"This includes all of the films in the box set John Cassavetes: Five Films. I’m always a little leery of the routine critical construction “Without X, there would be no Y.” Surely Y would have come along; his or her work might have been a bit different, but he or she would have come along. But in the case of Cassavetes, it is difficult not to think of a whole talkative, financially strapped mob of filmmakers, some brilliant, some not so much, who very well might not have come along if he hadn’t, you know, blazed the path. Still, you don’t watch a Cassavetes film for its historical significance. These films are alive. How very well I remember my first, A Woman Under the Influence. I probably went in because I was a Columbo fan. Not only was I enthralled by a whole new Peter Falk; Gena Rowlands simply blew . . . me . . . away."

"Forrest Gump. What I appreciated about that — I believe it ended up winning the best picture and an Academy Award for Tom Hanks, both of which were well deserved — but I just loved the interplay of putting him back into actual historical footage of meeting the presidents, and at the time it was so much fun to see that play out on screen. It captured entire eras and major issues, everything from racism in the south to the horror of the Vietnam War — the protests of the Vietnam War — to AIDS toward the end. And, of course, the theme, which is right up my alley, which is, “Hey, it’s about a guy who loves a girl forever.” [laughs] That’s a little bit like The Notebook in this regard. And yet, it was done in a way that I never would have considered doing. I believe it was Robert Zemeckis who directed that. It’s phenomenal."

"A classic musical exploitation film, only with a good script, a good director and The Beatles at the height of their first flush of fame. It's got a slightly bullshitty plot, but it rolls along at a fantastic lick and obviously you get a lot of great musical performances. But it's those scenes where they're chased through Marylebone station that are the most amazing. The phenomenon of public youth hysteria is really interesting. The book documents three historical moments of it. The first was August 1926, when Rudolph Valentino died and tens of thousands of kids came on the streets, there's a brief snippet of it in the film, we actually found some footage. Then in 1939, when The Wizard Of Oz opened in Manhattan - Mickey Rooney and Judy Garland arrived in grand central and were mobbed by kids. And then obviously Sinatra at the Paramount which is the climax of the movie."