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Defending Your Life (1991)
Defending Your Life (1991)
1991 | Comedy, Sci-Fi

"One of my other favorites is Defending Your Life, the Albert Brooks movie. It’s my favorite of his movies. I was kind of at the exact age where… I was graduating high school when that came out, and it spoke directly to me for whatever reason. Also, I don’t think I’ve ever laughed harder in a movie theater than the Past Lives Pavilion. It’s a really, really great movie. I don’t know if it’s my second favorite movie ever, but I would put it in my top five."

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The Band Wagon (1953)
The Band Wagon (1953)
1953 | Classics, Comedy, Drama
(0 Ratings)
Movie Favorite

"I gotta throw a musical in there, and I’d go with The Band Wagon. Singin’ in the Rain is more exuberant, but [Vincent] Minnelli is one of my favorite stylists in cinema. You know, I love {Fred] Astaire, and I’m crazy about that film. I’ve loved it since I was in high school. Often, these favorites come and go, and they change position on your list, and you make room for other things that maybe you didn’t appreciate as strongly when you were younger, but I’ve always been crazy about that movie."

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The Breakfast Club (1985)
The Breakfast Club (1985)
1985 | Comedy, Drama

"Breakfast Club. That movie is awesome. I love it because it really gets to me, especially Anthony Michael Hall‘s part. When he’s talking about how he feels lonely and how he feels pain, too. He calls out Molly Ringwald. He’s all, “You don’t think I feel this way. F— you, Claire.” I love that. I love that. That part gets to me so hard because I had his spirit in high school. Even though you can relate to everyone in a certain way, I feel like I related to him the most internally."

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Do the Right Thing (1989)
Do the Right Thing (1989)
1989 | Comedy, Drama

"I would have picked Crooklyn but you guys haven’t put it out (yet), which I really do believe is one of Spike Lee’s most undervalued films. But Do the Right Thing had a similar influence on me growing up. It’s Brooklyn, it’s beautiful, it’s got a cast that is absolutely flawless—too many great performances to mention—and it was revolutionary and in-your-face. The cinematography by Ernest Dickerson is stunning and iconic. I felt so alive the first time I saw this film in high school and have in every subsequent viewing."

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