"I’d have to include Mr. Hulot’s Holiday, a Jacques Tati movie, which I remember watching at my school when I was 17, and it was such a revelation for me as a movie, as a sort of a comedy tone and attitude which I’d never seen. Almost purely visual, for a start; no words. And like most people, in terms of comedy movies, I’d been brought up on British and American comedy movies, which tend to be fast moving, and they tend to be very verbal, with the exception of the Pink Panthers, actually. Of course, I could veer off into that in terms of the Peter Sellers… But it just had a fabulous comic tone and comic attitude which I’d never seen before, which is basically where you just sit back and watch people behaving in a slightly exaggerated way. And, again, if comedy is exaggerated truth, there it was again. It was the pace of it, the slow pace of it. That’s what was such an eye-opener for me, and taught me one thing, really, which is that comedy is not about pace. It’s about rhythm. Rhythm is what’s important, and the rhythm can be surprisingly slow and still funny. And even if you know the joke’s coming, even if you can hear the joke trundling just the other side of the horizon, and you know it’s going to come over the horizon, you can enjoy it as much as if it’s a surprise. And that was the insight that I feel I got from that."