"I really love hip hop and I thought if I had to pick one album it'd have to be the first Wu-Tang album just for the personalities, and the real rawness and lo-fi urgency about it. I love the audacity of having an interview with the band in the middle of the record. It's something that I think independent music scene should start doing… in the middle of the next Pastels album, like, Stephen and Katrina start talking about how good they are. I need to make it so. I don't think I really got properly into hip hop until the last five years. Something suddenly clicked where it really made sense. These days I like Danny Brown and A$AP Rocky, things like that."

"When I was a teenager, I was an avid Smash Hits reader - all through the 80s, that's what I read. So when the Beastie Boys and Run DMC came along, I was all over it. We were nicking VW signs from cars, skateboarding. That was a really big thing for ages. I was into that stuff for a while but the one hip hop album I listened to the most was this one. It's another one that doesn't ever fade. It's got this depth to it, and it's easy. But it's also serious and it's bumping. Obviously there are loads of other really important hip hop albums for me: Notorious B.I.G, Dr Dre, Jay-Z. I get a similar feeling from listening to really good hip hop that I get listening to Nubian music. The whole way of writing with loops really appeals to me. It was weird because I was listening to a lot of this kind of music, and playing and listening to a lot of jazz but they were two separate worlds. I was really into guitar music as well. When I was a kid I was really into Van Halen, heavy metal and all that stuff. Those two worlds never quite joined together. It wasn't until A Tribe Called Quest, and Galliano, Joyful Noise of the Creator. That Tribe Called Quest album, for me, joined those worlds. They mined a lot of old Lou Donaldson records, and other things, but it sounded really current as well. It pulled a lot of things together. And obviously, it branched out to lots of classic 90s hip hop: Guru, Jazzmatazz, Nas. It was a really amazing time."

"This was a huge album amongst me and my friends. It was kind of the soundtrack to ten years of my life. From high school, through uni and then right out of uni was all soundtracked by that record really. It was the Bible in terms of hip-hop. It was one of the first introductions to hip-hop of mainstream appeal. It was so full of bangers. It's overly long and the production… well, it's Dre, isn't it? Anything from it is so ingrained in my generation. I'm always happy to hear this album which I think is the true sign of a good album. Although I wouldn't be so pleased to hear Kid A, because it doesn't have that same mood. 2001 has that 'all moods covered' thing going on."

"I love this album! This is truly the epitome of that time in my life as a young artist dying to become known in the music world. This album really gave me tremendous inspiration! It is heartfelt, innovative...where soul meets hip-hop in the most organic way. Lauryn Hill is incredible and this album holds a beautiful place in my conscious."