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Chris Sawin (602 KP) rated Good Boys (2019) in Movies
Aug 14, 2019
Repetitive. (1 more)
Too similar to other R-rated teen comedies.
Thor Casts Anal Bead Nunchucks
“Bean Bag Boys for life!” In Good Boys, that’s the motto for three 12-year-old best friends that are finding the sixth grade way more profound and coercing than the fifth grade or any other grade before it ever was. Max (Jacob Tremblay) is at the age where girls aren’t so gross and are actually quite arousing, Thor (Brady Noon) is giving up on who he is and what he loves in a bold attempt to try to fit in with kids who he thinks are cool, and Lucas (Keith L. Williams) mostly just loves Magic: The Gathering, treating women with respect, and being honest.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Two weeks into sixth grade and the boys find themselves invited to their first party, but the catch is that it’s a kissing party and none of them know how to kiss. They use Max’s dad’s drone to spy on high school girls Hannah (Molly Gordon) and Lily (Midori Francis), but the girls end up capturing the drone and holding it for ransom. After a face-to-face meeting goes south, Thor steals Hannah’s purse which includes two capsules of Molly/ecstasy in a kid’s chewy vitamins bottle. Now in possession of illegal drugs after skipping school and using Max’s dad’s drone without permission while he’s out of town, the boys need to figure out a way to get the drone back home without his dad knowing so Max won’t get grounded all so they can still attend the kissing party and become legends of the sixth grade.
Good Boys is co-written and co-directed (only Stupnitsky received credit) by Gene Stupnitsky and Lee Eisenberg (writers of Year One and Bad Teacher). The film is produced by Seth Green’s Point Grey Pictures and Good Universe (both Neighbors films, The Disaster Artist, Long Shot). This is all worth mentioning to get an idea of what you’re diving into if you plan on seeing this film. The R-rated comedy attempts to capture what Superbad did for teenagers over a decade ago, but replaces the teenage element with tweens. Whether they’re successful or not is entirely up to you.
There are some decent laugh-out-loud moments in Good Boys, but their long-lasting effect is short-lived because Stupnitsky and Eisenberg decided to repeat those laugh out loud moments over and over again to the point of annoyance. The main laughs of the film come from the boys trying to talk about adult things they don’t fully understand (cum pronounced as koom, a sex doll being a CPR dummy, a nymphomaniac is someone who likes to have sex at sea and on land, etc), thinking sex toys are weapons, and still not being able to get past the child proof lid on a vitamin bottle. These are all funny at first, but all the gags in the film fall under the same handful of categories and essentially feel like Stupnitsky and Eisenberg didn’t have enough creativity in the script writing process to think outside a smattering of raunch.
The typo’d “porb” sequence where the boys attempt to look up how to kiss on the internet, the crossing the busy highway on the way to the mall sequence, and Lucas being so adamant about a woman’s consent are more humorous elements because they’re not as overplayed into the ground; even the opening where Max is on the verge of masturbation seems like a cheap knock off of what Not Another Teen Movie did in its opening sequence nearly 20 years ago. In comparison, Olivia Wilde’s Booksmart from earlier this year was labeled as a female version of Superbad. The Superbad influence is there, but Booksmart adds a refreshing female perspective and explores what the future means for the main characters to a more satisfying extent.
Growing up and what that means to a 12-year-old is explored in Good Boys, but it seems awkward. You’re on the verge of becoming a teenager, which shouldn’t mean all that much for you other than attending a new school. Lucas’ parents are in the middle of a divorce and Thor is trying to be something he isn’t just for his reputation. The characters learn something over the course of the film because of this, but the entire maturing angle doesn’t feel right. Part of it is meant to be ridiculous, especially after Lucas says something like, “I’ve grown up a lot in the past two hours,” and it’s cool that the film goes out of its way to tell the audience to never be ashamed of what you love, but it all feels sloppy and thrown together at the last minute.
This is the first R-rated film to ever have a rating that includes, “all involving tweens,” and this could be seen as the Superbad of this generation, but Good Boys simply doesn’t differentiate itself from the high school and college R-rated comedies that came before it to be memorable or enjoyable. It will likely be a crowd pleaser anyway since the theater I was in was full of laughs from the general public, but its charm is ruined so early on and that’s a painful thing to say when your film is only 90 minutes long. Good Boys may be outrageous and funny at times, but its generic formula destroys what little entertainment value it potentially had.
Bob Mann (459 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 29, 2021
When I heard the news last year that Spider-Man was going to be rebooted yet again, I was like “are you freaking serious”? After the successful Toby Maguire trilogy (though the less said about “Spider-Man 3” the better) and the mildly successful “Amazing Spider-Man” duo with Andrew Garfield only finishing in 2014, did we REALLY need another reboot? More dramatic spider biting? More Uncle Ben spouting then dying? The same old – same old, rewarmed in a pan with a bit of red wine added just to stop it feeling so dry and tasteless.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.
