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Merissa (13950 KP) created a post
Apr 26, 2021
Merissa (13950 KP) created a post
May 26, 2025
The Chocolate Lady (94 KP) rated My Counterfeit Self in Books
Oct 5, 2020
What does poetry have to do with social activism? A whole lot, actually, as you'll find out in Jane Davis's novel "My Counterfeit Self" and through my #bookreview of this historical, contemporary, women's literary fiction novel on my blog now. (I think this has just become my favorite of her books, as it just edged out "Smash All the Windows" by a whisker!)<br/>https://tcl-bookreviews.com/2019/05/11/a-poetically-explosive-story/<br/>;
Merissa (13950 KP) created a post
Mar 3, 2026
Merissa (13950 KP) created a post
Sep 25, 2025
Merissa (13950 KP) created a post
Mar 26, 2026
The Chocolate Lady (94 KP) rated The Dark Lady's Mask in Books
Oct 5, 2020
With all due respect for Sharratt's really nicely written prose, I was unable to finish reading this book. I have a great love of historical fiction, and am willing to accept no small amounts of literary license when it comes to adjusting some facts to fit the story - for example, it is possible that William Shakespeare could have been bi-sexual. However, I was unable to overcome the blatant rewriting of history to suspend belief when, in this novel, William Shakespeare is still an impoverished poet AFTER the death of Christopher Marlowe. This is really too bad, because I had such high hopes for this book. My sincere apologies, and I'm sure other readers will be more forgiving.
LilyLovesIndie (123 KP) rated Watersheds of World History in Books
Nov 5, 2018
This book was provided as a complimentary signed copy from the author, and I am very grateful to be finally fulfilling my promise to review the book.
Firstly, I have to be honest, world history from start to finish in 200 pages? I know, I asked myself that question so many times before I sat down to finally read this and I was highly sceptical whether it could be achieved. How very wrong I was.
Taylor has a unique take on history, succinct and incredibly to the point. I read a lot of history books and most historians get a little 'flowery' with their language in an attempt to make the reader love the history but Taylor takes a completely contrasting methodology in being almost blunt with the delivery of the historical facts. Usually, I would prefer more description but in this book it is much more apt to have this short, sharp burst approach as it keeps the reader hooked to the very end, even if they already know the history being told. That being said, I'm a self professed history enthusiast who reads history like fiction, and Taylor, in this masterpiece, managed to teach me a thing or two about periods of history I thought I knew inside out.
I cannot recommend this book highly enough for anyone interested in getting a beginners knowledge of world history, whether to help decide options for school, find a new hobby or even brush up on quiz knowledge. Taylor has written an immensely useful and informative text that I would, if I were a teacher of history, make a compulsory text for all my children. As it is, I'm in primary teaching and I can see myself recommending this to colleagues who are less confident in general historical knowledge to make sure they meet the grade! A fantastic talent has emerged in the literary world of non-fiction history, and I look forward to reading more from this incredibly talented and unique author.
Firstly, I have to be honest, world history from start to finish in 200 pages? I know, I asked myself that question so many times before I sat down to finally read this and I was highly sceptical whether it could be achieved. How very wrong I was.
Taylor has a unique take on history, succinct and incredibly to the point. I read a lot of history books and most historians get a little 'flowery' with their language in an attempt to make the reader love the history but Taylor takes a completely contrasting methodology in being almost blunt with the delivery of the historical facts. Usually, I would prefer more description but in this book it is much more apt to have this short, sharp burst approach as it keeps the reader hooked to the very end, even if they already know the history being told. That being said, I'm a self professed history enthusiast who reads history like fiction, and Taylor, in this masterpiece, managed to teach me a thing or two about periods of history I thought I knew inside out.
I cannot recommend this book highly enough for anyone interested in getting a beginners knowledge of world history, whether to help decide options for school, find a new hobby or even brush up on quiz knowledge. Taylor has written an immensely useful and informative text that I would, if I were a teacher of history, make a compulsory text for all my children. As it is, I'm in primary teaching and I can see myself recommending this to colleagues who are less confident in general historical knowledge to make sure they meet the grade! A fantastic talent has emerged in the literary world of non-fiction history, and I look forward to reading more from this incredibly talented and unique author.
Cat Goddess Freyja (16 KP) rated The Bear and the Nightingale in Books
Dec 5, 2018
Fantastic Read
Contains spoilers, click to show
I loved reading this book. Since reading it, a few weeks ago, it has become the first book that I recommend to someone looking for a good read. The author has brought her characters alive in a beautiful and alluring way. The story is based in Russia with a country noble's family being the main focus. The story itself, is a mixture of a coming of age story- in which the young main character, Vasya, discovers her place in the world- a fairy tale- a mythical snow demon who can only be calmed by a 'sacrificial' woman, who in turn fights with the snow demon against his evil brother- and a religious historical fiction- there is a strong opposition between Vasya, who believes strongly in the magic and old ways of her village, and a christian priest who comes to 'correct' their pagan beliefs and steer them towards God. There is a touch of romance, but it is not overwhelming and is charming in its own way. The characters come across as natural human beings/ mythical beings, and their choices in the story are logical and works well with whatever conflict they face. My absolute favorite thing that the author, Katherine Arden, did, however was her word choice. Karherine studied Russian in school, and knows quite a bit about its culture and language. A brilliant choice on her part, was recognizing that many of her readers may not be as familiar with the Russian language and culture as she is. So, to keep the feel of Russia alive in her book, she took the time to teach her characters beliefs to the reader, and come up with words that sound close to their Russian counterparts but are easy to pronoun for readers who don't know Russian. This is a very thoughtful fiction book and one I recommend for anyone who wants their imagination to shine.
Hazel (1853 KP) rated The Ice-Cream Makers in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.