him to escort a prisoner named Eddie Bunker (Mos Def), 16 blocks in 90 minutes so he can testify before a jury. Since the jury will disband in 90 minutes, it is vital that Eddie appear before them or else months of work in a prime case will be lost.
Jack is less than thrilled to be stuck with Eddie as his high voice and rapid fire style of speech really annoy Jack, who decides to take a detour from the non stop rants of Eddie to purchase a bottle of alcohol so he can drown his sorrows.
No sooner does Jack complete his purchase at a favorite store than an attempt is made on Eddie by armed men forcing Jack and Eddie to flee on foot and take refuge in a local bar where they are soon met by detective Frank Nugent (David Morse), who said he was in the area and responded to Jack’s call for assistance.
Frank informs his former partner Jack that he is escorting a snitch who is about to give evidence that will implicate many cops who were simply doing business. Frank suggests that Jack head home and rest while he cleans up the problem by taking charge of Eddie.
When Jack learns that Frank and his associates intend to kill Eddie to keep him from testifying, Jack decides to defend Eddie and the two of them begin a deadly race against the clock as they attempt to not only get Eddie to the courthouse in time, but to simply stay alive against a cadre of corrupt cops.
Since he went up against fellow cops, Jack is reported as a rogue who turned on fellow officers, which leaves him with nowhere to turn and without backup as he attempt to stay one step ahead of the relentless Frank and his associates as they venture from one city block to another in order to stay alive. Along the way, the two men bond, and Jack begins to learn that what Eddie knows will get them all killed and that in a city the size of New York, there are precious few places to hide, when people are determined to find you.
The solid pacing of the film and the quality work by Morse, Willis, and Mos Def keeps 16 Blocks an entertaining and engaging film. The chemistry amongst the leads draws you in more than most typical action dramas do, as you find yourself caring about the two individuals and want them to succeed.
Director Richard Donner has dialed down his usual explosions but has not sacrificed the action as it is always appropriate to the story and never seems tacked on. The film does loose some steam towards the end but does ultimately arrive at a conclusion that makes the trip worthwhile.
The film does borrow in parts from the classic Clint Eastwood film “The Gauntlet”. Even down to the heroes taking refuge in a city bus and attempted to evade the police in the bus amidst an armada of armed officers who are looking to shoot first and ask questions later.
If you are a fan of Willis or Mos Def and like action dramas, then 16 Blocks is a trip well worth taking.
On his way out of the precinct, his Lieutenant tasks him to escort a prisoner named Eddie Bunker (Mos Def), 16 blocks in 90 minutes so he can testify before a jury. Since the jury will disband in 90 minutes, it is vital that Eddie appear before them or else months of work in a prime case will be lost.
Jack is less than thrilled to be stuck with Eddie as his high voice and rapid fire style of speech really annoy Jack, who decides to take a detour from the non stop rants of Eddie to purchase a bottle of alcohol so he can drown his sorrows.
No sooner does Jack complete his purchase at a favorite store than an attempt is made on Eddie by armed men forcing Jack and Eddie to flee on foot and take refuge in a local bar where they are soon met by detective Frank Nugent (David Morse), who said he was in the area and responded to Jack’s call for assistance.
Frank informs his former partner Jack that he is escorting a snitch who is about to give evidence that will implicate many cops who were simply doing business. Frank suggests that Jack head home and rest while he cleans up the problem by taking charge of Eddie.
When Jack learns that Frank and his associates intend to kill Eddie to keep him from testifying, Jack decides to defend Eddie and the two of them begin a deadly race against the clock as they attempt to not only get Eddie to the courthouse in time, but to simply stay alive against a cadre of corrupt cops.
Since he went up against fellow cops, Jack is reported as a rogue who turned on fellow officers, which leaves him with nowhere to turn and without backup as he attempt to stay one step ahead of the relentless Frank and his associates as they venture from one city block to another in order to stay alive. Along the way, the two men bond, and Jack begins to learn that what Eddie knows will get them all killed and that in a city the size of New York, there are precious few places to hide, when people are determined to find you.
The solid pacing of the film and the quality work by Morse, Willis, and Mos Def keeps 16 Blocks an entertaining and engaging film. The chemistry amongst the leads draws you in more than most typical action dramas do, as you find yourself caring about the two individuals and want them to succeed.
Director Richard Donner has dialed down his usual explosions but has not sacrificed the action as it is always appropriate to the story and never seems tacked on. The film does loose some steam towards the end but does ultimately arrive at a conclusion that makes the trip worthwhile.
The film does borrow in parts from the classic Clint Eastwood film “The Gauntlet”. Even down to the heroes taking refuge in a city bus and attempted to evade the police in the bus amidst an armada of armed officers who are looking to shoot first and ask questions later.
If you are a fan of Willis or Mos Def and like action dramas, then 16 Blocks is a trip well worth taking.