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Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Whatchareadin (174 KP) rated Small Great Things in Books
Apr 9, 2019
Here lately we hear a different story every week where a person of color has been wrong by the police or another authoritative figure in their community. Jodi Picoult tackles this issue head on. Telling the story of Ruth Jefferson, the only black nurse in the Labor and Delivery Unit at Mercy-West Haven Hospital in New Haven, Connecticut. When she is removed from the Bauer case because of the color of her skin, she's upset but continues to to do her job. When something horrible happens to the baby, Ruth has to choose between doing the job she was trained to do and fulfilling the wish of the white supremacist parents. When tragedy strikes, Ruth finds herself in the middle of a murder trial.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
Hazel (1853 KP) rated The Prisoner of Heaven in Books
Dec 14, 2018
<i>The Prisoner of Heaven</i> by Carlos Ruiz Zafón is part of a cycle of novels known collectively as <i>The Cemetery of Forgotten Books</i>. At the moment there are three books (the other two being <i>The Shadow of the Wind</i> and <i>The Angel’s Game</i>) and they are all independent stories whose characters and themes overlap, meaning that they can be read in any order. Despite this I think it that you would get more out of each story if you read them in order of publication.
My experience of <i>The Prisoner of Heaven</i> would be different from those who have not read the previous two books. I read <i>The Shadow of the Wind</i> when I was quite young and, although I probably did not understand it that well, I was able to recognize and understand certain references to that particular storyline. I have also read <i>The Angel’s Game</i> – also a number of years ago, which I found quite terrifying – which meant I had the background knowledge of a particular character. Having said that, Zafón provides enough information for new readers to understand what is going on.
The story is written in several parts beginning in Barcelona at Christmas in 1957. The sections set during this time period are narrated by Daniel Sempere (the main character from <i>The Shadow of the Wind</i>) who works alongside his father in the bookshop <i>Sempere & Sons</i>. One day a mysterious customer buys and leaves a copy of an expensive novel for Daniel’s friend and work colleague Fermín Romero de Torres. This leads us to the middle sections, the key part of the plot in which, told in third person narrative in order to differentiate from the “current day” (1957), we discover the character Fermín’s past and who the mysterious customer was. David Martín, the main character in <i>The Angel’s Game</i>, makes a significant appearance in this part.
During the remaining parts, told once again from Daniel’s point of view, I kept expecting something major to happen as I did not feel that the novel had reached it’s climax. But nothing happened which was slightly disappointing (although I was also relieved as I feared I would find this book scary as I did with <i>The Angel’s Game</i> – I didn’t). However I do believe that the final book in this cycle will continue with and tie up the loose ends in <i>The Prisoner of Heaven</i> – another reason to have read the books in order in my view.
Overall I enjoyed the book. I definitely prefer it to <i>The Angel’s Game</i>, which I found confusing and slightly unnerving. I cannot compare it easily with <i>The Shadow of the Wind</i> for, as already mentioned, it has been such a long time since I read it. I would certainly recommend this book (and series) particularly to those who enjoy historical fiction and mysteries.
My experience of <i>The Prisoner of Heaven</i> would be different from those who have not read the previous two books. I read <i>The Shadow of the Wind</i> when I was quite young and, although I probably did not understand it that well, I was able to recognize and understand certain references to that particular storyline. I have also read <i>The Angel’s Game</i> – also a number of years ago, which I found quite terrifying – which meant I had the background knowledge of a particular character. Having said that, Zafón provides enough information for new readers to understand what is going on.
The story is written in several parts beginning in Barcelona at Christmas in 1957. The sections set during this time period are narrated by Daniel Sempere (the main character from <i>The Shadow of the Wind</i>) who works alongside his father in the bookshop <i>Sempere & Sons</i>. One day a mysterious customer buys and leaves a copy of an expensive novel for Daniel’s friend and work colleague Fermín Romero de Torres. This leads us to the middle sections, the key part of the plot in which, told in third person narrative in order to differentiate from the “current day” (1957), we discover the character Fermín’s past and who the mysterious customer was. David Martín, the main character in <i>The Angel’s Game</i>, makes a significant appearance in this part.
During the remaining parts, told once again from Daniel’s point of view, I kept expecting something major to happen as I did not feel that the novel had reached it’s climax. But nothing happened which was slightly disappointing (although I was also relieved as I feared I would find this book scary as I did with <i>The Angel’s Game</i> – I didn’t). However I do believe that the final book in this cycle will continue with and tie up the loose ends in <i>The Prisoner of Heaven</i> – another reason to have read the books in order in my view.
