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Gordon Gano recommended track Do You Love Me by Heartbreakers in L.A.M.F. by Heartbreakers in Music (curated)

 
L.A.M.F. by Heartbreakers
L.A.M.F. by Heartbreakers
1977 | Punk
7.0 (1 Ratings)
Album Favorite

"The amazing thing about this song is that I heard this album after I had seen and heard Johnny Thunders and the Heartbreakers play it live at Max’s Kansas City, and it was basically the same group doing the same songs. “I think it was 1977 or 1978. I was 15 and I went for an Easter break vacation from high school, it was my first trip by myself; I had an older brother living in New York City and my family was living at Wisconsin at that time. I went and stayed with him and he was into all the punk stuff that was going on. He looked to see what was playing he said ‘Johnny Thunders is great and he’s playing at Max’s Kansas City.’ “It was the most exciting experience I ever had with rock and roll. I think it’s because the music appealed to me, I’d never heard it before, I never heard any recording or anything about this Johnny Thunders, any of the songs or anything. I think it’s also because of the age I was, because being fifteen everything was this great discovery in the world of music for me at that time, particularly with all things of rock and roll. “Punk music was this thing that just hit me; it hit me in a perfect place, and of course there’s a great variety. That live show is riveting and inspiring in every way. With the music, the sound, guitar and then the attitude, the swagger and the craziness of it. Everything was appealing to me. I felt that this is what I wanted to do, and this confirmed it."

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40x40

Anand Wilder recommended O Lucky Man! by Alan Price in Music (curated)

 
O Lucky Man! by Alan Price
O Lucky Man! by Alan Price
(0 Ratings)
Album Favorite

"Alan Price is definitely someone my parents introduced me to, it's one of those stories like, "Your father took me out on a date to O Lucky Man! and I knew he was cool", but then in high school I had the required Malcolm McDowell obsession - all rebellious and of course once you've watched Clockwork Orange you've got to go back to if...., and I'm pretty sure that O Lucky Man! is the continuation of the same character from if.... and it's just one of those great modern fables. I'm surprised people aren't as into it. If you watch that opening scene in black and white, it's kind of the same over the top kangaroo court scene that we were trying to get in the Break Line song 'I'm To Blame'. The silent scene in the movie is brutal but it's also ridiculous and over the top. Malcolm McDowell has a giant moustache, he's like a South American coffee picker - he's caught stealing coffee beans and they go to his trial and this disgusting judge smoking a cigar, drooling, sentences him to getting his hands chopped off; it's very extreme and it just flashes "GUILTY. GUILTY. GUILTY" and we do that in our song with everyone saying "guilty", it's a little O Lucky Man! homage. The line in that song, "In case of murder in the second degree/ The jury now all agrees guilty/ So you will hang, hang by the noose" and my friend's dad said you don't get hanged for murder in the second degree, but we need that "murder in the second de-gree", that extra syllable!"

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21st Birthday
21st Birthday
James Patterson, Maxine Paetro | 2021 | Mystery
4
4.0 (1 Ratings)
Book Rating
Needed Some Careful Editing to be Good
It all starts with a woman confronting Cindy Thomas in her office at the San Francisco Chronicle. The woman is certain that something bad has happened to her daughter and granddaughter, and her son-in-law is to blame. She wants Cindy to write stories about it and post about it on her blog, but Cindy quickly turns the woman over to her friend, San Francisco detective Lindsay Boxer, who pushes the police to start an investigation and make it a priority. Sadly, it isn’t long before a dead body turns up. Will Lindsay and the rest of the Women’s Murder Club figure out what is really happening?

Usually with this series, I complain about the characters having plotlines that rarely if ever intersect. Here, I was thrilled to see that the characters, including Claire and Yuki, are working together on one case, and they all get their moments to shine. While the characters are a bit thin, we did like them all and care enough to keep reading. The plot is compelling with twists that intrigue. However, the authors can’t land it. I get what we are supposed to think happened, but in the rush to wrap things up after the final twist, we don’t get a major plot point from earlier in the book explained. Meanwhile, the editing was sloppy, including students at a high school being in class on a Saturday, missing days, and Lindsay being in two places at once near the end of the book. This reads more like a first draft that needed an editor to help polish it up instead of a finished novel.
  
