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Mandy and G.D. Burkhead (26 KP) rated Banewreaker in Books
May 20, 2018
Shelf Life – Banewreaker Will Make You Feel Bad for Sauron
Contains spoilers, click to show
Very few fantasy fans can get away with admitting that they aren’t all that big into sweeping, high epic fantasy à la Lord of the Rings or the Pern stories or everything that Terry Brooks writes. Many non-fantasy fans, however, can point to these tales as examples of why they aren’t into fantasy. Like it or not, it’s hard not to see the latter group’s point, as a lot of high fantasy is riddled with confusing terminology, rehashed stories, and genre clichés. This is not to say that these stories are bad, per sé, just that they can easily turn off readers who aren’t in the right kind of crowd.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Rachel King (13 KP) rated Never Let You Go in Books
Feb 11, 2019
I was originally drawn to this book because it was about a mother fighting for her daughter. As a mother of two young daughters who has already been through quite a bit of fighting for them, I can relate. Once I got into the book, I was a bit put off partly because I was introduced to too many characters so soon into the plot and a lack of unique characterization made it difficult for me to keep up with the plot (and this is coming from someone who has read Sara Douglass). A second reason was that it somewhat reminded me of another book I read recently with the meth theme. Drugs are just not something that I purposely want to read about in my fiction. The only thing that really kept me reading was Lexi's relationship with her daughter, Molly. Along the way, I discovered that there actually is a fantasy-like aspect to the book that is difficult to see for at least half the book. This is probably as close as you can get to the fantasy genre without actually qualifying for the classification. I so badly wanted the book to come "out with it" over the supernatural aspect that I flew through the rest of the book. The ending was mostly satisfying in that the bad guy gets his just desserts and all the lose ends are tied up appropriately, but my fantasy-loving side wanted a more fantastical intervention than what actually occurred. At times, the plot felt like a soap-opera, with Lexi's affair and two other characters being convicts, as well as Ward's constant harrassments and almost reality-defying omnipresence. I would describe the book as high-intensity suspense combined with overdramatic reality and a dash of supernatural.
Gritty narrative (1 more)
Twisting turning plot
Fantastic dystopian fantasy
This book came highly rated by people on the fantasy faction facebook group and goodreads, so I had high expectations when I started reading. The reader is thrown straight into the thick of this strange post-apocalyptic magical world and the terms and creatures therein.
The story follows Ryhalt Galharrow, a captain in the Blackwing, a group of soldiers and enforcers working for the supreme magician Crowfoot. They are charged with keeping order along the Range and tracking down dissenters and run-aways.
Galharrow quickly finds himself embroiled in a plot and a battle to save the republic from itself and the evil Deep Kings and their hordes of mutated zombies.
The narrative is extremely gritty and at times you can almost smell the filth and second-hand brandy.
While you are thrown into it without warning and without preamble, this is to McDonald's credit, as the reader pieces things together quite quickly, or can make up their own mind about how things look and work.
To sum this up, I would say it was like Mark Lawrence or Joe Abercrombie ghost-writing a Brandon Sanderson plot - with the best aspects of both sides (the gritty dialogue from the grimdark authors with the intricately designed magic system and urban landscape of the plotter).
A superbly crafted story with excellent flowing prose.
The story follows Ryhalt Galharrow, a captain in the Blackwing, a group of soldiers and enforcers working for the supreme magician Crowfoot. They are charged with keeping order along the Range and tracking down dissenters and run-aways.
Galharrow quickly finds himself embroiled in a plot and a battle to save the republic from itself and the evil Deep Kings and their hordes of mutated zombies.
The narrative is extremely gritty and at times you can almost smell the filth and second-hand brandy.
While you are thrown into it without warning and without preamble, this is to McDonald's credit, as the reader pieces things together quite quickly, or can make up their own mind about how things look and work.
To sum this up, I would say it was like Mark Lawrence or Joe Abercrombie ghost-writing a Brandon Sanderson plot - with the best aspects of both sides (the gritty dialogue from the grimdark authors with the intricately designed magic system and urban landscape of the plotter).
A superbly crafted story with excellent flowing prose.
Lyndsey Gollogly (2893 KP) rated Legends & Lattes (book 1) in Books
Aug 3, 2023
100 of 235
Kindle
Legends & Lattes ( Book 1)
By Travis Baldree
⭐️⭐️⭐️⭐️⭐️
The much-beloved BookTok sensation, Travis Baldree's novel of high fantasy and low stakes.
*This new edition includes a very special, never-before-seen bonus story, 'Pages to Fill.'*
After a lifetime of bounties and bloodshed, Viv is hanging up her sword for the last time.
The battle-weary orc aims to start fresh, opening the first ever coffee shop in the city of Thune. But old and new rivals stand in the way of success — not to mention the fact that no one has the faintest idea what coffee actually is.
If Viv wants to put the blade behind her and make her plans a reality, she won't be able to go it alone.
But the true rewards of the uncharted path are the travelers you meet along the way. And whether drawn together by ancient magic, flaky pastry, or a freshly brewed cup, they may become partners, family, and something deeper than she ever could have dreamed.