Overall I enjoyed the book. I definitely prefer it to <i>The Angel’s Game</i>, which I found confusing and slightly unnerving. I cannot compare it easily with <i>The Shadow of the Wind</i> for, as already mentioned, it has been such a long time since I read it. I would certainly recommend this book (and series) particularly to those who enjoy historical fiction and mysteries.
Whatchareadin (174 KP) rated The Pink Bonnet: True Colors in Books
Jul 2, 2019
Cecile Dowd is a single mother, just trying to keep life together in 1933 for her and her three year old daughter Millie. Cecile is a widow and it's the great depression. Without her husband, it's difficult to always control Millie's behavior and make sure there is enough food on the table. Cecile decides she needs to get another job to help make things easier. While she goes out looking, she leaves Millie with a neighbor. When she returns to pick up Millie at the end of the day, Millie is gone. The neighbor says, that Cecile can't handle the child and has given her to someone who can help, Georgia Tann the head of the Tennessee Children's Home. They "help" parents find loving families for their children. But Cecile didn't ask for this and neither did a lot of other parents. Ms. Tann is taking children from parents she deems unfit and sending them to other families in the area. Ms. Tann has most of the Tennessee government in her back pocket and no matter who Cecile goes to for help, it's to no avail. Will she be able to find Millie before she's gone forever? With people trying to stop her at every turn, Cecile is determined, no matter what the cost.
Thank you to NetGalley and Barbour Publishing for the opportunity to read and review this book.
This book is based on a true story. Georgia Tann was a real woman who really ran an adoption agency in Tennessee for over 25 years. During her tenure, it is believed that approximately 5,000 children were taken unwillingly from their parents and sold in adoptions to whoever would pay the highest price.
This book hit my heart hard. I can't imagine what I would do, if I left my child with a friend or neighbor for a little bit and then when I came back they had forged my name on documents to allow my child to be taken for adoption. Or if they were just snatched from the street on their way home from school. This was happening to hundreds of families during the depression. People were doing anything they could to make ends meet, but for Georgia Tann that didn't matter. One parent should be with the child at all times. That is the only way to show that you really love and are able to take care of the child.
I would love to read more about this lady. I hope there was a warm seat in hell waiting for her and all her cohorts when she passed away. Throughout the story, you can feel the love for Millie that Cecile has and she risks her life and the lives of those that are helping her in order to get to her daughter. No matter what she does, though it never seems like enough, Millie is always just beyond her grasp.
If you like historical, true crime fiction, you will enjoy this book.
Thank you to NetGalley and Barbour Publishing for the opportunity to read and review this book.
This book is based on a true story. Georgia Tann was a real woman who really ran an adoption agency in Tennessee for over 25 years. During her tenure, it is believed that approximately 5,000 children were taken unwillingly from their parents and sold in adoptions to whoever would pay the highest price.
This book hit my heart hard. I can't imagine what I would do, if I left my child with a friend or neighbor for a little bit and then when I came back they had forged my name on documents to allow my child to be taken for adoption. Or if they were just snatched from the street on their way home from school. This was happening to hundreds of families during the depression. People were doing anything they could to make ends meet, but for Georgia Tann that didn't matter. One parent should be with the child at all times. That is the only way to show that you really love and are able to take care of the child.
I would love to read more about this lady. I hope there was a warm seat in hell waiting for her and all her cohorts when she passed away. Throughout the story, you can feel the love for Millie that Cecile has and she risks her life and the lives of those that are helping her in order to get to her daughter. No matter what she does, though it never seems like enough, Millie is always just beyond her grasp.
If you like historical, true crime fiction, you will enjoy this book.
BookInspector (124 KP) rated Leopard at the Door in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
My favourite genre to read normally is mystery, crime or thrillers, but I try to choose different genres from time to time. I need to rest from investigations and murders, that’s where historical fiction, YA and other books come in. This book is no exception; I needed something to clear my mind, and it really done the job.
Let me begin by saying, that I loved the environment used in this book. Author portrayed the surroundings and places in this book with great detail, and made me actually feel the African spirit. So, all her travels through Africa, really helped her to describe what she felt to the reader.
The main character in this book was Rachel, and she was the one to share her life with a reader. This novel had a huge variety of very diverse characters, some of them positive and dear to the heart, and some of them really negative, which made me really angry about them. Unfortunately, I did not have any favourite character in this book, as I felt they were not fully developed and opened up to the reader. I would’ve liked to read different perspectives and have more insight into different personalities. Even though I really tried to like Rachel’s rebellious views and kind heart, I think some of her decisions were really silly and disappointing.