King Arthur: Legend Of The Sword (2017)
King Arthur: Legend Of The Sword (2017)
2017 | Action, Drama
Pick your poison: 𝘛𝘩𝘦 𝘓𝘢𝘴𝘵 𝘞𝘪𝘵𝘤𝘩 𝘏𝘶𝘯𝘵𝘦𝘳 meets 𝘖𝘶𝘵𝘭𝘢𝘸 𝘒𝘪𝘯𝘨, 300: 𝘙𝘪𝘴𝘦 𝘰𝘧 𝘢𝘯 𝘌𝘮𝘱𝘪𝘳𝘦 meets the 𝘈𝘴𝘴𝘢𝘴𝘴𝘪𝘯'𝘴 𝘊𝘳𝘦𝘦𝘥 movie, or 𝘎𝘰𝘥𝘴 𝘰𝘧 𝘌𝘨𝘺𝘱𝘵 meets 𝘙𝘰𝘣𝘪𝘯 𝘏𝘰𝘰𝘥 (2018) - you decide. Either way they all eventually mesh with 𝘙𝘰𝘤𝘬𝘯𝘳𝘰𝘭𝘭𝘢, too. As stupid and trashy as it needs to be, legit some of the dumbest stuff imaginable lmfao. Pure junky spectacle with jaw-dropping visuals and neurotic editing, felt like somebody laced my drink with crack while I was watching it. God-tier Law performance right here, chews the scenery so much that legend has it his jaw dislocated. Unmistakably Ritchie in areas but unfortunately often sacrifices auteur personality for genre convention (take a shot every time you see a side character you'll remember and you'll end up totally sober - and that stupid joke about the roundtable at the end was puh-thetic). To say this frankly disgraceful excuse of a screenplay is the exact same movie as all of these other edgy historical action-remakes for high school boys would be a severe understatement. Glad it didn't turn too much into jokey blockbuster corn or yet another over-emphasized failed origin story (most of this is wisely cut to montages with like nu-gothic heavy breathing scores lol). In short, the type of movie I'm *shocked* wasn't released in 2003/2004. I feel bad for those who love King Arthur and then saw this movie - but Jude Law cuts off a guy's ear then whispers into it and Charlie Hunnam full-on does the 𝘛𝘸𝘪𝘭𝘪𝘨𝘩𝘵: 𝘕𝘦𝘸 𝘔𝘰𝘰𝘯 angst-run through the woods. So of course I, for one, enjoyed the hell out of it.
  
Jeepers Creepers 2 (2003)
Jeepers Creepers 2 (2003)
2003 | Horror
Competent. Scumbag Salva finally learned how to shoot something that doesn't look like a bad TV movie that they show you in like driver's ed class or something; but while this unquestionably looks more professional than the (still superior) first movie it's near totally gutted of all its weirdness and idiosyncrasy. This had all the ingredients to be a recipe for some real legendary success: pristine top-notch effects which lend themselves to some bang-up imagery like The Creeper flying in front of the moon or swooping down onto a group of fleeing high school students, an inherently winning plot which basically amounts to "fill up bus with walking appetizers then Creeper eats them one by one while they go mad and form a hierarchy based off of who the creeper wants to eat the most and hellbent Ray Wise hunts it down with a giant truck-mounted speargun (lol)", numerous bombastic action setpieces, a much larger arsenal of Creeper weaponry, etc. It's a testament to how overtly basic this was executed that this classic in the making somehow - against all odds - came out as "just fine". Still adore The Creeper, hanging upside down while pointing finger guns and licking at his next victims just as memorable as ever - the javelin skewer and head-replacement segments are *wickedly* gruesome. But it's clear that they tried to make him (and this) a more conventional horror movie product rather than the odd French Extremity curio the first one was, and that's a shame even as flawed as that one was. For sure still has enough flickers of inspiration to ultimately satisfy but fire and jail Salva already.
  
Heartless (The Privileged of Pembroke High #1)
Heartless (The Privileged of Pembroke High #1)
Ivy Ash | 2020 | Romance
9
9.0 (1 Ratings)
Book Rating
210
Kindle
Heartless (The Privileged of Pembroke High book 1)
By Ivy Fox

Review will be completed on Smashbomb once finished link will be placed in comments

 
I had their love once.

