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Christine A. (965 KP) rated Once Upon a River in Books
Dec 19, 2018
I was provided with a complimentary copy of this book so I could give an honest review.
"Once Upon the River" by Diane Setterfield is a difficult book to categorize. It’s part fairy tale, part mystery, part fantasy, and has a dash of historical fiction thrown in for good measure. It revolves around a little town, its pub, its residents, and the river that flow nearby.
The residents are a colorful cast of characters. I enjoyed Setterfield’s use of the pub’s regulars and how they helped move the story along with their storytelling. Storytelling is a significant topic discussed in the story.
I found the beginning of the story confusing. I think it was because of all of the people involved in the storyline. Three separate storylines run parallel and intermingle in the story. Once I was able to keep the characters straight I thoroughly enjoyed the book.
I also listened to a preview of the corresponding audiobook and recommend that also. The narrator, Juliet Stevenson, uses different voices that allows the listener to clearly recognize that character.
I devoured Setterfield’s “The Thirteenth Tale” (my rating is 4 out of 5 stars) and now “Once Upon a River” (4 stars rating). Diane Setterfield is now an author I follow and am looking forward to her next story.
"Once Upon the River" by Diane Setterfield is a difficult book to categorize. It’s part fairy tale, part mystery, part fantasy, and has a dash of historical fiction thrown in for good measure. It revolves around a little town, its pub, its residents, and the river that flow nearby.
The residents are a colorful cast of characters. I enjoyed Setterfield’s use of the pub’s regulars and how they helped move the story along with their storytelling. Storytelling is a significant topic discussed in the story.
I found the beginning of the story confusing. I think it was because of all of the people involved in the storyline. Three separate storylines run parallel and intermingle in the story. Once I was able to keep the characters straight I thoroughly enjoyed the book.
I also listened to a preview of the corresponding audiobook and recommend that also. The narrator, Juliet Stevenson, uses different voices that allows the listener to clearly recognize that character.
I devoured Setterfield’s “The Thirteenth Tale” (my rating is 4 out of 5 stars) and now “Once Upon a River” (4 stars rating). Diane Setterfield is now an author I follow and am looking forward to her next story.
Deborah (162 KP) rated Never Dare a Duke (Sons of Scandal, #2) in Books
Dec 21, 2018
I do enjoy unwinding with an historical romance and I know they are not generally examples of great literature, but I found this particular book to be a pretty weak offering. At times I found myself skim-reading over passages...
Abigail Shaw, daughter of a newspaper owner and potential journalist herself, with a little help from her friend insinuates herself into a house party at the home of the Duke of Madingley in the hope of uncovering a scandalous secret from his past, publishing it in daddy's newspaper and thereby saving it from ruin. That's put quite bluntly, but for me it made the 'heroine' seem pretty unattractive in character! I found it really difficult to see what on earth the hero saw in her, especially as he didn't trust her. OK, she didn't fawn over him, but her actions were pretty underhand.
Most of the supporting characters are pretty weak and underdeveloped too. Lady Gwen appeared tainted by the deception of her friend and the whole ghost hunt sub plot was a bit childish.
The 'scandal' when finally revealed seems a bit odd, as since witnesses seemed so keen to come forward, surely no one would have been able to keep it so totally under wraps for ten years?!
Not a winner for me; I won't be rushing to pick up another by the same author.
Abigail Shaw, daughter of a newspaper owner and potential journalist herself, with a little help from her friend insinuates herself into a house party at the home of the Duke of Madingley in the hope of uncovering a scandalous secret from his past, publishing it in daddy's newspaper and thereby saving it from ruin. That's put quite bluntly, but for me it made the 'heroine' seem pretty unattractive in character! I found it really difficult to see what on earth the hero saw in her, especially as he didn't trust her. OK, she didn't fawn over him, but her actions were pretty underhand.
Most of the supporting characters are pretty weak and underdeveloped too. Lady Gwen appeared tainted by the deception of her friend and the whole ghost hunt sub plot was a bit childish.
The 'scandal' when finally revealed seems a bit odd, as since witnesses seemed so keen to come forward, surely no one would have been able to keep it so totally under wraps for ten years?!
Not a winner for me; I won't be rushing to pick up another by the same author.
Awix (3310 KP) rated The Golem (Der Golem) (1920) in Movies
Nov 4, 2019 (Updated Nov 4, 2019)
Usual disclaimers apply when discussing a movie this old (the pace, production values and performance style should not be judged by modern standards), but this is another one of those films proving that things have, perhaps, not changed as much as we think. This is technically Golem 3, a prequel to the first two showing the creation of the titular monster during the middle ages. The structure of the story is very familiar - it seems like a good idea to create an immensely powerful servant from clay using dark magic, to begin with anyway, but he proves an unruly worker in the end, to say the least.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
Another expressionist German fantasy film about the dangers of flirting with the powers of darkness; if you're looking for historical irony the fact it's based on a Jewish legend should give you plenty to work with. Holds up pretty well; the similarities to Frankenstein are very obvious, and the director gives a striking performance as the monster. Many other performances are striking to the modern eye as well, although not in quite the same way. Some interesting cultural baggage to be unpicked here too (the Jewish characters are the heroes of the film, but the Rabbi does have black magic powers which no-one seems very surprised). Interesting historically and a watchable genre movie, too.
Christine A. (965 KP) rated The Doll Factory in Books
Feb 7, 2020
I was provided with a complimentary copy of this book so I could give an honest review.
The Doll Factory is the debut novel of Elizabeth Macneal. It is not a children's book. Before reading it, some reviewers thought it could be because of the cover. Afterward, they realized they were mistaken.
It is a historical fiction novel set in 1850 London. It revolves around Iris, a doll maker, who dreams of a better life. Iris knows her life drastically changes when she meets Louis Frost, a painter, who agrees to teach her to paint in exchange for sitting as his model. What she does not know is it also drastically changes with a brief exchange with Silas, a strange collector who is entranced and quickly becomes obsessed with Iris.
The story is a slow burn and took a while for me to really get into it. It was because of this, the story felt longer than 336 pages. Macneal's description of Silas's increasing obsession with Iris is creepy, dark, and extremely believable. What made it creepier is that Iris does not even remember meeting Silas. Yet, he believes Iris is as infatuated with him as he is with her. This theme has been done before but the 1850 London setting helps make the obsession even darker.
This 200-word review was published on Philomathinphila.com on 2/6/2020.
The Doll Factory is the debut novel of Elizabeth Macneal. It is not a children's book. Before reading it, some reviewers thought it could be because of the cover. Afterward, they realized they were mistaken.
It is a historical fiction novel set in 1850 London. It revolves around Iris, a doll maker, who dreams of a better life. Iris knows her life drastically changes when she meets Louis Frost, a painter, who agrees to teach her to paint in exchange for sitting as his model. What she does not know is it also drastically changes with a brief exchange with Silas, a strange collector who is entranced and quickly becomes obsessed with Iris.
The story is a slow burn and took a while for me to really get into it. It was because of this, the story felt longer than 336 pages. Macneal's description of Silas's increasing obsession with Iris is creepy, dark, and extremely believable. What made it creepier is that Iris does not even remember meeting Silas. Yet, he believes Iris is as infatuated with him as he is with her. This theme has been done before but the 1850 London setting helps make the obsession even darker.
This 200-word review was published on Philomathinphila.com on 2/6/2020.
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