Veronica Pena (690 KP) rated Speak in Books
Jan 6, 2020 (Updated Jan 27, 2020)
The last time I read it, I was a freshman in college and in a completely different spot in my life. When I read it the last time, I hated it. I just found the pacing to be bad, I didn't enjoy the novel itself, but I recognized the importance of Melinda's story. I still do. But now, reading it 2 years later and being where I am, I feel so different. I love this book. I loved it the first time I read it and I guess my relationship with this novel has just ebbed and flowed as I've gotten older and I've floated along with my own trauma and experiences.
I think what I love most about this book, besides its relatability and its incredibly important story, is the truth in it. I think so much of Melinda's experience and her story and the way she copes or doesn't cope is left in the things she doesn't say, in the things that aren't explicitly written. I think you take as much as she gives and then some more. I'm not sure if that makes any sense, but that's what I get from it.
I'm still a firm believer that everyone should read this book before high school and before college, but now I just think that everyone should read it every once in a while. I'm definitely going to check in with this book again in a couple of years and see where I find myself with it again.
Gareth von Kallenbach (980 KP) rated Tonight You're Mine (2012) in Movies
Aug 7, 2019
Like a sharply cut YouTube video, “Tonight You’re Mine” is quick-paced, jostled, and deeply impacted by the music in the background. The film is scattered with songs to represent all musical genres found at the giant Scottish music festival that serves as the film’s sole environment. Moreover, this continual musical metamorphosis helps to skirt the fatigued plot: of a boy who dislikes a girl until they fall in love.
But the film avoids the image of squeaky-clean new lovers by literally marching the leads through the muddy grounds of the festival. The expansive habitat invites the characters to be odd and open to rapidly changing experiences, sounds, and obstacles. The empowered characters take advantage of the freedoms offered by the concerts, filling the scenes with gritty honest language that pokes fun, sling insults, and express emotions directly. The result is a film that is as hip and likeable, just like Adam and Morello.
While you know better than to root for a perfect ending, “Tonight Your Mine” has the draw of an indie “High School Musical”; the love story is so far-fetched that you can’t help but hope it will all turn out in end.
The single night adventure film spun around, “Tonight You’re Mine” provides audiences with characters who are more engaging, slightly darker, and quickly established as too cool to care what their critics think. The result is a film that is honest and very likeable even when the plot is one you already know by heart.
Veronica Pena (690 KP) rated The Amazing Spider-Man (2012) in Movies
Apr 29, 2020
Truthfully, I like Andrew Garfield's Spiderman and Tom Holland's Spiderman way more than I like Toby McGuire's. I think this film is entertaining and a good watch. You definitely get hooked in on Peter and are rooting for him. The only thing I didn't like were some of the effects. It's clear that there was more effort or money put in some scenes than others. Maybe that's just my opinion, but those small details can really pull you out of the world the film creates.
The other detail I appreciated is Gwen. When we think and talk about Spiderman, unless you're a die-hard fan, you think of Mary Jane. And she's great. Don't get me wrong. Kirsten Dunst in Toby McGuire's and Zendaya as M.J. in Tom Holland's, but Gwen often gets forgotten. I like that in this series, Gwen is the love interest instead of Mary Jane.
Overall, I really enjoyed this film. I think I still like Tom Holland's Spiderman better, but I think the fact that he's in the MCU plays a part in my love of him. I would recommend both of these films just to say you watched them.
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