The narrative of this novel starts in 1952, when British Empire is on a verge of collapsing, and Kenya wishes its independence. I absolutely adored all the details about Mau Mau, their ideology and ways of action. I loved Michael’s thoughts about war and his country’s independence. I think, this book was really well researched and the whole spirit of the book was shared just gorgeously. The whole story was flowing very smoothly, with some turns and twists, which kept me interested. There was a great love story going on in this book, but I would’ve liked it to be a bit more passionate than it was. Author discussed some interesting topics in this book, such as: Life after mother’s death and relationship with a stepmother; feelings, when you don’t have anyone to turn to; love and betrayal.
The writing style of this novel was not difficult to read, but it contains some African words, which were explained at the end of the book. (If you read it on Kindle, it’s not very helpful) The chapters of this book have decent length, but it might drag a little, because there is not much action going on in this novel. The ending was quite interesting and done the justice to the book and Rachel, but still left me questioning about “What happened to Michael?” So, overall, I actually enjoyed this story of wish for independence, unexpected love, family difficulties and betrayal, and I would recommend immersing yourself into this beautiful Kenyan setting.
Was given this book by publisher and NetGalley for honest review.
My favourite genre to read normally is mystery, crime or thrillers, but I try to choose different genres from time to time. I need to rest from investigations and murders, that’s where historical fiction, YA and other books come in. This book is no exception; I needed something to clear my mind, and it really done the job.
Let me begin by saying, that I loved the environment used in this book. Author portrayed the surroundings and places in this book with great detail, and made me actually feel the African spirit. So, all her travels through Africa, really helped her to describe what she felt to the reader.
The main character in this book was Rachel, and she was the one to share her life with a reader. This novel had a huge variety of very diverse characters, some of them positive and dear to the heart, and some of them really negative, which made me really angry about them. Unfortunately, I did not have any favourite character in this book, as I felt they were not fully developed and opened up to the reader. I would’ve liked to read different perspectives and have more insight into different personalities. Even though I really tried to like Rachel’s rebellious views and kind heart, I think some of her decisions were really silly and disappointing.
The narrative of this novel starts in 1952, when British Empire is on a verge of collapsing, and Kenya wishes its independence. I absolutely adored all the details about Mau Mau, their ideology and ways of action. I loved Michael’s thoughts about war and his country’s independence. I think, this book was really well researched and the whole spirit of the book was shared just gorgeously. The whole story was flowing very smoothly, with some turns and twists, which kept me interested. There was a great love story going on in this book, but I would’ve liked it to be a bit more passionate than it was. Author discussed some interesting topics in this book, such as: Life after mother’s death and relationship with a stepmother; feelings, when you don’t have anyone to turn to; love and betrayal.
The writing style of this novel was not difficult to read, but it contains some African words, which were explained at the end of the book. (If you read it on Kindle, it’s not very helpful) The chapters of this book have decent length, but it might drag a little, because there is not much action going on in this novel. The ending was quite interesting and done the justice to the book and Rachel, but still left me questioning about “What happened to Michael?” So, overall, I actually enjoyed this story of wish for independence, unexpected love, family difficulties and betrayal, and I would recommend immersing yourself into this beautiful Kenyan setting.
Was given this book by publisher and NetGalley for honest review.
Lottie disney bookworm (1056 KP) rated The Stars That Guide You Home in Books
Oct 25, 2021
Wow.
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Just…wow.
Now I make no secret of the fact that I am a crier. Christmas TV ads, airport arrivals halls, old men crying, anything has the ability to set me off blubbing! So I am never entirely surprised when I start crying at a book, even my husband doesn’t mock me anymore. But this book? THIS BOOK had me crying the entire way through and just when you thought life for the characters couldn’t get any worse…Jemma Robinson says hold my coat!
Sophia and Tom live in a quaint little farmhouse in the town of Lowshore. Their life is a simple one but their happy marriage practically radiates from the page. However, Sophia never told her husband about her past and that past is about to catch up with her!
Whilst Tom is at work, Sophia is kidnapped from her happy home and forced to live the life that she tried so desperately to escape. Beaten, abused and powerless, Sophia manages to find two people worthy of her trust but will she ever escape? Can she ever regain the life that she used to have with Tom?
