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    Bilal Philips

    Bilal Philips

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    Dr. Abu Ameenah Bilal Philips was born in Kingston, Jamaica, and grew up in Toronto, where he...

"Well, I grew up in the sixties. In 1962, I bought the first Rolling Stones single, and I still have it. I still have every single they released, in order, right up until Brian Jones was murdered. I saw Pink Floyd god knows how many times, and even did a couple of light shows for them... We started listening to pirate radio and John Peel’s Perfumed Garden, and had a friend at school called Spidey who was very good at spotting interesting new music. John Peel was the first person to play The Velvet Underground, and Spidey said, “Listen to this, you’re gonna love this!”. That’s when we got the first violin. We used to go to Birmingham, to this tiny little record shop that had nothing of interest except some Albert Ayler and free jazz. There was a record in there, and we recognised the artwork from Oz magazine so we knew it was by Hapshash and The Coloured Coat, because they used to do psychedelic posters and Oz. So we bought it just because of that. It was on Magnet Records. When we pulled out [the disc], we were shocked to see that it was on red vinyl, which we’d never seen before. We later discovered that all these people on the scene in London wanted to raise money for the legals fees of John “Hoppy” Hopkins, the first person who’d been busted for drugs and who co-founded the International Times. He was a real mover and shaker of the times. It’s like twenty to a hundred people high on acid jamming! We fell in love with it and still listen to it all the time. When we DJ, people come up to us and ask, “What was that with that great riff?” Guess what one of them ended up doing? Writing “We Are The Wombles”! That really got me in the head, that was worse than a bad acid trip!"

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Almost Never
Almost Never
Amy Lamont | 2018
4
4.0 (1 Ratings)
Book Rating
This starts with what I guess is a prologue where we see Harper joining Declan at her first campus party. Things don't go as she was hoping when she sees her high-school bully whispering and pointing in her direction and the rumours she's spreading get back to Declan. Fast forward two years and neither has spoken to the other, though they keep secretly checking on the other, and only come together again when they see a mutual opportunity: Harper will help him pass a class and Declan will help her be noticed by her professor. Their attraction blooms once more as they spend time together again

I'll admit the cover pulled me in and when I got this, it was free.

I liked this initially but I started to lose interest about the 40% mark. It just wasn't gelling with me, I found the style a little awkward at times and Harpers attitude rubbed me the wrong way. She thought the worst of everyone and everything. It's like she didn't see anything as a bright spot, it was all down and out. One quote seemed fitting:

"I guess overreacting is my thing lately."

How about all the time?! Maybe some of it was warranted but come one! I got very fed up with her look on life. So much so that I totally lost interest in this one. I didn't read the sex scene as I didn't really care about the characters or the storyline, but I wanted to finish it.

And I did. Finally.

I'm glad Harper finally got a backbone, dealing with her aunt and getting into that much longed for medical program. And I'm glad Declan stood up to his dad. Other than that, I didn't care about the rest.

This didn't work for me at all and I'm not sure if I'll be reading more books by this author.
  
Jennifer's Body (2009)
Jennifer's Body (2009)
2009 | Comedy, Horror, Mystery
7
6.4 (17 Ratings)
Movie Rating
The best way to describe Jennifer's Body is that it's pretty middle of the road. Nothing spectacular, but still pretty entertaining, and a would-be standard demonic posession horror-comedy if it wasn't for some good turns from the cast.

The plot revolves around popular high school teen Jennifer (Megan Fox) becoming possessed after a satanic ritual goes awry. Her best friend Needy (Amanda Seyfried) is caught in the crossfire as she tries to find a way to stop Jennifer's murderous Succubus ways.
The movie misses a trick in its titular character. Megan Fox is good at the whole evil schtick, but Jennifer is possessed for about 95% of the runtime, and for that entire duration, she's an absolute douche. We don't see enough of Jennifer beforehand to feel much sympathy towards her. A flashback sequence dealing with how she ended up possessed starts to lean in that direction, but it's an opportunity that's not explored enough. It feels like there's a message in here about the pressures put on women in today's culture to always look the part. An important message indeed, but it's gets lost somewhat in this oversight.
Amanda Seyfried is the real lead here, and her character is wholly sympathetic, and a huge bonus for the overall film. The relationship between her and her boyfriend Chip (Johnny Simmons) is believable and often humourous, and together, they add so much to this movie.
It's also worth mentioning that Adam Brody and J.K. Simmons are both great, and definitely provide the best comedic moments.

The scares are spread pretty thin, but there are a few creepy moments here and there, and some decent gore for good measure. A lot of it seemed practical as well which is always a plus. The little CGI on display is a bit dodgy, but a minor gripe.

Overall then, Jennifer's Body is an imperfect, but solidly entertaining splatter film that tries to capture the struggles of being a teenager, and kind of succeeds, and is certainly worth a watch.
  
It Don't Mean a Thing by Elvin Jones
It Don't Mean a Thing by Elvin Jones
1993 | Rock
(0 Ratings)
Album Favorite

"I first met Chris Bear when I was fifteen. We were both at a jazz programme and he was the one person there that was frighteningly talented, just ridiculously talented, I was very intimidated by him. “He introduced me to this and it was one of the first records the two of us bonded over. I didn’t see him again for a few years, but this record was something I kept with me throughout the last few years of high school and I always remembered this amazing drummer who introduced me to it. “That first meeting with Chris Bear has been influential in my music and my life. We were all trying to be cool kids, trading on stuff that we knew and he had this record. There’s a wildness and a subtle funkiness to it, it’s functioning within the bounds of what the genre is but it’s pushing these tiny gradations of feeling. That’s what makes really good jazz really great, it sucks you into these funny little changes in the way that people are playing. It’s so human you feel like you’re in it, like you’re the person making it happen, it’s very physical. “The playing on this is incredibly fiery, Elvin Jones is a classic player and I think Chris Bear’s drumming comes a little bit from his playing at times, but this record is a little bit outside of pure jazz. I feel in our band, and in Chris Bear’s playing, he’s always had that subtlety of feeling, you can play within any one genre, but there’s this lightness of touch and a really subtle dynamic going on. “It takes knowing the right thing to find what’s good in jazz, it’s got a language and a history and it’s easy to hear terrible shit too, I get that. I remember riding around L.A in the back of someone’s car getting really stoned and listening to the whole record was like seeing colours, it was really intense and overwhelming"

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