And I still feel the same way. I understand that its more to do with rights ownership between Sony, Marvel and Disney that this got made so quickly…. but in the words of Ian Malcolm “they didn’t stop to think if they should”.
But actually, although I still don’t really approve of it, they’ve done a pretty good job in rebooting in a different manner. I commented in my review for “The Amazing Spider-Man 2” that that first reboot was “much less earnest and quirkier than the original Tobey Maguire series, and reveling more in the fun to be had around a superhero’s schooldays.” This latest reboot moves even further along that scale, being very much more of a high-school comedy that a pure superhero flick.
Wearing the suit this time is a far more age-appropriate Tom Holland, winner of last year’s BAFTA Rising Star award. And very personable he is too. The suit in question has been jizzed up by Iron Man (Robert Downey Jnr) – perhaps I could have rephrased that better! Because here the Spider-Man story carries on from the brief cameo in “Captain America: Civil War” that crossed Spidey into the mainstream Marvel timeline.
Within the high-school setting, Peter Parker’s geeky, and almost too deliberately multi-racial, gang includes his pal Ned (Jacob Batalon), very funny with a “chair guy” sequence, the unattainable Liz (Laura Harrier) as the love-interest, Betty (the excellent Angourie Rice who made such a great impression in “The Nice Guys” but didn’t really move the meter for me here I’m afraid), Flash (Tony Revolori) and best of all for me the almost horizontally laconic Michelle (Zendaya, of Shoshone heritage) – uber-cool but harbouring a secret crush on Peter.
Chris Evans pops up for comic relief as Captain America doing motivational high-school videos. And older viewers might want to have fun watching out for Tyne Daly: Lacey in the old cop show “Cagney and Lacey”.
But stealing the show in the acting stakes is Michael Keaton as Adrian Toomes (aka “The Vulture”) who could for all the world be auditioning for “Birdman 2”. The well-judged thing about this villain is that he is no hyper-galactic being with superpowers, or a typical “rule the world” Bond villain, but just an ordinary Joe in search of financial profit to keep his family in the manner to which they are accustomed. I really liked that. The script (an army of people, but led by Jonathan Goldstein and John Francis Daley, who also wrote the story) also nicely counterpoints the thin-line between the “good arms dealer” (Tony Stark) and the “bad arms dealer” (Toomes).
The script also very wisely leaps several months into where the reboot could have started. None of the tedious spider biting. No Uncle Ben – just a sly reference to “what Aunt May’s been through”. Now this might confuse anyone not familiar with the Spider-Man story, but the percentage of people in the Western world in that segment must be less than 2%.
There are however also significant character changes that may annoy Spider-Man devotees. Aunt May herself is no longer the frail old lady of previous depictions, but a hot and attractive middle-aged woman (AILF?) played by Marisa Tomei (who does indeed look ‘Mila Kunis‘).
Many of the action scenes are well done, with a scene at the Washington Monument being particularly exciting. It all gets rather overblown though with a later scene aboard the Avenger’s plane. And this scene sums up my problem with many of these films: the superhero characters are pretty well indestructible. You know they are. So the scenes of peril, that might thrill in an Indiana Jones, an M.I. or a Bond film, lack any sort of tension. Even when the protagonist does have a superhero on the ropes, they don’t carry on kicking the proverbial c**p out of them until they are “dead”…. they lay off so the superhero can recover and kick their ass in a few minutes time!
The director is Jon Watts in only his third directorial outing (with only the much praised “Cop Car” to pretty up his CV). With such a lot on his shoulders he does a good job.
At 133 minutes its a tad over-long (I watched this in a double bill with “War for the Planet of the Apes” so my eyes afterwards were 16:9!). But it’s a fun summer flick that both amuses and entertains. If you have the choice between this and Planet of the Apes though for your Saturday night at the movies, I would personally choose the latter.
By the way, in terms of “monkeys” – yep, it’s a Marvel film, of course there are monkeys! One early on in the credits and another one at the end… which is actually very funny indeed.
Phillip McSween (751 KP) rated Three O'Clock High (1987) in Movies
Jul 27, 2018
Solid 80's Film
I've seen a lot of 80's films this year alone. I have to say, I had just as much fun watching Three O'Clock High as I did any of the other more familiar 80's titles, in some cases moreso. The comedy is about a nerd who gets on a bully's bad side and gets challenged to a fight after school. Jerry (nerd in question) spends his entire day doing whatever he can to try and get out of the fight and the antics that ensue are hilarious.
Acting: 10
Beginning: 4
Definitely the weakest part of the film. The beginning of the day drags out as they follow every single facet of Jerry's routine. I understand that they are trying to show the audience how boring Jerry was, but I don't think it needed to take that long.
