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Bob Mann (459 KP) rated Sweetheart (2021) in Movies
Sep 20, 2021
Great ensemble cast (1 more)
Sensitive and moving writing by Marley Morrison
A Gregory's Girl for the 21st Century
When I was in my late teen's, Bill Forsyth's "Gregory's Girl" perfectly epitomised the angst of the school years' emotions I'd left behind me. And I was very much heterosexual. With "Sweetheart", Marley Morrison in an astonishing feature debut delivers a "Gregory's Girl" for today's much more sexually fluid times.
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Andy K (10823 KP) created a poll
Mar 4, 2019
Whatchareadin (174 KP) rated Bring Me Back in Books
Apr 9, 2019
Let me start off by saying that this book was at the top of my Summer Reading List. I tried every way I could to get this from the publisher as an ARC without success. I was the first to read it from my library though.
Ten years ago, Finn's wife, Layla disappeared. They were on their way home from a holiday in France, when they stopped at a rest area for a bathroom break. When Finn returned from the restroom, Layla was gone. He tried to find her right away and contacted the police and told them everything that happened from the time they pulled in until he walked out of the bathroom and his wife was gone. But he left out one detail. Now Finn is dating Layla's sister, Ellen, and things keep popping up to bring Layla back to the forefront. Is Layla alive or is someone playing a twisted game to stop Finn and Ellen from being together?
I love B.A. Paris! Everything she has written so far has been incredible to me. This was another book that I couldn't put down. I think I read it in less than 48 hours.
What would you do if your significant other went missing and was presumed dead. Ten years later when you are about to marry her sister, there are little signs everywhere that she may be still alive. But how is that possible? Why would she stay away all this time if she was alive? Has someone being keeping her captive?
All these questions are answered in the book. And the twist, that I kind of saw coming, but couldn't wait to see how the author laid it all out for us.
Whatever BA Paris writes, I'm definitely going to read. Every book has been unputdownable!! Have you read any of her books? Let me know. If not, what are you waiting for?
Ten years ago, Finn's wife, Layla disappeared. They were on their way home from a holiday in France, when they stopped at a rest area for a bathroom break. When Finn returned from the restroom, Layla was gone. He tried to find her right away and contacted the police and told them everything that happened from the time they pulled in until he walked out of the bathroom and his wife was gone. But he left out one detail. Now Finn is dating Layla's sister, Ellen, and things keep popping up to bring Layla back to the forefront. Is Layla alive or is someone playing a twisted game to stop Finn and Ellen from being together?
I love B.A. Paris! Everything she has written so far has been incredible to me. This was another book that I couldn't put down. I think I read it in less than 48 hours.
What would you do if your significant other went missing and was presumed dead. Ten years later when you are about to marry her sister, there are little signs everywhere that she may be still alive. But how is that possible? Why would she stay away all this time if she was alive? Has someone being keeping her captive?
All these questions are answered in the book. And the twist, that I kind of saw coming, but couldn't wait to see how the author laid it all out for us.
Whatever BA Paris writes, I'm definitely going to read. Every book has been unputdownable!! Have you read any of her books? Let me know. If not, what are you waiting for?
Andy K (10823 KP) rated The Impossible (2012) in Movies
Apr 16, 2019
Epic and intimate
How would you like to take your family on holiday to Thailand only to be caught in the onslaught of a tsunami? Such is the case in this film based on the true story of a family's painful and moving ordeal from the 2004 tidal wave.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
The wall of water comes out of nowhere when no one was expecting anything and everyone was just having a good time playing or relaxing by the pool. In an instant everyone present has their lives changed forever as they just try and hold on to something and claw their way to safety.
The disaster sequences are amazing, but it is all over quickly so the film is about love, loss and survival. Trying to make it back to the civilized world or at least what is left of it and trying to locate your missing family members is all the family cares about.
Understandably emotions run high throughout the film and I dare you to hold back the tears when several of the most touching moments occur. You are moved continually as you hope and pray the family find each other again and make it off together and patched up the best they can.
Naomi Watts was nominated for an Oscar for this role and she really deserves it giving an intense, emotional performance. Ewan McGregor is also emotional when he gets to use a cell phone to call his family and breaks down. Even young Spider-Man, Tom Holland, is along for the ride as the couple's oldest son frantically trying to help his mother to safety.
The triumph of the human spirit is present here and you are taken along with them as your empathy pours out to the victims of this tragedy.
Keep your tissues close by for this one.
Daniel Boyd (1066 KP) rated Hotel Artemis (2018) in Movies
Sep 28, 2018 (Updated Sep 28, 2018)
Brilliant ensemble cast (2 more)
Cool setting
Great score
You can check out anytime you like, but probably won't want to leave
This was one of those movies that had a really weird release. After seeing the trailer, I was really looking forward to going and seeing this at the cinema. Then, America got it a month before the UK did and when it did drop in Britain, it was a very limited release and was only showing in one cinema in my area. At around the same time, I went on holiday for a fortnight and it is only now, a full 2 months after the movie's initial release that I finally got to get to a screening.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.