The beauty of this book is that it revolves around its characters. There is very little world building here but, honestly, it isn’t needed. Nothing matters to Tom and Sophia except one-another and that is reflected in Jemma Robinson’s writing style.
The characters themselves stay with you long after the final page: Sophia wears her heart on her sleeve, Tom is steadfast and passionately protective, James and Annalise are, in contrast, calm and collected individuals but Edmund is nothing short of a psychopath!
Edmund is no fairytale villain, despite the Lord Farquaad vibes I was getting from him. Robinson’s antagonist wouldn’t be out of place in Game of Thrones: he is truly revolting, controlling and revels in his absolute power over everything and everyone in his kingdom.
The Stars That Guide You Home is marketed as historical romance, not a fairytale, and with its medicine, photographs and labour camps then it does seem too modern to be considered a fairytale. However, I would argue that castles, arranged marriages, medieval torture and absence of any morally grey characters could push this into the category of dark fairytale.
There are a number of trigger warnings within this novel that I want to highlight. This is by no means a YA book – it is definitely Adult Fiction or New Adult at a push. These trigger warnings include rape, physical and mental abuse, animal cruelty, torture (in detail), kidnap, burns, suicide, miscarriage and general violence.
Dark fairytale still doesn’t seem enough… Sinister fairytale might just do it!
The Stars That Guide You Home is simultaneously beautiful, horrifying and inspiring. This book will break your heart over and over again and keep you coming back for more. Thank you to The Book Network for the opportunity to review this amazing novel, and thank you to Jemma, even though you did make me cry for 486 pages!
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Louise (64 KP) rated The Wonder in Books
Jul 2, 2018
This is Emma Donoghue’s latest book on the market, prior to picking it up I had heard some mixed reviews but the synopsis is what really pulled me in and regardless of what other readers thought I was going to read it and form my own opinion.
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Now I picked up ‘Room’ a few years back and read about half and put it down for some unknown reason. This book is not like ‘Room’ so try not go into it thinking it’s going to be.
This is a historical fiction novel set in rural Ireland just after the Crimean war. Our protagonist is an English nurse who served under Miss Nightingale and goes by the name of Lib Wright. Lib is sent over to Ireland to observe an 11-year-old girl, Anna, who has claimed to have not eaten anything over the last 2-3 months. Lib and a Catholic nun take it turns to watch over Anna, 24hrs a day to see if she really is a miracle as proclaimed by the locals.
I liked this book, I was enthralled by the mystery of a small girl claiming to not have eaten. I was hooked line and sinker wanting to find out what was really happening. How could a child not eat? Was it all just a ploy for fame and money?
This book has a lot with religion involved as all the community and the rest of Ireland are Catholics. I am not a religious person, so a lot of the verses and prayers that were being said went over my head. Religion is the essence of this book, it proves how devout and bordering fanatic people can become.
The Wonder is a very atmospheric book and has a lot of descriptive writing and you really get a feel for the village and the people.
I liked Lib our protagonist, she was determined to find out the truth, she was sceptical from the start and was convinced she would not be there for long. She got frustrated a lot of the time for multiple reasons. 1, The family were not very forthcoming and didn’t like having a stranger in their house (understandable). 2, Anna was very timid and would not open up to Lib. 3, The nun, wouldn’t confer with her as to what happened on her shifts as they were supposed to be forming their own opinions. 4, The doctor looked down on Lib as just ‘help’ and when she voiced her concerns about Anna, she was cut off and told to just do her job.
The couple of things that let the book down for me was the pace of the book. This is an incredibly slow paced book and may not be for everyone. I usually don’t mind slow paced books but it felt like there was a lot of repetition and at points I was thinking to myself that surely this couldn’t on like this for the next 200 odd pages but it did. I think this is for readers who like more atmosphere to their books.
I rated this 3 out of 5 stars
Louise (64 KP) rated Wolf by Wolf (Wolf by Wolf, #1) in Books
Jul 2, 2018
Yael is 5 years old and finds herself a prisoner in a Nazi Concentration camp, she has been specifically selected by a doctor for an experiment. The experiment entails a series of injections every few days - their aim.... to make her blonde haired and blue-eyed (an Aryan). These injections are severe and the weak show signs of fever and for most of them death but not for Yael.
1956 Yael is a member of the resistance, her aim in life is to kill Hitler to make the world a better place. With so many assassination attempts Hitler hardly attends social functions, so it's quite difficult to get near him. The resistance have a plan which involves Yael - she must enter the Axis Motorbike race disguised as another young girl who has once had the pleasure of meeting the Führer - if Yael can win, her life's mission will be complete, However she didn't plan for all the backstabbing and love involved in the race or the hidden secrets which are not on file. For this no training would help her, she has to win.
