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James
9.0
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Enthralling and ferociously funny, James by Percival Everett is a profound meditation on identity,...
Historical Fiction Slavery Retellings Huckleberry Finn
ClareR (5950 KP) rated The King’s Mother in Books
Jan 7, 2025
I realise as I write this that I’ve read The King’s Mother before the first part of this duology (Cecily). Ah well. It hasn’t spoilt my enjoyment one bit, though. I have a fair bit of knowledge of the War of the Roses from Edward and Richard’s points of view, and it was fascinating to learn about Edward’s reign (and later Richard’s) from Cecily.
This novel explores those things that the women, in particular, would have experienced. Their lives wouldn’t have just been about waiting for their husbands, sons and fathers to come home, it would have been about the relationships with other women, their children, and in Cecily’s case, about her relationship to the throne and those in power.
Cecily was a formidable woman (as was Henry VII’s mother, Margaret Beaufort). She saw the death of her husband, sons, and regime changes. She backed her sons up, no matter her personal opinions. She was unendingly loyal - but anyone else was fair game!
This is such a well-researched, gripping read. I would have hated to have been in Cecily’s shoes, and she proved that power didn’t always bring happiness.
This was a fabulous read, and I will go back and read Cecily. If you enjoy historical fiction, then this would be a great addition to your TBR!
This novel explores those things that the women, in particular, would have experienced. Their lives wouldn’t have just been about waiting for their husbands, sons and fathers to come home, it would have been about the relationships with other women, their children, and in Cecily’s case, about her relationship to the throne and those in power.
Cecily was a formidable woman (as was Henry VII’s mother, Margaret Beaufort). She saw the death of her husband, sons, and regime changes. She backed her sons up, no matter her personal opinions. She was unendingly loyal - but anyone else was fair game!
This is such a well-researched, gripping read. I would have hated to have been in Cecily’s shoes, and she proved that power didn’t always bring happiness.
This was a fabulous read, and I will go back and read Cecily. If you enjoy historical fiction, then this would be a great addition to your TBR!
The Falconer's Apprentice
Book
THE FALCONER'S APPRENTICE is a story of adventure and intrigue set in the intense social and...
Historical Fiction Holy Roman Empire Frederick II Castel del Monte Falconry Medieval Medicine
The Price of Loyalty: Serving Adela of Blois
Book
In a time of kingdoms and crusades, one man's heart is the battlefield. Cerdic, a Saxon knight,...
Historical Fiction Medieval France Crusades Adela of Blois William the Conqueror
Confessions
9.0
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I was at a time in my life where I got to thinking more about people's choices – how everything...
Historical fiction
Deborah (162 KP) rated The Queen's Confidante in Books
Dec 21, 2018
The book has three mysteries at the heart - was Arthur Tudor really murdered (I confess this is a new theory to me and not sure how credible this is), what happened to the so-called Princes in the Tower and what became of Lord Lovell after the Battle of Stoke. Personally, I think the latter is done a great disservice here, based on the historical knowns of his character. Even so, what happens and with the hero and heroine's consent is pretty horrific - yes, I know the historical basis for this, but it doesn't do much good for liking the supposed protagonists! Also the rather melodramatic language as the book nears it's conclusion - monster, beast, devil - it just goes a bit over the top.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
I could explain a bit more about why I wasn't keen on the book, but it would be difficult to do without spoilers, so I suppose I will leave that there. I will just say that I find it hard to credit that when Elizabeth Woodville came out of sanctuary in 1484 she didn't know what had happened to her sons and therefore one would assume that Elizabeth of York would also have known - and she was happy enough to be honoured at her uncle's court that Yuletide. Having the Elizabeth of this book rail against Yorkists when she came from what seemed a close family does seem to me to be somewhat absurd.
There are, also, a number of errors which could and should have been picked up. Another reviewer has already mentioned the note which is shown to two other people on one page and on the following page is apparently a secret! There are also TWO erroneous mentions of Richard duke of York, when the context is reasonably clear the person actually referred to is York's son, Richard Duke of Gloucester - elementary mistake that should not have been made!
Perhaps I have read too many non-fiction books about the period and have formed my own strong opinions to enjoy this book as much as some other reviewers. If it is going to be your 'thing' I can only give you my opinion and leave it to yourselves to determine.
David McK (3600 KP) rated Death to the Emperor (Macro and Cato #21) in Books
Apr 10, 2023
The Year 2001.
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
Hazel (1853 KP) rated Fanya in the Underworld in Books
Dec 6, 2018
I was sent a copy of this book by the author in exchange for an honest review.
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Author Jordan Elizabeth has written many stories for young adults of all sorts of genres. With Fanya in the Underworld, Jordan tackles steampunk fiction with elements of fantasy and the paranormal. Set in Alaska during the 19th century when the state was still owned by Tsarist Russia, humans rely on steamtech and spirit magic to fuel their industrious cities.
The story begins shortly after the death of Fanya's father, leaving her as heir to his estate. Unfortunately, her step-mother has overruled her right to her inheritance. By making a fuss to the council, Fanya inadvertently puts both her life and the life of her younger sister in danger. Desperate to protect her sister from the clutches of a mysterious Englishman, Fanya finds herself in the wilderness where the indigenous, magical folk live. Despite having lived in a city her entire life, Fanya soon discovers she has far more in common with the people in the untamed wild.
Whilst a work of imaginative fiction, Fanya in the Underworld works with the historical truth about settlers moving to Alaska, Canada and the United States. Those from Europe who travelled to North America drove out the indigenous folk, destroyed their land and culture and deemed them to be lesser beings. The same has occurred in this novel in which the natives are banned from the cities, treated like animals and even murdered just for being who they are.
By caring so much about her sister, Fanya discovers the truth about the way the cities developed and is shocked by the revelation. Although her sister is at the forefront of her mind, her actions cause huge changes in Alaska resulting in a favourable, although unpredictable, conclusion.
Jordan Elizabeth draws the reader into the steampunk world of Tsarist Alaska. With the aid of illustrations by Aaron Siddal, Fanya in the Underworld is an exciting story unlike any written before. Unique characters, unique scenarios, and a fantastic ending, what more could anyone want?
Haley Mathiot (9 KP) rated The Mechanical in Books
Apr 27, 2018
The Mechanical surprised me. The first few chapters were hard to get into. It was so different than anything I’ve read. I’m not a fan of historical fiction (even if it is supernatural or steampunk) but I gave this book a chance based on a recommendation from a friend. I’m so glad I did.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.