Characters: 10
Cinematography/Visuals: 7
So many great memorable shots. The scene in the library. Jerry's poetry reading in class where he's hitting on the teacher. The big climax. Director Phil Joanou does an excellent job of capturing the intensity and emotion from each moment.
Conflict: 10
Jerry doesn't want to get beat up so he's willing to do any and everything to get out of the proposed fight. Things never seem to get old as Jerry's efforts lead him down a rabbit hole of trouble. It only gets funnier as the story progresses.
Genre: 7
Memorability: 8
The film is captured and progresses in such a way that you can't help but remember a number of scenes that played out. I don't want to spoil the fun, but it's definitely a film you will want to again once you're done. I think that has a lot to do with Jerry's crazy character development over the course of the story.
Pace: 10
A less than stellar beginning is quickly corrected with nonstop comedy and action-driven moments. I couldn't wait to see what was going to happen next as Jerry pushes the envelope from one scene to the next. Among other things, I appreciated the film's consistency.
Plot: 10
Resolution: 9
Not perfect, but gets the job done. Not to mention, it's light years better than the beginning. Kind of cheesy, but in a good way.
Overall: 85
If you're looking for a fun movie night or a way to expand your 80's film palate, Three O'Clock High is definitely worth your time. Solid film.
Acting: 10
Beginning: 4
Definitely the weakest part of the film. The beginning of the day drags out as they follow every single facet of Jerry's routine. I understand that they are trying to show the audience how boring Jerry was, but I don't think it needed to take that long.
Characters: 10
Cinematography/Visuals: 7
So many great memorable shots. The scene in the library. Jerry's poetry reading in class where he's hitting on the teacher. The big climax. Director Phil Joanou does an excellent job of capturing the intensity and emotion from each moment.
Conflict: 10
Jerry doesn't want to get beat up so he's willing to do any and everything to get out of the proposed fight. Things never seem to get old as Jerry's efforts lead him down a rabbit hole of trouble. It only gets funnier as the story progresses.
Genre: 7
Memorability: 8
The film is captured and progresses in such a way that you can't help but remember a number of scenes that played out. I don't want to spoil the fun, but it's definitely a film you will want to again once you're done. I think that has a lot to do with Jerry's crazy character development over the course of the story.
Pace: 10
A less than stellar beginning is quickly corrected with nonstop comedy and action-driven moments. I couldn't wait to see what was going to happen next as Jerry pushes the envelope from one scene to the next. Among other things, I appreciated the film's consistency.
Plot: 10
Resolution: 9
Not perfect, but gets the job done. Not to mention, it's light years better than the beginning. Kind of cheesy, but in a good way.
Overall: 85
If you're looking for a fun movie night or a way to expand your 80's film palate, Three O'Clock High is definitely worth your time. Solid film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parrot in the Oven: Mi Vida in Books
Jan 23, 2020
Original Review Posted at <a href="http://bookwyrming-thoughts.blogspot.com/2013/04/review-parrot-in-the-oven-mi-vida-by-victor-martinez.html">Bookwyrming Thoughts</a>
Note: Formatting is lost due to copy and paste.
Oh. Another required reading. Yay. After Dreamland's disaster, I was going to call it quits here and go hide in a cubicle for awhile. Not that it's bad idea... but I'm pretty sure I would've failed high school already with that many absences (so not happening).
Parrot in the Oven: Mi Vida is about a fourteen-year-old boy named Manny who lives with his abusive father and just wants to fit in with the others around his neighborhood.
I had hoped that Parrot in the Oven was going to be majorly better than our last reading in English. I guess it went out okay in the end, but I ended up flipping back and forth to find a certain something.
A glossary, which I didn't find to my misfortune. With the Spanish terms and translations that were used in the book at the least. It would've have helped me so much since I haven't taken Spanish. Okay, there were a few translations in English after the Spanish throughout the book, but not all of them. I still say that a glossary would have been majorly helpful (and not just to me... I hope). In fact, I have no clue what the title says. Besides the Parrot in the Oven part. I
guess it's time to stroll on over to Google Translator.
Parrot in the Oven, is a bit different, but similar when compared to other realistic fiction. It might just be me and realistic fiction (because I'm definitely not it's biggest fan, considering the fact I rarely give realistic fiction a high rating...), but there tends to be not so much going on, besides a typical Mexican American teenager with family problems typically contained in realistic fiction and wanting/trying to fit in with others (also typically found in realistic fiction). I might be wrong with that view.
*holds up warning sign* ATTENTION: MINI-SPOILER ALERT!
You have been warned of the next paragraph containing tiny mini-spoilers that may give away a tad bit too much information about the book. Continue at your own risk.
The end tends to be rushed into 2-3 chapters. Manny was going on with his typical life, until a disaster at a party, and then boop. He decides to join a gang. Shortly after, boop. Someone gets in trouble, he realizes something within just hours/a day and boop. Goes home and "happily ever after," the end.