I was nervous starting this as I’d seen so much hype about it. It really didn’t disappoint I loved it!! Lighthearted, sweet and just what you need to make you smile. Definitely worth it even if your not a fantasy fan I can see it still being an entertaining read. Loved it!
Kindle
Legends & Lattes ( Book 1)
By Travis Baldree
⭐️⭐️⭐️⭐️⭐️
The much-beloved BookTok sensation, Travis Baldree's novel of high fantasy and low stakes.
*This new edition includes a very special, never-before-seen bonus story, 'Pages to Fill.'*
After a lifetime of bounties and bloodshed, Viv is hanging up her sword for the last time.
The battle-weary orc aims to start fresh, opening the first ever coffee shop in the city of Thune. But old and new rivals stand in the way of success — not to mention the fact that no one has the faintest idea what coffee actually is.
If Viv wants to put the blade behind her and make her plans a reality, she won't be able to go it alone.
But the true rewards of the uncharted path are the travelers you meet along the way. And whether drawn together by ancient magic, flaky pastry, or a freshly brewed cup, they may become partners, family, and something deeper than she ever could have dreamed.
I was nervous starting this as I’d seen so much hype about it. It really didn’t disappoint I loved it!! Lighthearted, sweet and just what you need to make you smile. Definitely worth it even if your not a fantasy fan I can see it still being an entertaining read. Loved it!
Leanne Crabtree (480 KP) rated Throne of Glass in Books
Jan 11, 2021
Celaena was just what I liked in a character; bad arse, beautiful and someone who gives as good as she gets.
The cover is great and grabs your attention but at the same time slightly deceiving (it was what put me off buying it for so long) as it makes the book look so fantasy-esque when in fact, it's about a young (blonde) girl who rediscovers her femininity while kicking other guys arses in Tests she has to go through to become the King's Assassin, while at the same time trying to unearth an evil force.
This was an adventure, with high and lows and awww's and ewww's and I was hooked from the very first page.
The romance aspect caught me up in it too, though I think I'm 100% in Chaol's court.
Looking forward to reading Crown of Midnight now to see what happens next!
The cover is great and grabs your attention but at the same time slightly deceiving (it was what put me off buying it for so long) as it makes the book look so fantasy-esque when in fact, it's about a young (blonde) girl who rediscovers her femininity while kicking other guys arses in Tests she has to go through to become the King's Assassin, while at the same time trying to unearth an evil force.
This was an adventure, with high and lows and awww's and ewww's and I was hooked from the very first page.
The romance aspect caught me up in it too, though I think I'm 100% in Chaol's court.
Looking forward to reading Crown of Midnight now to see what happens next!
Sophia (Bookwyrming Thoughts) (530 KP) rated Spark in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Spark</i> has such an awkward tension at the beginning, but it is so worth the reading in order to see all of the characters grow by the end of the story. All of the characters in the Advanced Drama class - Quin, Dylan, Cass - are considered to be outsiders compared to their classmates at Verona High. But when Quin's mother decides to revive the old Avery Theater, Quin and her drama class members are all placed in roles they aren't actually comfortable with.
Overall, I love the magic Schindler weaves into her latest book, blending fantasy and contemporary seemlessly and bringing theater to life.
<a href="https://bookwyrmingthoughts.com/blog-tour-spark-by-holly-schindler-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Spark</i> has such an awkward tension at the beginning, but it is so worth the reading in order to see all of the characters grow by the end of the story. All of the characters in the Advanced Drama class - Quin, Dylan, Cass - are considered to be outsiders compared to their classmates at Verona High. But when Quin's mother decides to revive the old Avery Theater, Quin and her drama class members are all placed in roles they aren't actually comfortable with.
Overall, I love the magic Schindler weaves into her latest book, blending fantasy and contemporary seemlessly and bringing theater to life.
<a href="https://bookwyrmingthoughts.com/blog-tour-spark-by-holly-schindler-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Elizabeth (1521 KP) rated Finding Neverland in Lunt-Fontanne Theatre (New York, United States) in Shows
Jul 20, 2020 (Updated Jul 20, 2020)
Set (1 more)
Songs
Glad I got to see it before it was gone
My mother took my daughter to see this for her birthday and I tagged along as a fan of the movie and Broadway in general. We made it to one of the last few performances and I am so glad we made it before it closed.
My daughter was part of stage crew at her high school at the time and she was blown away by the set. She would have loved to get the chance to go backstage, not to meet the cast, but the crew, she was so impressed. The most impressive part of the set was Captain Hook's ship. The way it came together, jutting over the stage, and was used as part of the dance routine was breathtaking.
The show follows the movie of the same name starring Johnny Depp which weaves reality with fantasy. It stayed very close to the movie and had some great musical performances.
My daughter was part of stage crew at her high school at the time and she was blown away by the set. She would have loved to get the chance to go backstage, not to meet the cast, but the crew, she was so impressed. The most impressive part of the set was Captain Hook's ship. The way it came together, jutting over the stage, and was used as part of the dance routine was breathtaking.