They saw me for the girl I am and the person I yearn to become one day—a woman who thrives in her freedom and dances away in her rightfully earned independence.

They saw all the strong, unafraid parts of me, and coaxed each one of them out, daring me to dream bigger, climb higher.

They never once saw the girl I had been groomed to see in the mirror.

The abandoned daughter of a dead man.

The unwanted child of a woman who despised her.

The broken body formed wrong and built on a shaky foundation, threatening to fall apart and shatter.

They made all the ugliness disappear and left only wonder and promise. The love we shared for each other was probably the only miracle I would be granted in this life, and I knew they felt the same.

Or so I thought.

Everything I held dear has been robbed from me, and I’ve been a victim of theft too many times to mention.

I will not have them steal my pride.

They can keep my heart, for all I care.

The day they became my stepbrothers, it stopped working anyway.


Well that was so much better than I thought it was going to be! I do love Ivy’s books. This was brilliant I didn’t put it down. So much has happened and we haven’t hit the school yet! The epilogue was sooo good!
  
Jumanji: Welcome to the Jungle (2017)
Jumanji: Welcome to the Jungle (2017)
2017 | Action, Adventure, Comedy
Jumanji: Welcome to the Jungle totally delivers on exactly what the trailers sales it as. The Rock (Dwayne Johnson), Kevin Heart, Jack Black and the blue lady from Guardians of the Galaxy (Karen Gillan), thrown into hilarious hijinks and shenanigans.

The film sets up and explains the rules of the world of Jumanji, every step of the way. It does not take itself too serious. It realizes the audience is there to have a laugh and it surprisingly tells a coherent story. As a result, are able to enjoy ourselves through the spectacle, without questions or consequence…because hey, it’s a family fun movie after all and it is not trying to be anything else.

Each of the high school characters grow as they get an opportunity to walk in the shoes of someone that is the complete opposite of themselves. Whether it’s the “nerd” (Alex Wolff) gaining confidence by becoming the “physical specimen explorer with no weakness” (Dwayne Johnson), the “jock” (Ser’Darius Blain) becoming the “puny zoologist with no strengths” (Kevin Heart) and thus learning what it is like to be weak, the “self-centered popular girl stuck on her phone” (Madison Iseman) learning to judge less and like physical activity by becoming an “overweight middle aged man,” (Jack Black) and the “loner nerd girl” (Morgan Turner) gaining confidence in her womanhood by becoming the “hot girl,” (Karen Gillan). Each of these roles is acted well by both sets of actors, which helps create jokes, humorous experiences and makes them likeable.

Overall, Jumanji, Welcome to the Jungle delivers exactly what it is trying to be. Fun!
  
Guaranteed to Bleed
Guaranteed to Bleed
Julie Mulhern | 2015 | Mystery
9
9.0 (1 Ratings)
Book Rating
Guaranteed to Entertain
Ellison Russel is spending this particular Friday night in September 1974 at a high school football game. Not because she loves the sport, but because her daughter, Grace, is a cheerleader. Unfortunately, early in the second half, she stumbles on Bobby Lowell who begs Ellison “Tell her I love her” before he dies. Bobby and Grace grew up together, so the murder hits close to home. Ellison isn’t trying to solve things, but she can’t help but figure it out as she tries to figure out who the mysterious woman is. Will she pass on Bobby’s message? Will she find the killer?

I’m glad I was finally able to return to Ellison’s world. The story is strong. It doesn’t unfold in typical cozy mystery fashion, but that didn’t bother me. I got more and more involved the further into the book I got. Ellison is a great main character, and I loved watching the growth in the character here. The rest of the cast is also great, although I wish her Mother weren’t so focused on everything being perfect. I find it funny at times, but it can be annoying. The book walks a fine line between humor and more serious themes, and the result is rich. The book does venture into some PG-13 topics, but know that going into the book and you’ll be fine since it never gets too graphic. I do recommend reading book one before you read this one since it includes fallout from the events of that story. Hopefully, it won’t be so long before I visit Ellison again.
  
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