Note: Formatting is lost due to copy and paste.
Oh. Another required reading. Yay. After Dreamland's disaster, I was going to call it quits here and go hide in a cubicle for awhile. Not that it's bad idea... but I'm pretty sure I would've failed high school already with that many absences (so not happening).
Parrot in the Oven: Mi Vida is about a fourteen-year-old boy named Manny who lives with his abusive father and just wants to fit in with the others around his neighborhood.
I had hoped that Parrot in the Oven was going to be majorly better than our last reading in English. I guess it went out okay in the end, but I ended up flipping back and forth to find a certain something.
A glossary, which I didn't find to my misfortune. With the Spanish terms and translations that were used in the book at the least. It would've have helped me so much since I haven't taken Spanish. Okay, there were a few translations in English after the Spanish throughout the book, but not all of them. I still say that a glossary would have been majorly helpful (and not just to me... I hope). In fact, I have no clue what the title says. Besides the Parrot in the Oven part. I
guess it's time to stroll on over to Google Translator.
Parrot in the Oven, is a bit different, but similar when compared to other realistic fiction. It might just be me and realistic fiction (because I'm definitely not it's biggest fan, considering the fact I rarely give realistic fiction a high rating...), but there tends to be not so much going on, besides a typical Mexican American teenager with family problems typically contained in realistic fiction and wanting/trying to fit in with others (also typically found in realistic fiction). I might be wrong with that view.
*holds up warning sign* ATTENTION: MINI-SPOILER ALERT!
You have been warned of the next paragraph containing tiny mini-spoilers that may give away a tad bit too much information about the book. Continue at your own risk.
The end tends to be rushed into 2-3 chapters. Manny was going on with his typical life, until a disaster at a party, and then boop. He decides to join a gang. Shortly after, boop. Someone gets in trouble, he realizes something within just hours/a day and boop. Goes home and "happily ever after," the end.
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Darren (1599 KP) rated Always Be My Maybe (2019) in Movies
Dec 26, 2019
Verdict: Rom Com 101
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Darren (1599 KP) rated Slender Man (2018) in Movies
Jul 5, 2019
Director: Sylvain White
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating
Writer: David Birke, Victor Surge (Screenplay)
Starring: Joey King, Julia Goldani Telles, Jaz Sinclair, Annalise Basso, Alex Fitzalan, Taylor Richardson, Javier Botet
Plot: In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.
Runtime: 1 Hour 33 Minutes
There may be spoilers in the rest of the review
Verdict: The Worst Horror Film of 2018
Story: Slender Man starts with four high school friends Wren (King), Hallie (Telles), Chloe (Sinclair) and Katie (Basso) decide to learn about Slender Man on the internet, they watch a video to summon him and the next morning the girls have had nightmares, before Katie vanishes.
The three remaining girls start searching for answers after the police come up with nothing and soon find themselves the latest target for the Slender Man.
Thoughts on Slender Man
Characters – Usually I would start to describe the characters here, but this film could well be the worst character development film I have ever seen, we have Wren and Hallie who are the longest surviving members of the group, who mostly just scream and think they are better than everyone else. Chloe is here too, she doesn’t listen to instructions and Katie is the one that goes missing. This is how little we learn about the characters in this film.
Performances – With terrible characters, comes no chance for the poor actresses in the main roles of the film to get anything memorable in, it is hard to give any of them any praise for their performance, mostly because it was hard to tell Joey King and Julia Goldani Telles apart too.
Story – The story follows four girls that play along with a Slender Man mystery that leaves them being terrorised by the mythical monster. The problem with this story is that we are force to follow four boring high characters that are given nothing to make them standout in a crowd, we have a internet video starting the nightmare which doesn’t create any sort of rules behind the mysterious figure. We have one person literally vanish, another one getting chased which just makes it hard to believe just what is happening with the characters will be going through. It is the most lacklustre pointless story we have seen that almost feels like everything is complete list of what not to do when making a movie.
Horror/Mystery – The horror in the film could be high tension moment, only for it to come back flat on its face not building the tension just, this is a scary moment, over. We even have a mystery which should be interesting but soon turns into nothing important.
Settings – The film is set in a city, didn’t notice which one, but it is surround by woodlands which only get to add what could be the mystery about the Slender Man who could use this area for hiding places.
Special Effects – The effects are just complete the weak attempt to make a movie here, with the Slender Man never getting anything remotely looking scary which he should be if he is literally kidnapping children.
Scene of the Movie – Ummmmmmm, the credits were good.
That Moment That Annoyed Me – The kids have nothing that makes them look different.
Final Thoughts – This is one of the weakest horror films you will ever see, it is just a terrible mess, with no scares and doesn’t give the talent a chance to shine in.
Overall: Bad is being nice.
Rating