The show follows the movie of the same name starring Johnny Depp which weaves reality with fantasy. It stayed very close to the movie and had some great musical performances.
Kyera (8 KP) rated King's Cage in Books
Jan 31, 2018
King’s Cage is the third book in the Red Queen series, but not the final book in the installment. I highly suggest that you read the first two books before this one, otherwise you will be incredibly confused. The overall premise of the series is very intriguing and draws you in. Unfortunately, it is a little slow at times and can be difficult to get through. Glass Sword, in particular, took a while to get its stride and I kept putting it down. As a result of the cliffhanger at the end of Glass Sword, King’s Cage is able to start more quickly.
Originally, I didn’t have very strong feelings about any of the characters in the series. They were from various worlds, had different personalities, but I just didn’t truly connect with any of them. King’s Cage made a few of the characters slightly more likable to me, but it still wasn’t enough. Whether it was an important character or a side character, I wasn’t emotionally involved enough to deeply care if something happened to them. It was a simple, oh that’s sad or unfortunate, but it didn’t tear my heart out like some writing does.
Mare’s world is turned upside down and overall the plot of this novel is more engaging than Glass Sword. The fights were described very well and I felt like I was there watching them. I still wish that there was more world building in these novels. There are such varied lands, ruled by unique leaders that I wish we knew more about them.
Overall, I enjoy this series and would recommend giving it a shot. It’s difficult to categorize between fantasy and a form of dystopian. The series is not high fantasy so the world isn’t too difficult to dive into. I’d recommend to young adult/teen fans of fantasy books or books where the characters have powers.
Originally, I didn’t have very strong feelings about any of the characters in the series. They were from various worlds, had different personalities, but I just didn’t truly connect with any of them. King’s Cage made a few of the characters slightly more likable to me, but it still wasn’t enough. Whether it was an important character or a side character, I wasn’t emotionally involved enough to deeply care if something happened to them. It was a simple, oh that’s sad or unfortunate, but it didn’t tear my heart out like some writing does.
Mare’s world is turned upside down and overall the plot of this novel is more engaging than Glass Sword. The fights were described very well and I felt like I was there watching them. I still wish that there was more world building in these novels. There are such varied lands, ruled by unique leaders that I wish we knew more about them.
Overall, I enjoy this series and would recommend giving it a shot. It’s difficult to categorize between fantasy and a form of dystopian. The series is not high fantasy so the world isn’t too difficult to dive into. I’d recommend to young adult/teen fans of fantasy books or books where the characters have powers.
Kaz (232 KP) rated The Girl In Between in Books
Nov 5, 2019
‘The Girl In Between’ was the first book I read for the ‘Disability Read-a-Thon’ in October and, because this was a free download, I didn’t have high expectations for this book at all. However, I was very pleasantly surprised.
This book’s main character Bryn has a sleeping syndrome, which means that she can suddenly sleep for weeks and months on end. This didn’t mean however, that she a poor defenseless girl, in fact she was the opposite. She was funny, sarcastic and a fully rounded teenager and I thought she was relatable and likeable.
This book wasn’t just about Disability but the book does cover some of the issues that, even though I don’t have the same condition as Bryn, I could relate to, when I was growing up. However, it was also a complex mix of real life, fantasy and Bryn’s condition, which was seamlessly and imaginatively, incorporated into the story.
There were a couple of times when I thought that this book would develop into a slushy teen romance, but thankfully, this just managed not to turn into this and any kind of romance was maturely and sensitively handled.
I found the pace of this to be excellent. In no part of the book did I feel the story dragged and I really wanted to know what would happen to the characters.
I think that the ending was really good and it resolved enough to feel satisfied at the end, but it left enough for me to want to read the rest of the series.
I will definitely be reading the rest of this series at some point. I would recommend reading this book, whether you want to read something with a strong main character who has a Disability, or you enjoy a good Fantasy read.
My Rating ****
This book’s main character Bryn has a sleeping syndrome, which means that she can suddenly sleep for weeks and months on end. This didn’t mean however, that she a poor defenseless girl, in fact she was the opposite. She was funny, sarcastic and a fully rounded teenager and I thought she was relatable and likeable.
This book wasn’t just about Disability but the book does cover some of the issues that, even though I don’t have the same condition as Bryn, I could relate to, when I was growing up. However, it was also a complex mix of real life, fantasy and Bryn’s condition, which was seamlessly and imaginatively, incorporated into the story.
There were a couple of times when I thought that this book would develop into a slushy teen romance, but thankfully, this just managed not to turn into this and any kind of romance was maturely and sensitively handled.
I found the pace of this to be excellent. In no part of the book did I feel the story dragged and I really wanted to know what would happen to the characters.
I think that the ending was really good and it resolved enough to feel satisfied at the end, but it left enough for me to want to read the rest of the series.
I will definitely be reading the rest of this series at some point. I would recommend reading this book, whether you want to read something with a strong main character who has a Disability, or you enjoy a good Fantasy read.
My Rating ****