This is one of those books that explores the topic of Hitler winning the war and how the rest of the world would be effected and what other bizarre theories he comes up with. This also covers another serious topic that I myself did not know about was that people were experimented on in the concentration camps which caused death and disfigurements. Which is absolutely brutal and very hard to read about.
I was umming and ahhing over this book for a while,I heard many great things about it but I still wasn't totally convinced. Was it the fact that this book is based on Hitler winning and carrying on with his reign of terror or was it the motorcycle race? I have never read anything about racing before and it doesn't really appeal to me.However my lesson has been learnt...... I think! Always try to read something out of your comfort zone because you never know you might just end up loving it, which is exactly what happened to me with this book.
I loved this book with a passion, I loved the back stories to the wolves and how they become. The authors writing style was beautiful to read, utterly compelling but also hard due to the content and how realistic it was. This is a book that explores identity and reasons that drive Yael on through her mission. The book does go back and forth from the past and present, which I really enjoyed, I think if the book wasn't written this way it could have dragged a bit. The premise of this book is definitely unique and like nothing I have read before. Ryan Graudin has a novella which is called Iron to Iron which I desperately need to read as I just want more.
I recommend this book to anyone with an interest in historical fiction and young adult.
Overall I rated this book 5 out of 5 stars
1956 Yael is a member of the resistance, her aim in life is to kill Hitler to make the world a better place. With so many assassination attempts Hitler hardly attends social functions, so it's quite difficult to get near him. The resistance have a plan which involves Yael - she must enter the Axis Motorbike race disguised as another young girl who has once had the pleasure of meeting the Führer - if Yael can win, her life's mission will be complete, However she didn't plan for all the backstabbing and love involved in the race or the hidden secrets which are not on file. For this no training would help her, she has to win.
This is one of those books that explores the topic of Hitler winning the war and how the rest of the world would be effected and what other bizarre theories he comes up with. This also covers another serious topic that I myself did not know about was that people were experimented on in the concentration camps which caused death and disfigurements. Which is absolutely brutal and very hard to read about.
I was umming and ahhing over this book for a while,I heard many great things about it but I still wasn't totally convinced. Was it the fact that this book is based on Hitler winning and carrying on with his reign of terror or was it the motorcycle race? I have never read anything about racing before and it doesn't really appeal to me.However my lesson has been learnt...... I think! Always try to read something out of your comfort zone because you never know you might just end up loving it, which is exactly what happened to me with this book.
I loved this book with a passion, I loved the back stories to the wolves and how they become. The authors writing style was beautiful to read, utterly compelling but also hard due to the content and how realistic it was. This is a book that explores identity and reasons that drive Yael on through her mission. The book does go back and forth from the past and present, which I really enjoyed, I think if the book wasn't written this way it could have dragged a bit. The premise of this book is definitely unique and like nothing I have read before. Ryan Graudin has a novella which is called Iron to Iron which I desperately need to read as I just want more.
I recommend this book to anyone with an interest in historical fiction and young adult.
Overall I rated this book 5 out of 5 stars
Hazel (1853 KP) rated Cuckoo Song in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!
Frances Hardinge’s <i>Cuckoo Song</i> is a historical, horror story for children. Six years have past since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine year old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child and so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond to begin with and why Pen is so scared of her?
Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, however, Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.
The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.
Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact on their remaining children. Triss becomes a child they want to protect and save leaving Pen to become an attention-seeking troublemaker.
As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss’, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all Triss discovers that just because someone calls you a monster, it does not mean that you are a monster.
The 1920’s setting did not feel quite accurate. At times it felt as though the story could have been set today. This, however, was not a major issue as, apart from Sebastian’s death during WW1, the time period was not a key aspect of the plot.
Initially the children, particularly Pen, were written in a way that made them seem older than Hardinge intended them to be, although by the end it is clear that they are fairly young. This is shown in the way that Pen begins to become attached to, and slightly more dependent, on Triss.
It is difficult to say who the target audience of <i>Cuckoo Song</i> is. The protagonist is eleven but the writing may be a little difficult for some children, on the other hand it cannot exactly be classed as Young Adult fiction since the characters are not even in their teens.
Overall, <i>Cuckoo Song</i> is an exciting, fast paced, fairy tale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!